Goth Chick News: Getting Our Heavy Metal Back…
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Okay, strictly speaking, this topic doesn’t fall into a standard (notice I didn’t say “normal”) Goth Chick category. But bear with me for a short story.
A long time ago in a small midwestern town far, far away, I experienced my first hardcore crush. The subject in question was not only tantalizingly a few years older than me but he was decidedly gothy in a dark-warrior kind of way. Therefore, in my youthful opinion, he was perfection on two feet. That same year as I was sitting cross-legged on the floor of my local bookstore my eyes fell on an issue of Heavy Metal magazine where low and behold was my crush, or someone who looked darn close, personified in all his brooding magicalness, right there on the cover. That day my allowance went to my first issue of Heavy Metal and though I was a rabid fan for years afterward, I admittedly became hit and miss, buying only sporadic issues throughout the 2000’s.
Heavy Metal magazine, which had been in constant publication since 1977, printed its last issue in 2022 after a series of attempts to keep it viable, and an era came to an end.
Until now.
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Before we get to that, let’s back up for some history.
Heavy Metal debuted in April 1977, bringing avant-garde European comic art and adult-oriented storytelling to American readers. Inspired by the French magazine Métal Hurlant (“Screaming Metal”), Heavy Metal was launched by Leonard Mogel, who licensed the rights to translate and publish content from its French counterpart. The magazine quickly distinguished itself with its blend of science fiction, fantasy, horror, and erotica, rendered in fantastic artwork and experimental narratives.
In its heyday, the contributors to Heavy Metal included legendary artists like Moebius, H.R. Giger, and Philippe Druillet, alongside American talents such as Richard Corben. Heavy Metal became the go-to publication for visionary creators, showcasing serialized stories, one-shot comics, and memorable (and boy were they memorable) covers that pushed boundaries all over the place.
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The magazine reached a broader audience with the release of the cult animated film Heavy Metal (1981), an anthology of shorts inspired by its comics and featuring a soundtrack of iconic rock and metal bands. This cemented its reputation as a cultural touchstone for fans of both countercultural comics and rock music.
Over the years, Heavy Metal evolved under various editors and owners, including Kevin Eastman, co-creator of Teenage Mutant Ninja Turtles. In January 2014, its ownership transitioned to digital and music veteran David Boxenbaum and film producer Jeff Krelitz. Eastman, though stepping back from majority control, remained as publisher until 2020 and retained a minority stake in the magazine under Heavy Metal Media, LLC.
In early 2020 CEO Matthew Medney and “Creative Overlord” David Erwin (formerly of DC Entertainment) took the helm. They launched new publishing initiatives, Virus and Magma Comix, though neither gained much traction. In 2021, Heavy Metal celebrated its 300th issue, featuring work by legendary artists and tributes to its cultural impact.
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Financial struggles loomed, leading to a partnership with Whatnot Publishing in 2022 to produce future issues. However, cash flow problems forced Heavy Metal to cease publication in December 2022, ending its continuous run since 1977. Despite efforts to revive operations and fulfill obligations, only one additional issue was produced, and the magazine was officially canceled in mid-2023.
Which brings us to today.
In October 2024, Heavy Metal International, LLC announced a relaunch planned for 2025, backed by a Kickstarter campaign to fund it. The campaign had a modest $5000 goal but nearly 11,000 fans proceeded to blow that right out of the water and contributed a whopping $781K. HMI put together this short video announcing the comeback of the magazine so check it.
Heavy Metal magazine (new) issue 1 is set to drop in April in stores, and the magazine’s website indicates that subscriptions to the new version will be available there soon. I’m definitely going to give this a look when it hits shelves to see if Heavy Metal was a point in time, or if it can be successful in this era.
Thoughts?
I’ll wait till I see it on the shelves, though I might order it from my local comics shop. The last few years “Modern audience” pandering killed it and IMO it just switched technical hands to get out of legal obligations. I’ll say “One Man’s Opinion” but I’m very skeptical it’d be anything like 70s-90s and more likely will be the last few years re-heated.
