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Month: May 2018

Future Treasures: Shelter: Tales Of The Aftermath by Dave Hutchinson

Future Treasures: Shelter: Tales Of The Aftermath by Dave Hutchinson

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Dave Hutchinson Shelter-smallI’ve heard a lot about Dave Hutchinson’s Europe in Autumn series (Europe in Autumn, Europe at Midnight, Europe in Winter, and the upcoming Europe at Dawn, arriving in November). Certainly enough to tempt me to give it a try, anyway.

Although if I really like it, November is a long time to have to wait for that final volume. I dunno… risky.

I think I have a better idea: try out his new standalone novel Shelter, instead. (At least, I think it’s standalone. It’s set in a fractured Europe, much like the Europe in Autumn novels. Someone more well-informed than I will have to tell us whether the books are connected.) If I like it — and based on the description, odds look pretty good — I might be more willing to take a risk on the others.

Shelter arrives in paperback next month from Solaris. Here’s the description.

Rural English Post-Apocalypse survival for a new generation.

The Long Autumn is coming to an end. For almost a century after the coming of The Sisters, the surviving peoples of rainswept England have huddled in small communities and on isolated farms, scavenging the remains of the old society. But now society, of a kind, is starting to rebuild itself. In Kent, a brutal tyranny is starting to look West. In the Cotswolds, something terrible and only vaguely-glimpsed is happening. And in a little corner of Berkshire two families are at war with each other.

After decades of simply trying to survive, the battle to inherit this brutal new world is beginning.

Shelter: Tales Of The Aftermath will be published by Solaris on June 12, 2018. It is 304 pages, priced at $11.99 in trade paperback and $6.99 for the digital edition.

Why Spoil A Good Thing?

Why Spoil A Good Thing?

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Usual suspectsIt’s almost impossible for me to avoid movie spoilers. If it isn’t reviews (some of which aren’t very careful) articles on specific or general movie features, actors, genres, etc. then it’s discussions on social media.

And if this wasn’t enough, we live out in the country, a fair distance from any theatres, and often the logistics of movie-going are difficult enough that we just don’t go. For years now, with very few exceptions, we’ve been seeing movies for the first time when they come out on DVD, or more recently, on Netflix*.

Many people must be experiencing delays of some sort in their movie viewing, however, since the phrase “spoiler alert” appears to be almost mandatory in any discussion. At one point, people were even arguing about whether there was ever a time when a movie became “spoiler free” because of age. How old does a movie have to be before you can assume the person you’re addressing has had more than ample chance to see it? I’m always surprised when people haven’t seen Casablanca, or something else of that age and significance, but they are out there.

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Birthday Reviews: Elizabeth Engstrom’s “Seasoned Enthusiast”

Birthday Reviews: Elizabeth Engstrom’s “Seasoned Enthusiast”

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Cover by Allen Koszowski
Cover by Allen Koszowski

Elizabeth Engstrom was born on May 11, 1951. She occasionally writes using the name Liz Cratty as well.

Engstrom’s collection Nightmare Flower was nominated for the Bram Stoker Award and she co-edited the anthology Imagination Fully Dilated with Alan M. Clark, which earned them an International Horror Guild Award nomination.

“Seasoned Enthusiast” first appeared 1990 in Pulphouse: The Hardback Magazine: Horror, the seventh issue, edited by Kristine Kathryn Rusch. Engstrom later reprinted the story in her 1992 collection Nightmare Flower.

The short work “Seasoned Enthusiast” tells two parallel tales, one about a dancer performing in front of an audience, the other the story of a divorced woman who is considering her own self-worth in light of her husband’s new life.

The more interesting story looks at Lillian, whose life has fallen apart after her divorce and she’s living in squalor while her husband and his new wife start their life together in an upscale house, a symbol of the success which eluded the couple while they were married. Unable to separate her life from his, and seeing herself as a failure because she lost him, Lillian drives over to her ex-husband’s house without a firm plan in mind, feeding her obsession with him without any plan of action.

In the other story, a crowd gathers around to watch a woman dance in an apparently primitive setting. As the dance sequences are interwoven with Lillian’s story, it becomes clear that things aren’t quite as they seem. There is an element of danger in the woman’s dance and she has suffered for her craft as she has perfected it.

