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Month: January 2018

The Fellowship of the Ring and the Palantir

The Fellowship of the Ring and the Palantir

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I Palantir 1-small I Palantir 2-small I Palantir 3-small

Last week, I posted a few fanzines that I’d picked up in a SF collection a few weekends ago. These originated from the estate of a Chicago area fan who appears to have been pretty active in the 1960’s and 1970’s, even publishing his own fanzine. He apparently attended a number of SF conventions, including many Worldcons, during that period. Among the material are several program books and other ephemera from cons during that time, including the 1960 Worldcon, known as Pittcon. One of the more interesting items I picked up which has a convention tie-in is a copy of the Fantasy Press edition of E.E. “Doc” Smith’s The Vortex Blaster, which is inscribed by Doc to him, reading, “At the Pittcon 1960. Ain’t we having fun? With very best regards, Edward E. Smith, PhD.”

Among the events at that Pittcon was the organizational meeting of the first organized group of J.R.R. Tolkien fans, The Fellowship of the Ring. The FotR went on to publish the first Tolkien fanzine, I Palantir (the first issue of which contained the first piece of Tolkien fan fiction), edited by Ted Johnstone and Bruce Pelz. Among other contributors was Marion Zimmer Bradley, who had pieces in issues 2 and 3 (the latter under the name Elfride Rivers). I Palantir lasted four issues, from 1960 through 1966, before folding.

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Amazing Stories, November 1962: A Retro Review

Amazing Stories, November 1962: A Retro Review

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Amazing Stories November 1962-smallThe cover to this issue is by George Schelling. Interiors are by Schelling, Virgil Finlay, Jack Gaughan, Leo Morey, and Leo Summer. The editorial is about using computers to determine national policy.

S. E. Cotts’ book review column, the Spectroscope, reviews three anthologies: The Sixth Galaxy Reader, The Best from F&SF, 11th Series, and Groff Conklin’s Worlds of When. Cotts is disappointed in the two magazine-based collections, suggesting that in neither case was there enough first rate material for a book. She is happier with Conklin’s anthology, reserving the highest praise for Fritz Leiber’s “Bullet With His Name.”

I think Cotts was pretty much correct about the Galaxy Reader, which is weak, but dead wrong about the F&SF book — in particular, she failed to note the brilliance of Avram Davidson’s “The Sources of the Nile,” one of the greatest SF stories of all time. She also reviews Robert Silverberg’s The Seed of Earth, and is fairly well pleased with it (noting that it features a cliched setup) — and I pretty much agree with her judgment there.

The science article is the fourth in Ben Bova’s series about extraterrestrial life, this time dealing with the possibility of life around fairly nearby stars. Dr. Bova recently sent me a note crediting Isaac Asimov for his chance to write this series — it seems Goldsmith had asked Isaac to do a series about extraterrestrial life, but he demurred and suggested Bova as an alternative.

The letters are from Charles Dixon (complaining about Edgar Rice Burroughs), J. J. Tilton (responding in an annoyed fashion to S. E. Cotts, who had criticized him for criticizing her for disliking Heinlein’s Stranger in a Strange Land), and Larry Shellum, also mad at Cotts, this time for a recent review of a Damon Knight anthology.

The stories are:

Novelets

“Left Hand, Right Hand,” by James H. Schmitz (12,200 words)
“The Planet of the Double Sun,” by Neil R. Jones (15,300 words)

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Birthday Reviews: Hayford Peirce’s “Mail Supremacy”

Birthday Reviews: Hayford Peirce’s “Mail Supremacy”

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Cover by Jack Gaughan
Cover by Jack Gaughan

Most days in 2018, I’ll be selecting an author whose birthday is celebrated on that date and reviewing a speculative fiction story written by that author.

Hayford Peirce was born on January 7, 1942. He began publishing short fiction in 1974 with the story “Unlimited Warfare.” He published his first novel, Napoleon Disentimed in 1987. “Mail Supremacy” was first published in Analog in March, 1975 and grew out of a joke letter that Peirce sent to editor Ben Bova, who encouraged him to develop the letter into a story.

The oddly named protagonist is an anagram for Peirce’s own name. The story has been reprinted in Lester del Rey’s Best Science Fiction Stories of the Year: Fifth Annual Collection, 100 Great Science Fiction Short Short Stories, edited by Joseph Olander, Martin H. Greenberg, and Isaac Asimov, Analog’s Lighter Side, edited by Stanley Schmidt, Imperial Stars 1: The Stars at War, edited by Jerry Pournelle and John F. Carr, 100 Astounding Little Alien Stories, edited by Robert Weinberg, Stefan Dziemianowic, and Martin H. Greenberg. In 2001, Peirce collected the story, along with five other stories featuring Chap Foey Rider into the collection Chap Foey Rider: Capitalist to the Stars, published by Wildside Press. In 1979, the story was translated into Dutch and Italian.

