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Month: February 2020

Amazing Stories, November 1979: A Retro-Review

Amazing Stories, November 1979: A Retro-Review

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11 79 Amazing Stories Covered

Cover by Elinor Mavor

Coming in after Asimov’s, Amazing Stories is a svelte 130 pages. One thing that really stood out to me in this issue was that almost everyone in it was a novice writer — many of the stories were first sales. It isn’t the ‘theme’ of the magazine, or of this issue or anything, but it is a thing I noticed. There is something refreshing about a quality amateur story, a certain unpolished plunging-ahead that can sweep the reader along.

That said, there are some of the stories that are, honestly, not that good. Others have said it better, but if you had picked up this issue back in the day (or pretty much any day), and thought to yourself “Hell, I could do this!”, you’d be right.

Here’s a look at the contents.

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Her Master’s Voice: The World of Virtual Idols, Part II

Her Master’s Voice: The World of Virtual Idols, Part II

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2A - Hatsune_Miku_a001_feature_prm

In Part I of this 3-part series, we looked at how the concept of the Virtual Idol first emerged in anime during the 1980s, featuring some of the more popular storylines and prominent idols to make an appearance in this genre, a phenomenon which could be seen as the precursor to an eventual reality where technology would let them enter our lives more directly. This is the reality that unfolds before us now!

As we enter the digital age, the possibilities open up considerably. Idols can go beyond just appearing in a futuristic context — and actually manifest as creations on our own computers!! The giant leap forward comes with the arrival of a line of software products called Vocaloids. Created by Crypton Future Media, and using technology developed by musical equipment giant Yamaha, a Vocaloid is a type of speech synthesis program which converts words and melodies designated by the user into an electronic singing voice.

There are some parameters for tweaking the sound, but for the most part each version of the program is based on one specific voice, and is tied to a related character avatar representing the singer. The first two major entries in the series featured a female singer named Meiko, along with her male counterpart Kaito. They remained somewhat obscure for most people though, at least in the beginning. It was the next entry, the first in the newer ‘Vocaloid2’ line, who was to become the star that would launch a massive cultural revolution in Japanese music — the virtual idol known as Hatsune Miku!!

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Nero Wolfe’s Brownstone: The Careworn Cuff – Part One (The Greenstreet Chronicles)

Nero Wolfe’s Brownstone: The Careworn Cuff – Part One (The Greenstreet Chronicles)

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WolfeRadio_GreenstreetI’ve previously mentioned the radio show, The Adventures of Nero Wolfe, starring Sidney Greenstreet. And back in 2017, to middling results, I had written up one of those episodes, Stamped for Murder, as a novella. I tried to stay too true to the dialogue, and to Greenstreet’s rather un-Wolfean portrayal. But, you only have to kick me in the head three or four times before I catch on, so I decided to try again. Below is the first installment of a three-part adaptation of another episode, The Case of the Careworn Cuff. This time, I think I did a much better job of emulating Stout, rather than Greenstreet. Read on, and enjoy!

The Careworn Cuff – Part One

Chapter One

Nero Wolfe was the most brilliant, and also the laziest, detective in the world. He rarely left his brownstone on West 35th Street, and never on business. I lived there, eating the amazing grub prepared by Fritz Brenner, a wonderful chef (do NOT call him a ‘cook’) and a gentle soul. But also a good man in a pinch. His war experiences had hardened him more than appearances might indicate, and he had the scars to prove it. The fourth and final occupant was Theodore Horstmann: more on him in a moment.

Wolfe used his brain, which was only slightly smaller than his prodigious waistline, and his even more massive ego, to pay for the upkeep. Which was considerable. I doubt too many other citizens of New York City ate as well as Wolfe did. And he probably could have bought his own brewery with his beer bill. And of course, there were the orchids.

No matter what some detective stories might lead you to believe, crimes can’t be solved solely from an armchair. Another surprise: crimes don’t only take place while you’re a guest at a country estate. Although, there was that affair of the missing rubies while I was staying at Lily Rowan’s Westchester digs. But that’s another story for another session at the typewriter.

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Rely on Your Friends to Escape the Dark Castle

Rely on Your Friends to Escape the Dark Castle

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Escape from the Dark Castle Gen Con-small

Even kids love board games at Gen Con

I’ve been slowly tracking down the board games that caught my eye at Gen Con last summer. (And to do that, they really had to be something. I wandered a gigantic Exhibit Hall filled with hundreds and hundreds of booths, thousands of new games, and tens of thousands of attendees, and it took three full days to do a complete circuit.) There was no time to investigate anything in real detail, so if it looked good I snapped a quick pic and moved on.

For the past few months I’ve been sifting through those photos, and three weeks ago I came across the one above, of one of the glass cases scattered around the exhibit floor. The first thing that caught my eye was the cute kid — he sure looks like he was having fun. But the second thing was the game in the case: Escape the Dark Castle. The custom dice and oversized cards looked interesting, but most intriguing of all was the cover art, reminiscent of the British Fighting Fantasy game books of the early 80s.

It didn’t take long to find out that Escape the Dark Castle was the debut release from Themeborne in the UK. It was funded by a successful Kickstarter campaign in June 2017, and shipped more or less on time in 2018. Themeborne followed up with a second campaign to fund three expansion packs a year later. A little research uncovered some great reviews (at sites like Coop Board Games and Brawlin’ Brothers), but by then I’d already ordered a copy.

