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Month: February 2018

Birthday Reviews: Karen Joy Fowler’s “Always”

Birthday Reviews: Karen Joy Fowler’s “Always”

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Cover by NASA
Cover by NASA

Karen Joy Fowler was born on February 7, 1950. She began her science fiction career with the stories “Praxis” and “Recalling Cinderella,” both published in March, 1985. Her first novel, Sarah Canary, appeared in 1991. In addition to writing science fiction, Fowler wrote The Jane Austen Book Club, which was turned into a film.

In 1991 Fowler, along with Pat Murphy, founded the James Tiptree, Jr. Award to recognize speculative fiction that expands or explores the understanding of gender.

She has won the Nebula Award for Best Short Story in 2004 for “What I Didn’t See” and in 2008 for “Always.” Fowler won the World Fantasy Award for Best Collection in 1998 for Black Glass and again in 2010 for What I Didn’t See, and Other Stories. She won the 2014 PEN/Faulkner Award for We Are Completely Beside Ourselves, which was also shortlisted for the Man Booker Prize.

“Always” was originally published in the April-May 2007 issue of Asimov’s Science Fiction, edited by Sheila Williams. It was reprinted the next year in Year’s Best anthologies edited by Rich Horton and David G. Hartwell & Kathryn Cramer. Ellen Datlow included it in Nebula Awards Showcase 2009 and Fowler reprinted it in her collection What We Didn’t See, and Other Stories.

Set in 1938, “Always” is a sympathetic view of a cult colony on the California coast called Always. The cult leader, Brother Porter, has promised his followers eternal life. Fowler never fully addresses whether Brother Porter has really discovered the secret of immortality, or if he’s just a leader who’s found a way to fleece people and get sex. More important to Fowler appears to be an attempt to depict someone who has found faith in her beliefs, a faith which endures beyond the bounds of evidence.

Even as Fowler’s protagonist accepts the idea of eternal life, her depictions of the other inhabitants of Always shows the shortcomings of living forever. Winnifred is always complaining about her ailments, John is constantly nostalgic for his old life, Harry is always happy, and the protagonist, who entered Always as a young woman, is supplanted by Kitty, younger and prettier than she is.

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The Return of OMNI Magazine

The Return of OMNI Magazine

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OMNI Magazine Winter 2017-smallI was never quite sure what to make of OMNI magazine.

OMNI first appeared in 1978. It was published by Penthouse publisher Bob Guccione and, while it didn’t publish pornography, it never quite became a real science fiction magazine, either. True, it published some of my favorite SF of the 80s, including the brilliant SF/horror tale “Sandkings” by George R.R. Martin, “Unaccompanied Sonata” by Orson Scott Card, and stories by Philip K. Dick, William Gibson, Alfred Bester, Harlan Ellison, Bruce Serling, Gene Wolfe, and many others.

On the other hand, it’s also the only SF magazine I’ve ever thrown away. When I moved to Belgium for a year in 1992 and had to put my books in storage, I chucked my complete collection of OMNI magazine in the trash because it wasn’t worth the back-breaking effort of moving all those heavy boxes. There just wasn’t enough fiction, and way too many UFO articles and other pseudo-science for my taste.

I’m not quite sure what to make of OMNI‘s return to print late last year, either. Mostly because — unlike the original magazine launch, which had a $3 million advertising budget — it was done completely under the radar. I never saw a print copy, and only heard the magazine was back via a few stray comments on Facebook. Amazon has no copies in stock. It took a while to find the website, and the Subscribe Now! button doesn’t work (probably because I have a pop-up blocker on, but still).

Nonetheless, some diligent digging convinced me that the magazine has, in fact, actually returned to print, and this isn’t all just a vague internet rumor. For one issue, at least. And that issue contains some original fiction by top names — Nancy Kress, Maureen F. McHugh, and Rich Larson — and other interesting content.

It also has the luscious interior art and easy-on-the-eyes design that I remember from the old mag. Have a look.

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Shark Ships and Marching Morons: The Best of C. M. Kornbluth

Shark Ships and Marching Morons: The Best of C. M. Kornbluth

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The Best of C. M. Kornbluth-small The Best of C. M. Kornbluth-back-small

The Best of C. M. Kornbluth (1977) was the eighth installment in Del Rey’s Classic Science Fiction Series. Kornbluth’s long time friend and collaborator Frederik Pohl (1919-2013) served as editor; he also provided an introduction and brief intros to each story. Dean Ellis (1920-2009), who did the cover art for the first four volumes, returns to the series to do the cover art for this one — a scene from “Marching Morons.” Unlike previous volumes, there is no afterword.

