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Year: 2019

New Roads are Unfolding: The Last Road by K. V. Johansen

New Roads are Unfolding: The Last Road by K. V. Johansen

Blackdog-small Gods of Nabban-small The Last Road-small

Cover art by Raymond Swanland (Blackdog, Gods of Nabban) and Jennifer Do (The Last Road)

The Last Road is the fifth and final book of Gods of the Caravan Road, a silk road fantasy full of gods, goddesses, demons, devils, wizards, and caravaneers. (Also camels.) Chronologically, the story begins with “The Storyteller,” which was published in Andromeda Spaceways quite a long time ago. You can find it now in my collection The Storyteller and Other Tales. I had Blackdog, the first novel, mostly written when I wrote “The Storyteller.” I’ve never been good at beginning at the beginning. I find that starting a story always raises questions about how it got to that point and I want to look backwards as well as forwards. In “The Storyteller,” the devil Moth — one of seven wizards who “in the days of the first kings in the north” bonded themselves with the souls of seven devils — is freed from her prison/grave and joins forces with the half-demon wer-bear Mikki to hunt for the devil Heuslar Ogada.

In Blackdog, a caravan-guard, Holla-Sayan, is possessed by the shapeshifting Blackdog, the obsessively protective, sometimes savage, guardian spirit bound to the goddess Attalissa, who must flee her homeland incarnated as a powerless child when her town is captured by a wizard warlord whom she believes intends to devour her. Holla takes her along as his daughter on the caravan road. Their story intersects with that of Moth, who has been set by the Old Great Gods to hunt and execute her fellow devils.

Marakand, which is published in two volumes as The Leopard and The Lady, is the story of the goddess-cursed assassin Ahjvar — who claims he died almost a century earlier — and his friend and would-be lover Ghu, as the city of Marakand rises in revolt against its goddess. With impressive bad luck, Holla-Sayan’s caravan comes to the city just in time for the civil war, and Moth and Mikki arrive on the trail of another devil.

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Nero Wolfe’s Brownstone: 3 Good Reasons – Murder is Corny

Nero Wolfe’s Brownstone: 3 Good Reasons – Murder is Corny

Nero WolfeAlas – the home front is a bit…chaotic, with my wife halfway around the world on a mission and trip and the eleven-year old still needing school transportation – among other things. I didn’t get to finish editing this week’s A (Black) Gat in the Hand post – so, here’s the second entry in a feature which I hope will be part of a Nero Wolfe column next year. You can read my first try, covering “Not Quite Dead Enough.”

With a goal of eventually tackling every tale of the Corpus, I’ll give three reasons why the particular story at hand is the best Nero Wolfe of them all. Since I’m writing over seventy ‘Best Story’ essays, the point isn’t actually to pick one – just to point out some of what is good in every adventure featuring Wolfe and Archie (BTW – I got the idea from Hither Came Conan from this Wolfe series!). And I’ll toss in one reason it’s not the best story. Now – These essays will contain SPOILERS. You have been warned!

The Story

Today’s story is “Murder is Corny,” from Trio for Blunt Instruments. Nero Wolfe is upset because the weekly delivery of fresh corn is late. It finally arrives in the hands of Inspector Cramer, who got it from the scene of the murder of the delivery man. Archie had had a few dates with Susan McLeod, the farmer’s daughter, and she has unintentionally framed him for murder. Cramer arrests Archie, and to preserve his comfort level, Wolfe takes on the case, with Archie as his client.

 

3 GOOD REASONS

ONE – The Corn

This story contains one of my favorite openings. Every Tuesday, from July 20 to October 5, sixteen ears of just-picked corn are delivered to the brownstone from the farm of Duncan McLeod. Wolfe, of course, is very particular about the corn, including the requirements that it must be picked not more than three hours before he receives it, and that it must arrive between 5:30 and 6:30. Fritz prepares all of it for that evening’s dinner. But on this September Tuesday, the corn never arrives and Fritz has to make do with stuffed eggplant. Oh, the horror!

Wolfe is out of sorts and doesn’t engage Archie in their usual post-dinner conversation, over coffee in the office. He is standing at the giant globe, whirling it and scowling at it. This is unwarranted physical exertion on Wolfe’s part!

