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Author: Bob Byrne

A (Black) Gat in the Hand: Shovel’s Painful Predicament

A (Black) Gat in the Hand: Shovel’s Painful Predicament

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I am far more into pastiche – that emulation of an author’s style – than parody, which uses the author’s work to get a laugh. But I do read a little parody; and have written a few short stories in that category. Black Gaters know I am a huge Sherlock Holmes fan. My first column here, which ran weekly for three years, was called The Public Life of Sherlock Holmes (an homage to Sherlockian Vincent Starrett).

And, since you’re reading the 82nd installment of A (Black) Gat in the Hand, you know I love wandering down those Mean Streets. If done well, I think you can mix genres. In this instance – for a little parody fun. William Gillette was THE great stage Sherlock Holmes, having rewritten a first draft of a play by Arthur Conan Doyle himself. Sherlock Holmes – A Drama in Four Acts became an international sensation. Gillette would play the role over 1,300 times on stage, make a film of it, and even, at age 82, record a radio version. It is still performed today, and such notables as Leonard Nimoy, Frank Langella, and Alan Rickman, have performed it on stage. Of course, I wrote about it here at Black Gate.

In 1905, Gillette was to perform a comedy sketch at a charity event. It fell apart at the last minute, and he quickly wrote the curtain-raiser, The Painful Predicament of Sherlock Holmes, which he performed with the great Ethel Barrymore (John’s sister), as a fill-in. He would use it in the future, and it’s a fun spoof of a typical Holmes case.

I decided to rewrite Painful Predicament as a hardboiled parody. And I’m thinking of a follow-up. Shovel himself is a pretty regular PI, and I do use some over-the-top hardboiled prose. But I like the humor the client provides. So, here we go…

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A (Black) Gat in the Hand: Tracer Bullet Takes the Case

A (Black) Gat in the Hand: Tracer Bullet Takes the Case

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have had a Roger Torrey essay in mind for a couple years. And I thought I was going to write it this past weekend, but it didn’t quite work out that way. I’ll still be doing one this summer (he tells himself), using a short story from Black Dog’s excellent collection, Bodyguard. But today is not that day!

Calvin and Hobbes rivals Fox Trot for my all-time favorite comic strip. Bloom County barely holds off Dilbert for the third spot. Of course, the magic of C&H captivated millions over the years, and still does.

I have all of the non-repeating collections. Having bought them as they came out, I didn’t get that massive hardback collection. I even have the one from the exhibit here at Ohio State in Columbus, OH back in 1995. I didn’t see that one, unfortunately.

Calvin is a six-year old kid, and he has a stuffed tiger named Hobbes. Hobbes is alive when it’s just Calvin around. He’s a normal stuffed animal when someone else is (I only noticed one panel with an animated Hobbes, and someone else there…). Calvin is constantly getting into trouble with Hobbes.

There were some recurring characters, like Spaceman Spiff. There were two or three series’ with Calvin imagining himself as the classic hardboiled private eye, ala Sam Spade. He is Tracer Bullet. …

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A (Black) Gat in the Hand: Norbert Davis’ “The Gin Monkey”

A (Black) Gat in the Hand: Norbert Davis’ “The Gin Monkey”

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

There will be more pulp Robert E. Howard this summer, but this week, it’s back to the Mean Streets I’m actually (semi-) qualified to write about. And I do know my Norbert Davis; and Dime Detective! This is my seventh Davis essay. And I’ve written two book introductions, with more coming. I’m doing what I can to drum up interest in the massively under-appreciated pulpster.

Black Mask originated, and then dominated, the hardboiled pulp field. In early 1923, Carroll John Daly brought Three gun Terry Mack, and then Race Williams to the page. In October, Dashiell Hammett (writing as Peter Collinson) introduced the more-developed Continental Op. Black Mask would focus on the newly created sub-genre, Joseph ‘Cap’ Shaw would become editor, and the magazine would dominate the mystery field for the rest of the decade. The field was emulating, and looking up at, Black Mask.

Dime Detective hit newsstands in November of 1931. The pulp would become Black Mask’s most enduring competition. In fact, Black Mask would be bought by Dime Detective’s publisher and the latter would outlast the legendary magazine. Stories would be parceled out between the two magazines, and there wasn’t much of a difference, other than which characters could be found in which one.

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A (Black) Gat in the Hand: Thrilling Adventures from Robert E. Howard

A (Black) Gat in the Hand: Thrilling Adventures from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Two weeks ago, we followed Robert E. Howard out of our usual mean streets, and into the Shudder Pulps. Two-Gun Bob was our tour guide again last week, as we wandered into Spicy Adventures territory. Howard is a great guide through the pulps, and this week, Kirby O’Donnell takes us to the Adventure Pulps.