Cyril M. Kornbluth (1923–1958) was an original voice in American science fiction. His middle initial “M” apparently stood for a non-existent name, and was meant to include his wife Mary, whom he hoped would eventually collaborate with him, but this evidently never materialized. Though he died at a very young age, his fiction corpus was long, varied, and lasting. He is probably most remembered today for his very influential novel The Space Merchants (1953), co-authored with Pohl. It’s strange to me that Korbluth and Pohl collaborated together since their writing styles seem almost polar opposites. But they were lifelong friends, which perhaps explains Pohl’s presence as editor here.

I’ve listened to most of the audible book His Share of Glory: The Complete Short Fiction of C. M. Kornbluth. Though that collection is clearly larger, I think Pohl did an excellent job choosing tales for The Best of C. M. Kornbluth. The stories here are truly representative of Kornbluth’s best.

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February Short Story Roundup

February Short Story Roundup

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ssmJust a little to report from this past month’s excursion into the realm of short heroic fantasy. First, there’s the best issue in some time of Swords and Sorcery Magazine. Second, issue #14 of Grimdark Magazine. While the latter is loaded with good non-fiction articles, there’s only a single, albeit 15,000-word-long, story.

Swords and Sorcery Magazine rarely falls below good, but less often rises to great. I suspect it’s the nature of a magazine that only is able to pay $10 a story. Nonetheless, I found myself not only enjoying issue #72 but, despite not being surprised by anything in them, absolutely loving this month’s stories.

With the first, “Godsteel,” by Michael Meyerhofer, it came down completely to his characters’ voices and relationships. Three archers in the army of the Godprince, stationed in the siege lines surrounding the city of Haltan, are being ground down day after day. The ongoing possibility of a pointless death during an endless blockade brings the trio to a fateful decision that will affect the outcome of the battle and their futures.

During the soldiers’ introductions in the first paragraphs I became wary. While the senior one is named Mennaus, the others were called Tongue, because he lacks one, and Brain, because he hasn’t much of one. I’m immediately leery of any story where everyone has a cutesy nickname based on some trait, a trait which is also usually his singular characteristic. I was relieved to see that wasn’t the case in Meyerhofer’s story.

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Birthday Reviews: Eric Flint’s “Portraits”

Birthday Reviews: Eric Flint’s “Portraits”

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Cover by Tom Kidd (after Pieter Paul Rubens)
Cover by Tom Kidd (after Pieter Paul Rubens)

Eric Flint was born on February 6, 1947. His first story, “Entropy and the Strangler” appeared in L. Ron Hubbard’s Writers of the Future Volume IX. He has collaborated with numerous authors, both established and new over the course of his career, including David Drake, Mercedes Lackey, S.M. Stirling, Ryk E. Spoor, Dave Freer, Gorg Huff, Paula Goodlett, Charles E. Gannon, Mike Resnick, etc. The list goes on and on.

His time travel novel 1632 has not only led to sequels from Flint, but to a thriving fanbase which he encourages to write their own stories and articles, many of which have been workshopped online and published in online zines and hardcopy books. These include not only short stories, but also novels.

Flint has worked to bring back into print the works of several classic science fiction authors, including Murray Leinster, James Schmitz, Keith Laumer, Tom Godwin, Christopher Anvil, and A.E. van Vogt. With Jim Baen, he established the Baen Free Library and he also served as editor of Baen’s Universe. He has edited various anthologies, including The World Turned Upside Down and When Diplomacy Fails.

“Portraits” first appeared in The Grantville Gazette, an online magazine tied to Flint’s 1632 series, which allows various authors to discuss the setting and try their hand at fiction. When Baen decided to publish hard copies of some of the articles and stories, “Portraits” was reprinted as the first story in Grantville Gazette Volume I (2004) and provided the volume with its cover art. It was subsequently reprinted in Flint’s collection Worlds.

“Portraits” tells the story of Anne Jefferson, an American nurse posing for the Flemish artist Pieter Paul Rubens. The story assumes knowledge of the 1632 situation and characters Flint introduced three years earlier. This is a story which relies on its published context to be fully appreciated.

In its few pages, however, Flint is able to demonstrate some of the differences between Anne Jefferson’s outlook as a twentieth century American trapped in 1635 and a native artist from that period. The scenes set between Jefferson and Rubens, or Rubens and his wife, can stand well on their own and hint at the larger world.

