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Month: May 2019

Wordsmiths: Interview with Award-Winning Author Rebecca Roanhorse

Wordsmiths: Interview with Award-Winning Author Rebecca Roanhorse

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New-Suns-Original-Speculative-Fiction-by-People-of-Color-smallerBeing a reviewer and interviewer definitely has its perks some days, especially when I get the chance for a one-on-one chat with one of my new favorite fantasy authors. I’ve mentioned Rebecca Roanhorse quite a bit in my column here, which made it extra exciting to be able to chat with her about her previous work and what might be on the horizon. Hope you enjoy!

ME: I read your story “Harvest” in New Suns: Original Speculative Fiction by People of Color and I loved the vague and unsettling nature of it, which is struck me differently than the other work of yours I’ve read. Can you tell me a little about where the idea for that came from, and how it developed?

REBECCA: Interestingly enough, I think “Harvest” has a lot in common with my other works. The style is more lyrical, but the themes it explores like identity and community are similar. Also similar is the exploration of what makes one a monster and what makes one human, and how sometimes the difference is a matter of perspective. I was also striving to capture a feeling in the story for the kind of love that leads to infatuation and self-destruction and whether that’s always a bad thing. And, of course, the ending of the story, much like “Welcome to Your Authentic Indian Experience(TM)” should call into question the protagonist as reliable narrator and what is real and what is not. To me, at least, it’s very much a “Roanhorse” kind of story.

Everything that I’ve read of yours — this story, “Indian Experience(TM)”, Trail of Lightning — carries undertones about a variety of indigenous issues. Why discuss these topics through fantasy as opposed to contemporary literature?

I’m a nerd. I’ve always been a Science Fiction and Fantasy (SFF) reader and writer from my earliest memories of reading Susan Cooper and Lloyd Alexander as a kid and then Eddings and Jordan and Herbert as I got into high school, and as an adult Butler and Le Guin, among many, many others. I’ve always written SFF, too, from my very first stories in middle school. It’s what I love. What else would I write?

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Goth Chick News: Strange Blood

Goth Chick News: Strange Blood

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As our friends over at The Nerdist pointed out, 2019 is seeing a resurgence in our favorite classic fiend, the vampire. Not those angsty, flannel-wearing lot from Seattle, but the old school leather and lace variety who unapologetically drink human blood. The kind who either haunt our nightmares or make us think maybe sunlight is overrated after all.

And that’s a big relief if you ask me.

So, know it or not, the timing was just about perfect for author Vanessa Morgan to come out with a compilation of the strangest of the strange vampire stories ever placed between covers.

Strange Blood brings together 71 essays from 23 countries, delving into the most offbeat and underrated vampire movies going back 90 years and right up to the present day. Titles include The White Reindeer (1952), Requiem for a Vampire (1971), Nadja (1994) and my person favorite, the Swedish version of Let the Right One In (2008) just to name a few.

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New Treasures: Sky Without Stars by Jessica Brody and Joanne Rendell

New Treasures: Sky Without Stars by Jessica Brody and Joanne Rendell

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Sky Without Stars-smallNow here’s an interesting item. A fat, epic YA novel that reimagines Victor Hugo’s classic Les Misérables as a tale of revolution on the French planet of Laterre. Caitlyn Paxson at NPR calls it “kind of brilliant… a massive tome, full of twists and turns and a thousand agonies that propel its characters to their inevitable fates.” It arrived in hardcover from Simon & Schuster in March.

A thief.
An officer.
A guardian.

Three strangers, one shared destiny…

When the Last Days came, the planet of Laterre promised hope. A new life for a wealthy French family and their descendants. But five hundred years later, it’s now a place where an extravagant elite class reigns supreme; where the clouds hide the stars and the poor starve in the streets; where a rebel group, long thought dead, is resurfacing.

Whispers of revolution have begun — a revolution that hinges on three unlikely heroes…

Chatine is a street-savvy thief who will do anything to escape the brutal Regime, including spy on Marcellus, the grandson of the most powerful man on the planet.

Marcellus is an officer — and the son of a renowned traitor. In training to take command of the military, Marcellus begins to doubt the government he’s vowed to serve when his father dies and leaves behind a cryptic message that only one person can read: a girl named Alouette.

Alouette is living in an underground refuge, where she guards and protects the last surviving library on the planet. But a shocking murder will bring Alouette to the surface for the first time in twelve years… and plunge Laterre into chaos.

All three have a role to play in a dangerous game of revolution — and together they will shape the future of a planet.

