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Year: 2019

Black Gate Online Fiction: ‘The Jarvis Pendragon Files – The Adventure of the Speckled Band’

Black Gate Online Fiction: ‘The Jarvis Pendragon Files – The Adventure of the Speckled Band’

The sitting room of 221b Baker Street London
The sitting room of 221b Baker Street London

My friend Sherlock Holmes, with whom I shared lodgings and adventures, had already breakfasted and was slumped in his favorite chair when I descended to our sitting one room one November morning. From the discarded newspapers strewn about the floor, I knew that he had failed to find one of those interesting crimes which so intrigued him.

Shortly after hearing my footsteps on the stairs, Mrs. Hudson arrived with fresh coffee, some fish left over from the previous night’s meal, devilled kidneys (which Holmes despised), bacon and toast. As Holmes had rather churlishly replied to my greeting, I set to breaking my fast.

After the dishes had been cleared away and I was settled in my own chair, sorting through the post, I held a letter out towards him. “Here’s one for you, Holmes. From a “Jarvis Pendragon, DC.”

I looked at him, puzzled. “What does ‘DC’ stand for?”

He broke through the malaise enough to negligently wave a hand. “Who knows? Pray, read it. Perhaps it will enliven this otherwise intolerably boring morning.”

I have mentioned before in these recountings of Sherlock Holmes’ cases, that humility is not a trait for which he has much admiration. On more than one occasion, he has identified modesty not as a virtue, but as a distortion of the truth. And I have excluded many of his own statements about his powers of observation and deduction that were quite the opposite of ‘humble.’

Of course, his belief in his talents and abilities, which he had honed to razor sharpness, were justified. But, as his roommate, companion, and if I may add, useful assistant, on his adventures, his self-aggrandizement could be more than a trifle wearying.

So, it was with some amusement, as I was to discover, that I read aloud his letter.

But first, he forestalled me with an upraised hand. “Be not so hasty, Watson. What can you tell me from an inspection of the envelope?”

I turned it over in my hands slowly, my eyes scanning the surface for any clues or hints.

“Brighton postmark. Common envelope. Careful handwriting on the address. Clearly legible. I see nothing else of note, Holmes.”

He shook his head in disapproval, but said nothing.

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The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

Cover by Keith Roberts
Cover by Keith Roberts

Cover by Richard Powers
Cover by Richard Powers

Cover by Alan Aldridge
Cover by Alan Aldridge

An award called The Prix Jules Verne would seem to be presented in France, and, in fact, such a literary prize was given out in France from 1927 to 1933 and 1958 to 1963 for fantasy and science fiction by French authors.  However, the Prix Jules Verne that was presented from 1975 to 1980 was a Swedish award about which little is known. The first one was given to Roland Adlerberth. Rolf Ahlgren, Eugen Semitjov, and Lars-Olov Strandberg for their service to Swedish science fiction.  Subsequent awards were presented to individual authors for specific novels. The first novel to win the award was Ursula K. Le Guin’s The Left Hand of Darkness.  The last award before it was discontinued was presented to Harry Harrison for Make Room! Make Room!.

Make Room! Make Room! is best known for being the inspiration for the 1973 Charlton Heston and Edward G. Robinson film Soylent Green, although there are significant differences between the film and the novel. The novel is an interesting and atypical work.  While the protagonist, Andy Rusch, is a police detective tasked with tracking down the murderer of Big Mike O’Brien and discovering if there are political implications in Big Mike’s death, it is not a police procedural and the crime and investigation often take a back seat. Harrison also provides the identity of the killer, as well as telling parts of the story from his point of view, throughout the book.

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Traveller Journeys into Deep Space with a New Kickstarter: An Interview with Martin Dougherty

Traveller Journeys into Deep Space with a New Kickstarter: An Interview with Martin Dougherty

Traveller The Deepnight Revelation Campaign Box Set-small

Traveller RPG: The Deepnight Revelation Campaign Box Set

I’m a long time Traveller fan. It’s not just the simple but effective game system that’s been pretty much the same since its design, but the appeal of the sweeping hard science/space opera of the default setting, lovingly added to through the decades.

Of course you don’t have to use the Imperium as your setting, but a lot of people do, or use part of it, or use it with modifications. A new Kickstarter launched last week focused upon the exploration side of the Traveller universe. Many of the adventures and campaigns that have appeared for Traveller over the years have been focused upon small spaceship crews and their potential exploits, rather a lot like Firefly. This Kickstarter, though, is going to take a naval ship into areas unexplored by the Imperium, deep into the unknown. It looks splendid.

The man writing it is one of my very favorite adventure writers, Martin Dougherty, who never fails to entertain with clever and inventive scenarios that favor role-playing over rolls, and reward ingenuity. He was kind enough to take time away from writing the new campaign and answer some questions.

Howard: Before we really get started, what do you think is behind the appeal of Traveller, and the Imperium itself?