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Goth Chick News: Welcoming Mother Noose Nursery Crimes With the Mother of all Press Kits

Goth Chick News: Welcoming Mother Noose Nursery Crimes With the Mother of all Press Kits

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Mother Goose Nursery Crimes

One of the many advantages of working for Black Gate magazine — which mostly if not entirely makes up for the unisex bathrooms and the non-stop “birthday” celebrations or whatever the heck is going on upstairs — is getting an early look at upcoming releases before the public. Over the years I’ve gotten some pretty cool collectable things in the mail from this publicist or another, heralding the upcoming movie / book / game / CD. I cherish each and every one of these items, not only for their creativity, but because the artist deemed Black Gate a worthy place to share their upcoming announcement.

It’s like getting a birth notification – only way more interesting.

But this week I received a large FedEx box containing what is undeniably the most incredible book announcement ever to have crossed the threshold of the Black Gate office.

You may (or may not) recall my obsession with the artist Charles Martin Kline, he of the delightfully Gorey-esque picture book the 12 Frights of Christmas, and creator of the award winning short film Frankenfriend. Yes, I’ve basically been stalking Mr. Kline (or “Chas” as I call him) for nearly four years since his first release, Edgar Allen Paws and the Tell-Tale Tail, but you can’t blame me. His macabre sense of humor and attention to detail makes his work pretty unforgettable and him pretty fanciable, in my own obsessive, morbid kind of way.

But even though I keep close tabs on Chas’ latest endeavors, I was definitely not prepared for the official launch kit that accompanied my very own personalized edition of Mother Noose Nursery Crimes.

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The Ties That Bind: Mike McQuay’s The Nexus

The Ties That Bind: Mike McQuay’s The Nexus

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The Nexus Mike McQuay-smallThe Nexus, by Mike McQuay
Spectra Special Edition (Bantam Books, 474 pages, $4.50 in paperback, May 1989)
Cover by Bob Hickson

Amy Kyle, an Autistic girl on the threshold of puberty, has divine powers. She can cure the sick, heal the lame, mend broken bones and make horrible scars disappear. She also has incredible powers of teleportation and telekinesis, and can manipulate reality in such ways as making a horde of food appear out of thin air, the way Christ is said to have done with the loaves and fishes. Thus, the comparisons to Christ and discussions about the nature of God and divinity are at the core of this story. Amy’s mother, Tawny, is a booze-addled, chain-smoking, sometime prostitute and train wreck of a human being who can channel her daughter’s powers. This she does in old-fashioned “revival” type meetings, charging people a modest sum to be healed and cured of their physical limitations and ailments.

Denny Stiller is a nearly washed-up newsman for WCN, a Dallas, Texas cable news network, who lives and breathes for “the story.” He is a self-professed seeker of the Truth who lives a life avoiding most relationships and commitments. Part hero, part rogue, his whole adult life has been devoted to being the ultimate newshound, the ultimate reporter. Frank Hargrave is a Vietnam veteran with a badly scarred and damaged leg. A one-time storm chaser who can barely hang onto his sanity; he’s one of the walking wounded who drinks too much in an effort to numb himself from the nightmares, the cruelty, and the violence of the world. An overly sensitive soul, he leads a troubled life filled with pain and terrible nightmares, but none of this intrudes on his talent for “capturing the moment” on film. The head honchos at WCN would have dumped him long ago, if not for Denny’s support and belief in his friend.

But Denny himself, once the top reporter at WCN, was demoted to covering less-urgent news because of a scathing interview he once conducted with the President of the United States of America. Now he’s trying to redeem himself and work his way back to being king of the news hill.

Molly Hartwell is a producer at WCN, and is also in love with Denny. She stands by him, backs him all the way, and risks her own career in order to help him rise to the top of the heap again. But Denny often mistreats her, uses her, and her love for him is not always reciprocated, not in the way she wants. Their relationship is further complicated when she finds out that she’s pregnant with Denny’s child, something he neither wants nor cares about; although she asks and expects nothing from him in return, he tells her that he is willing to help her out in any way he can.

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New Treasures: Master Assassins by Robert V. S. Redick

New Treasures: Master Assassins by Robert V. S. Redick

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Master Assassins-smallRobert V. S. Redick is the author of The Red Wolf Conspiracy and its three sequels in the Chathrand Voyage sequence. In her review for Black Gate Sarah Avery called the series,

Delightful… The first three books were delicious, but will he pull off the conclusion well enough to justify the time it takes you to reread the whole set? Yes…. I’ve just finished The Night of the Swarm, which I dove into without reacquainting myself with the earlier books, and though it was immensely satisfying, I will definitely be rereading the whole series.

