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Month: May 2018

Future Treasures: Free Chocolate by Amber Royer

Future Treasures: Free Chocolate by Amber Royer

Free Chocolate Amber Royer-smallAmber Royer first got my attention with her funny and thoughtful guest post at Unbound Worlds last month, promoting her upcoming space opera Free Chocolate from Angry Robot:

I play a bit with gallows humor in Free Chocolate – after all, half the book takes place on an alien warship where your superior officers can eat you should you disappoint them – and, yeah, it’s a fine balance. You don’t want to make death meaningless, even as the characters acknowledge the precariousness of their situation. Because if death becomes meaningless – or, worse, funny – then the remaining characters’ lives aren’t so important anymore… You know, every writer’s worst nightmare. We want our characters to be like that unnamed actor, finding dignity and a sense of psychological well-being, even in the face of absolute horror and near-certain death.

Speaking of which… I once read that science fiction is a society’s hopes, fantasy its daydreams, and horror its nightmares. (I cannot find the citation for this one – sorry, awesome writer, from the mid-90s.) I think that’s another reason SF writers so seldom venture into pure comedy… with sci-fi, you spend so much time building a world that needs to be convincing, an entire vision of the future, or an alternate past, or an alien landscape, and you put so much of yourself into sharing the things you hope and fear. You want it to be bulletproof in the reader’s mind. It’s hard, then, to acknowledge the absurdity of many of those fears, the impossibility of some of the hopes, to let yourself be laughed at, even in a positive way.

Free Chocolate is a far-future tale in which chocolate is Earth’s only unique commodity… one that everyone else in the galaxy is willing to kill to get their hands, paws and tentacles on. Here’s the description.

Latina culinary arts student, Bo Benitez, becomes a fugitive when she’s caught stealing a cacao pod from one of the heavily-defended plantations that keep chocolate, Earth’s sole valuable export, safe from a hungry galaxy.

Forces array against her including her alien boyfriend and a reptilian cop. But when she escapes onto an unmarked starship things go from bad to worse: it belongs to the race famed throughout the galaxy for eating stowaways! Surrounded by dangerous yet hunky aliens, Bo starts to uncover clues that the threat to Earth may be bigger than she first thought.

Free Chocolate will be published by Angry Robot on June 1. It is 448 pages, priced at $9.99 for both the paperback and digital editions. The cover is by Mingchen Shen.

With a (Black) Gat: George Harmon Coxe

With a (Black) Gat: George Harmon Coxe

Coxe_MurderPicture(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Working from Otto Penzler’s massive The Black Lizard Big Book of Pulps, we’re going to be exploring some pulp era writers and stories from the twenties through the forties. There will also be many references to its companion book, The Black Lizard Big Book of Black Mask Stories. I really received my education in the hardboiled genre from the Black Lizard/Vintage line. I discovered Chester Himes, Steve Fisher, Paul Cain, Thompson and more.

With first, the advent of small press imprints, then the explosion of digital publishing, pulp-era fiction has undergone a renaissance. Authors from Frederick Nebel to Raoul Whitfield; from Carroll John Daly to Paul Cain (that’s 27 letters – we went all the way back around the alphabet – get it?) are accessible again. Out of print and difficult-to-find stories and novels have made their way back to avid readers.

Strangely, George Harmon Coxe, one of the Black Mask boys, has been elusive in this pulp rebirth. He had a half-dozen recurring characters and wrote over sixty novels and his stories were also adapted for movies, television and radio. But it’s tough to find even a handful of his works these days, though a few novels have found their way to ebook format.

From 1935 to 1973, Coxe wrote twenty-three novels featuring Kent Murdock. Murdock, a Boston-area crime photographer, is really an evolved (make it, more refined and mature) version of an earlier Coxe creation, (Jack) Flashgun Casey. It’s a Casey story that’s in The Big Book and our focus today.

The photographer appeared two dozen times in Black Mask from 1934 through 1943. And there were six novels (one of which was previously serialized in Black Mask). But Casey fell by the wayside for the ‘cleaned up version’ that was Murdock. The Casey story, “Murder Mixup” was included in Joseph ‘Cap’ Shaw’s legendary Hard Boiled Omnibus — though it was one of three stories dropped when the paperback from Pocket Books came out.

