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Year: 2021

Lord Kalvan of Otherwhen: Piper’s Connecticut Yankee Tale

Lord Kalvan of Otherwhen: Piper’s Connecticut Yankee Tale

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Lord Kalvan of Otherwhen (1965), Ace, cover art by Jack Gaughan (left)
Lord Kalvan of Otherwhen (1984), Ace Science Fiction Books, cover art by Michael Whelan (right)

I think most people are familiar with Mark Twain’s A Connecticut Yankee in King Arthur’s Court (1889). (Certainly, there’s a delightful musical from 1948 featuring Bing Crosby that I loved as a kid.) Twain’s hero is an engineer from Connecticut who receives a blow to the head and is somehow transported in time and space to King Arthur’s England. Although the story is a social satire, it celebrates homespun ingenuity and democratic values, among other things. Although not a satire, Lord Kalvan of Otherwhen (1965) by H. Beam Piper, similarly celebrates good old American ingenuity and values, but takes place on an alternate 20th century timeline instead of the far past. It’s Piper’s last work and part of his Paratime universe.

In this article I’m going give you six (relatively) spoiler-free reasons to read the book, and one reason that has a spoiler, but that I think will only enhance your enjoyment of the work.

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Guided by an Unknown Destiny: Eda Blessed II by Milton J. Davis

Guided by an Unknown Destiny: Eda Blessed II by Milton J. Davis

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Eda Blessed II Cover Art by Stanley Weaver, Jr.
Publisher: ‎ Mvmedia, LLC (June 19, 2021) / Paperback: ‎ 330 pages

Eda Blessed II

Juneteenth was just marked a federal holiday in the United States to commemorate the June 19th, 1866 end to slavery. Like many memorial dates, it resonates with equal parts celebration and reflection. This June 19th, 2021, we highlight the book release of Eda Blessed II, appropriately published by a champion of Black Speculative Fiction, Milton Davis (author and editor of MVmedia, a publishing company specializing in Afrofuturism, and Steamfunk). Notably, Milton Davis has been a proponent and publisher of works by Sword & Soul originator Charles Saunders who is known for his Imaro/Nyumbani series (check out the tour guide to the Imaro Series on Black Gate). Omari Ket is the protagonist of Eda Blessed and his first name is an anagram for Imaro, but apparently, that was not done intentionally; in any event, Omari is a very different personality than Imaro.

Omari Ket is a rogue warrior; an Agency onto himself

From the first Eda Blessed, we know that Omari Ket is a rogue warrior, not a spy, but he is as suave, cunning, and as lethal as any Secret Agent Man. ‘Agency’ is a term for the capacity of a character to act independently, and Omari is an Agency onto himself: he reports to no one. Omari is a ladies’ man in a dog-eat-dog world. If you like a cut-throat, libertine, action-oriented protagonist, then you are ‘Eda Blessed.’ 

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Panic at the Inferno: MYSTICS IN HELL, published by Perseid Press

Panic at the Inferno: MYSTICS IN HELL, published by Perseid Press

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Mystics in Hell, published by Perseid Press. Copyright © 2021, Janet Morris  
Book design, A.L. Butcher. Cover design, A.L. Butcher and Roy Mauritsen. Edited by, Janet Morris and A.L. Butcher. Cover painting: Portrait of Sir Francis Dashwood, 11th Baron le Despenser, by William Hogarth, 1764. Oil on canvas. Mystics in Hell cover image, copyright © Perseid Press, 2021

“It’s just because I have picked a little about mystics that I have no use for mystagogues. Real mystics don’t hide mysteries, they reveal them. They set a thing up in broad daylight, and when you’ve seen it it’s still a mystery. But the mystagogues hide a thing in darkness and secrecy, and when you find it, it’s a platitude.” ― G. K. Chesterton

After a few unforeseen delays, Mystics in Hell has finally arrived. This is the latest edition in the long-running, shared-universe series, Heroes in Hell™. The gathering of real people from across our historical timeline, and the casting of fictional characters born of myth and legend, folklore and literature, is what makes this such a unique and fun series. Now, for those of you unfamiliar with the series or for those readers who may wish to be brought up to date, once again I’ll do my best to recap what’s been happening in our favorite Afterlife. 

Mystics in Hell follows on the hot hooves of Lovers in Hell and the two volumes preceding it. The plagues which first manifested themselves in Doctors in Hell are evolving and mutating. In Pirates in Hell, disastrous floods swept through Hell, leaving behind wrack and ruin, and new islands and coastlines. The damned sought the help of pirates and other seafarers, seeking refuge and passage, hoping to escape to dry land and whatever safe harbor they could find. But there is no such thing as a safe harbor in Hell, and there is no escape. 

