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Month: August 2020

We Are All Genetic Brothers: The Life and Fiction of Clifford D. Simak

We Are All Genetic Brothers: The Life and Fiction of Clifford D. Simak

Simak Time and Again-small Simak Way Station-small Smiak A Choice of Gods-small

Time and Again (Ace, 1976), Way Station (Manor Books, 1975), and A Choice of Gods (Berkley Medallion, 1977).
Covers by Michael Whelan, unknown, and the great Paul Lehr

116 years ago this week, one of the finest science fiction authors or the 20th century was born. He died 32 years ago, in 1988. And currently he is almost forgotten, which is a great shame and also a great pity, since his humanism, his respect for all living creatures and his tolerance for the alien, the divergent, the different viewpoints, backgrounds and expectations are qualities no less needed now than when he was alive.

I’m talking about Clifford D. Simak, author of seminal works of sf like Time and Again (1951), City (1952), Time Is the Simplest Thing (1961), Way Station (1963), All Flesh Is Grass (1965), A Choice of Gods (1972), as well as of dozens of unforgettable short stories. The author who said, in an interview,

When I talk of the purpose of life, I am thinking not only of human life, but of all life on Earth and of the life which must exist upon other planets throughout the universe. It is only of life on Earth, however, that one can speak with any certainty. It seems to me that all life on Earth, the sum total of life upon the Earth, has purpose. If the means were available, we could trace our ancestry – yours and mine – back to the first blob of life-like material that came into being on the planet. The same thing could be done for the spider that spun his web in the grass, and of the grass in which the web was spun, the bird sitting in the tree and the tree in which he sits, the toad waiting for the fly beneath the bush, and for the fly and bush. We are all genetic brothers. The chain of life, tracing back to that primordial day of life’s beginning, is unbroken…

Clifford Simak was a newspaper man and an author. He wrote of love for all living things, of respect for life and of acceptance both of the supreme importance of life and of the inevitable differences between living things. Reading him as a child, I learned from him the importance of tolerance and inclusiveness. His was one of the important voices in science fiction. He still should be.

Your Standard Consume-all-life-in-the-galaxy Deal: Aurora Burning, Book 2 of The Aurora Cycle by Amie Kaufman and Jay Kristoff

Your Standard Consume-all-life-in-the-galaxy Deal: Aurora Burning, Book 2 of The Aurora Cycle by Amie Kaufman and Jay Kristoff

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Covers by Charlie Bowater

Aurora Rising, the first volume of The Aurora Cycle by Amie Kaufman and Jay Kristoff, had Black Gate reviewer Elizabeth Galewski drawing comparisons to Firefly, Anne McCaffrey’s The Rowan, The Fifth Element and Star Wars.

Amie Kaufman and Jay Kristoff [are] the New York Times bestselling authors of The Illuminae Files… While this novel features all new characters and a different universe from their previous books, it offers the same nonstop action, messy romantic relationships, sarcastic voice, and space operatics that will please longtime fans and win new ones… The perspective shifts between many different characters, and fun schematics interrupt the flow of text at intervals. The Hadfield’s survivor, Aurora, has a similar plot function to the weird psychic girl in the Firefly movie Serenity and looks like Anne McCaffrey’s famous female telepaths in The Rowan and Damia. There appears to be a cameo by the opera diva from The Fifth Element, as well as a scene set in the famous Star Wars bar.

Kaufman and Kristoff both live in Melbourne, Australia. The second volume in The Aurora Cycle, Aurora Burning, features “an ancient evil — you know, your standard consume-all-life-in-the-galaxy deal… [but] Squad 312 is standing by to save the day.” It was published by Knopf Books on May 5, 2020. It is 512 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover is by Charlie Bowater (who also produced the stellar cover for Shveta Thakrar’s upcoming Star Daughter.) Get all the details on the first volume here.

See all our coverage of the best new SF and Fantasy series here.

