The Vatican Tapes (2015) – Prime

Imagine my excitement when I read that Mark Nelvedine (The Crank movies, Ghost Rider: Spirit of Vengeance, Gamer) had made an exorcism flick. This was bound to be bonkers!

Oh, foolish lamb that I am.

This limp rag of a horror film had all the bite of a blob fish, and half the appeal. In order to hit that sweet PG-13 demographic, the film has been neutered to such an extent that it was virtually blood-free. Any onscreen nastiness takes place with the victim’s back to the camera, and none of it is helped by illogical editing choices.

It’s a waste of talent too — Dougray Scott, Michael Peña and Djimon Hounsou plod through the proceedings with all the enthusiasm of a 7th-grader getting a vaccine shot, and the poor young woman who is the subject of their attention is played by Olivia Taylor Dudley, who I can only presume was asked if she could do a Kristen Stewart face.

Boring.

4/10

The Convent (Alpine Pictures, January 22, 2000)
and Late Night with the Devil (IFC Films/Shudder, March 22, 2024)

The Convent (2000) – Tubi

Some nuns and a priest are fussing around an alter when suddenly a cool-looking chick bursts in and starts whaling on them with a baseball bat, before finishing them off with a shotgun.

Okay movie, you have my attention.

Unfortunately, the rest of the flick doesn’t live up to this intro, although it’s a fairly fun attempt to conjure up the daft delights of 80s demon films. A bunch of frat yoots are determined to break into an old, deserted convent and tag it before the other frat houses. They are also hoping to smoke some of the devil’s leaf, and perhaps partake in some heavy fondling. Unfortunately, they inadvertently awaken the spirits of unholy nuns, who promptly possess them and go on a rampage. It’s up to the original nun-knocker from 20 years ago, Adrienne Barbeau, to go all Terminator 2 on the holy horrors.

It’s very silly, occasionally messy, and mostly neon, as the demons were all shot under UV lights.

Megahn Perry was a highlight as Mo, a goth who totally looks like a 19-yr-old Olivia Colman in black lipstick. She was good, as was a Bill Mosely cameo, and Coolio acting ‘extremely’ normal.

It’s not brilliant, but it’s not awful either.

6/10

Late Night with the Devil (2024) – Prime (Shudder)

Let’s get the drama out of the way first. Lots of folks over on Xitter claimed they were boycotting this film due to its (minimal) use of A.I. images. I appreciate their stance, however, it’s difficult as all hell to get an indie horror made these days (exhibit A: the several hundred production logos at the beginning), and boycotting this one just hurts the hundreds of other crew-members who had no hand in the decision.
Sure, go ahead and be very disappointed, but to boycott it means you won’t get to see a terrific concept nicely put together.

Current horror darling, David Dastmalchian, is perfect in the role of a late-night host who can’t quite match the ratings of the great Johnny Carson (this is set in 1977). His beloved wife has recently died, the sweeps are nigh, and he’s desperate for a decent show. Tonight’s Halloween spectacular might be the last gasp for Night Owls. Jack Delroy, along with his sidekick, Gus, have invited a half-rate psychic, a James Randi type, and the subjects of possession research, June, the researcher, and Lily, the possessed. As you might guess, it all goes horribly wrong.

The film opens with narration (Michael Ironside!) to bring us up to speed, and then presents the show in its entirety, threaded with behind the scene footage. I loved the concept and the slow build-up, and the general aesthetic was spot on. I’ve seen a lot of reviews from yoots saying it’s ‘mid’, but I think it really helps if you grew up watching the late shows of the 70s and 80s.

Recommended.

9/10

The Exorcism of God (2021) – Tubi

I wasn’t expecting much from this Mexican/US production, mostly because I’d never heard of it, but it was a pleasant surprise.

The director, Alejandro Hidalgo, get all of the cliches out of the way in the first few minutes, including a totally unsubtle Exorcist shot, yellow eyes, shaky beds, psychosexual taunting, inexperienced priest, etc etc. However, this story has more to offer than the usual schtick we get in these films.

This time, the priest hides a very dark secret that stems from the initial exorcism, a secret that rears up again 18 years later when he is exalted as a ‘saint’ for saving a Mexican village. Father Peter is a really interesting, conflicted character, and I liked Will Beinbrink’s portrayal of the tortured soul very much. In fact, it’s well acted all round and beautifully shot, although it relies a bit too heavily on jump scares, which were unnecessary.

Plenty of atmosphere, lots of creepiness and a genuinely ghastly plot. Recommended.

8/10

Evil Dead Rise (Warner Bros. Pictures, April 21, 2023)
and Exorcism at 60,000 Feet (Shout! Studios, August 9, 2019)

Evil Dead Rise (2023) – Crave

Curse me and my self-imposed rules. I wanted to watch this one last year, but I knew I was doing this possession project after the Tubi one, so I had to wait. It was worth it!

