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Month: February 2018

Wordsmiths: Black Gate Interviews Jim Butcher at ConFusion 2018

Wordsmiths: Black Gate Interviews Jim Butcher at ConFusion 2018

If you talk to Jim Butcher, he might tell you that he’s a “crazy hermit shut-in” and scoff at being referred to as the Jim Butcher — showing that even one of the greatest fantasy writers around might be as uncomfortable with accolades as the rest of us mere mortals. How do I know this? Because I got the chance to sit down with Jim at ConFusion last month, for an hour-long chat about his published work, his craft, and what makes him tick.

I’ve been a huge fan of Jim’s ever since a friend shoved Storm Front at me and insisted I read it, and I sincerely hope you enjoy watching it as much as I enjoyed taking part in it. There is a lot that can be learned from Jim Butcher, and I’m really happy with what we were able to get into here.

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Birthday Reviews: W.E.B. Du Bois’s “Jesus Christ in Texas”

Birthday Reviews: W.E.B. Du Bois’s “Jesus Christ in Texas”

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W.E.B. (William Edward Burghardt) Du Bois was born on February 23, 1868 and died on August 27, 1963. He was the first black man to earn a doctorate from Harvard University and taught history, sociology, and economics.

Du Bois helped found the National Association for the Advancement of Colored People in 1909. Most of W.E.B. Du Bois’s writings were sociological in nature, focusing on the plight of African-Americans. Throughout his career, he fought for equal rights for blacks and against lynchings and Jim Crow laws.

“Jesus Christ In Texas” was original published in Du Bois’s collection Darkwater: Voices from the Veil in 1920. It has been reprinted numerous times since.

Two of Du Bois’s stories have elements of the fantastic in them, including “Jesus in Texas.” As told in the title, this story is about a visitation of Jesus to Texas. During his brief time, he sees black prisoners used on a chain gang, the whites who are benefiting from their labor, and a prisoner who has escaped.

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New Treasures: The Sacred Hunt Duology by Michelle West

New Treasures: The Sacred Hunt Duology by Michelle West

The Sacred Hunt Duology-smallOK, this isn’t strictly a New Treasure, since it came out in 2016. But I discovered it for the first time while browsing the science fiction shelves at Barnes & Noble last week, so what the heck. It’s new to me.

Michelle West (who also writes as Michelle Sagara) is a Canadian writer with some three dozen novels to her credit, including the 6-volume Sun Sword series (which Derek Kunsken reviewed for us here) and the 7-volume House War, both from DAW Books. Both of those popular series are set in the Empire of Essalieyan, and build on events in two earlier novels from the 90s, Hunter’s Oath (1995) and Hunter’s Death (1996), collectively known as The Sacred Hunt. The former novel is still in print — pretty darned impressive after 23 long years! — but the later is not, which is a little frustrating for West’s many fans.

DAW has a fine habit of reprinting classic series in their back catalog in handsome omnibus editions, and I was delighted to find Hunter’s Oath and Hunter’s Death collected in a single 864-page paperback. Here’s the description.

For the first time in one volume, the two novels that began the epic tale of the Essalieyanese empire.

Hunter’s Oath
When the covenant was made with the Hunter God, all who dwelt in Breodanir swore to abide by it. The Hunter Lords — and the hunting dogs to which their minds were attuned — would seek out game in the God’s woods to provide food for their people, and the Hunter God would ensure that the Hunters, the land, and the people prospered.

But in payment, once a year the Sacred Hunt must be called, the God’s own Hunt in which the prey became one of the Lords, or his huntbrother–the companion chosen from the common folk to remind each Lord of his own ties to humanity. It was the Oath pledged in blood by Gilliam of Elseth and the orphan boy Stephen — and the fulfillment of that Oath would lead them to the kind of destiny from which legends were made….

