Goth Chick News: Throwback Thursday – When Mickey Rourke Met Lucifer
This is how my brain works sometimes.
This week Deadline reported that Robert De Niro will be starring in an upcoming crime drama for Netflix called The Whisper Man based on a novel by the same name. That made me think that when I last saw De Niro, the dude looked pretty old, and that starring in a multi-installment series for Netflix would be pretty taxing. That led me to IMDB to find out how old he really is (De Niro is 81), which resulted in going down the rabbit hole of his incredible career, which led me to Angel Heart (1987).
I had all but forgotten about this film, but the minute I read the name all this controversial stuff about it started resurfacing in my mind. Honestly, I couldn’t recall if Angel Heart was really all that controversial, or if I remembered it wrong and naturally this resulted in a lost afternoon reading everything about it I could get my hands on.
So, here we are and yes, the movie was steeped in controversy.
Directed by Alan Parker (Midnight Express) and starring the pre-cosmetic surgery hotness that was a young Mickey Rourke, Robert De Niro, and Lisa Bonet (one of those adorable Cosby Show kids), Angel Heart blended the genres of psychological thriller, neo-noir, and horror. Set in 1955 New Orleans, it tells the story of small-time private investigator Harry Angel (Rourke) who is hired by a man who calls himself Louis Cypher (De Niro) to track down a singer named Johnny Favorite.
The investigation takes Angel into the backwaters of the Louisiana bayou where he meets the luscious young Epiphany Proudfoot (Bonet), who also happens to be a voodoo priestess. Suddenly, the trail Angel is following becomes soaked in blood and gruesome murder. So, who is trying to keep Angel from finding his quarry?
To kick off the reasons Angel Heart became a cult classic, after it pretty much bombed at the box office, was that at the time Bonet was best known for her role as Denise Huxtable on The Cosby Show, a wholesome family sitcom. Bonet’s Angel Heart performance included a graphic sex scene and nudity, which led to backlash for her career and to her public image.
Though it didn’t exactly ruin her in Hollywood, Angel Heart made it challenging for Bonet to find roles that matched her previous success. Producers and casting agents often pigeonhole actresses based on public perception, and Bonet’s decision to take on such a provocative role led to her being seen as “too edgy” for mainstream projects (for another example, seee Elizabeth Berkley [Saved by the Bell] and her movie Showgirl [1995]).
While we’re on the topic of sex scenes, the most infamous Angel Heart controversy involved the raw sex scene between Rourke and Bonet. This scene, which featured nudity, blood, and disturbing imagery, pushed boundaries for its time, not the least of which was because of the revelation of an incestuous relationship between Rourke’s and Bonet’s characters. This plot twist, coupled with the explicitness of the scene, sparked outrage and made the film even more polarizing.
The film’s depiction of voodoo practices, combined with De Niro’s portrayal of Louis Cyphre (an alias for Lucifer if that hasn’t jumped out at you yet), upset religious groups to no end. De Niro’s performance, though praised by audiences for its eerie subtlety, drew vocal criticism for allegedly glamorizing the devil. Critics accused Angel Heart of promoting occultism and blasphemy, while others argued that the film perpetuated stereotypes about voodoo and Haitian culture, painting them as sinister or evil.
Then there was the violence. Angel Heart is graphically violent, with several brutal and unsettling death scenes, including one involving a character’s heart being ripped out and another being boiled alive in a large vat of jambalaya. The overall dark tones and the depiction of psychological torment left many viewers disturbed, especially as Harry Angel’s true identity and fate are revealed.
The Motion Picture Association of America (MPAA) initially gave the film an X rating. Alan Parker had to cut approximately 10 seconds of footage from Bonet and Rourke’s nude romp to secure an R rating, though many still found the final version shocking. Ironically all the goriest scenes remained intact. You’d never imagine De Niro eating a hard-boiled egg could be so unnerving.
Yes, I immediately had to give Angel Heart a rewatch – it’s pretty much streaming everywhere. Frankly, I’ve always liked it in the same way I’ve always liked The Ninth Gate (1999) with Johnny Depp. Just suspend your disbelief and go there, provided you can get around the distraction of how the actors have changed (not just aged) in the years since.
This is a classic of the multi-genre of noir/horror!
Ad, I couldn’t agree with you more.
I remember my work colleague telling me in 1987 how disturbing this movie was for her, but also how great it was. I haven’t seen it for years but it’s stayed with me. It’s like Alan Parker knew just how to stitch together incidents that, in the hands of a lesser director, would have dragged the final product down into a jumbled mess. And oddly it’s the tiny moments I recall most, like the nose shields that protect the nose from sunburn and the hot humid atmosphere of the bayou country which left me almost dripping in sweat myself. Definitely worth a rewatch.
“You’d never imagine De Niro eating a hard-boiled egg could be so unnerving”: so well expressed. And for weeks after I was very wary of the cage elevator that serviced one of the buildings I frequently visited.
Chas, I wondered if I would still think this movie was awesome when I recently rewatched it – and I did. It’s those crazy details like that nose guard. It’s like at every turn Angel is doing things that will absolutely NOT result in a good outcome. So many subtleties – De Niro and that egg still gives me the creepies.
Parker is one of my favorite directors. “Angel Heart” holds up far better than so many other films from that era. Genuinely disturbing.
MRig, genuinely disturbing on so many levels. And it was one of the films that truly captured the underlying darkness of New Orleans (which I absolutely love). If Lucifer is hanging out anywhere on his off-days, its NOLA.
The movie is based on Falling Angel by William Hjortsberg, one of the best horror novels I’ve ever read. (For years I’ve tried to figure out how to do a piece on it without giving away the ending. Haven’t done it yet.) The book is set in New York, but I think the shift of locale to New Orleans works quite well, and the first time I saw the movie I was amazed at how good it is, and how generally faithful to the book.
TPark, I’m so glad you mentioned that because I remember running out the buy the book after seeing the film. I just went and pulled it off the shelf and it’s coming with me on vacation in a few weeks so I can revisit its awesomeness. One of the very few book-to-movie translations that I can honestly get behind.