Redick kicks off an ambitious new series The Fire Sacraments, with Master Assassins, in which two village boys mistaken for assassins become the decisive figures in the battle for a continent. It was released in hardcover and trade paperback in March by Talos.

Kandri Hinjuman was never meant to be a soldier. His brother Mektu was never meant for this world. Rivals since childhood, they are drafted into a horrific war led by a madwoman-Prophet, and survive each day only by hiding their disbelief. Kandri is good at blending in, but Mektu is hopeless: impulsive, erratic — and certain that a demon is stalking him. Is this madness or a second sense? Either way, Kandri knows that Mektu’s antics will land them both in early graves.

But all bets are off when the brothers’ simmering feud explodes into violence, and holy blood is spilled. Kandri and Mektu are taken for contract killers and must flee for their lives — to the one place where they can hope to disappear: the sprawling desert known as the Land that Eats Men. In this eerie wilderness, the terrain is as deadly as the monsters, ghouls, and traffickers in human flesh. Here the brothers find strange allies: an aging warlord, a desert nomad searching for her family, a lethal child-soldier still in her teens. They also find themselves in possession of a secret that could bring peace to the continent of Urrath. Or unthinkable carnage.

On their heels are the Prophet’s death squads. Ahead lie warring armies, sandstorms, evil spirits and the deeper evil of human greed. But hope beckons as well — if the “Master Assassins” can expose the lie that has made them the world’s most wanted men.

Master Assassins was published by Talos on March 6, 2018. It is 460 pages, priced at $25.99 in hardcover, and $14.99 for both the trade paperback and digital editions. Listen to Redick read the first 20 pages of the book here.

Birthday Reviews: John Scalzi’s “Utere Nihil Non Extra Quiritationem Suis”

Birthday Reviews: John Scalzi’s “Utere Nihil Non Extra Quiritationem Suis”

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Cover by Edward Miller
Cover by Edward Miller

John Scalzi was born on May 10, 1969.

John Scalzi won the John W. Campbell Award for Best New Writer in 2006. He won the Hugo Award for Best Fan Writer in 2008, breaking David Langford’s nineteen year winning streak. He won a second Hugo in 2009 for Best Related Work for Your Hate Mail Will Be Graded: A Decade of Whatever, 1998-2008. In 2013, he won a fiction Hugo Award for his novel Redshirts: A Novel with Three Codas. His novel The Collapsing Empire is currently a Hugo Finalist. Redshirts earned Scalzi his second Geffen Award, which he previously won for the novel Old Man’s War. His novel The Android’s Dream received the Kurd Lasswitz Preis and the Seiun Award. Scalzi served two terms as the President of the Science Fiction and Fantasy Writers of America.

Scalzi wrote “Utere Nihil Non Extra Quiritationem Suis” for an audio anthology he edited, METAtropolis, produced for Audible Frontiers in 2008. The following year, the anthology was published in print form for the first time by Subterranean Press. Brilliance Audio issued the original audio anthology on CD and as an mp3 in 2009. In 2010, Tor reprinted the anthology and in the same year, it was translated into German. The story has not appeared outside its original anthology, whether in audio or printed form.

Benjamin Washington is living in the fully self-sustaining city of New St. Louis. Despite, or perhaps because of, a high-powered mother, Benjy is something of a slacker, putting off tackling his required aptitude test until the last possible moment. His poor scores, and lack of time to retake before the deadline of this twentieth birthday, coupled with his mother’s refusal to expend her political capital on nepotism, mean that he must take a job as a pig farmer working with genetically modified swine.

Suffering through life as a pig farmer, Benjy’s realizes how much he has screwed up, especially when he sees the girl he cares about together with a boy who is constantly needling him. Even as Benjy deals with the repercussions of his laziness, his learning experiences are presented in a manner that is designed to get a laugh, although Scalzi uses those same lessons to great effect later in the story.