Inspector Cramer rings the doorbell and is admitted, carrying a carton with Wolfe’s name on it. He marches down the hall, deposits it on Wolfe’s desk and cuts the cord around the box. As Wolfe comes over to his desk, Cramer opens the flaps, holds up an ear of corn and says, “If you were going to have this for dinner, I guess it’s too late.”

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The Golden Age of Science Fiction: The Persistence of Vision, by John Varley

The Golden Age of Science Fiction: The Persistence of Vision, by John Varley

Cover by Jim Burns
Cover by Jim Burns

Cover by Selinas Blanch
Cover by Selinas Blanch

Cover by Stéphane Dumont
Cover by Stéphane Dumont

The Prix Apollo was founded in 1972 and presented in France for the best book published in French during the preceding year. The first winner was Roger Zelazny’s Isle of the Dead. The award was suspended following the presentation of the 1991 award. Only five times in the awards nineteen year history did it go to works originally published in French, including 1988, when it was presented to an entire series of 36 books written by Georges-Jean Arnaud. Although technically an award for a novel, in 1980, the award was given to John Varley’s collection The Persistence of Vision.

It isn’t entirely clear what the Prix Apollo was presented for. Varley’s debut collection, The Persistence of Vision was published by The Dial Press/James Wade in 1978 and contained nine short stories, published between 1975 and 1978. The collection wasn’t translated into French until 1979, which is why it was eligible for the Prix Apollo in 1980. However, the nine stories were published in two separate volumes in French. One volume, Dans le palais des rois martiens, contained five stories, including French translations of “The Phantom of Kansas,” “Air Raid,” “Retrograde Summer,” “The Black Hole Passes,” and the titular story, “In the Hall of the Martian Kings.” The second volume, Persistance de la vision, contained the remaining four stories, translations of “In the Bowl,” “Gotta Sing, Gotta Dance,” “Overdrawn at the Memory Bank,” and “the titular story, “The Persistence of Vision.” It is possible that the Prix Apollo was given for the complete text of the original anthology, but also conceivable that it was only given to the volume which bears the name in French.

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The Boxed Set of the Year: American Science Fiction: Eight Classic Novels of the 1960s edited by Gary K. Wolfe

The Boxed Set of the Year: American Science Fiction: Eight Classic Novels of the 1960s edited by Gary K. Wolfe

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Cover by Paul Lehr

Gary K. Wolfe is one of my favorite Locus columnists. He also reviews science fiction for the Chicago Tribune and, with Jonathan Strahan, co-hosts the excellent Coode Street Podcast. But more and more these days I think of him as an editor. He edited the Philip Jose Farmer retrospective collection Up the Bright River (2011) and, even more significantly, American Science Fiction: Nine Classic Novels of the 1950s: A Library of America Boxed Set (2012), a massive 1,700-page, 2-volume omnibus collection of classic novels by Pohl & Kornbluth, Sturgeon, Brackett, Matheson, Heinlein, Bester, Blish, Budrys, and Leiber, all in gorgeous hardcover with acid-free paper, sewn binding, and full cloth covers.

So I was thrilled to hear that, seven long years later, Wolfe has fulfilled that promise of that first beautiful boxed set with a sequel: American Science Fiction: Eight Classic Novels of the 1960s. Like the first, it will be sold as two separate hardcovers, and also available in a handsome boxed set edition. It contains eight of the finest SF novels of the 60s:

The High Crusade, Poul Anderson (1960)
Way Station, Clifford D. Simak (1963)
Flowers for Algernon, Daniel Keyes (1966)
…And Call Me Conrad (This Immortal), Roger Zelazny (1966)
Past Master, R. A. Lafferty (1968)
Picnic on Paradise, Joanna Russ (1968)
Nova, Samuel R. Delany (1968)
Emphyrio, Jack Vance (1969)

The whole package comes wrapped up in a boxed set featuring artwork from the brilliant Paul Lehr. It will be in bookstores on November 5th — and is available now at $15 below retail if you order direct from Library of America.

