Browsed by
Year: 2021

Check out the Latest Issue of Apex Magazine, Available Now

Check out the Latest Issue of Apex Magazine, Available Now

Comments 0 Comment

Apex Magazine #122. Cover by Thomas Tan.

I’m excited to see Apex Magazine return to a regular schedule.

Apex published its first print issue on March 16, 2005, and quickly established a reputation as one of the finest new SF magazines of the new century. It focuses on dark science fiction and fantasy, and has won several Hugo and Nebula Awards. Catherynne M. Valente was the editor for issues #15-29, Lynne M. Thomas for #30-55, and Sigrid Ellis for #56-67. Jason Sizemore has been editor issue #68. The mag took an 8-month hiatus in 2019, and returned with a bi-monthly schedule in January with issue 121.

Issue 122 is packed with great fiction by Sam J. Miller, A.C. Wise, Sheree Renée Thomas, Annie Neugebauer, and others. You can sample individual stories for free; the complete issue is for sale for $4.99.

Here’s the complete Table of Contents.

…

Read More Read More

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 28 & 29

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 28 & 29

Comments 0 Comment

So, last year, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Hortsmann. I have already re-posted days one through twenty-seven. Here are days twenty-eight (April 17) and twenty-nine (April 18). It helps if you read the series in order, so I’ve included links to the earlier entries.

DAY TWENTY EIGHT – 2020 Stay at Home

“Good morning, Archie. I trust you slept well.”

It was Nero Wolfe’s standard greeting to me when he came down from his morning session with the orchids. Pinning to the floor the only chair in the world built for him, he continued his verbosity. Yes, I learn a lot of big words working for Wolfe.

“That was a well-done article in the Gazette today. It should provide at least a temporary increase in business.”

He was referring to the Gazette’s piece on three high-end restaurants which were trying to keep afloat. Rusterman’s got the lion’s share of quotes and coverage. Lon had certainly come through aces. “I assume we will be having Mister Cohen over for dinner when that is once again an option?”

“You may assume that, yes. You may also invite the reporter, as well. It was a thoughtful piece, not the kind of sentimental drivel a female would have written.”

I grinned. “She’ll be happy to hear you liked it. Though I’ll leave out that last sentence.”

“She?”

…

Read More Read More

Underneath the Oversea by Marc Laidlaw

Underneath the Oversea by Marc Laidlaw

Comments 0 Comment

Cover art by Sylvia Ritter

Underneath the Oversea
by Marc Laidlaw
Freestyle Press (197 pages, $6.99 in digital formats, October 30, 2020)
Cover art by Sylvia Ritter

Marc Laidlaw has been publishing SF and Fantasy for over 40 years (his first story appeared when he was only 17!) His first novel appeared in 1985 (Dad’s Nuke), and by 1996 he had published a half-dozen. Then he turned to game design, especially with Half-Life, but his short fiction has continued to appear since then. Most notable, perhaps, have been two series of stories: a rather mathematically gonzo set of novelettes about two surfers named Delbert and Zeb (co-written with Rudy Rucker), and a set of fantasies concerning the bard Gorlen and a living gargoyle named Spar, who are linked in a quest to find the magician who switched their hands, so that Gorlen has a stone hand and Spar a living hand.

These last stories, all published in F&SF, were great fun, template stories of a sort but with a through plot. By the end both characters were married … or perhaps its better to say that they made a conjoined family: Gorlen wedded to another bard, Plenth; and Spar to Sprit, a singing tree, or Songwood, but all composing one family.

…

Read More Read More

Future Treasures: The Helm of Midnight by Marina Lostetter

Future Treasures: The Helm of Midnight by Marina Lostetter

Comments 2 comments

The Helm of Midnight (Tor Books, April 13, 2021)

There’s something about a well-rendered fantasy city that speaks to me of adventure. Maybe it’s the classic tales of Leiber’s Lankhmar, or Gygax’s Greyhawk, Ellen Kushner’s Riverside, Pratchett’s Ankh-Morpork, or so many others. When I see a procedural detective novel in a fantastical city, I look forward to a tale of intrigue, action and surprises.

That’s what I’m expecting from The Helm of Midnight, the first novel in a new trilogy from Marina Lostetter, author of the popular Noumenon space opera series that wrapped up last year. It arrives in hardcover from Tor in three weeks. Here’s the description.

In a daring and deadly heist, thieves have made away with an artifact of terrible power—the death mask of Louis Charbon. Made by a master craftsman, it is imbued with the spirit of a monster from history, a serial murderer who terrorized the city.

Now Charbon is loose once more, killing from beyond the grave. But these murders are different from before, not simply random but the work of a deliberate mind probing for answers to a sinister question.

It is up to Krona Hirvath and her fellow Regulators to enter the mind of madness to stop this insatiable killer while facing the terrible truths left in his wake.

