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Month: July 2019

A Final Gift from Gardner: The Very Best of the Best: 35 Years of The Year’s Best Science Fiction edited by Gardner Dozois

A Final Gift from Gardner: The Very Best of the Best: 35 Years of The Year’s Best Science Fiction edited by Gardner Dozois

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The Very Best of the Best 35 Years of The Year's Best Science Fiction-small The Very Best of the Best 35 Years of The Year's Best Science Fiction-back-small

We lost Gardner Dozois, one of the greatest editors the SF field has ever seen, in May of last year. As devastating as that was, many of us took some solace in the fact that he had a handful of very exciting books still in the pipeline, and we’d have the opportunity to celebrate and remember him a few times yet.

The first of those, the 35th and final volume in his legendary Year’s Best anthology series, was published last July, and the monumental The Book of Magic (companion to The Book of Swords) arrived in October. The third and final book from Gardner, The Very Best of the Best, was published by St. Martins’ in February. It’s a massive tome, with a Hwarhath novella by Eleanor Arnason, an India 2047 novella by Ian McDonald, a Mars novella from Kage Baker, a novella by Robert Reed, a Quiet War novelette by Paul J. McAuley, and stories by Yoon Ha Lee, Peter Watts, Nancy Kress, Rich Larson, Maureen F. McHugh, Charles Stross, Eleanor Arnason, Michael Swanwick, Carrie Vaughn, Lavie Tidhar, James S. A. Corey, Stephen Baxter, Alastair Reynolds, Greg Egan, and many others.

While the subtitle is 35 Years of The Year’s Best Science Fiction, implying that the stories are selected from all 35 years of Gardner’s Year’s Best, that’s not true. The earliest tale is from 2002, and the most recent from 2017, meaning it’s really a retrospective looking back at the fifteen years between 2002-2017. It’s a rather idiosyncratic book, neglecting many of the most acclaimed stories from those years in favor of the authors and tales that Gardner loved best. Nonetheless, it is one final gift from Gardner, and if this truly is his final book, it’s a magnificent capstone to his career.

I owe a pretty big debt to Gardner — and not just because (for reasons unknown to me) he included me in the acknowledgments of his Year’s Best anthologies for over a decade. He edited some of the best science fiction I’ve ever read, and discovered, promoted and championed many of my favorite writers — and helped me discover many, many more.

Here’s the complete Table of Contents for The Very Best of the Best.

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The Many Lives of Otto Mattix

The Many Lives of Otto Mattix

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Otto 2013

Don Wiggins was one of the charmed young men who became college legends back in the days when just being a college student came with a halo of prestige. A native of nearby Jacksonville, he entered the University of Florida in the late 1940s and in 1951 was named to UF’s Hall of Fame. He graduated in 1952 with an Electrical Engineering degree and was immediately hired as an Assistant in Research before rapidly rising to the professorial ranks. His nerdiness was not in question, but he probably never got teased by the jocks at the football-crazed school. At least not twice. He was also faculty instructor to the Judo Club.

All of that paled to his true claim to fame. He was “father” to Otto Mattix, the school’s robot mascot, here with minor personages like the college’s dean and president.

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The Stark House Algernon Blackwood, edited by Mike Ashley

The Stark House Algernon Blackwood, edited by Mike Ashley

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The Promise of Air The Garden of Survival-small The Promise of Air The Garden of Survival-back-small
The Face of the Earth & Other Imaginings-small The Face of the Earth & Other Imaginings-back-small

I’ve been enjoying the attractive and affordable Stark House reprints of the work of Algernon Blackwood, much of which has been out of print for many decades. If I’ve counted correctly (and no guarantee of that) there have been ten volumes so far, collecting some dozen novels and six collections, all released under their Supernatural Classics banner in handsome trade paperbacks. Two more have arrived recently(ish), a slender collection titled The Face of the Earth and Other Imaginings, and an omnibus of two lesser-known novels, The Promise of Air/The Garden of Survival, both edited with fascinating introductions by Mike Ashley. Here’s a snippet from Mike’s intro to the latter.

Unfortunately for Blackwood, no sooner had he completed The Promise of Air, than tragedy struck. His brother, Stevie, who had long been in poor health, died on 16 June 1917 aged only forty-nine. There were deaths of other close friends, along with Blackwood’s every day witness of death working as an Intelligence Agent in Switzerland and as a Searcher for the Red Cross. Blackwood needed to express his innermost feelings and those emerged in a highly personal document later called The Garden of Survival. Blackwood had no intention of publishing it until others who read his manuscript implored him to do so.

The Garden of Survival is more a novella (taking up a mere 52 pages in this edition), but it made an impact. The Bookman called it “A remarkable psychological study,” and the Boston Herald said, “Mr. Blackwood makes the occult seem part and parcel of daily life.”

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On Writing Advice

On Writing Advice

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Black Gate clouds-small

This isn’t my view, but it’s pretty darn close

Good afternoon, Readers!

It’s a beautiful summer’s day here in Ottawa, Canada as of the writing of this. A lovely cool breeze is coming in the window, mitigating the heat of the sun, while cotton-puff clouds float through an impossibly blue sky.

I’m sitting by the window while my dad cooks a spectacular fry- up brunch, letting my thoughts drift with the clouds. I have nothing with me but his old iPad and a cup of delicious locally roasted coffee from my friends at JenEric Coffee.

This is all a poetic way of saying that I’ve been thinking a lot about writing advice of late, and I figured I would share my thoughts with you.

