One of the Finest Achievements of Heroic Fantasy in the 20th Century: Dilvish, the Damned by Roger Zelazny
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Dilvish, the Damned (Del Rey, November 1982). Cover by Michael Herring
Roger Zelazny was unquestionably one of the great American fantasists of the 20th century. That’s not to say he was perfect. His woman characters were often 2-dimensional, and he paired an unwillingness to work with an outline (“Trust your demon” was his motto) with a fondness for projects that really needed an outline.
But perfection is boring. Zelazny rarely is. Much of Zelazny’s work is on my always-reread list, anyway. He had a nifty way of putting things, and in describing the Amber series he brilliantly expressed the kind of fiction I love best and have often tried to write: “philosophic romance, shot through with elements of horror and morbidity.” Philoromhorrmorbpunk. That’s my genre. Or you could just say sword-and-sorcery.
Some people doubt whether Zelazny counts as a sword-and-sorcery writer, but he didn’t doubt it. He described not only the Corwin novels but also big chunks of Lord of Light as sword-and-sorcery. Some people think that a story only counts as S&S if it has a Clonan at its center, but as far as I’m concerned, if you’ve got an outsider hero on a personal mission in a landscape of magical adventure, and there are swords or other edged weapons, you’ve got sword-and-sorcery.