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Last Chance to Win a Copy of Watchmen: The Annotated Edition from DC Comics

Last Chance to Win a Copy of Watchmen: The Annotated Edition from DC Comics

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The Annotated Watchmen Leslie S Klinger-small

Ack! Time is running out for you to win a copy of Watchmen: The Annotated Edition courtesy of DC Comics. And trust us, you really want this book.  It’s the definitive edition of the seminal graphic novel by Alan Moore and Dave Gibbons, a retrospective edition of the story that landed on Time magazine’s 100 best English-language novels of the 20th century.

In Watchmen: The Annotated Edition, Leslie S. Klinger looks at each of the series’ twelve issues in detail, moving page by page and panel by panel, and drawing on critical and scholastic commentary, interviews with Dave Gibbons, and previously unseen original source material. Read Derek Kunsken’s review, and an interview with Leslie S. Klinger, here.

How do you enter? Simplicity itself. Just submit a one-sentence email explaining what you think is the most influential element of Moore and Gibbon’s Watchmen series. The most compelling entry — as selected by Derek Kunsken — will receive a free copy of Watchmen: The Annotated Edition, complements of DC Comics.

How hard is that? One submission per person, please. Winners will be contacted by e-mail, so use a real e-mail address maybe. All submissions must be sent to john@blackgate.com, with the subject line Watchmen: The Annotated Edition, or something obvious like that so I don’t randomly delete it.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. The judge’s decision (capricious as it may be) is final. Sorry, US only. Not valid where prohibited by law. Eat your vegetables.

Vintage Treasures: Fire Watch by Connie Willis

Vintage Treasures: Fire Watch by Connie Willis

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Fire Watch Connie Willis-small Fire Watch Connie Willis-back-small

Fire Watch was the first collection from Connie Willis, and it had a huge impact on the field. It came in second for the Locus Award for Best Collection in 1986 (beating out George R.R. Martin’s Nightflyers, Larry Niven’s Limits, and Viriconium Nights by M. John Harrison, and losing out only to Stephen King’s Skeleton Crew). Its publication announced the arrival of a major new talent.

Willis  published over half a dozen additional collections in the next 30+ years, including the Locus Award-winning Impossible Things (1994), the monumental 740-page The Winds of Marble Arch and Other Stories (2007), and the Locus Award-winning The Best of Connie Willis (2013), but I think it’s fair to say that this is probably still her most famous.

The copy above is the the one I found at Half Price Books last month, and not the first paperback edition. Fire Watch was published in hardcover by James Frenkel’s Bluejay Books in 1985; the first paperback edition appeared from Bantam a year later (see that one below).

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Birthday Reviews: William Tenn’s “The Lemon-Green Spaghetti-Loud Dynamite-Dribble Day”

Birthday Reviews: William Tenn’s “The Lemon-Green Spaghetti-Loud Dynamite-Dribble Day”

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Cavalier January 1967-small

William Tenn was born Philip Klass on May 9, 1920 and died on February 7, 2010. He was named an Author Emeritus by SFWA in 1999.

Tenn received a Nebula nomination in 1966 for the short story “The Masculinist Revolt” and his collection Dancing Naked: The Unexpurgated William Tenn was nominated for a Hugo Award for Best Related Work in 2005. In 2006, he received the Forry Award from the Los Angeles Science Fantasy Society (LASFS). He was one of the Pro Guests of Honor at Noreascon 4, the 62nd World Science Fiction Convention, held in Boston, MA.

“The Lemon-Green Spaghetti-Loud Dynamite-Dribble Day” was originally published as “Did Your Coffee Taste Funny This Morning?” in the January 1967 issue of Cavalier, a men’s magazine edited by Robert J. Shea. The same issue carried essays by Isaac Asimov and Theodore Sturgeon. The story gained its current title the following year when Tenn included it in his collection The Square Root of Man. In 1973, it was reprinted in German in Venus—Planet für Männer. Tenn included it, against his better judgement, in the NESFA Press collection Immodest Proposals: The Complete Science Fiction of William Tenn, Volume 1 and selected it for inclusion when Mike Resnick invited him to pick one of his stories for the anthology This Is My Funniest: Leading Science Fiction Writers Present Their Funniest Stories Ever. An audio version was produced for Drabblecast B-Sides #29 in 2013.

Tenn claims that “The Lemon-Green Spaghetti-Loud Dynamite-Dribble Day” “certainly isn’t science fiction,” however if you consider science fiction as a look at how technology changes lives, it can arguably be considered as such (and if you argue science fiction is what is written by science fiction authors, it definitely is).

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