(You want clumsy segues? I’m your gal!)

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Future Treasures: Howling Dark by Christopher Ruocchio

Future Treasures: Howling Dark by Christopher Ruocchio

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Empire of Silence Ruocchio-small Howling Dark-small

I first noticed Christopher Ruocchio last year, when he showed up as co-editor of a couple of the better Baen anthologies, Star Destroyers (co edited with Tony Daniel) and Space Pioneers (with the man himself, the great Hank Davis). Neither of those books, excellent as they were, prepared me for his debut novel, Empire of Silence, the opening volume in the epic Sun Eater space opera, which Library Journal called a “wow book… stretched across a vast array of planets,” and which my buddy Eric Flint called “epic-scale space opera in the tradition of Iain M. Banks and Frank Herbert’s Dune.” I’ve been looking forward to the follow up volume impatiently, and was surprised and delighted to receive a review copy last week. It will be published in hardcover by DAW in two weeks. Here’s the publisher’s blurb.

Hadrian Marlowe is lost.

For half a century, he has searched the farther suns for the lost planet of Vorgossos, hoping to find a way to contact the elusive alien Cielcin. He has not succeeded, and for years has wandered among the barbarian Normans as captain of a band of mercenaries.

Determined to make peace and bring an end to nearly four hundred years of war, Hadrian must venture beyond the security of the Sollan Empire and among the Extrasolarians who dwell between the stars. There, he will face not only the aliens he has come to offer peace, but contend with creatures that once were human, with traitors in his midst, and with a meeting that will bring him face to face with no less than the oldest enemy of mankind.

If he succeeds, he will usher in a peace unlike any in recorded history. If he fails… the galaxy will burn.

Howling Dark will be published by DAW Books on July 16, 2019. It is 679 pages, priced at $27 in hardcover and $12.99 in digital formats. The cover is by Kieran Yanner. See all our recent coverage of the best in upcoming fantasy and SF here.

Hither Came Conan: Deuce Richardson on “Black Colossus”

Hither Came Conan: Deuce Richardson on “Black Colossus”

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Hither_BlackRedPicEDITEDIt’s our second-to-last story essay here at Hither Came Conan. Deuce Richardson, who I’ve talked a lot of REH with, looks at “Black Colossus.” And he digs deep on this one. You absolutely should read on!

Robert E. Howard’s “Black Colossus” is the greatest Conan yarn ever written. Within it, Howard distilled–for the first and best time–nearly all the elements that Conan fans have loved over the course of the last nine decades. Saddle up, REH fans. This is going to be one wild and bloody ride.

The tale begins in the deserts of eastern Shem, a hundred miles northeast of Stygia. There we find Kuthchemes, the ruined and shunned city once ruled by the wizard-king, Thugra Khotan, in the days when the Stygian dominion marched all the way to the rugged uplands of eastern Koth.

Shevatas, master-thief of Zamora–itself the City of Thieves in a nation of thieves–has spent long years preparing to plunder the tomb of Thugra Khotan. Robert E. Howard describes him thus:

“This was Shevatas, a thief among thieves, whose name was spoken with awe in the dives of the Maul and the dim shadowy recesses beneath the temples of Bel, and who lived in songs and myths for a thousand years.”

Shevatas penetrates the ivory-domed sepulchre, achieving his life-long dream…and then dies “as no man has died in three thousand years.”

Here lies the first bit of genius within “Black Colossus.” Namely, REH gives his readers the last chapter of a fine sword-and-sorcery tale as the first chapter of his Conan yarn. The tale of Shevatas is a mini-epic in itself and it makes a perfect blood n’ thunder intro to the main story.

Not only does it serve up great action–mortal combat against that archetypical Howardian antagonist, a giant serpent–but it also introduces eldritch, Lovecraftian horror from the git-go, which is a well-nigh essential ingredient in great sword-and-sorcery tales.

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The Golden Age of Science Fiction: Jim Burns

The Golden Age of Science Fiction: Jim Burns

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Deathworms of Kratos
Deathworms of Kratos

Farnham's Freehold
Farnham’s Freehold

Son of Man
Son of Man

The British Science Fiction Association (BSFA) Awards have been presented by the British Science Fiction Association since 1970 and were originally nominated for and voted on by the members of the Association. The Artist Award was created in 1980, when the inaugural award was won by Jim Burns, who would go on to win it three more times before the award was changed in 1987.  In 1987, the British Science Fiction Association changed the award to honor specific art as the Artwork Award, which Burns has won eleven times, including a five year winning streak.  His most recent win was in 2018 when his painting for the cover of The Ion Raider tied Victor Ngai’s painting for “Waiting on a Bright Moon.”

After leaving the Royal Air Force, Burns studied at St. Martin’s School of Art in London, graduating in 1972, when he signed on with the Young Artists Agency.  He began providing covers and interior illustrations for British publishers in 1973 and his work appeared exclusively in British editions through 1980. During that time, he also moved from using water colors to gouache to oils.

Some of Burns’ work that appeared in 1979 included a cover for Robert A. Heinlein’s Farnham’s Freehold for Corgi Books showing the main characters standing in a valley watching a flying city. His cover by Robert Silverberg’s Son of Man has an alien figure curled up in the foreground with a naked man reclining in the background. His cover for Edmund Cooper’s The Deathworms of Kratos is less easy to decipher, but appears to show a man in heavy space armor being attacked by the titular worms.

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