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Goth Chick News: Zombies in Vegas? We Already Sort of Knew That

Goth Chick News: Zombies in Vegas? We Already Sort of Knew That

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With regards to movies, my mantra has always been that if you tell me a good story, I’ll willingly suspend my disbelief. I’m not one to pick apart details or demand every plot hole be plugged if, overall, the story is entertaining. For example, I thoroughly enjoyed Wonder Woman 1984, even though critics were all over it for a number of plot-related reasons. However, even I have my limits, such as Godzilla vs. Kong. Since when is King Kong as big as the buildings he used to scale? That said, I was ready to go all in for Army of the Dead, especially as I really love a good zombie movie. I probably did have a bit of lingering doubt as I did not rush out to see this one during its theaters-only first week of release. Instead, I avoided all reviews and spoilers until I could watch it on Netflix where it debuted on May 14th.

The verdict? A firm split decision.

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Future Treasures: The Year’s Best Science Fiction & Fantasy 2020, edited by Rich Horton

Future Treasures: The Year’s Best Science Fiction & Fantasy 2020, edited by Rich Horton

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The Year’s Best Science Fiction & Fantasy 2020,
edited by Rich Horton (Prime Books, June 2021). Cover by Argus

The print version of Rich Horton’s 12th Year’s Best volume was delayed roughly six months by the pandemic, and it finally arrives next week. The delay was a little frustrating for those of us who look forward to this book every year, but considering how deeply the pandemic impacted the publishing world overall, I figure it could have been a lot worse. (The digital version has been available since December, but I remain stubbornly a print guy.)

Rich’s introductions to the early volumes belonged to the get-out-of-the-way-and let-the-fiction-do-the-talking school, but over the years they’ve loosened up a bit, and this year’s is one of his best, a lively and thoughtful look at the impact of this very eventful year on science fiction, and some thoughts on famous genre pandemic fiction. Here’s part of his comments on the tales within.

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Ellsworth’s Cinema of Swords: Rejecting Bushido, Part 2

Ellsworth’s Cinema of Swords: Rejecting Bushido, Part 2

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Sword of the Beast (Japan, 1965)

As outlined in Part One, in the Fifties postwar Japan’s film industry gradually returned to making chambara movies that glorified the samurai warrior code of bushido, but in the counter-cultural Sixties some filmmakers took an opposite tack, blaming bushido for supporting a culture of rigid oppression and cruelty. Some remarkable films came out of this movement, pictures of high art that depict the samurai’s wonderfully skilled swordplay while skewering the society that relied on the sword as a tool of domination. Let’s look at three films that exemplify this movement from three brilliant directors: Hideo Gosha, Kihachi Okamoto, and Masaki Kobayashi.

Sword of the Beast (or Samurai Gold Seekers)

Rating: ****
Origin: Japan, 1965
Director: Hideo Gosha
Source: Criterion DVD

Co-writer and director Hideo Gosha’s follow-up to Three Outlaw Samurai takes an even less forgiving view of society than its predecessor: individuals may be good, bad, or both, but hierarchical authority cares only for power and does only ill.

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Intrigues, Wagers with the Gods, and Double Wights: Heroic Fantasy Quarterly #48

Intrigues, Wagers with the Gods, and Double Wights: Heroic Fantasy Quarterly #48

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Heroic Fantasy Quarterly #48 was uploaded to the world on May 1, 2021! We’ve got a full compliment, three short stories, three poems, art and audio!

Fiction

Intrigue in Aviene, by Steve Dilks,  Hardened mercenary Bohun of Damzullah, finds himself between wars and trying to get by in the great city of Aviene.  But even in peaceful times, there are plots and dangers aplenty.

King Yvorian’s Wager, a classic reprint by Darrell Schweizter, Young king Yvorian is swept up into the games of the gods, and of that most mysterious and dangerous god, Rada Vatu.

A Night in the Witherlands, by Daniel Stride, with artwork by Simon Walpole, Manfred is hired to guard a merchant and his wares through the mysterious wasteland known as the witherlands.  The ghosts of the witherlands have different plans for them both.

