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Author: Bob Byrne

Nero Wolfe’s Brownstone – 3 Good Reasons: Murder is No Joke

Nero Wolfe’s Brownstone – 3 Good Reasons: Murder is No Joke

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I haven’t written about Nero Wolfe in a year and-a-half? Flummery! Most NOT satisfactory. So…

Welcome to another installment of 3 Good Reasons. With a goal of eventually tackling every tale of the Corpus, I’ll give three reasons why the particular story at hand is the best Nero Wolfe of them all. Since I’m writing over seventy ‘Best Story’ essays, the point isn’t actually to pick one – just to point out some of what is good in every adventure featuring Wolfe and Archie. And I’ll toss in one reason it’s not the best story. Now – These essays will contain SPOILERS. You have been warned!

The Story

Today’s story is “Murder is No Joke” from And Four To Go. It’s the fourth and final story, and a bit of a ‘debutante at the wrong ball.’ Each of the first three has a holiday theme.

Flora Gallant is worried about the influence which the mysterious Bianca Voss has over her brother Alec; an internationally acclaimed fashion designer. A call to Bianca, from Wolfe’s office, goes awry when Voss is apparently murdered while on the other end of the line. Inspector Cramer finds it awfully convenient, and Wolfe sets out to identify the miscreant.

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What I’ve Been Reading: October, 2026

What I’ve Been Reading: October, 2026

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I listen to a dozen audiobooks a month, easy. Often, a re-listen. I fall asleep with an audiobook timer set, every night. Having bought my bungalow in June, I try to spend a little time reading on the front porch, most days. Now that Fall weather has (FINALLY) settled in here in Columbus, I’m trying to be more intentional about it. Plus, the spare bedroom is actually the reading room.

So, I’ve gotten in some reading the past month.

SAVAGE SWORD OF CONAN – CHUCK DIXON

I’ve blogged about Marvel’s Conan the Barbarian a couple times. I only began reading that one during COVID, and I now have five of the Marvel Omnibuses, as well as Roy Thomas’ terrific three-volume memoirs about the first 100 issues.

And just a year or two ago, I expanded my reading to include the black-and-white Savage Sword of Conan, also helmed by Thomas. Originally I preferred CtB. But the art style, and the depth of the stories, have really made me a SSoC fan. I read the first several Marvel volumes, which were by Thomas. But I’m currently reading Volume X, with Chuck Dixon doing the writing. Gary Kwapisz seems to have done most of the artwork (inked by Ernie Chan) and I’ve adapted to his style pretty quickly.

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Cimmerian September: Five Things I Think I Think – REH Edition

Cimmerian September: Five Things I Think I Think – REH Edition

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Welcome back to the final week of Cimmerian September. I realized that I’ve never done a Ten Things I Think I Think for REH. Now THAT seems remiss of me. So, we’ll ease into that with Five Things.

1) CONAN IS A ROGUE

Of course, “Rogues in the House” (which I wrote about for Hither Came Conan) is a favorite story among fans. It’s right there in the name. I’ve been re-reading some Solomon Kane lately, and I revisited El Borak last month. Those two are honorable men, fighting for justice, or nation, or to vanquish evil. Conan has his barbarian’s sense of honor. But he’s after wine, women, and money. He does ‘noble’ things, but that’s not what’s driving him. He’s a lusty sword swinger out for an adventurous life.

Sometimes I see the makings of a Conan story while I’m reading Kane and El Borak. But the character motivation is usually different. Doesn’t make it better or worse, but it does make the heroes different.

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Cimmerian September – Conan and The Lost Valley of Iskander

Cimmerian September – Conan and The Lost Valley of Iskander

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Welcome back to week three of Cimmerian September.

Now, El Borak rivals Conan for my favorite REH character. I REALLY enjoy those stories. And I like Kirby O’Donnell, and I’ve covered those three tales, here at Black Gate. “Sword of the Hills”/”The Lost Valley of Iskander” is one of my favorites. It’s more like a Conan tale than any of the others. In fact, back in the days before Heroic Signatures started pushing out lots of new pastiches (some good, some less so), I started turning “Lost Valley…” into a Conan pastiche.

It was just for fun, whereas I’ve been very serious about my Sherlock Holmes, Solar Pons, and Nero Wolfe fiction. But if I were going to ‘do Conan,’ it would be with this story. Here’s the opening, which mirrors the El Borak original. 

Whatever you may think of this fragment, you absolutely should check out El Borak, if you haven’t. Dave Hardy wrote a killer essay about ‘The Swift’ for Discovering Robert E. Howard (he also wrote the Del Rey intro). So, read on!

The skittering of a stone broke the stillness and instantly awoke Conan, sleeping in the shadows of a rocky crag. With almost inhuman quickness, his right arm shot up and grasped a wiry wrist, halting the descent of a curved knife that glinted not in the starless sky. Corded muscles flexed, and the newcomer hissed between his teeth as he struggled in vain to push the knife through to its destination. The attacker’s weight held the Cimmerian on his back, but Conan brought his left hand up in a fist and smashed it into the side of his attacker’s head, barely noticeable pain bursting through his knuckles as they connected with the man’s skull.

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By Crom, It’s Cimmerian September: The Birth of Conan Scholarship

By Crom, It’s Cimmerian September: The Birth of Conan Scholarship

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We’re back for week two of Cimmerian September. Hopefully you saw last week’s post on Marvel’s King Conan comic, which I read for the very first time, to write about. Having read three, it definitely ranks below the two long-running series’ it followed: The Savage Sword of Conan, and Conan the Barbarian, for me.