BTW – Metal Hurlant (the original source) is also re-launched and will be published in English. That I did sign the kickstarter for. Also via Humanoids there’s Caza’s masterpiece, Arkadi and the Lost Titan – just got that volume and it’s HUGE and excellent quality.
Gman – you are absolutely right that it won’t be anything like it was or at least the artwork won’t be like it was. It looks like they’ve tapped some good comic writers though, which could be interesting. And interesting observation that it changed hands due to legal obligations. We’ll have to wait and see if it launches in April.
Again we’ll have to see – and again you might check out (aka make an article here!) the Metal Hurlant re-launch also happening – search for kickstarter – or Caza’s “Arkadi and the lost Titan” – these are things anyone who liked classic HM will love regardless of if the “New” HM regains any of its earlier oomph or not. A lot of people are going to be REAL mad at the corporate guy and new admins if they f- it up.
We understood HM got killed by being bought out and ‘modern audience’ drek – but figured another 5+ years this current disgusting era of publishing will crash since near ZERO people buy new things from the mainstream and the corporate welfare is going to dry up quick. Bringing it back now to kill it again…kind of the final straw to a lot of people. I’d assumed HM would be in limbo for a decade then republished – or worse (like first comics) in CopyWRONG H— where several people either claim (perhaps correctly) ownership and want an insane amount to buy or claim they were shorted so will sue any who buy it and cost a ton of $ even if losing. I’ll say “One Man’s Opinion” for legal CMA but a few things I encountered I’m pretty wary its a come-on, will SUCK to oblivion and the corporate guy will just suck corporate welfare and short-sell stock based on a pump and dump and loss. Then it will be like First Comics torn between property holding wanting a fortune and jilted unpaid contributors willing to take new owners to court since the original bankruptcied out and hid the assets…
Just before it re-launched I’d actually conceived of a stand in for it. Working on an alternative 1980s fiction series and made a page of stand-ins to deal with today’s copyright abuse for popular culture references they should thank people for but today’s world… It started as just a fill in for magazine racks in the background, some quickie AIart and a few concepts of stories – then I started writing them out and even made some songs based on it… I was so dying by nostalgia for HM over the decades… I’d also gotten some $ together to pay an artist who was 95% as awesome as Serpieri and draws similar stuff to make a story for a concept (digital publication) issue… Then HM launched again. So I pointed him there. He’s said he hasn’t gotten any response yet. Being careful not to name anyone directly but have you ever seen a modern artist who can do Serpieri almost as good -yes analog/colored pencils…and yes does Druuna tributes…? He’s the quality any serious publisher would go “Take … money ….. NOW!!!” at his quality and output.
Gman: Dang…
i hope beyond hop we can get scifi and fantasy that makes no sense but is damn interesting. i will admit i was drawn to heavy metal because of the boobs and the stories that were not formulaic in the least. almost every popular painter of the genre worked on something at some point and i found the Humanoids publisher for more european comic goodness.
Dante! I’ve missed your perspective, and the fact that you write things like “boobs” in your comments. And until I looked back at a repository of all the Heavy Metal covers, it never struck me how it was probably soft core porn to every teenaged boy in the 80s, so I was definitely not the target audience.
Fun write-up! I have 40+ issues from their golden age in polypropylene and have a lot of nostalgia for HM. However, I feel like the last owners *completely* ripped me off on my prepaid multi-year subscription, and I won’t be buying any new issues myself. Best of luck to them, though, and I hope it’s a good book for everybody.
McG: Good to know. I’ll pick up the first issue at my local comic and see where it goes from there. I’ll avoid a website subscription.
I was an early reader dating back to ’77 when I was in high school. It was pretty bold and heady stuff back in the day. The mix of brainy and puerile sensibilities gave the magazine a geeky frisson that so perfectly encapsulated the fantasy/comic mindset of the era but of course it couldn’t be sustained over the ensuing decades.
In a way those old issues are a tantalizing what-if glimpse at the road science fiction, fantasy and comics could gave taken. Alas, like the pulps, they were the mutant offspring of an era we’ll never see again. I have to give credit to anyone trying to get lightning back in the bottle but I’m dubious of the prospect.
B: I love the term “lightening back in the bottle” which pretty much sums up the chances that fans are going to love this rework.