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Sword & Planet is Back! Scott Oden Presents: The Lost Empire of Sol, edited by Jason M Waltz and Fletcher Vredenburgh

Sword & Planet is Back! Scott Oden Presents: The Lost Empire of Sol, edited by Jason M Waltz and Fletcher Vredenburgh

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Cover art by M. D. Jackson

This reviews Scott Oden Presents: The Lost Empire of Sol brought to you by the Rogue Blades Foundation. This is a fine collection that certainly achieved its mission of inserting a jolt into Sword & Planet offerings. With its interesting premise and cast of authors, The Lost Empire of Sol is destined to become a historic Sword & Planet anthology.

It is edited by two who are well known to the Black Gate community. Firstly, Jason M. Waltz, champion of Rogue Blades Entertainment and the Rogue Blades Foundation, is notorious for rounding up contemporary authors in themed anthologies (perhaps most well known for the 2008 Sword & Sorcery classic Return of the Sword …. and most currently known for Robert E. Howard Changed My Life releasing ~now (appropriately on June 11th, REH’s anniversary of passing). And we also have Fletcher Vredenburgh, well known for his outstanding reviews, who provides the “Foreword”: he explains how discussions on Facebook with Scott Oden (adored author of historical fiction, Conan pastiche, and the Grimnir series) escalated into this collection.  Also, to dimension the genre and set the stage for a revival is the esteemed John O’Neill (our esteemed chief editor of Black Gate Magazine) provides an introductory essay “Sword & Planet is the Genre We Need.” 

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What I’m Watching: June 2021

What I’m Watching: June 2021

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Here we are, almost halfway through June, and I can hear you asking, “Gee, I wonder what Bob has been watching?” Seriously. I can hear it. This isn’t just me putting off the hard work of starting up A (Black) Gat in the Hand this week. I watched some stuff for the first time, and revisited a few things.

GET SHORTY

The late Elmore Leonard was a terrific writer. His characters and his dialogue were outstanding. He excelled at hardboiled, and could spice it with humor as needed. 3:10 to Yuma (The original and the remake are fine films) is based on one of his early short stories – the man could write Westerns. My all-time favorite TV show, Justified, sprang from his Raylan Givens short story, “Fire in the Hole.”

Leonard has been the source of over two dozen movies and television shows. His 1990 novel, Get Shorty, helped re-launch John Travolta’s career. With Gene Hackman, Dennis Farina, Danny DeVito, and Delroy Lindo, it’s a great watch. And a highly recommended read!

In the summer of 2017, EPIX launched a ten-episode series starring Chris O’Dowd (who was GREAT in The IT Crowd) and Ray Romano. It’s been renewed twice, for a total of twenty-seven episodes. The third season finale aired on November 3, 2019. There has been ZERO noise on whether the show will get another season, or be canceled. Get Shorty is running on radio silence. Kinda odd, really.

I love the book. I love the movie. I like the series. It is not an adaptation of the novel. I would say that it’s based on the concept of Leonard’s book. In the series, a mob soldier wants something more and ends up laundering his boss’ money by producing a historical epic in Hollywood. That’s a variation from the book, where a small-time loan shark runs down a skip and forces his way into the movie business while dealing with an unfriendly mobster from back home.

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Vintage Treasures: Stellar Fist by Geo. W. Proctor

Vintage Treasures: Stellar Fist by Geo. W. Proctor

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Stellar Fist (Ace, 1989). Cover by Martin Andrews

George Wyatt Proctor (1946 – 2008) was an prolific Texas author who produced some two dozen novels and collections after he retired from The Dallas Morning News in 1976. He wrote both science fiction and westerns, and collaborated with a host of well known writers, including Arthur C. Clarke, Howard Waldrop, and Steven Utley. With Robert E. Vardeman he produced nine Swords of Raemllyn sword & sorcery novels in the 80s and 90s, and with Andrew J. Offutt he contributed two novels to the Spaceways series (as John Cleve). In 1985 he wrote two novels in the long-running series V, based on the hit NBC series.

Stellar Fist was his last standalone science fiction novel, following Fire at the Center (1981) and Starwings (1984). From a modern perspective, it’s pretty much exactly what you expect from an 80s military SF novel. But that may not be a bad thing, as put so eloquently in this 2-star Goodreads review by Mark.

This book was pretty much awful, but I found myself really enjoying it — from the ridiculous interstellar-sexpot-spy-turned-time-traveling-lounge-singer-returned-interstellar-spy to the last 20 pages of complete story- and character-breaking chaos. Would highly recommend reading it if you’ve got a sense of humor and nothing better lying around.

That reads like a solid recommendation in my book.

Stellar Fist was published by Ace Books in January 1989. It’s 229 pages, priced $3.50. The cover is by Martin Andrews. It has never been reprinted, which really isn’t very surprising.

See all our recent Vintage Treasures here.