Robert E. Howard sold his first story in 1925, with “Spear and Fang” appearing in the July issue of Weird Tales. One of Howard’s first characters, written as a young teen, was a Texas gunslinger who roamed the wilds of Afghanistan and neighboring areas. Francis Xavier Gordon, who would be better known as El Borak (The Swift) was Howard’s attempt to get into the higher paying, prestigious pulps, like Argosy, and Adventure.

Unfortunately, that turned out to be an unassailable market for Howard, and he did not get his first adventure story published until late 1934. At the peak of his writing skill, he would, sadly, be dead in less than two years. And it wasn’t a more developed El Borak that got Howard into the market. It was a very similar, less complex character named Kirby O’Donnell.

My REH friend Dave Hardy has written two excellent articles on El Borak and Howard’s gunslingers of the Near East. The definitive essay on the topic is in the Del Rey El Borak and other Adventures collection. And you can find the other here at Black Gate, in our Discovering Robert E. Howard series.

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A (Black) Gat in the Hand: Spicy Adventures from Robert E. Howard

A (Black) Gat in the Hand: Spicy Adventures from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last week, we followed Robert E. Howard out of our usual mean streets, and into the Shudder Pulps. Well, Two-Gun Bob is our tour guide again this week, as we wander into Spicy Adventures territory. I’m kinda liking this REH theme, and I’ll see if I can’t follow up with a story from the boxing pulps, and maybe an Oriental adventure (which is not what we think of from that title, today).

In the early Pulp days, girlie magazines were known as ‘smooshes.’ The Great Depression hit them hard – just as with all the other pulps. And, they were under attack from civic and morality groups, as well.

In April of 1934, pulp publisher Harry Donenfeld, with editor Frank Armer (Donenfeld had previously bought out that struggling publisher, then hired him) created the Spicy Pulp formula with Spicy Detective Stories. Under the Culture Publications masthead, it took the type of hardboiled crime stories in popular pulps like Black Mask, and Dime Detective, and added in the racy elements of the smoosh mags. Picture Sam Spade leaving no doubt that he bedded a scantily-clad Brigid O’Shaughnessyy in his apartment.

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A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My area of expertise is the hardboiled/Pi genre. But today, we’ll jump over to the ‘shudder pulps.’ In 1933, Popular Publications (Harry Steeger) switched the ailing Dime Mystery over to a new, weird menace format. This started a short fun of success for that pulp sub-genre. Popular jumped in with both feet, shortly after launching Terror Tales, and then Horror Stories. As the tone shifted from weird, eerie, menacing elements to torture, depravity and sadism, a public outcry arose against these shudder pulps and the sub-genre died in the early forties.

Robert E. Howard, always looking for new markets, succeeded in placing “Black Talons” in the December, 1933 issue of Strange Detective Stories. “Fangs of Gold” (a Steve Harrison tale) followed there in February of 1934. Another Harrison story, “The Tomb’s Secret, was in that same February issue, under the pseudonym, Patrick Ervin.

Assuming he was actually getting paid (something that happened with irregularity from Weird Tales), this was a good market for Howard. “Dead Man’s Doom,” the next Harrison story, was slated for the March, 1934 issue. And then, the magazine folded. The story wouldn’t see print until 1978 as “Lord of the Dead” in the Sukll-Face paperback.

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A (Black) Gat in the Hand: Heard of Chris London? Didn’t Think So

A (Black) Gat in the Hand: Heard of Chris London? Didn’t Think So

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

In the early fifties, a lot of movie stars took on radio shows, in an effort to boost their incomes. Humphrey Bogart, Alan Ladd, Joel McRea – some big names tried their luck at it. Many were short-lived efforts. You can read my scintillating essay about Bold Venture – a good show which starred Bogie and his wife, Lauren Bacall – here at Black Gate.

NBC had Erle Stanley Gardner create a character specifically for a radio show to go up against CBS’ hugely successful Jack Benny Show. CBS had ‘acquired’ much of NBC’s Sunday night programming. ABC had also hit big with the first music quiz show, Stop the Music (think Name That Tune for radio).

Music ran against the long-time successful The Fred Allen Show. Allen’s show took a big ratings hit, and his health was failing at the same time. So, his show ended. NBC then aired the glitzy, big-budget, Hollywood Calling. Movie stars called common folk, who got a watch and ‘something else’ (like Jennifer Jones’s scarf) if they were at home and answered – no cell phones, ya know! The lucky peasant got to talk to a star, and won money, and got entered for a bigger prize, if they could answer a question.