K. B. Wagers, author of the Farian War trilogy, calls it “An utterly enthralling mystery of magic, masks, and murder. Marina Lostetter weaves together three stories to a stunning conclusion.” Maybe that’s just a couple of space opera writers sticking together, but I’m willing to take the chance.

The Helm of Midnight will be published by Tor Books on April 13, 2021. It is 456 pages, priced at $26.99 in hardcover, $13.99 digital, and $27.99 in audio formats. Read a generous excerpt at Tor.com.

See all our recent coverage of the best upcoming SF and fantasy here.

A Dream of Finlay

A Dream of Finlay

Comments 7 comments

Virgil Finlay art from A Midsummer Night’s Dream (1935)

To sleep, perchance to dream.

And if you’re lucky, perhaps that dream will come true. 

If that dream is to buy fifteen Virgil Finlay originals in one fell swoop, then mine came true on the first day of spring sixteen years ago. Thereby hangs a tale. Though with apologies to the Bard, ‘twas neither Hamlet nor The Taming of the Shrew, but another play that figures therein. 

Almost from the moment his work first appeared in Weird Tales – debuting in the December 1935 issue – Finlay was the greatest interior illustrator in the pulps. Enamored of his work, Weird Tales editor Farnsworth Wright immediately engaged Finlay’s services for a side project, even as that issue of Weird Tales was hitting the newsstands.

Wright wanted to bring out an eight volume set of William Shakespeare’s plays in inexpensive editions (under the banner “Wright’s Shakespeare Library”), profusely illustrated. In Finlay, he felt he’d found the perfect partner for his project. He commissioned the then 21-year old Finlay to draw a total of 25 illustrations for the first volume, A Midsummer Night’s Dream. Finlay completed this work in the last two months of 1935, and the volume saw print at the end of that year.

…

Read More Read More

Vintage Treasures: Star Colony by Keith Laumer

Vintage Treasures: Star Colony by Keith Laumer

Comments 6 comments

Star Colony (Ace Books, 1983). Cover by Attila Hejja

Keith Laumer was an Air Force officer and a diplomat in the United States Foreign Service before becoming a full-time SF writer in the late 50s. He was a familiar face in the digest SF mags, with four stories nominated for Hugo or Nebula Awards, and A Plague of Demons was nominated for the Nebula Award for Best Novel in 1966. His most famous series, the satirical adventures of the cool-headed galactic diplomat Retief, and the military future-history focused on Bolo super-tanks, were popular for many years.

Laumer famously suffered a stroke in 1971 that left him unable to write for many years; a long rehabilitation eventually enabled him to pick up a pen again, but his work suffered noticeably. As Wikipedia notes:

The quality of his work suffered, and his career declined. In later years, Laumer also re-used scenarios and characters from earlier works to create new books, which one critic felt limited their appeal: “Alas, Retief to the Rescue doesn’t seem so much like a new Retief novel, but a kind of Cuisinart mélange of past books.”

Laumer’s editors and publishers, and many of his readers, remained loyal for many years, publishing, promoting and reading many books that were markedly different from his earlier output. In 1983 Ace put substantial marketing dollars behind the 400-page space opera Star Colony, advertised as “His Long-Awaited Epic Novel.”

Reviews weren’t kind. Kirkus called it,

A disjointed pseudo-docudrama detailing the “”history”” of star colony Omega, with only a few flashes of the old Laumer wit… Less a novel than a set of intermittently amusing stories weakly cobbled together — with lots of comic-book action, silly dialogue and little overall coherence.

Modern readers haven’t been much more generous. Star Colony has a 3.06 rating at Goodreads; this review by James is fairly typical.

…

Read More Read More

Early Competition for D&D: DragonQuest

Early Competition for D&D: DragonQuest

Comments 9 comments

Throughout the 1970s and very early 1980s, Simulations Publications, Inc. (SPI) was a company known for its board war games. Then in 1980 it took a stab at the growing popularity of Dungeons & Dragons and other popular tabletop role-playing games. SPI came up with a different style of fantasy RPG known as DragonQuest (DQ), published in a boxed set with multiple books.

Eventually there would be three versions of DQ. SPI published a second edition in 1982 in a single book, but soon after the company was purchased by TSR, the developers of D&D. Eventually in 1989 TSR would produce the final, third edition of DQ, this one also in a single book, but since then they have done next to nothing with the property though they did release a few gaming modules for the system. Fortunately a few other companies also released DQ-related material and to this day there is a somewhat active DQ community online. As for the three versions of the game, they are pretty much compatible with few differences between them, especially between the second and third editions.

Created by Eric Goldberg, later known for his role in the publication of the tabletop RPG Paranoia and numerous other games both at the table and online, DragonQuest separated itself from D&D and its imitators by not focusing so much upon a class system for character creation and advancement. Instead, characters in DQ were mostly based upon growth in skill rankings.

