Browsed by
Year: 2021

A (Black) Gat in the Hand: Carroll John Daly & the Birth of Hardboiled Pulp

A (Black) Gat in the Hand: Carroll John Daly & the Birth of Hardboiled Pulp

You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Quiz time: Who invented the hard-boiled school of fiction? And who was the first hard-boiled private eye? Hint – Dashiell Hammett is not part of the answer. Another Hint – if you answered Carroll John Daly and Race Williams, not bad, but you’d only be half right.

In December of 1922, Daly’s “The False Burton Combs” appeared in Black Mask Magazine, and the hard-boiled school was born. Combs is not a private eye, so that’s not the answer. He is ‘a gentleman adventurer’ (though not of the Victorian Era kind) who agrees to take on someone’s identity and then proceeds to ooze toughness all over Nantucket. He is a completely one-dimensional character and it’s B-grade pulp. But it’s the first of its kind.

In April of 1923, “It’s All in the Game” (which I’ve yet to read), with an unnamed protagonist, was printed. And on May 15, 1923, “Three Gun Terry” gave us Three Gun Terry Mack, first of the unnumbered hardboiled private eyes to follow for almost a century.

In June, 1923, the first Race Williams story, “Knights of the Open Palm,” appeared in Black Mask and it is this story which many folks erroneously point to as the first one to feature a hard boiled private eye. In case you’re wondering, Dashiell Hammett’s Continental Op made his debut in “Arson Plus” in October of that year. Yes, Hammett was better. But simply, he wasn’t first.

Read More Read More

Vintage Treasures: Mars, We Love You edited by Jane Hipolito and Willis E. McNelly

Vintage Treasures: Mars, We Love You edited by Jane Hipolito and Willis E. McNelly

Mars, We Love You (Pyramid Books, 1973) and its British reprint, The Book of Mars
(Orbit, 1976). Covers: unknown (left), and Patrick Woodroffe (right)

The 70s was the golden age of science fiction anthologies, and especially themed anthologies. You didn’t find a lot of books collecting SF cat tales, mermaid legends, or vampire love stories in those days (not that there’s anything wrong with those, I hasten to add).

But take Mars, We Love You, for example. Originally published in hardcover in 1971, the heyday of the Mariner program, it was an affectionate look back at classic SF about the Red Planet. It was a goodbye to the pulp dream of Mars, really, in the cold new age of space probes, which closed the door forever on the SFnal vision of a sister world of planet-spanning canals, ancient Martian civilizations, and alien wonder. Though tinged with pulp nostalgia, and a yearning for a time when many of us still dreamed of finding intelligent life right here in our own solar system, Mars, We Love You is nonetheless a fine anthology that makes enjoyable reading today. 

Read More Read More

The Aesthetics of Sword & Sorcery: An Interview with Philip Emery

The Aesthetics of Sword & Sorcery: An Interview with Philip Emery

The Shadow Cycles by Philip Emery (Immanion Press, August 2011)

This continues our interviews on “Beauty in Weird Fiction” with previous topics being:

Are you haunted, perhaps obsessed, with Sword & Sorcery?

Heroic fiction is infectious. Sometimes vicariously “being the hero” via reading is not enough to satisfy the call. Being compelled to write manifests next. Ghosts may be to blame. Robert E. Howard (1906-1936) is credited with originating the genre with his characters: Conan the Barbarian, King Kull, Solomon Kane, and Bran Mak Morn; in a 1933 correspondence to his friend and contemporary author, Clark Ashton Smith, Howard explained his interaction with the muse that inspired his Conan yarns.

Read More Read More

Goth Chick News: A Quiet Place II Brings New Alien Scares

Goth Chick News: A Quiet Place II Brings New Alien Scares

Admittedly I approached A Quiet Place II with skepticism. I thought the first installment of the film, A Quiet Place released in 2018, was a genius take on the alien invasion story which has been explored dozens, if not hundreds, of times in Hollywood. Without dropping any spoilers, the story follows a family and their struggle to survive a post-apocalyptic alien invasion. We enter the story after nearly a year of horrific death and destruction has already occurred, perpetuated by alien creatures who are sightless, but hone in and destroy anything or anyone making the slightest sound, thanks to their ultrasensitive hearing. The result is a film that was almost totally silent (the script contained a total of 25 lines of dialog for a 3-hour, 36-minute run time), driving the visuals into even sharper focus. And the intense quiet made the jump scares more intense. In short, A Quiet Place worked because it was so unique.

Now, three years later, A Quiet Place II hit theaters, once again helmed by the husband-and-wife team of John Krasinski and Emily Blunt. Both star in the follow up, and Krasinski is back to assume writing and directing duties as well. This alone seemed to point to another entertaining outing, but could the elements that made A Quiet Place a standout take on a horror movie trope work twice?

I am pleased to report the answer is “yes.”

Read More Read More

Long and Winding

Long and Winding

January 1st

Dear Diary,
I have decided that my new writing project will be a classic swords and sorcery epic! To that end, I have reams of research on the particulars of many ancient and medieval weapons, and a few pages of notes outlining the magic of this new world. This is the extent of my preparation for this, as I want it to be spontaneous and fresh as I write it. No pesky outline for me this time! I’m going free solo. Au natural! With that in mind, I have decided on the working title of Beatbox, as I assume that performative style requires a certain degree of self confidence.