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Amazing Stories, December 1961: A Retro-Review

Amazing Stories, December 1961: A Retro-Review

Amazing Stories December 1961-smallAnother issue from fairly early in Cele Goldsmith’s tenure. The cover is by Lloyd Birmingham, his first of a fair quantity of covers for Amazing, Fantastic, and also Analog through 1964. Interiors are by Virgil Finlay, Dan Adkins, and (as a reprint from 1930) Leo Morey.

S. E. Cotts’ book review column, the Spectroscope, begins with a look at one of the most famous of SF novels, Robert A. Heinlein’s Stranger in a Strange Land. She disliked it — “408 pages of pretentious balderdash.” (I confess I tend to agree.) She also reviews Heinlein’s collection 6XH, which she likes a great deal, especially “The Man Who Traveled in Elephants.” She also covers Clifford Simak’s Time is the Simplest Thing, which was one of the first adult SF novels I read, and which I remember fondly if dimly. (Cotts gives it a thumbs-down.) Also: more thumbs down for Manly Wade Wellman’s Islands in the Sky; a highly qualified approval for Curt Siodmak’s Skyport, and general if mild appreciation of a satirical book I haven’t heard of: Take Me to Your Leader, by Louise and Leslie Waller.

Sam Moskowitz’ historical article is about “Murray Leinster” (real name Will F. Jenkins), quickly summarizing his career from his first published work at the age of 13 to well-respected mid-50s work such as the Hugo-winning “Exploration Team.” He emphasizes Leinster’s range, and his ability to transition from the early crude SF to mature later work.

Lots of letters this month: from Moiya Virginia Norton (criticizing the logic in a recent Stanley Lee story), Ron Smith (praise for the controversial David R. Bunch), Robert E. Briney (sensibly complaining about Moskowitz conflating a character named Conan in the Bradbury/Brackett story “Lorelei of the Red Mist” with Howard’s Conan), H. Conard and Richard Bartlett (taking opposite sides regard to an earlier editorial), E. E. Evers (with a poem), Bob Adolfsen, Charles D. Cunningham (complaining about Moskowitz’ “inept” profile of Van Vogt), followed by a note from Van Vogt himself praising the profile, David B. Williams, Robert Thrun, and Joseph Billings.

Several of these are fairly well-known fans of the day, the most interesting perhaps being Evers, who left fandom – and his entire previously established identity – after he came to the rescue of a woman who was being attacked by another man. Evers beat the guy up, only to learn he was an off-duty cop, and that the police department weren’t going to give up going after him. So he disappeared, and people tend to think he took a new identity.

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Birthday Reviews: Joanna Russ’s “Nobody’s Home”

Birthday Reviews: Joanna Russ’s “Nobody’s Home”

New Dimensions 2-small New Dimensions 2-back-small

Cover by Ron Walotsky

Joanna Russ was born on February 22, 1937 and died on April 29, 2011. From her first publications, she became a voice for feminist science fiction in a world which was dominated, but not exclusively, by men.

As important as her science fiction, if not moreso, is her monograph How to Suppress Women’s Writing. Among her notable science fiction are the stories that make of the Alyx cycle, including Picnic on Paradise, and the novels And Chaos Died and The Female Man.

She won the Nebula Award for her short story “When It Changed” and a Hugo for the novella “Souls.” In 1996, she received two retrospective James Tiptree, Jr. Awards for “When It Changed” and for The Female Man. The Female Man was inducted into the Gaylactic Spectrum Hall of Fame. Russ received a Pilgrim Award for Lifetime Achievement for her contributions to science fiction and fantasy scholarship from the SFRA in 1988 and was inducted into the Science Fiction Hall of Fame in 2013. In 2015, Russ received the Solstice Award from the SFWA.