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The Ash-Tree Anthologies, edited by Barbara Roden and Christopher Roden

The Ash-Tree Anthologies, edited by Barbara Roden and Christopher Roden

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Acquainted with the Night-smaller At Ease With the Dead-smaller Shades of Darkness-smaller

Covers by Jason Van Hollander

Ash-Tree Press was a highly respected small press publisher of ghostly fiction. It was founded in Ashcroft, British Columbia, in 1994 by Christopher and Barbara Roden, and over the next 20 years produced 160+ collections, anthologies and novels of supernatural fiction, mostly reprints. They published volumes by M. R. James, H. R. Wakefield, A. M. Burrage, David G. Rowlands, Richard Marsh, Robert W. Chambers, E. F. Benson, Margery Lawrence, Marjorie Bowen, Alice Askew and Claude Askew, Jonathan Aycliffe, Frederick Cowles, and many, many others. Their handsome books, produced in very small print runs (anywhere from 5-500 copies, but typically  200-300), were usually outside my price range, but I certainly coveted them. The last one appeared in 2013.

In addition to premium reprints aimed at the collectors market, the Rodens had a keen interest in modern ghost fiction, and they published a lot of it. They took over the reins of All Hallows, the Journal Of The Ghost Story Society, with issue #6 in June 1994, and turned it into a thick regular anthology (the last issue, #43, was a whopping 304 pages) published every four months. And they produced five original anthologies between 1997 – 2008, including three nicely affordable paperback editions: Acquainted with the Night, At Ease with the Dead, and Shades of Darkness. All three had delightful covers by Jason Van Hollander.

Van Hollander’s intricate cover paintings are both modern and traditional in the best sense. They’re strangely detailed portraits of overcrowded medieval towns, with houses that huddle together in fear (or maybe just to gossip). The townsfolk remind me of Tim Burton’s The Nightmare Before Christmas — garrulous small town characters with colorful personalities, hurrying through the streets on mundane tasks, and who for the most part are dead. Ghosts drift through eaves, long tendrils of mist coil out of the river, brightly adorned skeletons wave to neighbours, and inhuman watchmen shuffle through the night streets, clutching lanterns.

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Uncanny X-Men, Part 5: Issues #40-48: Death and Separation

Uncanny X-Men, Part 5: Issues #40-48: Death and Separation

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Screenshot_20200105-225137_Marvel Unlimited

Welcome to the 5th installment of my reread of the X-Men from 1963 forward. This is a cool one, going from cover date January, 1968 to almost the end of 1968. There are some big stories and even the middling stories in this run have their charm, and the best ones hold up as exemplars of the best of the Silver Age, including an Avengers-X-Men cross-over. If this it the first of these posts that you noticed, my can find my previous ones here:

  • Part I: X-Men #1 (Nov, 1963) to X-Men #20 (May, 1966)
  • Part II: Early X-Men guest appearances (1964-1965), X-Men #21-23 (1966), and X-Men: First Class Volume I (2006)
  • Part III: X-Men: First Class, Volume II (2007)
  • Part IV: X-Men #24-39: The Middle Years of the Original Team

I wish I could say that this run opens with a bang, but after the work that went into ending the Factor Three multi-part story line, Roy Thomas and company come out with a forgettable (or best forgotten) Frankenstein’s monster story in issue #40. Issue #41 follows up slightly better, because although they’re fighting another poorly-drawn hulking brute, it’s about a secret subterranean civilization that have all died due to human action.

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Future Treasures: The Light Years by R.W.W. Greene

Future Treasures: The Light Years by R.W.W. Greene

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The Light Years R.W.W. Greene-smallWelcome to February, a month absolutely packed with new releases. There’s lots to keep your eyeballs busy but, no big surprise, I find my eyes are drawn to the debuts.

R.W.W. Greene, whose fiction has appeared at Stupefying Stories and Daily Science Fiction, releases his first novel The Light Years next week, and in a cover reveal/interview at SciFiNow, he talked about how he was inspired to write book after attending Boskone (and the story story it grew from, “Love in the Time of Light Speed,” originally published at NewMyths.com).

This book is an unusual blend of ideas — relativity, refugees, devolution, folk music, and arranged marriages. Where did they all come from?

R. W. W. Greene: The Light Years revealed itself as a short story first (‘Love In The Time Of Light Speed’). We’d just gotten home from the 2014 Boskone (an annual sci-fi convention in Boston), and I was buzzing from all the panels and conversations and thinking about the week of classes ahead. At the time I was teaching at a really diverse high school and I had all these kids – Indian kids, Hispanic kids, gay kids, trans kids, kids from the Middle East – and their lives stomping around in my brain… The story downloaded into my head while I showered off the convention. As soon as I turned the water off, I grabbed a towel and hit the writing room. About a year after that I started expanding the thing into a novel.

The Light Years is already accumulating good notices, including this great review at Publishers Weekly.

The toll difficult moral choices take on families is the core conflict of this clever far-future debut from Greene. In the 33rd century, wealthy Traders travel space while the poor struggle to survive planetside. Trader Adem Sadiq enters an arranged marriage with faster than light worm-drive technology expert Hisako Saski at the urging of his mother, Maneera. Hisako’s parents agree to the marriage contract that gives Hisako money in exchange for studying supposedly obsolete worm-drive technology… Sophisticated worldbuilding and diverse, emotionally-resonant characters make Greene an author to watch.

Here’s the publisher’s blurb.

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