If Fede Álvarez’s Evil Dead in 2013 was the gritty embodiment of Raimi’s original, then this follow-up, written and directed by Lee Cronin, is a pitch-perfect take on the sensibilities of Evil Dead II. You can tell that Raimi, Tapert and Campbell were part of the production, because even though Rises is darker and bloodier, as befits a modern version, it is struck through with subversive humour. That’s the weird thing about the Evil Dead franchise — I can’t think of another film series that I gleefully watch as it inflicts so much ghastliness on decent people . It’s somewhat perverse.

The theme and storyline, with its focus on family, is quite disturbing, and yet there are several sequences that had me silently whooping; the carnage watched through a peephole, finding the right pot size to put a deadite down, and an eyeball gag straight out of the Raimi playbook. Once all the possessed are chanting ‘dead by dawn!’ and souls are threatened with a good swallowing, you know that the good old days are back.

That’s not to take anything away away from Cronin. I think he’s done a stellar job here; its a well-crafted story and it looks great. The stand-out for me was Lily Sullivan, and I would totally watch the hell out of an Evil Dead series featuring her chainsaw-toting Beth.

Brilliant stuff.

10/10

Exorcism at 60,000 Feet (2019) – Tubi

A priest (Father Romero), played very well by Robert Miano, turns up at a house, poses à la The Exorcist at the front door, barges in and shoots a demon in the head (Bill Mosely, shaggy as ever) with a crucifix gun. So far, so good. The homeowner snaps out of his own demonic possession, sees his dead wife and screams in anguish. Then he wanders off into the shadows, looking for the rest of his family, crying ‘Oh God’ every time he finds one, his voice getting more horrified with each new discovery.

Utterly disturbing and heartbreaking, and yet it is played for the darkest of laughs, and God help me, I smiled. Then, as the priest manhandles the demon’s body into the back of a hearse, Richard Band kicks in with one of his patented sound-alike scores, and blow me down if it isn’t the music from Airplane! So this is where we are going.

What follows is a uniquely offensive exercise in attempted Zucker Brothers style comedy on a trans-pacific flight (via Viet Kong, no less) with some demonic gore thrown in. For the most part, the over-the-top comedy doesn’t work (I wish they had stuck to the blacker than pitch humor of the opening), but the ludicrousness belts along lickety-split, and there are definitely a couple of moments that made me chortle.

Here’s a list of the crew and passengers just in case you think they missed out on an opportunity to upset anyone.

• Captain Houdee (aha!) the alcoholic pilot played by Lance Henrikson made up as Sully,
• Kevin J. O’Conner (who I’ve missed terribly) as the dozing co-pilot,
• Bai Ling (The Crow) and Matthew Moy (2 Broke Girls) as the racially stereotyped flight crew (Ling’s character is transsexual to boot, which wasn’t handled as badly as you might expect, but still the butt of a few jokes),
• A woman who has a golden glow emanating from her hoohah like Marsellus Wallace’s briefcase,
• An adult dwarf with Tourette’s who breastfeeds off Kelly Maroney (Night of the Comet),
• A Hasidic Jew played by Robert Rhine (one of the writers),
• A body builder,
• A pregnant woman,
• A guy who takes advantage of the pregnant woman while she is unconscious (really?),
• Adrienne Barbeau with a dead service dog,
• A deaf and mute guy who does nothing,
• A pair of nuns who get naked and then get it on,
• A Sopranos extra,
• A Tibetan holy man,
• A messy mile high club attempt,
• tampon gags,
• fart gags,
• and Bai Ling caked in makeup being told to crank it up to 26 and scream every line.

There’s also pea soup, Twilight Zone references and plenty of gore.

It would be easy to dismiss this one, but I think it’s perfect for the very very drunk or very very stoned, or for those with no moral hang-ups, and at the risk of eternal damnation, I’m going to recommend it just to you. You know who you are.

6/10

Previous Murkey Movie surveys from Neil Baker include:

What Possessed You? — Part I
What Possessed You? — Part III
Fan of the Cave Bear
There, Wolves
What a Croc
Prehistrionics
Jumping the Shark
Alien Overlords
Biggus Footus
I Like Big Bugs and I Cannot Lie
The Weird, Weird West
Warrior Women Watch-a-thon

---

Neil Baker’s last article for us was Part I of What Possessed You? Neil spends his days watching dodgy movies, most of them terrible, in the hope that you might be inspired to watch them too. He is often asked why he doesn’t watch ‘proper’ films, and he honestly doesn’t have a good answer. He is an author, illustrator, outdoor educator and owner of April Moon Books (AprilMoonBooks.com).