Rogue Blades author: Kosru’s Road

Rogue Blades author: Kosru’s Road

Howard changed my lifeThe following is an an excerpt from Howard Andrew Jones’ essay for the upcoming book from the Rogue Blades Foundation, Robert E. Howard Changed My Life.

I kept missing Conan. He was all over the place in the 1970s as I was growing up. I couldn’t help but be drawn to the covers of the Marvel comic books that featured him, but I was a little kid and embarrassed to be seen reading anything with such scantily clad beauties in it.

Maybe if I’d been a little less shy I’d have read those comics anyway, but I simply didn’t dare. I stayed mostly with prose, devouring the Heinlein juvenile science fiction adventures, Ray Bradbury collections, the Prydain Chronicles, The Dark is Rising sequence, and anything that was Star Trek or remotely like it.

By the mid- to late-’70s, when I had discovered Dungeons & Dragons and its now famous recommended reading list, Appendix N, I hit the library, the bookstore, and the used bookstore in search of everything on it and, unfortunately, came up woefully short. This time, pure bad luck kept me from reading Robert E. Howard. When it came to Appendix N, the library held only the last few Amber books. I didn’t want to read them out of order, and I couldn’t find much of anything from the list at the bookstore.

By chance, the used bookstore had not a single Conan paperback. Instead it stocked the best of the Lankhmar books, the first three Corum books by Michael Moorcock, and a friend had the Amber novels the library lacked. Mostly because of these books I was transformed from a devoted science fiction fan who occasionally tried fantasy into a dedicated reader of fantasy, but the glories of Howard’s writings were still undiscovered territory.

In the years that followed, I saw the rows of Conan pastiche and was rightfully dubious.

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In 500 Words or Less: Dominion: An Anthology, edited by Zelda Knight and Ekpeki Oghenechovwe Donald

In 500 Words or Less: Dominion: An Anthology, edited by Zelda Knight and Ekpeki Oghenechovwe Donald

Dominion An Anthology of Speculative Fiction from Africa and the African Diaspora-smallDominion: An Anthology of Speculative Fiction from Africa and and the African Diaspora (Volume 1)
Edited By Zelda Knight and Ekpeki Oghenechovwe Donald
Aurelia Leo (270 pages, $18.99 paperback, $8.99 eBook, August 17, 2020)
Cover by Henrique DLD

Dominion is a tough one to accurately summarize. During the Kickstarter way back, the editors said they were looking for speculative fiction about “the legacy and future of Africa and the African diaspora.” As I read, I had to remind myself how complicated that legacy is – which is reflected in these myriad and complicated stories.

I should warn you that some of its stories are rough. I choose that word carefully, and for multiple reasons. There’s a lot of dark fantasy and horror in here, some of it graphic and hard to read. But it reflects horror and darkness that’s real, making for some powerful stories.

“The Unclean” by Nuzo Onoh, for example, doesn’t pull its punches examining oppression of women, specifically through a problematic arranged marriage that can’t be easily escaped, even through supernatural means. Neither does Michael Boatman with “Thresher of Men” – a story that felt viscerally angry to me, channeled through a goddess of vengeance set upon an American town with a deep history of racist violence.

As a reviewer, it was interesting to find a balance of lighter stories, too – or at least stories where the issues the characters face are more microscopic and focused. Nicole Givens Kurtz ‘s “Trickin’” is still bloody but also kind of delightful, following a half-forgotten trickster looking for tributes on Halloween night. (Also love the mystery of the post-downturn city where it’s set – what happened there, Nicole?) “Sleep Pap, Sleep” by Suyi Davies Okungbowa is fabulous Africanjujuism (I believe “The Unclean” fits that genre, too), in this case weaving the understanding that you shouldn’t grave-robbing a blood relative with a young man’s guilt about his father’s death and how he treats his closest friend.