…

Read More Read More

Goth Chick News: That Time Disney Tried Its Hand at Horror

Goth Chick News: That Time Disney Tried Its Hand at Horror

Comments 6 comments

As we well know, Disney is currently focusing a lot of energy on “live action” versions of its animated films, as well as family-friendly live action movies. We’ve seen the likes of Cinderella, Mulan, Beauty and the Beast and Sleeping Beauty (aka Malficent), along with Pirates of the Caribbean and the upcoming Jungle Cruise. But what you might not know, is that Disney has visited this strategy before. In the late 70’s and early 80’s, in an attempt to attract a young-adult audience, Disney also produced several live-action movies, though not ones based on previous stories. The Black Hole, Tron and my personal favorite, Something Wicked This Way Comes all harken back to this era in the Walt Disney Productions timeline.

It’s not that Disney had never done live-action movies before. In fact, from its inception in 1937 through the end of 1979, Walt Disney Productions delivered no less than 106 films with real actors. However, these stories pretty much defined the term “family friendly,” with titles such as Twenty-Thousand Leagues Under the Sea, Pollyanna, The Parent Trap, and The Shaggy D.A. Which is why Disney’s departure in 1979 caused such a kerfuffle.

In that year, British film and television director John Hough, who had already worked with Disney directing Escape to Witch Mountain and its sequel, was tapped to lead an idea first pitched by Disney producer Ron Miller. He proposed turning a 1979 novel by Florence Engel Randall, entitled The Watcher in the Woods, into one of Disney’s live-action films.

…

Read More Read More

Yaphet Kotto and Parker

Yaphet Kotto and Parker

Comments 0 Comment

I know I’m a broken record about how Alien is, IMO, the greatest ensemble of character actors in the history of SF in movies. Today seems like a good day to say it again.

One of the many things I learned from the huge “Making of Alien” book is that the actors made their characters. They were thinly sketched in the screenplay. You knew that Kane volunteered to go out exploring and wanted to be lowered on the line to see where the hole led, but it was up to the actors to figure out who these people were. Sigourney Weaver wanted Ripley to be prickly, officious, and disliked by pretty much everyone (except the cat), as she poked around in areas outside her official responsibilities. Harry Dean Stanton had Brett follow Parker around and say “right” all the time (in the original screenplay he just backed Parker up at key moments, saying “yeah” in agreement). Ian Holm decided Ash would do every line and make every move like he was on a job interview. Skerritt was driving Ridley Scott nuts by talking so quietly, but then on screen in the rushes Scott saw that it was working and he was clearly in charge.

Yaphet Kotto walked through the sets and knew how he had to play Parker: “Parker was going to be bigger than life. I thought Parker had to be, because one look at Ridley’s sets–I said this character is going to get lost in this and so he’s got to be big. Bombastic and big.”

Ridley also ordered Kotto to ignore Sigourney Weaver as much as possible, make her feel the nervous, inexperienced outsider to the team, or needle her a little. He wouldn’t eat lunch with her, he’d take the makeup chair as far as her from possible. . . even though he liked her from when they first met and felt a little sorry for her as the newbie with a bunch of people who’d been in big roles for years.

Ridley Scott was a collaborator with his actors. He told them the goals of the scene and let the actors work out who would be standing nervously, who would be slumped with their feet up, stuff like that, then Ridley worked out the lighting. They altered their lines, added busyness with their hands. I think that’s the reason Yaphet Kotto is more Parker in everyone’s memory than his other roles, he had the room to make full use of his gifts.

19 Movies Presents: A Selection of Not Entirely Random 1950’s SF Movie Reviews

19 Movies Presents: A Selection of Not Entirely Random 1950’s SF Movie Reviews

Comments 3 comments

Enemy From Space/Quatermass 2 (Hammer Films, 1957)

We start with two high-quality Brit flicks, both early excursions into SF by Hammer, segue to two related films of somewhat more dubious quality, and finish with the Stinker of the Month. Be sure to read to the end for the details of the first ever 19 Movies Giveaway.

Enemy From Space/Quartermass 2 (1957: 9+)

The second in the Quatermass series (hence the alternative title), wherein Brian Dunlevy again grumps his way through the Quatermass role. This time around he takes on an alien hive-mind that’s hellbent on turning the world into a giant slime pit.

Not only is this an excellent early Hammer effort, it’s arguably the best ‘50’s British SF film and the best of the ‘50’s blob movies. This time the aliens want our planet, but first they have to un-Terraform it, and they’ve insidiously infiltrated British government and society to do so. Hammer aficionados will recognize a young Michael Ripper in a small role.

[Cast and Crew: Val Guest, director and screenplay co-writer, also directed Mister Drake’s Duck (1951), The Creeping Unknown/The Quatermass Xperiment (1955 UK), The Abominable Snowman (1955 UK). Themes: UK setting, village. Alien: first contact, invasion, hive mind, blob. Mind-control. Peasants toting guns. Rocket attack. Police. Radiation. Scientist, rocket. Secret lab. Wandering planet, asteroid.]

…

Read More Read More