“Nobody’s Home” was originally printed in New Dimensions II, edited by Robert Silverberg in 1972. It was picked up the next year by Terry Carr for The Best Science Fiction of the Year #2. Pamela Sargent included it in Women of Wonder. Silverberg has reprinted it in several of his anthologies over the years, including Alpha 9, The Best of New Dimensions, Great Tales of Science Fiction, and The Arbor House Treasury of Science Fiction. Russ included it in her collection The Zanzibar Cat in 1983. David G. Hartwell reprinted it in The World Treasury of Science Fiction and Gardner Dozois reprinted it in Modern Classics of Science Fiction and Supermen. “Nobody’s Home” was translated into Spanish in 1977 and into Dutch in 1980.

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Announcing the 2017 Nebula Award Nominations

Announcing the 2017 Nebula Award Nominations

Spoonbenders Daryl Gregory-small Six-Wakes-Mur-Lafferty-smaller Annalee-Newitz-Autonomous-smaller

If you’ve been saving your reading muscles for major awards season, I have good news. SFWA, the Science Fiction and Fantasy Writers of America, released its nominees for the 2017 Nebula Awards yesterday, and you’re into for some terrific reading. Time to book a reading vacation, and make all that hoarded eye lubricant and daily wrist exercises finally pay off. Here’s the complete list of nominees.

Novel

Amberlough, by Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter, by Theodora Goss (Saga)
Spoonbenders, by Daryl Gregory (Knopf)
The Stone Sky, by N.K. Jemisin (Orbit)
Six Wakes, by Mur Lafferty (Orbit)
Jade City, by Fonda Lee (Orbit)
Autonomous, by Annalee Newitz (Tor)

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Plants as Protagonists: An Interview with Semiosis author Sue Burke

Plants as Protagonists: An Interview with Semiosis author Sue Burke

Semiosis Sue Burke-smallThe science fiction world has been abuzz with the release of the novel Semiosis by Sue Burke. Known for her short stories in publications such as Interzone and Asimov’s, this Clarion alumnus is now making waves with her debut novel, out from Tor this month. James Patrick Kelly said it’s “a first contact novel like none you’ve ever read… The kind of story for which science fiction was invented.” David Brin wrote, “In Semiosis, Sue Burke blends science with adventure and fascinating characters, as a human colony desperately seeks to join the ecosystem of an alien world.”

Those recommendations would be enough for me to buy a copy if I hadn’t already read it several years ago. Sue and I used to be in the Madrid Writer’s Critique Group here in Spain before she moved back to Chicago. The early draft I read fascinated me with its tale of human colonists settling on a planet only to find that is already inhabited by intelligent life… plant life. I caught up with Sue to talk with her about her new publication.

What was the seed of an idea that grew into a giant, sentient plant?

Seed… I see what you did there.

It started back in the mid-1990s when a couple of my houseplants attacked other houseplants. One vine wrapped around a neighbor, and another vine tried to sink roots into another plant. I began researching botany and discovered that plants are active, aggressive, and fight to the death for sunlight. They have weapons and cunning strategies, both offensive and defensive.

For example, strangler figs (several varieties of Ficus) start as seedlings germinating up on tree branches and trunks in jungles, and as they grow, their roots wrap around the host tree and eventually strangle and kill it. The fig starts halfway up to sunshine, which is an advantage. But how do the seeds get up there? Birds eat fig fruit, and the seeds have a gluey covering that sticks to a bird’s feathers when it defecates. The bird wipes off its vent on tree branches and trunks, where the seeds adhere and germinate.

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The Silver Eggheads by Fritz Leiber

The Silver Eggheads by Fritz Leiber

The Silver Eggheads, Ballantine F561, 1962, cover by Richard Powers

Fritz Leiber is one of the grand names of f&sf, winner of six Hugo Awards, three Nebula Awards, and two World Fantasy Awards. He is a member of the SF Hall of Fame, a SFWA Grandmaster, and a lifetime achievement recipient from the World Fantasy, Bram Stoker, and Forry Awards. You wouldn’t think any novel of his from the epicenter of his career could be obscure, neglected, or forgotten. And yet, there’s the case of The Silver Eggheads.

