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Month: October 2018

A (Black) Gat in the Hand: MORE Cool & Lam!!!!

A (Black) Gat in the Hand: MORE Cool & Lam!!!!

Top of the Heap-small“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Last week’s post was on Hard Case Crime’s upcoming reissue of The Count of Nine. Since I was in a Cool and Lam mood, I went ahead and re-read the prior reissue from Hard Case, Top of the Heap, which was only the third book from the imprint. I recommend reading one of my prior posts on the Cool and Lam series to help provide some background for this post. You can find them here, here, and here (last week’s).

As usual, a client is not up front with them, but he pays well, so also as usual, Bertha doesn’t care. Donald is always a little cautious, but business is business and he quickly delivers results. Once again, Bertha does nothing. But Donald keeps digging and the client stops payment on the check. Bertha is pissed at Donald.

As always, there’s a lot going on and Donald has angles everywhere, heading up from Los Angeles to San Francisco for most of the case. He’s actually less cagey with the police than he usually is, but the bay area’s Lieutenant Sheldon doesn’t think so and wants Lam picked up and brought to headquarters.

A dead gangster’s moll, a dead businessman, missing bodies, a wounded gangster, mining companies, an undercover gambling joint, a yacht club: you need a scorecard for this one.

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Birthday Reviews: Frank Herbert’s “By the Book”

Birthday Reviews: Frank Herbert’s “By the Book”

Cover by John Schoenherr
Cover by John Schoenherr

Frank Herbert was born on October 8, 1920 and died on February 11, 1986.

Herbert won the inaugural Nebula Award for Best Novel in 1966 for Dune, which also tied for the Hugo Award that same year. Dune would eventually also win the Seiun Award in 1974. Herbert’s novel Hellstrom’s Hive won the Prix Apollo in 1978. In 2006, Herbert was a posthumous inductee into the Science Fiction Hall of Fame.

Herbert’s masterpiece, Dune, spawned five sequels written by Herbert and several additional novels written by his son, Brian Herbert, and Kevin J. Anderson. Dune has been filmed twice, once for theatrical release while Herbert was still alive and later as a miniseries.

Originally published by John W. Campbell, Jr. in the October 1966 issue of Analog Science Fiction Science Fact, “By the Book” was reprinted in 1971 in The Worlds of Frank Herbert and again in The Best of Frank Herbert. It was also included in the Herbert collections Eye and The Collected Stories of Frank Herbert. The story was translated into Croatian in 1978 for inclusion in the Yugoslavian magazine Sirius and into French in 1987 for the Hebert collection Champ Mental.

Despite being well past the age when he should be retired, Ivar Norris Gump has been summoned to the moon by his friend Poss Washington to help troubleshoot a problem. The story follows Ing, as Gump is known, as he tries to figure out what has gone wrong with the tubes and beams which propel interstellar travel. Ing and Washington are in constant communication, with Washington trying to balance the need to diagnose and fix the problem with the corporate bottom line.

Ing knows he was one of the best troubleshooters the company has and he has trained most of the troubleshooters who came after him. His mantra is to follow the rules laid out in the company manual and do everything “by the book.” Ing needs to work fast because the first colony ship is approaching its target planet and the beam is designed to provide the infrastructure needed to ensure the colony is successful. Ing demonstrates that working within the confines of the book does not necessarily mean thinking linearly or traditionally and as he tackles the issues he faces, he comes up with not only potential solutions but also a manner of interpreting the rules to allow him to try them out.

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Live. Die. Repeat. That’s What Hell’s All About — an Excerpt from Andrew P. Weston’s Hell Gate

Live. Die. Repeat. That’s What Hell’s All About — an Excerpt from Andrew P. Weston’s Hell Gate

HELL-BANNER-medium

As promised in my last article, Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell, here is the excerpt from Andy Weston’s forthcoming novel, Hell Gate. This is the excerpt featured in Lovers in Hell. It is copyright © 2018, Perseid Press, all rights reserved.

Black Gate Online Fiction: An Excerpt from Hell Gate

There you have it, folks — a tantalizing morsel from Andy’s forthcoming Hell Gate. Tune in next time for the final part of my examination of the Doomed and the Damned when I bring you an excerpt from my story in Lovers in Hell… a Gothic little love story I call “Withering Blights.”