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Birthday Reviews: Joyce Thompson’s “Boat People”

Birthday Reviews: Joyce Thompson’s “Boat People”

Cover by Allen Koszowski
Cover by Allen Koszowski

Joyce Thompson was born on May 14, 1948.

Thompson has published several short stories, collected many of her early ones in East Is West of Here. She has published four novels, including the novelization of the film Harry and the Hendersons.

“Boat People” first appeared 1990 in Pulphouse: The Hardback Magazine: Horror, the seventh issue, edited by Kristine Kathryn Rusch. Rusch also included the story in the anthology The Best of Pulphouse: The Hardback Magazine, published by St. Martin’s Press in 1991.

Thompson has produced an oddly confessional story in “Boat People,” albeit one with little fantastic element. Her narrator lives in Montana and is dealing with a mother who was once liberal, but is now older and averse to all the change brought into her life by a more diverse population. A generation behind her mother, the narrator sees the influx of Asian people as part of the aftermath of the Vietnam War, a war she opposed, but which left an indelible mark not only on her friends who served in Vietnam, but also on those who remained behind.

The narrator has survivor guilt for not having served overseas, and to assuage her guilt, she has taken on the task of working with veterans who are trying to capture their experiences on paper, offering her services as a published author to former soldiers who need the catharsis of writing about their experiences, no matter how bad the experiences or their prose. As she reads more and more of their memoirs, she takes on more and more of their memories, expressing regret that she wasn’t able to take a more active role in the war or the protests, and never fully understanding what they went through, but taking on their traumas.

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John DeNardo on the Best Science Fiction, Fantasy & Horror in May

John DeNardo on the Best Science Fiction, Fantasy & Horror in May

Artificial Conditions Martha Wells-small Fury From the Tomb-small Afterwar Lilith Saintcrow-small

Over at Kirkus Reviews, the always organized John DeNardo has already compiled his list of the most interesting genre fiction of the month. And as usual, it’s crammed with titles that demand our immediate attention. Starting with a new release by one of the most popular authors to ever appear in Black Gate, the marvelous Martha Wells.

Artificial Condition by Martha Wells (Tor.com, 160 pages, $16.99 in trade paperback/$9.99 digital, May 8, 2018) — cover by Jaime Jones

Looking for a short novel that packs a punch? Check out the fun Murderbot Diaries series by Martha Wells. In the first one, All Systems Red, attempts by the people of a company-sponsored mission on another planet to mount a rescue are complicated by a rogue robot who hacked its own governing module and ends up with identity issues. In the new book, Artificial Condition (the second of four planned short novels), the robot’s search for his own identity continues. To find out more about the dark past that caused him to name himself “Murderbot,” the robot revisits the mining facility where he went rogue where he finds answers he doesn’t expect.

All Systems Red was nominated for the 2018 Philip K. Dick Award, and is currently up for both the Locus Award and Hugo Award for Best Novella. The third installment in the series, Rogue Protocol, will be released on August 7, 2018. Read the first two chapters of Artificial Condition at Tor.com.

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Vintage Treasures: The House of Many Worlds by Sam Merwin, Jr.

Vintage Treasures: The House of Many Worlds by Sam Merwin, Jr.

The House of Many Worlds-small The House of Many Worlds-back-small

Sam Merwin Jr. was one of the most influential SF editors of the pulp era. He took over the reins at Thrilling Wonder Stories and Startling Stories in Winter 1945 from Oscar J. Friend, and immediately adopted a more mature attitude, attracting more adult readers and better writers. At first he assumed Friend’s editorial pseudonym, Sergeant Saturn, but eventually he simply went by the title Editor. By 1950 he was also editing Fantastic Story Quarterly and Wonder Stories Annual, making him one of the most important names in the field. His letter columns were avidly followed by fans of all ages, and he’s widely credited with steering his SF magazines out of the kid’s section and towards an adult readership.

Merwin quit editing in 1951 to become a freelance writer, and found some success with mysteries, and writing stories for DC’s Strange Adventures and Mystery in Space in 1952-1953. He briefly edited Fantastic Universe in 1953, and was an associate editor at Galaxy around the same time.