On the science fiction side, one of my favorites is Marian Denise Moore’s “A Mastery of German” about a young up-and-comer at a research firm, assigned to evaluate a project on transferring learned memories. There’s a neat implication discussed about ancestral memory and slavery, told through Candace’s relationship with her history-hunting father (which is an adorable sidebar, by the way). But the focus is mostly on ethics: is it all right to pay someone to take their memory of learning German (for example) and then do whatever you want with it? No easy answer there.

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Goth Chick News: Let’s Get ‘The Season’ Started with The Devil All the Time

Goth Chick News: Let’s Get ‘The Season’ Started with The Devil All the Time

The Devil All the Time

Before I tell you about this, I need to make a couple of pre-emptive statements:

Yes, I know it’s only August.

You’re right. Halloween isn’t for weeks and weeks.

Yes, I’ve actually left the house when the sun is up / it’s warm / it’s summer, etc, etc.

Now that we have those items out of the way, I can gleefully report Netflix is definitely with me when it comes to launching their fall lineup, the moment there is a whiff of 70-degree temps in the air. And their first offering of the scare season is a doozy.

Premiering on September 16th, The Devil All the Time is based on a book by the same name, by author Donald Ray Pollack. Telling the story of a religious community who takes their faith to often horrific extremes in rural Ohio, it was actually shot in Alabama over a short, but apparently very intense 10 days. Filmmaker Antonio Campos (Simon Killer, 2016’s Christine) is a little secretive about the nature of the film’s plot, but there is no hiding the star-studded nature of the cast. The film is brimming with big names including Spider-Man‘s Tom Holland, It Chapter One and Two‘s Bill Skarsgård, The Lodge‘s Riley Keough, and Pet Sematary‘s Jason Clarke with Robert Pattinson (The Lighthouse, The Batman) and Mia Wasikowska (Stoker, Crimson Peak).

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A Report on Modiphius’s Robert E. Howard’s Conan: Adventures in an Age Undreamed Of — Part One

A Report on Modiphius’s Robert E. Howard’s Conan: Adventures in an Age Undreamed Of — Part One

Conan-Adventures-in-an-Age-Undreamed-Of RPG-small

That title is probably the last time, in this article, that I’m going to refer to this game with all those words. It was important to get it right, the first time, but usually I just call it Conan 2d20.

Because that’s what it is: it is playing a Conan game by using Jay Little’s 2d20 engine or mechanic, which he designed for Modiphius. There are other Conan RPGs out there, all of them, of course, out of print: an “original” TSR Conan RPG (I’ve never had the experience), a GURPS version (I only just learned about this one, and I’ve never played GURPS — the Hero System was my game of choice during the “universal system” era), and Mongoose’s d20 version (which I did play, at GaryCon one year, and it was a delight!). Outside of RPGs designed — or modified — specifically to accommodate a Conan vibe and setting, there are a number of options ranging from d20 derivations from Astonishing Swordsmen & Sorcerers of Hyperborea to Low Fantasy Gaming to Crypts & Things to Sharp Swords & Sinister Spells to “other system” derivations such as Savage Worlds to RuneQuest to Barbarians of Lemuria to many others that I’m either forgetting or about which I simply don’t know. Of these other games, when I make an argument that Conan 2d20 is my most favorite system for accurately emulating Conan pulp fiction, I should make clear that I have not played all of them, though I have read (and even played) most of those listed above.

Getting into Conan 2d20, for the casual gamer, or for the merely curious, demands a fair amount of cognitive load. This is because, I believe, the system is so innovative — and those innovations are precisely what makes this a Conan game. I have encountered many anecdotes of gamers and consumers gleefully obtaining this gorgeous hardcover tome (or PDF), riffling through it, saying, “Huh?” then setting it aside with a “Sorry, not for me, but the art is pretty, and this still makes a good resource.” This describes my own initial reception, as I was losing my mind to higher Levels of play in Pathfinder and, with immense relief, was going “old school” by picking up Swords & Wizardry. But I kept sneaking glances at Conan 2d20 and thinking “what if?” Bob Byrne and I tried to do something via Play by Post. In my home group, a year or so later, I got a 1e enthusiast to start running for my casual players so that I could give 2d20 a go with two seasoned players. But then, after I had successfully run two adventures, the pandemic hit, and these two players weren’t interested in online play.