Thank you!

Quatro-Decadal Review, November 1979: A Brief Look Back

Quatro-Decadal Review, November 1979: A Brief Look Back

Star Trek Let That Be Your Last Battlefield-small

When you’re seven years old, you do not see what’s coming next between these two

I’m about to get into the November 1979 science fiction magazines. Dive Deep. But, there is a fundamental difference between November 1969, and November 1979 — I was born in 1969, but by 1979 I was 10 years old. I remember 1979. Or pieces of it anyway.

Before I got into the magazines I thought I’d see what I could recall from my younger years. In short — Star Wars is what I remember.

It loomed large over almost everything in my life at the time. I think I went to see it like… 7 times? And back then, back in 1977, that took work, dude.

I remember disco, I remember “Disco Duck.” I had, by 1979, watched the entire run of Star Trek (and I have to say, when you are 8-10 years old, each Star Trek episode was almost as good as Star Wars).

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Birthday Reviews: Steven Erikson’s “Goats of Glory”

Birthday Reviews: Steven Erikson’s “Goats of Glory”

Cover by Brian Carré
Cover by Brian Carré

Steven Erikson was born on October 7, 1959. Trained as an anthropologist and archeologist, Erikson’s real name is Steve Lundin.

Erikson was nominated for the World Fantasy Award for his novel Gardens of the Moon in 2000 and in 2017, the ten book series begun with that novel, Malazan Book of the Fallen, was nominated for the Aurora Award for Best of the Decade. The Malazan books are set in a world which Erikson and his friend, Ian Cameron Esslemont, created in 1982 for their role-playing games. In addition to the novels Erikson has written, Esslemont has also written books set in the same world.

Originally published in Swords & Dark Magic: The New Sword and Sorcery, edited by Jonathan Strahan and Lou Anders in 2010, Paula Guran selected “Goats of Glory” for inclusion in her 2017 anthology Swords Against Darkness.

“Goats of Glory” tells the story of a band of five warriors who are escaping a huge defeat. Originally known as Rams for the pins they wear, they have re-dubbed themselves goats following the loss and have stumbled across the tiny and remote village of Glory. As soon as their arrival is made known, one of the villagers begins digging graves for them, expecting that they will visit the ancient ruins of the castle on the hill and be killed by the demonic inhabitants.

Erikson splits his narrative between the points of view of Swillsman, Glory’s innkeeper, Graves, the gravedigger, and the five goats. By shifting viewpoints, Erikson successfully manages to build suspense as to which of his characters will succeed and which will die, although once the Goats go up against the demonic hordes, the suspense quickly evaporates. The battle sequences between the five goats and the demons are, perhaps, the weakest part of the story, although Erikson does break them up by revisiting the other characters to show them making plans for the heroes’ eventual defeat and deaths, clearly showing that the heroes aren’t the first to brave the abandoned fortress.

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Talking to Ghosts: Keri Arthur’s Outcast Trilogy

Talking to Ghosts: Keri Arthur’s Outcast Trilogy

Keri Arthur City of Light-small Keri Arthur Winter Halo-small Keri Arthur The Black Tide-small

I quit reading urban fantasy and paranormal romance sometime around 2008, when you couldn’t browse bookshelves without being blinded by a sea of leather-clad heroines wielding crossbows. I mean, I love Buffy the Vampire Slayer and Angel as much as the next person, but man. That show has a lot to answer for.

Now that it’s safe to shop again, I’m kinda curious about those books that survived the mass extinction of urban fantasy. I pull them off the shelves at Barnes & Noble and say, “What are you doing here?” They’re like the rebel pilots that survived the attack on the Death Star. They can hold reunions in a phone booth.