But Merwin is remembered today chiefly for two linked time travel novels, The House of Many Worlds and Three Faces of Time. They were published in a paperback omnibus edition by Ace in 1983, with a cover by comic artist Frank Brunner (above).

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Birthday Reviews: Gregory Frost’s “Farewell, My Rocketeer”

Birthday Reviews: Gregory Frost’s “Farewell, My Rocketeer”

Cover by Jay Bone
Cover by Jay Bone

Gregory Frost was born on May 13, 1951.

Gregory Frost’s novelette “Madonna of the Maquiladora” was nominated for the Hugo Award, the Nebula Award, the James Tiptree, Jr. Memorial Award, and the Theodore Sturgeon Memorial Award. Frost has also been nominated for the International Horror Guild Award and World Fantasy Award for his novel Fitcher’s Brides. His Shadowbridge and Lord Tophet jointly were nominated for the Tiptree, and “How Meersh the Bedeviler Lost His Toes” was nominated for the Sturgeon. He also received a Bram Stoker nomination for the story “No Others Are Genuine.” Several of his stories have been collected in Attack of the Jazz Giants and Other Stories, published by Golden Gryphon in 2011.

Cliff Secord’s career as the Rocketeer, a 1930s style pulp hero who is a pilot in his daily life, but secretly has access to a jet pack, has been chronicled in a series of comics and one film. In 2014 several authors were invited to add to his legend with prose stories, one of whom, Gregory Frost, contributed “Farewell, My Rocketeer,” a lost treasure story set in the American Southwest. The shared world anthology The Rocketeer Jet-Pack Adventures was edited by Jeff Conner and Tom Waltz. “Farewell, My Rocketeer” story has not been reprinted.

Secord gets involved in the treasure hunt when he lands at a small airstrip and diner which has been taken over by a disparate group of villains who are seeking gold based on an old treasure map. To save himself and the staff of the diner, who have been taken hostage, Secord agrees to pilot the group’s plane to help them find the treasure after their pilot dies, even though he realizes his own usefulness to the villains will end as soon as he lands them back at the diner, theoretically with the gold.

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The May Fantasy Magazine Rack

The May Fantasy Magazine Rack

Beneath Ceaseless Skies 251-small Black Static 63-small Pulp Literature Spring 2018-small Uncanny Magazine 22 May June 2018-small
GrimDark Magazine 15-small Interzone 275-small Vastarien 1-small Weird Fiction Review 8-small

Lots of great new fiction in May, including new stories by Mark Lawrence, Nicholas Kaufmann, Kelly Robson, John Shirley, Naomi Novik, Erica L. Satifka, Steven J. Dines, Lynne Jamneck, Katharine Duckett, Michael Washburn, Robert M. Waugh, and many others.

The new kid on the block this month is Vastarien from Grimscribe Press, a 284-page journal “of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas.” The first issue includes contributions from Michael Penkas, S.L. Edwards, Devin Goff, Christopher Ropes, Patricia Allison, Carl Lavoie, and many others. I’m also very pleased to see the latest annual issue of Weird Fiction Review, with a big color section devoted to the great D&D artist Erol Otis, plus new issues of GrimDark and Pulp Literature.

Here’s the complete list of magazines that won my attention in May (links will bring you to magazine websites).

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Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Tripping on the Void: An Interview with Plaid Klaus of Image’s Void Trip

Void Trip 1 alternate-small

This May, Image Comics will be collecting the five issues of Void Trip, by Ryan O’Sullivan and Plaid Klaus. I took advantage of the chance to interview Plaid. Here’s the description for Void Trip:

Meet Ana and Gabe — the last two humans left alive in the galaxy. They’re low on fuel, they’re low on food, and they’re low on psychedelic space froot, but they’re still determined to make it to the promised land: hippy-paradise super-planet Euphoria. VOID TRIP is the story of their journey, the friends and enemies they made along the way, and how the universe responded to those who dared to live freely within it. “VOID TRIP aims to answer the question: ‘how can we be free in a universe that will always course-correct to limit us?’” said O’Sullivan. “This isn’t your typical adventure comic, with violence as the solution to every conflict. It’s a road trip story. Its main concern is exploring the human condition. It’s Jack Kerouac and Hunter S. Thompson meets Herman Melville and Cormac McCarthy. Expect laughter, tears, and existential dread in equal measure.”