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Future Treasures: The Tangled Lands by Paolo Bacigalupi and Tobias S. Buckell

Future Treasures: The Tangled Lands by Paolo Bacigalupi and Tobias S. Buckell

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The Tangled Lands Paolo Bacigalupi-smallWell here’s an interesting superhero team up: The Tangled Lands, a collaboration between Paolo Bacigalupi, the Hugo Award-winning author of The Windup Girl and Ship Breaker, and Tobias S. Buckell, author of the Nebula nominee Ragamuffin and the best selling Halo: The Cole Protocol.

Bacigalupi and Buckell have collaborated before. They produced an audiobook anthology in 2011, The Alchemist and The Executioness, for Audible Frontiers. Subterranean Press eventually published their individual contributions as separate novellas. This is their first literary collaboration, and it looks very promising indeed.

From award-winning and New York Times bestselling authors Paolo Bacigalupi and Tobias Buckell comes a fantasy novel told in four parts about a land crippled by the use of magic, and a tyrant who is trying to rebuild an empire — unless the people find a way to resist.

Khaim, The Blue City, is the last remaining city in a crumbled empire that overly relied upon magic until it became toxic. It is run by a tyrant known as The Jolly Mayor and his devious right hand, the last archmage in the world. Together they try to collect all the magic for themselves so they can control the citizens of the city. But when their decadence reaches new heights and begins to destroy the environment, the people stage an uprising to stop them.

In four interrelated parts, The Tangled Lands is an evocative and epic story of resistance and heroic sacrifice in the twisted remains surrounding the last great city of Khaim. Paolo Bacigalupi and Tobias Buckell have created a fantasy for our times about a decadent and rotting empire facing environmental collapse from within — and yet hope emerges from unlikely places with women warriors and alchemical solutions.

The Tangled Lands will be published by Saga Press on February 27, 2018. It is 304 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Krzysztof Domaradzki.

Tell Me a Story: What Makes a Good Audiobook?

Tell Me a Story: What Makes a Good Audiobook?

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Dolores Claiborne-smallI love audiobooks. I’d go so far as to call them my favorite means of ingesting stories.

It’s partly because of a failing on my part: I am capable of reading incredibly fast, but much like speeding through the countryside in a jet, this causes me to miss a lot. I can read a standard length novel in a couple hours, but I can tell you very little about style, minor plot details, and descriptions. I can force myself to slow down and read carefully. But I usually won’t. Hearing a story forces me to slow down and really absorb all the details of setting and characterization that I would otherwise bolt past. Beyond that, there’s something about the simple joy of being read to that I love. Maybe it’s the happy memories associated with bedtime stories, or my restless mind’s ability to putter about while hearing a book.

Within that affection, it also must be confessed that some stories? Are made for audiobook. Just as not every story is suited to be read aloud (House of Leaves is not available on Audible for a reason), some stories are so fantastic as audiobooks that reading them on the page feels like a letdown.

Dolores Claiborne comes to mind. Produced by Simon and Schuster Audio, Stephen King’s tale of domestic violence, murder, and friendship is narrated by Frances Sternhagen.

Sternhagen has the kind of Broadway and Hollywood resume most actors would murder for: people of a certain age :cough: probably best remember her as Cliff mother, Esther, on Cheers.

Dolores Claiborne is written as a monologue. The entirety of the book is conceived as Delores’ statement to the police on the death of her elderly employer. The circumstances under which Vera Donovan and Dolores are found upon the former’s death raise suspicion that Dolores has killed her. In addition, her fellow townspeople have long suspected that Delores had murdered her own husband decades before. The book is her attempt to set the entire story straight, from the 1950s to the present day.

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New Treasures: Down and Out in Purgatory: The Collected Stories of Tim Powers

New Treasures: Down and Out in Purgatory: The Collected Stories of Tim Powers

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Down and Out in Purgatory The Collected Stories of Tim Powers-smallTim Powers is certainly best known as a novelist. His novels include two World Fantasy Award Winners, Last Call (1992) and Declare (2001), as well as the Philip K. Dick Award winners The Anubis Gates (1983) and Dinner at Deviant’s Palace (1985). He’s also the author of six collections, most published in limited edition hardcovers through William Schafer’s Subterranean Press.

His newest collection, Down and Out in Purgatory: The Collected Stories of Tim Powers, is his first major short fiction retrospective and, at 488 pages, is more than twice the size of any of his previous collections. It contains twenty tales of science fiction and fantasy, including half a dozen previously uncollected novellas and stories originally published as limited edition hardcovers or chapbooks from places like Subterranean Press, Charnel House, Axolotl Press, and others. Most are now priced out of reach of any but the most determined collector, so finally having them in a mass market hardcover is a godsend to Powers fans.

Here’s the description.