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New Treasures: Savage Legion by Matt Wallace

New Treasures: Savage Legion by Matt Wallace

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Cover by Chris McGrath

Matt Wallace is the author of the 7-volume Sin du Jour series from Tor.com, which began with Envy of Angels. I first heard whispers of his ambitious new fantasy trilogy Savage Rebellion back in 2018, when the Barnes & Noble Sci-Fi & Fantasy Blog announced “a Trope-Smashing New Epic Fantasy Trilogy from Matt Wallace,” saying (in part)

You probably know [Matt] for the Sin du Jour novellas. It’s a brilliantly subversive, totally wackadoo contemporary fantasy series about a NYC catering company that services the supernatural communities of the world, from goblin kings to the lord of Hell, and for fantasy fans or foodies, it’s a full meal… A few years from now, however, Matt will likely be best known for something else: today, we’re pleased to announce that he’s signed a deal with Simon & Schuster’s Saga Press to publish his first novel — or rather, his first trilogy. It’s a fantasy epic that promises to be just as daring as his novellas. The first book is called Savage Legion, and it sounds primed to grind genre tropes into a fine paste.

What’s so different about Savage Legion? It has a very different take on fantasy action. I think the Publishers Weekly starred review encapsulates it nicely.

Cunning plotting and brisk action elevate this impressive tale of swords and super-science, the first in the Savage Rebellion series from Hugo Award winner Wallace (Sin du Jour). At first glance, Evie is a belligerent drunk. That’s why the Empire of Crache dragoons her into the Savage Legion, a hapless mob of suicide commandos culled from the downtrodden masses of the empire and forced to fight and die on its behalf. But Evie is secretly a warrior on a mission, infiltrating the Legion to rescue her former lover who was kidnapped after discovering government corruption… Wallace masterfully subverts readers’ expectations. As the plot spins through convincing battlefield combat and personal confrontations, Evie rallies the Savage Legion to turn against the empire that exploits them. Readers will be left thoroughly satisfied and eager to know what’s to come.

Savage Legion was published by Saga Press on July 21, 2020. It is 498 pages, priced at $27.99 in hardcover and $7.99 in digital formats. The cover is by Chris McGrath. Listen to an audio excerpt at the Simon & Schuster website.

See all of our recent New Treasures here.

Weird Tales Deep Read: June, 1923

Weird Tales Deep Read: June, 1923

Weird Tales June 1923

Cover by Heitman for “Murders in the Rue Morgue”

June 1923 was the magazine’s fourth issue, and it was still clearly a magazine in search of itself.

There are very few authors who had a major impact on the magazine appeared in this issue. The most notable name, of course, is Edgar Allen Poe with a reprint of one of his most famous tales (“The Murders in the Rue Morgue”) and, secondarily, Otis Adelbert Kline, with a story largely forgotten today, but which I found to be a cut above many of his others, though ultimately somewhat slight. That’s about it. Two of the best stories were by authors totally forgotten today, Paul Ellsworth Triem and Loual B. Sugarman, with only the later tale having fantastic elements. In fact, only seven of the 18 stories in this issue had fantastic elements (39%), all were set in contemporaneous times (of course, the Poe story was written in the 1840s), and most (13 or 72%) were set in the United States.

On the whole, many of the stories were no better than mediocre, but really poor efforts were largely avoided (four 4’s and one 5). Also largely avoided were the overtly racist tropes too readily present in many early WT’s, with the Birch effort going all in on the Yellow Peril theme.  Overall, this issue rated out to 3.00, which notably lags behind the classic early 1930s issues previously covered.