Like any publishing boom-and-bust cycle, it’s only the best that endures. So I was naturally intrigued to find Keri Arthur’s City of Light at B&N earlier this year. Arthur is the author of the Souls of Fire, Dark Angels, and the New York Times bestselling Riley Jenson, Guardian series. She’s written more than forty books, and won Romantic Times‘ Career Achievement Award for urban fantasy. City of Light is the opening novel in the Outcast trilogy, a post apocalyptic tale set a century after a devastating war tears a hole in reality, and the last remnants of humanity cling to life in brightly-lit cities that shield them from terrifying spectres. It’s a promising blend of SF and paranormal horror (even if it does have a crossbow on the cover), and has sort of a Resident Evil vibe, with a superhumanly powerful heroine who faces off against both undead nasties and an evil pharmaceutical company whose experiments on adults and children bring unexpected horrors.

City of Light won plenty of acclaim, with Library Journal praising it for “An intriguing world and a marvelous heroine who speaks to ghosts,” and The Speculative Herald calling it “Exciting and well written… a remarkable mix of intrigue and action.” The first two books in the series were published in paperback by Signet, but it didn’t do well enough for them to pick up the third volume, so Arthur self published it in the US in December of last year.

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October Is Hammer Country: The Phantom of the Opera (1962)

October Is Hammer Country: The Phantom of the Opera (1962)

phantom-of-opera-hammer-1962-one-sheetAh, October. That means nothing but Hammer Films. All Hammer Horror, All the Time! So let’s start off with one that’s … not so great. (Gotta build up the suspense.)

Once Britain’s Hammer Film Productions received full permission from Universal Pictures to raid their box of monster goodies, a Phantom of the Opera movie was a certainty. Universal had twice adapted the 1910 Gaston Leroux novel. The first is the most famous version, the 1925 silent classic starring Lon Chaney Sr. in his signature role. Its unmasking scene is one of the first iconic horror movie images. Universal mounted a lavish color remake in 1943 with Claude Rains as the phantom, but the musical production numbers were pushed to the front, making for incredibly anemic horror.

Almost twenty years later, the time was right for a new version, and Leroux’s Phantom of the Opera was perfect material for Hammer’s luxurious Gothic style, its seasoned horror director Terence Fisher, and an ideally cast Herbert Lom as the Phantom. But even with this talent involved, The Phantom of the Opera was poorly received in 1962 when it was released on a double bill with Captain Clegg, a period adventure picture about smugglers. The film still maintains a lower profile than other cinematic Phantom adaptations, both literal and loose, of the story of a tortured and murderous composer beneath the Paris opera house. Or, in this case, a London opera house.

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Birthday Reviews: David Brin’s “Just a Hint”

Birthday Reviews: David Brin’s “Just a Hint”

Cover by George Angelini
Cover by George Angelini

David Brin was born on October 6, 1950.

Brin won the Hugo Award and Nebula Award in 1984 for his novel Startide Rising. He subsequently won Hugo Awards in 1985 for his short story “The Crystal Spheres” and in 1988 for his novel The Uplift War. His novel The Postman won the John W. Campbell Memorial Award in 1986 and was turned into a film starring Kevin Costner. He won a coveted Balrog Award for The Practice Effect and the Hal Clement Award for Sky Horizon: Colony High, Book One. Infinity’s Shore received an Italia Award. He has won the Seiun Award for translations of The Uplift War and Heaven’s Reach. In 1998, LASFS recognized him with a Forry Award. Brin was an Author Guest of Honor at Nippon 2007, the 65th Worldcon in Yokohama, Japan.

“Just a Hint” was Brin’s first published short story, appearing shortly after his debut novel, Sundiver. “Just a Hint” initially appeared in the April 27, 1981 issue of Analog Science Fiction/Science Fact, edited by Stanley Schmidt. The next year it was translated into German to appear in Analog 5, a collection of stories previously published in the American edition of Analog. Brin included it in his first collection Rivers of Time, originally published by Dark Harvest in 1986. It was translated into German a second time in 1989 to appear in the anthology An der Grenze, edited by Wolfgang Jeschke. In 2010 James L. Sutter included the story in Before They Were Giants: First Works from Science Fiction Greats.

Brin tells the story of two races, the human race and a race he calls sophonts. There is little action in the story, which is mostly talking between characters on the separate planets. On Earth, Liz Browning is a graduate assistant to Sam Federman. Sam is searching for intelligent life in the universe, but his real specialty is finding and maintain funding for his project while all around him money is drying up. On a distant planet, Fetham is decrying his loss of funding to bureaucrat Gathu. As with Federman, Fetham is also trying to reach alien races.