Twenty pulse-pounding, mind-bending tales of science fiction, twisted metaphysics, and supernatural wonder from the two-time World Fantasy and Philip K. Dick Award winning author of The Anubis Gates and On Stranger Tides.

A complete palette of story-telling colors from Powers, including acclaimed tale “The Bible Repairman,” where a psychic handyman who supernaturally eliminates troublesome passages of the Bible for paying clients finds the remains of his own broken soul on the line when tasked with rescuing the kidnapped ghost of a rich man’s daughter. Time travel takes a savage twist in “Salvage and Demolition,” where the chance discovery of a long-lost manuscript throws a down-and-out book collector back in time to 1950s San Francisco where he must prevent an ancient Sumeric inscription from dooming millions in the future. Humor and horror mix in “Sufficient unto the Day,” when a raucous Thanksgiving feast takes a dark turn as the invited ghosts of relatives past accidentally draw soul-stealing demons into the family television set. And obsession and vengeance survive on the other side of death in “Down and Out in Purgatory,” where the soul of a man lusting for revenge attempts to eternally eliminate the killer who murdered the love of his life. Wide-ranging, wonder-inducing, mind-bending — these and other tales make up the complete shorter works of a modern-day master of science fiction and fantasy.

Here’s the complete Table of Contents.

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Birthday Reviews: Joseph H. Delaney’s “Survival Course”

Birthday Reviews: Joseph H. Delaney’s “Survival Course”

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Cover by Ed Soyka
Cover by Ed Soyka

Joseph H. Delaney was born on February 5, 1932 and died on December 21, 1999. He worked as an attorney before he began publishing in 1982 with the story “Brainchild.” Delaney was a nominee for the John W. Campbell Award for Best New Writer in 1983 and 1984.

He was nominated for the Hugo Award for Best Novella three years in a row, beginning in 1983 for “Brainchild,” “In the Face of My Enemy” the following year, and finally for “Valentina,” written with Marc Stiegler, in 1985.

“Survival Course” was purchased for Analog by Stanley Schmidt and appeared in the June 1989 issue. It has not been republished.

“Survival Course” is a pretty typical time safari story, reminiscent of L. Sprague de Camp’s A Gun for Dinosaur and subsequent stories. What sets Delaney’s version apart is that his characters, Clint Mineau and Cletus Running Wolf, have been sent back to the Tertiary period to confirm the cause of the destruction of dinosaurs. Their mission was spurred on by a glancing blow by an asteroid which wiped out millions of people.

Delaney spends quite a bit of the story providing a travelogue of the period, allowing Clint and Cletus to see the local megafauna while they worry that their timing is off. There aren’t as many dinosaurs then they would have expected to find.

Unfortunately, this section runs a little long. Although it sets the scene, it also has a feel of Delaney wanting to share his homework with the reader, catching them up on the most recent (and now thirty years out of date) understanding of dinosaurs. When he finally gets around to the cause of saurian extinction, it almost feels like an afterthought, coming a little too late and a little too slight, and it feels like it lacks originality.

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Vintage Treasures: Mystery Walk by Robert R. McCammon

Vintage Treasures: Mystery Walk by Robert R. McCammon

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Mystery Walk Robert McCammon-small Mystery Walk Robert McCammon-back-small

I’m still making my way through a collection of vintage paperbacks I bought a few weeks ago, which included several delightful finds, including Bruce Fergusson’s The Mace of Souls and John Deakins’s Barrow. But it was neither of those that caused me to pull the trigger on the online auction. It was the 1989 Ballantine paperback of Robert R. McCammon’s fifth novel, Mystery Walk.

I read McCammon’s 1991 novel Boy’s Life (which Bob Byrne reviewed for us here), and I loved it. It won both the Bram Stoker and World Fantasy Awards, and deservedly so. But I never went back and read any of McCammon’s earlier horror novels, including The Night Boat (1980), They Thirst (1981), or the Stoker and World Fantasy Award nominee Swan Song (1987). Or Mystery Walk, the first of McCammon’s novels to be published in hardcover.

Yeah, I know. That was an oversight. I’m trying to rectify it now. And in particular, I’m enjoying tracking down the 80s paperback editions, with their delightfully macabre covers. They’re not expensive, or particularly hard to find, and they also pack a fine dose of 80s nostalgia, especially for anyone who used to hang around the horror section at the supermarket rack.

Mystery Walk was published by Ballantine Books in October 1989. It is 419 pages, priced at $4.95. The cover is by J. Thiessen. It has been reprinted multiple times, most recently in trade paperback by Pocket Books in 2010. It is still in print.