Power, romance, and destiny collide in this sweeping reimagining of Victor Hugo’s masterpiece, Les Misérables.

Sky Without Stars was published by Simon Pulse on March 26, 2019. It is 582 pages, priced at $19.95 in hardcover and $10.99 for the digital version. The cover is by Billelis. Read the complete first chapter here.

The Golden Age of Science Fiction: Locus

The Golden Age of Science Fiction: Locus

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The Best Fanzine category was not one of the original Hugo categories in 1953, but was introduced at the second awards in 1955, when it was won by James V. Taurasi, Sr. and Ray Van Houten for Fantasy-Times. Since then, some version of the award has been a constant, with the exception of 1958, when the award was dropped. Although achievement in fanzines was recognized throughout the history of the Hugo Awards, the name of the away was in flux. Originally called the Hugo for Best Fanzine, in 1956 and 1957, the award was presented for Best Fan Magazine. The name then switched back and forth at random intervals between Best Amateur Magazine (in 1959, 63-64, 66, 72-75, 77-78) and Best Fanzine (the other years in that sequence) until it permanently became the award for Best Fanzine in 1979.

Locus was nominated for its first Hugo Award in 1970, losing to Richard E. Geis’s Science Fiction Review. It was then nominated every year until 1983 with the exception of 1979, winning the Hugo for Best Fanzine in 1971, 1972, 1976, 1978, and from 1980 to 1983 inclusive, at which time it was no longer eligible for the category with the creation of the Hugo Award for Best Semi-Prozine. During the 1970s and early 80s, Locus, which began in 1968 to promote the Boston bid for a Worldcon in 1971, which became Noreascon I, was becoming less and less of a fanzine, accepting advertisements and paying for content.

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A Medieval Synagogue in Toledo, Spain

A Medieval Synagogue in Toledo, Spain

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In my last post, I talked about an early Christian church and some Visigothic remains in Toledo in central Spain. Toledo was a mix of cultures during the Middle Ages, with Christian, Muslim, and Jewish communities all leaving their mark. The city is home to an excellent Sephardi Museum housed in a medieval synagogue.

The synagogue was founded in 1356 by Samuel ha-Levi Abulafia, Royal Treasurer to King Pedro of Castile and León. It was attached to Abulafia’s palace and intended as a private house of worship.

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Vintage Treasures: On Wings of Song by Thomas M. Disch

Vintage Treasures: On Wings of Song by Thomas M. Disch

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Bantam Books, 1985. Cover by Kid Kane

Last time I wrote about Thomas M. Disch I got a cranky note from Michael Moorcock, taking me to task for calling him a “tragic figure.” Fair enough. He’s not quite as forgotten as I made him out to be, either. There are still people whispering about Thomas Disch in dusty corners of the internet, if you know where to look.

Me, for one. Disch is a fairly recent discovery for me, I admit, and I probably would never have tried him if it hadn’t been for a few lone voices out there still championing his quirky brand of SF, including Rich Horton, Ted Gioia, and Jo Walton. It was Jo who helped pique my interest in his 1979 novel On Wings of Song, with her 2011 review at Tor.com.

It’s a fascinating complex world. There are machines which you hook up to and sing sincerely, and if you do it right you have an out of body experience. They call this flying, and it’s banned in the same way that drugs are banned — illegal but available… There are famines when rations get cut to starvation levels, and prisons where you have to get McDonalds takeout to survive…

We don’t seem to have a word to describe the kind of story this is. It’s the whole life story, from age five to death, of Daniel Weinreb… He wants to fly, he wants it more than anything. His life is complicated and largely unheroic, the kind of life people actually have in reality and seldom have in fiction. But it’s a life he could only have in that time and place, in the world he lives in. It’s a book about how he grows up and what happens to him and what he wants and what he has to do to get by.

The book is depressing and hilarious in a way that’s very hard to describe. Most of Disch is brilliant and depressing, this is brilliant and depressing and moving and funny… You really want to read On Wings of Song. You might not like it, but it’s one of the books that marks the boundaries of what it’s possible to do with SF.

On Wings of Song was a Hugo nominee, and won the Campbell Award. But I’m certain I would have bounced off it when it was first published. In 1980 I was discovering Roger Zelazny, Robert A. Heinlein, and Stephen R. Donaldson, and busy falling in love with the sweeping adventure epics SF had to offer. I was just one of the many science fiction readers who ignored Disch completely. Definitely my loss.

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