It didn’t beat Jack Benny in the ratings, it cost a lot of money, and NBC canceled it after only half a season. Enter a replacement detective show – The Adventures of Christopher London.

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All My Robert E. Howard Essays (April 2023)

All My Robert E. Howard Essays (April 2023)

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I am the in-house mystery guy (that’s how I hoodwinked John O’Neill into giving me a weekly column). Eight years later, he’s still trying to configure the Fire Wall to keep me from getting up my Monday morning post! I organized the Discovering Robert E. Howard, and Hither Came Conan series’ here at Black Gate. And contributed, of course. That’s the advantage of being in charge of them!

Robert E. Howard is my second-favorite writer (trailing only the terrific John D. MacDonald), and I’ve written quite a bit about him here at Black Gate. With more to come, of course. I’ve got part of a series written, in which I’ll look at the first dozen of Roy Thomas’ Conan the Barbarian comics; including how the series came about. And I’m pretty sure Solomon Kane will succeed Hither Came Conan in the all star contributor series.

I came late to Howard. I have loved mythology since grade school. The Iliad remains one of my all-time favorite stories, and I have a copy of Schleimann’s Ilios. That led me to Dungeons and Dragons in Middle School, and I know I was reading The Lord of the Rings somewhere around the 8th grade. I was a fantasy fan for life.

I bought the first Ace Conan paperback, but it sat on my shelf, unread. Not sure why. I know I read David C. Smith’s Oron, but not that one. As my son was playing with the Thomas the Train layout in the kids section of Barnes and Noble one day, I started reading the first Dely Rey Conan book. I read that the next time we were there. And I bought it. And Robert E. Howard would move up the ranks of my favorite writers, as I bought more Del Reys. Conan still holds the top REH spot, followed by El Borak, and then Solomon Kane. But I just continued to like Robert E. Howard, more and more.

I’m off to my first-ever Howard Days in a few days! It’s gonna be great!!  Here are all of my own Robert E. Howard-related essays here at Black Gate. A couple are pretty good, I think. Mostly in the first two sections below. Check out a couple, please. By Crom!

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A (Black) Gat in the Hand: Sci-Fi Meets Police Procedural – Asimov’s Baley & Olivaw

A (Black) Gat in the Hand: Sci-Fi Meets Police Procedural – Asimov’s Baley & Olivaw

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You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

So… it’s a sneak preview, as A (Black) Gat in the Hand returns for the fifth straight summer. How about that? We’ll get going full bore after I get back from Howard Days, but here’s a little sci-fi meets mystery to get the 2023 season under way.

From October to December of 1953, a three-part serial from Isaac Asimov ran in Galaxy. In February, The Caves of Steel was published in hardback. Asimov combined the science fiction and mystery genres in the story. The Caves of Steel paints a bleak future for humanity that served as more than just the background of a murder investigation.

Earth became overpopulated and civilization had to adapt to the massive resource needs. Cities became densely populated collectives. Efficiency drove everything. Section units (one, two and three room apartments) rather than houses. Group eating areas, rather than individual kitchens. Common shower and bath units instead of one (or more) per family. Hundreds of miles of high-speed conveyor belts, rather than roads and cars. The ancient, underground roadways were used by official forces to fight fires, or to move about to quell riots.

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KISS’ Hard Luck Woman – It was for Rod Stewart?

KISS’ Hard Luck Woman – It was for Rod Stewart?

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And now, for something completely different. My older sister was a huge KISS fan. She and some friends went out for Halloween dressed as the band one year. So, I heard their music as a little kid, but it wasn’t until later I really got into them. I saw them on the Crazy Nights tour. That remains my favorite album by the band, followed by Alive II.

While I like a lot of their songs, I acknowledge, lyrically, their tunes are the equivalent of a horny 14-year old boy. Titles like Love Gun, Bang Bang You, and Ladies Room, are about as deep as they sound. And there are a lot more ‘clear’ examples; without even getting into lyrics. Rocket Ride isn’t exactly an existential examination of interstellar travel…

But it is what it is. They’re a great rock and roll band. Paul Stanley grew up on the Motown and Philly soul sounds, and his Soul Station project is a reflection of that. IF you don’t much use for him, google him singing the classic, Get Ready, as he emulates Eddie Kendricks’ falsetto. This is the music Stanley loves. And it’s got those great Motown horns. And listen to an original song he wrote for the album, I, Oh I. It’s simply terrific and would have been a smash in 1966.

He was also a big fan of Rod Stewart, and liked songs such as Maggie May, and You Wear it Well. He wanted to write a song for Stewart, and came up with Hard Luck Woman. This explains why it doesn’t sound like a typical KISS song. The lyrics bring to mind the nautical classic Brandy, from Looking Glass.

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