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The Golden Age of Science Fiction: The 1973 John W. Campbell Memorial Award: Beyond Apollo, by Barry N. Malzberg (plus Special Award to Robert Silverberg for Dying Inside)

The Golden Age of Science Fiction: The 1973 John W. Campbell Memorial Award: Beyond Apollo, by Barry N. Malzberg (plus Special Award to Robert Silverberg for Dying Inside)

beyondapollofirsted-small Beyond Apollo Pocket-small Beyond Apollo Carol and Graf-big

Beyond Apollo (Random House, 1972, Pocket Books, 1979, Carrol & Graf, 1989). Covers by Roger Hane, Don Maitz, and unknown

Two separate awards were established in 1973 in memory of the profoundly influential long time editor of Astounding/Analog, John W. Campbell, Jr., who had died in 1971. We have already covered the John W. Campbell Award for Best New Writer (which has just been renamed the Astounding Award), which went to Jerry Pournelle.

The John W. Campbell Memorial Award is given for the Best Science Fiction Novel of the year. It is a juried award. It was first established by Harry Harrison and Brian W. Aldiss, to, well, let’s reproduce Harrison’s words:

When John died it was a blow to all of us. After the memorial service a number of his writers were talking, and out of the talk came the Astounding anthology, what has been called the last issue of the Campbell magazine. It was a good tribute to a good editor. There is another tribute I think of just as highly, the award for the best SF novel of the year presented in his name and memory. An award I am sure he would have loved because it instantly became involved in controversy when the first prizes was presented. How John enjoyed a good argument and a good fight! That this fight sprawled through the letter columns of Analog for some months would have cheered him even more.

The first award was presented at the Illinois Institute of Technology in Chicago. The jury for the first award consisted of Harrison, Aldiss, Thomas Clareson, Willis McNelly, and Leon Stover.

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Quixotic Striving for Happiness: The Vision by Tom King and Gabriel Hernandez Walta

Quixotic Striving for Happiness: The Vision by Tom King and Gabriel Hernandez Walta

Visions of the Future-small

As much as I can, I’m trying to keep up with the best comics in the field. I don’t normally gravitate to the sad tragedy inherent in family drama, so I had started and stopped Marvel’s 2015 Vision series a few times. That’s a statement about me rather than the 12-issue masterpiece by Tom King, Gabriel Hernandez Walta, Jordie Bellaire and Clayton Knowles. The series is a brilliant science fiction tragedy.

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A Glorious Tapestry of Alternate History: The Empire of Fear by Brian Stableford

A Glorious Tapestry of Alternate History: The Empire of Fear by Brian Stableford

The Empire of Fear-small The Empire of Fear-back-small

British science fiction writer Brian Stableford has published more than 70 novels across a career spanning nearly five decades. His first novel was The Days of Glory (Ace, 1971), his most recent was The Tyranny of the Word (Black Coat Press, 2019), which appeared just last month. He’s produced a number of popular series, including six Hooded Swan science fiction novels, beginning with The Halcyon Drift (DAW 1972), six Daedalus Mission books, his famous werewolf trilogy (The Werewolves of London, The Angel of Pain, and The Carnival of Destruction), the Genesys trilogy, and the more recent six-volume Emortality series from Tor, beginning with Inherit the Earth (1998) and Architects of Emortality (September).

Back in 2013 I wrote a brief Vintage Treasures piece on his 1998 horror novel The Empire of Fear, and in the Comments section BG blogger Joe Bonadonna offered a splendid mini-review.

I read this one right after reading George R.R. Martin’s Fevre Dream, and these are 2 of my favorite vampire novels, because they are so much more than that. Empire of Fear is a glorious tapestry of alternate history a, “what mine have been,” had Van Helsing not slain Dracula. Beautifully written, with flesh-and blood characters, and quite well told. My only complaint — it’s too bloody short.

Joe’s comments stayed with me, and as I celebrate the spooky season by selecting classic horror novels to read in October, I picked up a copy to read this weekend.

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A Thrilling Gothic Fantasy: Sorcery of Thorns by Margaret Rogerson

A Thrilling Gothic Fantasy: Sorcery of Thorns by Margaret Rogerson

Sorcery-of-Thorns-smallElisabeth has sworn to do her duty onto death, and death has just shown up.

Panicked horses draw a carriage up to the Great Library. A Class Eight grimoire, bound in an iron coffer secured with more than a dozen locks, rattles inside the vehicle. A pair of wardens jump down from the driver’s seat.

The grimoire – the Book of Eyes – is centuries old and has driven dozens of people mad. As an apprentice librarian, Elisabeth shouldn’t be anywhere near it. But the library’s Director specifically summoned her here to help.