Each society has its own problems. Federman lives in a world in which the weather report is accompanied by statistics of the chance that the world will end in a nuclear conflagration before the year is out. Knowing that pollution was solved once the obvious steps were figured out, Federman hopes that an alien race might be able to share knowledge of what those steps would be for war.

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New Treasures: The Fantastic Four: Behold… Galactus! by Stan Lee, Jack Kirby, John Byrne and John Buscema

New Treasures: The Fantastic Four: Behold… Galactus! by Stan Lee, Jack Kirby, John Byrne and John Buscema

Fantastic Four Behold Galactus 2

Just how big is the monster-sized Fantastic Four: Behold… Galactus! from Marvel Comics?

HUGE. Several comparison shots have popped up (including Charles R Rutledge’s side-by-side with a Robert Parker hardcover), but my favorite is the one above, borrowed from Bobby Nash’s Patreon page, which shows the book alongside a regulation-size graphic novel. Behold… Galactus! is an impressive 13.5 x 21.2 inches; big enough to double as a kitchen table.

Any way you slice it, this book is a beast. Its massive 312 pages contain virtually all of the early tales of Galactus from Fantastic Four, including Stan Lee and Jack Kirby’s beloved 60s classic “The Coming of Galactus” (from Fantastic Four #48-50) and its sequel “When Calls Galactus” (FF #74-77), plus the Lee-Buscema tale “Galactus Unleashed” (FF #120-123), and John Byrne’s 80s take on the Big G, from FF #242-244 (which includes the famous free-for-all “Everyone Versus Galactus,” from FF 243.)

Monster format aside, these classic stories still make terrific reading, especially the Lee-Kirby tales. The Fantastic Four remains my favorite Marvel Comic, and this book will help you understand why. It was published by Marvel on September 11, 2018. It is 312 pages, priced at $50 in hardcover and $24.99 for the digital version. The cover is by Alex Ross. See all our recent Comics coverage here.

In 500 Words or Less: The Quantum Magician by Derek Künsken

In 500 Words or Less: The Quantum Magician by Derek Künsken

The Quantum Magician-smallThe Quantum Magician
by Derek Künsken
Solaris (480 pages, $11.99 paperback, $6.99 eBook, October 2, 2018)

When I reviewed Yoon Ha Lee’s Ninefox Gambit last year, I joked that there’s a reason why I teach in the humanities, which is the same reason I don’t read a lot of hard science fiction. For me to enjoy a hard SF novel enough to discuss it here is a big deal – and I really enjoyed Derek Künsken’s The Quantum Magician, even though I’m sure that like Ninefox, I didn’t get as much out of it as someone else might have.

To be clear, the worldbuilding here is intricate, compelling and absolutely fascinating. From the moment concepts were introduced I wanted to know more, especially the different subsets of humanity that Künsken presents, each the product of generations of genetic manipulation. I mean, an entire population of neo-humans nicknamed Puppets because of their diminutive size, who double as religious zealots worshipping their divine beings’ cruelty? Or an intergalactic political hierarchy based on the economics of patrons and clients, complete with the inequalities and social issues you might expect? These demand further unpacking, which Künsken does with deliberate skill, slowly revealing more and more about humanity’s divergent offshoots and the galaxy they inhabit.

But I can’t say that I walked away from The Quantum Magician with a crystal clear sense of what I read. The core plot is a con game perpetrated by a team of ragtag scoundrels, trying to sneak a flotilla of warships through a wormhole controlled by another government… but don’t ask me to explain more than that. Künsken does an amazing job of presenting a bunch of quirky protagonists who play off each other well, but the characters that stand out do so powerfully; between that and the rich worldbuilding of things like the Puppets, I forgot about that flotilla and the original aim of the con for a good third of the novel, until they came back into focus.

Much as I rooted for protagonist Belisarius (who would be the Danny Ocean of these scoundrels) and his partner/love interest Cassandra (who I suppose is Tess and Rusty from Ocean’s Eleven combined), the secondary characters stole the spotlight for me, particularly AI-on-a-religious-mission Saint Matthew and the creepily dangerous Scarecrow hunting these scoundrels down.

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