As a novelet, “The Silver Eggheads” graced the cover of the January 1959 F&SF, normally as prestigious a slot available at the time. Yet the story has never been anthologized nor ever included in one of his three dozen collections. Possibly that’s because Leiber expanded it to novel length, published as an original paperback by Ballantine in 1962. (Yes, that is a Richard Powers cover, one of the few representational ones he did.) Ballantine reprinted it twice, but no other American publisher has touched it. This novel has been out of print in English for almost 40 years. A few foreign editions slipped in, for multilinguists and obsessive collectors.

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Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Cover by Nicholas Jainschigg
Cover by Nicholas Jainschigg

Richard Lupoff was born on February 21, 1935. He edited the fanzine Xero, which included articles from Avram Davidson, L. Sprague de Camp, and Roger Ebert. In 1963, Lupoff and his wife, Pat, received a Hugo Award for Best Amateur Magazine for their work. In 2005, a hardcover The Best of Xero would be nominated for a Hugo for Best Related Work.

He published his first novel One Million Centuries, in 1967 and is perhaps best known for Circumpolar! and Circumsolar! Lupoff is not averse to using pseudonyms such as Ova Hamlet or Addison E. Steele. He collaborated on the graphic novel The Adventures of Professor Thintwhistle and His Incredible Aether Flyer with Steve Stiles. Lupoff edited three volumes of short stories he felt should have won the Hugo Award (What If? Volumes 1-3).

“Black Mist” was originally published in the April 1995 issue of Omni Online. Orson Scott Card reprinted it in Black Mist and Other Japanese Futures and Lupoff included it in his collection Claremont Tales. The story was also reprinted in Robert Reginald’s To the Stars—And Beyond: The Second Borgo Press Book of Science Fiction Stories.

Many stories set in the far future of space exploration select a human culture and have them expand into space, as L. Sprague de Camp did with his Viagens Interplanetary series. Often these space-faring cultures have little to do with the original terrestrial country beyond nomenclature. In “Black Mist” Lupoff has postulated a future in which Japan has taken over planetary exploration after the United States and Russia’s programs have collapsed.

The Japanese are attempting to terraform Mars and part of that effort takes place from a small outpost on Phobos. Not only do Japanese ideas of honor and caste play a big role in the story, but other aspects of Japanese society are interwoven and provide an integral part of the plot. “Black Mist” opens with a lowly kitchen worker, Jiricho Toshikawa, discovering the murdered body of a scientists on Phobos. When the body disappears, the head of operations on Mars sends his friend Hajimi Ino to investigate the disappearance.

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Vintage Treasures: The Dragon Waiting by John M. Ford

Vintage Treasures: The Dragon Waiting by John M. Ford

The Dragon Waiting John M Ford-back-small The Dragon Waiting John M Ford-spine-small The Dragon Waiting John M Ford-small

For the last few years the major streaming players — Netflix, HBO, Amazon, Hulu, and others — have spent untold millions searching for the next Game of Thrones. A tale of dark magics, black-hearted evil, kings and princes, palace intrigue, war, treachery, and sex. I could have saved them a lot of time if they’d just asked me. I would have recommended they film John M. Ford’s The Dragon Waiting.

The Dragon Waiting: A Masque of History was published in 1983. It’s a sprawling alternate history that combines Richard III, Edward IV, the Princes in the Tower, the Medicis, and vampires. Edward IV sits on the throne of England, but his kingdom is threatened by an expansionist Byzantine Empire. The Vampire Duke Sforza is massing a dark army against Florence, and Byzantium is on the march. High in the Alps four people come together: the exiled heir to the Byzantine throne, a beautiful physician forced to flee Florence, a Welsh wizard, and a German vampire. Together they wage a secret campaign against the entire Byzantine Empire, to secure the English throne for Richard, Duke of Gloucester, the future Richard III.

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