Some of you know I had a hand in Hither Came Conan, from Rogue Blades Foundation. It is a SUPERB collection of essays on the original Conan stories, from a veritable Hall of Fame of Robert E. Howard scholars and fans. You read some of the essays in the book here at Black Gate, first. Jason Waltz expanded it greatly, incorporating the terrific blog series done by the late, terribly missed, Howard Andrew Jones, and Bill Ward. he also commissioned some new essays, never seen before. I penned a few new ones, including a look at the foundation stone of Conan scholarship.

I came to the REH world from the Sherlock Holmes universe, where writings about Holmes (and Arthur Conan Doyle) probably exceed that of any other fictional character. I certainly contributed my share. As Christopher Morley famously said, “Never have so many written so much about so little.” I brought that Sherlockiana feel to the works of Two Gun Bob. You can find links to all my pieces here at Black Gate, at the end of this article.

But first, read the last essay from Hither Came Conan: REH, Two Fans, and the Birth of Conan Scholarship. 

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By Crom, It’s Cimmerian September: Marvel Does King Conan

By Crom, It’s Cimmerian September: Marvel Does King Conan

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Even as another Summer of A (Black) Gat in the Hand ran in my Monday morning slot (nine years now!), I’ve been spending a lot of time in Nero Wolfe’s Brownstone on West 35th Street, in Manhattan. But I didn’t feel like I could miss out on Cimmerian September. A few of you may recall that last year I joined in the month-long celebration of Robert E. Howard’s mighty-thewed sword slinger.

Later this month I will be on the third and final Solomon Kane Youtube panel by the Robert E. Howard Foundation (here’s the first one). So, getting my REH on this month.

I’ve said that I came late to REH. I was in my forties and my young son would play with the wooden train sets in the kids playroom at Barnes and Noble. One day I picked up the first Del Rey Conan and read it for a bit. I ended up getting it later. And Robert E. Howard would ascend the ranks to surpass all my other favorite writers, with the exception of John D. MacDonald.

My buddy Howard Andrew Jones would stick a verbal elbow in my ribs that I was a rookie sword and sorcery fan, and never changed that opinion, as I still hadn’t shown any interest in C.L. Moore’s Jirel of Joiry (hey – I’m interested in what I’m interested in). But I made up a lot of Conan ground (I had read Moorcock and Leiber by junior high), and I can hold my own in the REH room now.

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A (Black) Gat in the Hand: Going The Distance with the Czar of Noir

A (Black) Gat in the Hand: Going The Distance with the Czar of Noir

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

Eddie Muller is known as the Czar of Noir. He founded the Film Noir Foundation and he hosts Noir Alley, on Turner Classic Movies. He’s written a couple respected non-fiction books about Noir and cinema.

In 2002, Austin hosted the big mystery convention, Bouchercon. I was living there and stopped in for a day. I met Eddie, who hadn’t yet started appearing on TCM opposite Robert Osborne. He was there with his just published first novel, The Distance.

Eddie’s father was a popular, long-time sportswriter for the San Francisco Examiner for over 40 years. He was known as ‘Mr Boxer.’ Eddie would also go to work in the newspaper business himself.

That background is all relevant, because for the book, Eddie drew heavily on his dad’s career, and his own life around the newspaper industry. The Distance features Mister Boxing, Billy Nichols, a local sports reporter who is a legitimate celebrity, working for William Randolph Heart’s The Examiner. Set around the post-WW II San Francisco boxing scene, the workings of the newspaper and the reporter’s life add great depth to the book.

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A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have a shelf full of Jim Thompson books. For A (Black) Gat in the Hand, I decided to read a couple I had not got to yet. So, Wild Town was followed by A Swell Looking Babe. Then, Nothing More than Murder. And I mixed in The Grifters (which I have read, as well as seen the movie) into my audiobook listening.

While I’ve got a post dedicated to maybe his most unusual book – The Transgressors – in the works, I wanted to bring up one common aspect in his writing.

It can be difficult to sympathize with the main character, as they’re often not very nice people. That’s a post in itself. And those characters are often saturated with bleakness. I rarely read two Thompsons in a row. I need a palette cleanse after one. He’s good. But he’s about as joyful as Full Metal Jacket.

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A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest took place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its Summer line at this event. Last week I shared the latest intro I wrote for Hammett’s Continental Op series; which is up to four volumes. This week, it’s my other new Steeger release. I’m a big fan of W.T. Ballard’s Hollywood studios troubleshooter, Bill Lennox. He’s a neat take on the hardboiled PI. 

Lennox was featured in short stories and novels, and I wrote the intro for Volume 2.

Willis T. Ballard’s middle name is ‘Todhunter.’ While that is certainly a rare one, it is also the middle name of his cousin, Rex Stout, who created the hugely popular Nero Wolfe. Apparently Todhunter is a good name if you want to become a successful writer.

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A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest takes place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the fourth year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume contains the first great hardboiled novel, Red Harvest. 

Unable to make a living writing for Phil Cody, Dashiell Hammett quit Black Mask – and the Pulps, entirely – after “The Creeping Siamese,” which appeared in the March 1926 issue. It was also the last story in Volume Three of this series.

Hammett had written some top-tier stories, such as “The Girl with the Silver Eyes,” and “The House in Turk Street.” But he was not yet THE Dashiell Hammett when he took a full-time job as advertising manager for Albert S. Samuels Co. Jewelers, in March of 1926. Hammett worked, drank, got a second apartment as a writing studio, and romanced the office secretary; all while his second child was being born. The stress was too much for his war-damaged lungs and he collapsed, coughing up blood. Unable to work full-time, he did free-lance advertising writing. He simply did not want to write fiction again. Enter Joseph ‘Cap’ Shaw.

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