Martin: That’s a difficult question. I suspect it’s different for everyone. For me, I like the grounding in hard-ish science. I’ve never really got on with fantasy-in-space with swords the size of ironing boards and little actual science. The scale is attractive, too. For the most part it’s a bunch of resourceful people doing the best they can rather than superheroes. I know it’s fun to play someone incredibly far above the human norm sometimes, but I suspect a lot of us identify with the talented-but-ordinary protagonists of the typical Traveller game.

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Vintage Treasures: Re-Birth (The Chrysalids) by John Wyndham

Vintage Treasures: Re-Birth (The Chrysalids) by John Wyndham

Re-Birth John Wyndham-small Re-Birth John Wyndham-back-small

Cover by Michael Herring

In the 1950s, Ballantine Books reprinted much of John Wyndham’s science fiction in the US with memorable covers by Richard Powers, including The Kraken Wakes (1953), The Chrysalids (1955), Tales of Gooseflesh and Laughter (1956), Trouble with Lichen (1960), and The Infinite Moment (1961). In the process they also made up new names for it, because, you know, America. So The Kraken Wakes became Out of the Deeps, and The Chrysalids became Re-Birth.

In the mid-70s, which was when I was discovering John Wyndham, Del Rey repackaged four of Wyndham’s most popular novels with brand new modern covers. They were:

The Midwich Cuckoos (June 1976)
Trouble with Lichen (August 1977)
Out of the Deeps (December 1977)
Re-Birth (April 1978)

Wikipedia calls The Chrysalids “the least typical of Wyndham’s major novels, but regarded by some as his best.” In a ridiculously short 3-sentence review Kirkus said it was “SF on the fantasy side.” A far more reliable reviewer, Jo Walton at Tor.com, called it, “My favourite of his books… [it] set the pattern for the post-apocalyptic novel.” It’s is my favorite as well…. but mostly because it’s the only one set in Canada (Labrador, that strange slip of Quebec that belongs to Newfoundland). Here’s a snippet from Jo comments.

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The Moon is a Harsh Master: Lemire and Smallwood’s Moon Knight

The Moon is a Harsh Master: Lemire and Smallwood’s Moon Knight

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I’ve never been a big Moon Knight reader. I’m not sure why. I certainly remember seeing beautiful Sienkiewicz art. I also remember the shift in the comics industry out of the corner stores, with Moon Knight, Ka-Zar and Micronauts being some of the first books that made the switch.

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A Psychological Thriller in a Canola Field: Foe by Iain Reid

A Psychological Thriller in a Canola Field: Foe by Iain Reid

FOE by Iain Reid-small FOE by Iain Reid-back-small

Cover by Laywan Kwan

Foe
By Iain Reid
Gallery/Scout Press (288 pages, $16 in trade paperback/$11.99 digital, July 2, 2019)
Cover by Laywan Kwan

Junior loves the wide-open space and solitude that the country provides. He’s content sharing a cup of hot, black coffee with his wife Henrietta (Hen), feeding the chickens and putting in a good day’s work at the mill. Life is good. Until it’s unexpectedly, incredibly, not.

A flash of sinister green headlights surprises Junior and Hen, and turns out to be a harbinger of an unusual visitor who turns their quiet life upside down. Junior has been chosen as one of the first travelers to help colonize a new community in outer space. He’ll be gone for years, but to keep Hen company they’ve provided her with very familiar company.

Set in the near future in (what I interpreted as) middle America, Foe is a masterfully woven tale of suspense. Reid creates a psychological thriller in the middle of an innocuous canola field.

Each chapter brings more questions and more unease through a brilliant use of punctuation and prose. It’s a short book, thank God, as it’s hard to put down once begun. Some chapters are only two pages, and for the small amount of words used, Reid spins a deliciously complicated plot.

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Goth Chick News: Welcome to Fantasy/Horror Island…

Goth Chick News: Welcome to Fantasy/Horror Island…

Fantasy Island-small

If you’re not familiar with the fairly cheesy but no less iconic television series Fantasy Island (1977-1984), you immediately need to find it on your favorite streaming service and watch a few episodes. I found at least a few of the 286 installments for free on YouTube and those should be enough to hook you as well as give you the context for the most awesome news since Elsa got drunk and crapped up Chicago with 4 inches of snow.

The storyline was fairly simple. The incredibly wealthy and mysterious Mr. Roarke, played perfectly by the exotically-accented Ricardo Montalban, has a tropical island. In each episode he hosts several guests who have come there to live out their most secret fantasies. Mr. Roarke and his rather adorable but equally creepy sidekick “Tattoo” played by Hervé Villechaize, magically transport each guest into their fantasy where they routinely learn a hard lesson / get their comeuppance / get their heart’s desire, etc, etc.