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The Complete Carpenter: They Live (1988)

The Complete Carpenter: They Live (1988)

They-Live-Theatrical-Poster“What’s the threat? We all sell out every day. Might as well be on the winning team.”

The career of John Carpenter spans four decades, but the 1980s was his special golden era. Although his ‘80s films may not have always succeeded at the box office, their run of quality is humbling: Escape from New York (1981), The Thing (1982), Big Trouble in Little China (1986), and Prince of Darkness (1987). While Christine (1983) and Starman (1984) aren’t in the same tier as that group, they’re good movies audiences still enjoy today.

No other film could have closed out the John Carpenter Decade better than They Live. It’s not only the last movie he made in the ‘80s, it serves as a DO NOT QUESTION AUTHORITY curtain closer on the entirety of the decade.

The Story

Only four characters in the movie have names, so let’s get the actor attributions out of the way: Nada (Roddy Piper), Frank Armitage (David Keith), Holly Thompson (Meg WATCH TV Foster), and Gilbert (Peter Jason). “Frank Armitage” is also Carpenter’s screenwriter pseudonym, giving the impression that a fictional character in the movie also wrote it. That nicely predicts the meta-horror of In the Mouth of Madness by six years.

Nada is a drifter who’s come to L.A. searching for work. He meets another construction worker, Frank, who introduces him to the shanty town and homeless shelter of Justiceville. There’s something strange going on under the surface of Justiceville, however, and Nada discovers the shelter organizers using a nearby church to develop strange science equipment — and a bunch of sunglasses, for some reason. After a suspiciously timed police raid demolishes Justiceville, Nada escapes and finds himself in possession of the sunglasses. When he puts on a pair, he can see the disturbing truth of the world: ghoulish alien creatures disguised as the rich and powerful actually rule the planet. They’ve peppered all visual media with subliminal messages of submission to mindless consumerism to cow the human population.

But Nada is all out of bubblegum and he ain’t having this. He gets Frank to work with him — after they savagely beat each other in a back alley for five minutes — and then seeks out the underground resistance. However, they’re not only facing alien invaders, but also the human collaborators who have sold out for their slice of ‘80s yuppiedom.

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Birthday Reviews: Barry B. Longyear’s “Collector’s Item”

Birthday Reviews: Barry B. Longyear’s “Collector’s Item”

Analog April 1981-small2 Analog April 1981-back-small

Cover by George Angelini

Barry B. Longyear was born on May 12, 1942.

Longyear received the John W. Campbell Award for Best New Writer in 1980, the year he won the Hugo and Nebula Award for his novella “Enemy Mine,” which was turned into a film starring Dennis Quaid and Lou Gossett, Jr. That same year his novelette “Homecoming” also appeared on the Hugo ballot, as did his novelette “Savage Planet” the following year. His stories have twice topped the Analog Reader’s Poll and he has been nominated for the Prometheus Award three times and the Sidewise Award once.

“Collector’s Item” was first published by Stanley Schmidt in the April 27, 1981 issue of Analog Science Fiction/Science Fact. The following year it was translated into German to be reprinted in Analog 2, a German language version of the magazine. Longyear also included the story as the lead off to his collection It Came from Schenectady.

Longyear examines the unenviable task of cleaning out a parent’s belongings after their death. For Jay Hall, who barely knew his father and had little to discuss with him, the natural inclination is to just take everything and sweep it into the garbage. A call with his father’s attorney, however, causes him to look through some of the papers his father has collected over the years. Among those papers are essays written by five of his father’s students in 1955.

The essays were assigned on prosaic topics, “What I Did Last Summer,” “My Favorite Dream,” “Things I Think About.” As Jay begins to read them, however, he finds that these five students all had things in common… notable, references to someone known as the Major. Furthermore, their essays all seemed to indicate that they were being fed knowledge of America’s future involvement in Viet Nam.

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