The Director must be testing Elisabeth. If she fails, the Book of Eyes will claim her life. But if she manages to survive this encounter, then she’ll show she really is a warden in the making. That is Elisabeth’s dearest wish: to prove herself worthy to the Director by becoming a warden herself. After all, she owes the Director everything. If it hadn’t been for her, Elisabeth would have been raised in an orphanage.

As Elizabeth and the Director carry the foul-smelling book down into the vault where the most dangerous tomes are isolated, it lurches in its bindings and tries to break free. When they reach its appointed cell, the table in the middle is gouged with enormous gashes. It looks like a demon clawed it. Grimoires that are damaged turn into Maleficts, huge monsters of ink and leather that kill the villagers and ravage the countryside. The wardens risk their own lives in hunting down and destroying them.

A Malefict must have been born on that very expanse of wood.

While the Director examines the Book of Eyes for damage, keeping the greasy black volume contained in a circle of salt and wearing iron-lined gloves, the grimoire opens its warty eyes and fastens them on Elisabeth. Sensing her inexperience and vulnerability, it calls to her, a whisper that threads through her mind…

She tries to ignore the voice, but it’s no use. Her gaze drifts down to the book… She feels like she’s sinking… The Director’s voice comes from very far away, as though she’s speaking underwater…

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In 500 Words or Less: Lost Transmissions by Desirina Boskovich

In 500 Words or Less: Lost Transmissions by Desirina Boskovich

Lost Transmissions- The Secret History of Science Fiction and Fantasy-small Lost Transmissions- The Secret History of Science Fiction and Fantasy-back-small

Cover by Paul Lehr

Lost Transmissions: The Secret History of Science Fiction and Fantasy
By Desirina Boskovich
Abrams Image (304 pages, $29.99 hardcover, $13.99 eBook, September 10, 2019)

Did you know that Johannes Kepler wrote speculative fiction that got his mother imprisoned for witchcraft? Or that Weezer almost had an epic concept album to rival Pink Floyd and Rush? Or that Space Island One was even a thing?!

Maybe you did. We can’t quite use the excuse that an almost-thirty Millennial like myself obviously wouldn’t know a lot about the rich history of sci-fi and fantasy, however, since Lost Transmissions focuses on far more than the Golden Age. Desirina Boskovich has accumulated information on lesser-known SFF from across history, and I guarantee there are things in here you weren’t aware of. I had to tweet at Desirina while I was reading my ARC, for example, because the chapter “Speculative Music of the New Millennium” outlined artists and albums I’d never heard of, even though I should have grown up paying attention to them in the nineties and early 2000s. (My “To Listen” list doesn’t need to be any bigger, Desirina.)

My To-Read and To-Watch list doesn’t need to be any bigger, either, but too late now. After Charlie Jane Anders’ passionate and excited article about Space Island One, I’m determined to find a way to watch it, even though a DVD or streaming version doesn’t exist, apparently. Now that I’ve read the premise and background of Clair Noto’s The Tourist, I’m going to keep my fingers crossed for a Netflix or Amazon adaptation. I need to look into the Mellon Chronicles to explore Lord of the Rings fandom. I want to find a group of people to try Warhammer Fantasy Role-Play. And so on and so on and so on.

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Goth Chick News: When the Size of Your Spirit Matters

Goth Chick News: When the Size of Your Spirit Matters

Goth Chick Giant Ouija Board 2

Long before the Travel Channel’s obsession with spirits and professional ghost hunters, folks in the mid-1800’s became obsessed with spiritualism and all it’s trappings. Among the ‘spirit photography,’ levitating tables, and crystal balls, perhaps the most famous and long-lasting are ‘talking boards.’

First appearing around 1848, talking boards were used to summons and communicate with spirits. Most Americans, especially anyone who has ever attended a teenage sleepover, are aware of the most famous talking board, Ouija, which was first introduced in 1890 by the Kennard Novelty Company and sold today by Hasbro, Inc. These days there is even an organization in Massachusetts called Talking Board Historical Society, whose mission is to research, preserve, and celebrate the history of talking boards along with the people who continue to use them.

Now, just in time for Halloween, the Talking Board Historical Society have gone and outdone themselves by breaking a world record with “Ouijazilla,” officially declared by Ripley’s as being the world’s largest Ouija board.

If you’re like me, you’re probably sitting there absorbing the fact there was even a Ouija board record to be broken, but moving on…

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