Now, even my grade-school self who was obsessed with this show, wondered why these fantasies were always so G-rated, even if they sometimes bordered on scary. Like most kids I had stumbled across and snuck looks at verboten material and understood in a small way that the dark recesses of the human imagination were far murkier than finally showing up the high school cheerleader who was always more popular than you, by become a millionaire business woman. In college, Fantasy Island occasionally cropped up in discussion as we mulled over what would actually go on if a place like this really existed. And having run across the show on late night reruns, my adult self immediately wondered why some enterprising film maker had never explored that exact question. I figured there had to be some legal hang up somewhere.

And now this.

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The Golden Age of Science Fiction: “Mackintosh Willy,” by Ramsey Campbell

The Golden Age of Science Fiction: “Mackintosh Willy,” by Ramsey Campbell

Cover by Mark Berghash
Cover by Mark Berghash

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs and has been replaced with a sculpture of a tree. The Short Fiction Award (sometimes called short story award) has been part of the award since its founding, when it was won by Robert Aickman for “Pages from a Young Girl’s Journal.” In 1980, the year Campbell received the award for the story “Mackintosh Willy,” the convention was held in Baltimore, Maryland. Campbell tied for the award with Elizabeth A. Lynn for the story “The Woman Who Loved the Moon.”

Ramsey Campbell’s story “Mackintosh Willy” was initially published in the Charles L. Grant anthology Shadows 2. It is the story of a young boy who is finding his way in the world and even the familiar can have a sinister feel to it.  In this case, the homeless man who appears to live in one of the shelters in the park near where he lives causes caution in all the children in the area, although it is not clear that the man is doing anything to gain the reputation he has.

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Stories That Work: “It Never Snows in Snowtown” by Rebecca Zahabi, and “Dust” by Edward Ashton

Stories That Work: “It Never Snows in Snowtown” by Rebecca Zahabi, and “Dust” by Edward Ashton

The Magazine of Fantasy and Science Fiction November December 2019-small Curious Fictions Dust-small

F&SF cover art by Bob Eggleton

Ray Bradbury caused the ruckus first with The Martian Chronicles, but I also blame Eric Frank Russell’s Men, Martians and Machines, and Anthony Boucher’s A Treasury of Great Science Fiction. Before those three books, I only read novels — short ones to be sure — like Tom Swift and Tom Corbett and anything that the Weekly Reader Book Club featured in their regular catalogs. After reading Bradbury, Russell and Boucher, short stories hooked me. They drew me so powerfully that when I grew older I believed that maybe I could write some, and for the last thirty-five years, that’s what I’ve been doing.

Here’s the thing, though, the mood, energy and time to write exactly overlaps reading time, so I found that I read much less as an adult than I did when I was younger. Also, my tastes have narrowed. Where I used to read indiscriminately, uncritically, I now am a picky reader. Time seems short, and I hate to waste it on middle-of-the-road writing.

So when I find an outstanding short stories, I point them out. Reading time is precious!

F&SF offered a truly disturbing piece by Rebecca Zahabi in the Nov/Dec 2019 issue. “It Never Snows in Snowtown” starts like a Christmas card as the unnamed narrator decides to find out more of her city’s cultural heritage. Zahabi’s artful language creates a compelling portrait. Snowflakes catch in a child’s clothes “like sugar icing sprinkled on this human cupcake,” and on the city’s lake, “couples danced together, twirling around each other like birds trying to tell their love in flight.”

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Tor.com on Six-Guns and Strange Shooters

Tor.com on Six-Guns and Strange Shooters

Territory Emma Bull-small Dust Devil Blu Ray-small Jonah Hex Face Ful of Violence-small

It’s been a very good year for science fiction, horror, and dark fantasy, and overall I am content. But, you know, I’m never totally content, because really, what’s the point of that? This year my crankiness originates from a near total lack of Weird Westerns. It’s like the genre dried up and blew away in the wind in 2019.

At least there are a few Weird West books, movies and comics to fall back on. Earlier this year at Tor.com Theresa DeLucci shared her picks of some of the best in Six-Guns and Strange Shooters: A Weird West Primer, and she managed to point out more than a few I haven’t tried yet, including Emma Bull’s fantasy retelling of the gunfight at the O.K. Corral, Territory, and the 1990 film Dust Devil. And she reminded me I need to read more Jonah Hex. Here’s what she said about everyone’s favorite creepy gunslinger.

Forget the terrible movie. (You know Josh Brolin wishes he could.) The original 1977 DC comic is considered one of the first popular representations of the Weird West. The bounty hunter marked by a demon’s brand seeks out the West’s worst and also, sometimes, less earthly quarry. He also sometimes time travels and gets into a gun-fight with a T-Rex. Jonah Hex‘s best and creepiest run was written by east Texan horror master Joe R. Lansdale and come highly recommended.

Theresa also showcases The Etched City by K.J. Bishop, the Golgotha novels by R. S. Belcher, the great Deadlands: Reloaded RPG, and much more. Check out her article here.

See all our coverage of the best of the Weird West here.