“Now that is one big book,” thinks an ancient ancestor.

As I write this, Dear Diary, a remarkable amount of work appears to be happening inside the house next door. Craftsmen of all sorts are moving about, finishing projects large and small, and a number of bureaucratic-types have been seen with a woman that I now assume to be the new owner. It is all a mystery, to be honest, and mysteries require methodical work habits to solve. That is not at all my current MO, Dear Diary, and so I will think no more on it!

Still, I have taken note of all the large cups and tiny plates being unpacked by inordinately handsome delivery men.

Theme Music: Thus Spoke Zarathustra, by Richard Strauss. The epic begins!

Read More Read More

Weird Tales Deep Read: January 1945

Weird Tales Deep Read: January 1945

Weird Tales, January 1945. Cover by Margaret Brundage

This time we’re jumping ahead in our deep read of the Unique Magazine, to the January 1945 issue. The old guard has largely changed. Howard has been dead for almost six years, Lovecraft out-lived him less than a year. C. L. Moore hadn’t published in WT since 1939, Clark Ashton Smith longer. (Reprints not considered,) That doesn’t mean there were no familiar names. Seabury Quinn, August Derleth, Edmond Hamilton, and others continued to contribute. New writers, like Ray Bradbury, were coming on. Though the Golden Age was definitely over, that doesn’t mean the magazine didn’t publish quality material.

Read More Read More

Warrior Women Watch-a-thon Part 1: The Good

Warrior Women Watch-a-thon Part 1: The Good

I am currently in the first draft mire of a fantasy novel, bogged down by self-doubt and synonyms, but bravely wading on regardless. It’s the sort of sweeping epic that could get picked up and made into a second-rate show by a streaming service desperate for content, but my lofty aspirations aren’t the problem right now; rather, it is my need to educate myself as a writer. I generally avoid over-describing characters, but on two occasions I found myself writing about a pair of fighters and focusing less on their motivations and more on the amount of exposed thigh between their boots and Faulds. This had nothing to do with serving the story, and more to do with titillating 14-yr-old me and, after some revision, it got me thinking about the influences that led me here.

Born in the late sixties, my formative years were spent in 1970’s Britain, surrounded by page 3, Benny Hill, Carry On and Leela on Dr. Who. Linda Carter’s Wonder Woman was all the rage, and Caroline Munro was in everything I loved. Women could be warriors but, by thunder, they had to be sexy too.

Read More Read More

Ellsworth’s Cinema of Swords: More Hammer Historicals

Ellsworth’s Cinema of Swords: More Hammer Historicals

The Viking Queen (UK, 1967)

Though by 1967 the Hammer Films brand was thoroughly associated with Dracula and similar horrors, the studio stubbornly continued to turn out films in other genres, including historical swashbucklers. Our first film, The Viking Queen, definitely has that sensational Hammer touch, but A Challenge for Robin Hood could almost be a Disney film, which shows late-Sixties Hammer productions could still have a considerable tonal range.

Admittedly, our third movie, Alfred the Great, isn’t from Hammer Films, but hey, it’s British and from the same period, and it’s worth a look, so give me a break, okay?

Read More Read More

IMHO: A SECOND LOOK — The Silistra Quartet by Janet E. Morris

IMHO: A SECOND LOOK — The Silistra Quartet by Janet E. Morris


Cover art by Roy Mauritsen

Janet Morris is a prolific author and has published a library’s worth of fantastic novels, enough to keep a reader busy for years. She has written everything from science fiction and heroic fantasy, to historical fiction and modern-day thrillers, many of them in collaboration with her husband, Chris Morris. Among her many novels are Outpassage, The 40-Minute War, The Kerrion Empire Saga, The Beyond Sanctuary Trilogy, and The Sacred Band. In addition, Janet and Chris were among the original writers who contributed to Thieves’ World, the shared-world fantasy series first published by Baen Books in 1979. In 1986, the duo created, Heroes in Hell ™, their shared-universe series of anthologies and novels; they also edited and contributed stories to this Saga of the Damned. That series was first published by Baen Books, and ran from 1986 to 1989. In 2011, Perseid Press “resurrected” the series, and it has been going strong ever since. But I digress.

Read More Read More

New Writers Under Pressure

New Writers Under Pressure

Image by StartupStockPhotos from Pixabay

Good morning, Readers!

Floating around the Twitterverse yesterday was a long thread of new authors bemoaning all the extra stuff they’re expected to do — all of that extra work extraneous to their craft — that writers are expected to engage in if they have any hope of being successful with their publication.

It’s true. When I first started on this publishing quest oh, some [indistinct] years ago, my research revealed that I had a lot of things to do if I wanted to be successful. I had to be on several social media site. I had to belong to several writing groups. I had to blog. I had to do a book blog tour. I had to secure book reviews and interviews (but good luck getting either if you’re self-published or published by a small/micro press, and entirely unknown). I had to create a launch party. I had to create and maintain a newsletter. The list seemed endless and entirely overwhelming. I understand the dismay and frustration expressed on Twitter yesterday.

It’s valid. There is a lot of hidden work behind being a successful writer (unless you’re very, very lucky).

Read More Read More