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Tales of Attluma by David C. Smith: A Review and Oron Series Tour Guide

Tales of Attluma by David C. Smith: A Review and Oron Series Tour Guide

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David C. Smith was the 2019 Guest of Honor at Howard Days 2019 for good reason, having written the acclaimed Robert E. Howard: A Literary Biography in 2018 to complement his decades of writing Sword & Sorcery (he has 26 novels written or co-written, including the Red Sonja series with Richard L. Tierney, the Oron and The Fall of the First World series, and more). He crafts his own flavor of adventure-horror with his Tales of Attluma (teased earlier at  Black Gate), heavily influenced by Robert E. Howard (REH) and Clark Ashton Smith (CAS). Attluma is an island continent inspired by the mysterious Atlantis. These sixteen tales cover its cursed history and doomed end. Many entries were written in the 1970’s and are gathered now in one place for the first time.

The collection fits the Sword & Sorcery label, with an emphasis on Sorcery, specifically necromancy and demon summoning. These are fantastically dark and exciting stories, a true blend of REH’s action and CAS’s dreaded atmosphere. On Attluma, ancient gods live in mountain temples and underground. Humans struggle to survive on the surface and intrude on land made for, and by, demons. Excerpts are the best way to share the poetic, dark conflict readers should expect:

“Dressed in scarlet wounds and running with blood, here was my mother, her face beseeching mercy, gashes across her face and body. There came my father, hobbling on a split foot and one arm gone, strings of meat and tendon trembling from the open shoulder. Here was my brother, once a strong and handsome man, now in death a broken thing with no legs, pulling himself forward with his arms, his wife beside him, on her belly and kicking her feet as her head rolled beside her.” — from “The Last Words of Imatus Istum”

“And there was Yadis, The All Mother, the hag with one eye and triple teats whose spittle had made the stars and whose defecation made the earth. Her mad singing had awakened humans to life; we crawled from the muck and ever since wondered about the dark heart of life.”  — from “Dark Goddess”

Interestingly, there are no Oron tales, Oron being the warrior protagonist (i.e., the heroic “Conan” of Attluma) that the original Zebra series was named after. Yet he is not needed here. Attluma is saturated with lore and conflict, armies of ghosts, lost loves seeking retribution, and hungry demons just looking for some attention. The last several stories ramp up the demonic uprising (or retaking) of the island continent. “The End of Days” finale is epic in scope, a sprawling battle with loads of mayhem and militant sorcery.

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After Action Report: Gen Con Online

After Action Report: Gen Con Online

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Gen Con is a major — the major — tabletop gaming convention of the year. 60,000 gaming enthusiasts arrive in Indianapolis (where the con has been held since 2003) to participate in thousands of board games, card games, miniature games, role-playing games (including live action), seminars, reveals, auctions, and cosplay. And more. Spread across the Indianapolis Convention Center, multiple hotels, and Lucas Oil Stadium, the scale of Gen Con is unmatched.

However, with COVID-19 disrupting major sports, shuttering millions at home (who are fortunate enough to work from home), and sparking debates about masks, conventions big and small canceled in-person events months ago. San Diego Comic Con. GaryCon. Origins. Who’s Yer Con. TravellerCon. Gen Con. Many have attempted some sort of online alternative, a path Gen Con 2020 followed.

Gen Con undertook the challenging task of offering an extensive virtual convention, featuring many tabletop gaming sessions and the sprawling, chaotic, glorious Dealer Hall of gaming companies, artists, dice creators, and many others hawking and showing off their goods. In past Gen Cons I have run games, participated in seminars, and spent hours roaming the Dealer Hall. From Thursday evening to Sunday afternoon, my weekend would be little else but gaming, shopping, and some sleep along with visiting a food truck to scarf down a meal between. This year would be different.

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