Hayford Peirce’s “Mail Supremacy” is a short, light-hearted story in which Chap Foey Rider begins to wonder about the mail system and how it works. Rider, who runs an import company in New York, laments the loss of multiple deliveries a day and further notes that it seems that something mailed from a shorter distance takes longer to reach its destination than something mailed from a longer distance. He is more likely to receive a letter from his office in Los Angeles first than a letter mailed from nearby Boston.

He begins to test this by having his office managers mail letters and tracking their time in transit. Once he is sure that letters mailed far distances are being delivered quickly, he takes it to the illogical extreme and tries to mail letters to Alpha Centauri. “Mail Supremacy” doesn’t take itself seriously at all and in some ways is a satire on the idea of a Galactic Federation, even as it served Peirce as a starting point for his own series of stories about a Galactic Federation.

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Reading 2000AD’s The ABC Warriors for the First Time

Reading 2000AD’s The ABC Warriors for the First Time

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The ABC Warriors-1-small

I’ve been reading 2000AD for a bit now, and listening to the 2000AD podcast by the Molcher-Droid, so I’ve heard a lot about The ABC Warriors, but didn’t know anything about them. In fact, from the name alone, my first thought was that canned pasta Alphaghettis that my mother used to have in the pantry for when she was working and we had to make our own lunch. Little could I have guessed that ABC stands for the Atomic, Biological and Chemical parts of warfare, and the robots who fight in those kinds of wars.

As one of the comics bloggers for Black Gate, I recently got my hands on an advanced pdf of the fourth volume of The ABC Warriors. For clarity and disclosure, the publisher 2000AD is owned by the same horse-riding video game designers who own Solaris Books (my publisher), but I don’t get any bonuses or consideration if I review their comics. I just like comic books (as you can tell from my post history). So, I wouldn’t have reviewed this if I didn’t actually like it.

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Sinister Fairy Tales & Dreadful New Legends: The Year’s Best Dark Fantasy & Horror 2017, edited by Paula Guran

Sinister Fairy Tales & Dreadful New Legends: The Year’s Best Dark Fantasy & Horror 2017, edited by Paula Guran

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The Year’s Best Dark Fantasy & Horror 2017-small The Year’s Best Dark Fantasy & Horror 2017-back-small

I’m not sure what’s up with Prime Books, one of my favorite small press publishers, but I heard they had some production difficulties in 2017, and as a result their schedule was reduced and many titles were delayed by several months. Rich Horton’s Year’s Best Science Fiction & Fantasy 2017, expected in June, didn’t arrive until late fall, and Sheila Williams’s Asimov’s Science Fiction Magazine: A Decade of Hugo & Nebula Award Winning Stories, 2005-2015, scheduled for last November, hasn’t shown up at all.

Whenever small press publishers experience publishing delays, I fret about them. Delays never help a book. Paula Guran’s The Year’s Best Dark Fantasy and Horror 2017, due in July, was delayed until December, and I hope it doesn’t get lost in the end-of-the-year crush. It’s a terrific volume, and well worth a look. Why not pick up a copy and help a small press that could use your support?

This is the 8th volume, and it comes packed with fabulous tales — including Amal El-Mohtar’s Hugo, Nebula, and Locus Award-winning story “Season of Glass and Iron,” Victor LaValle’s Bram Stoker and World Fantasy Award nominated novella The Ballad of Black Tom, Brooke Bolander’s World Fantasy Award nominee “Our Talons Can Crush Galaxies,” and stories by Aliette de Bodard, Jeffrey Ford, Max Gladstone, Kat Howard, N. K. Jemisin, Stephen Graham Jones, Marc Laidlaw, Seanan McGuire, Rachael Swirsky, Steve Rasnic Tem, Catherynne M. Valente, Michael Wehunt, Fran Wilde, Alyssa Wong, and many others. Here’s the complete table of contents.

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Peplum Populist: The Last Days of Pompeii (1959)

Peplum Populist: The Last Days of Pompeii (1959)

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last-days-of-pompeii-1959-posterIn August of the first year of the reign of Emperor Titus Flavius Caesar Vespasianus Augustus, the volcano Vesuvius erupted in the south of Italy and destroyed the cities of Pompeii and Herculaneum. Thousands of lives were lost. Out of the fire, ashes, and pyroclastic flows, an Italian film subgenre was born.

The 1959 film The Last Days of Pompeii (Gli ultimi giorni di Pompei) is the most famous of the many journeys Italian cinema has taken into the story of Vesuvius’s first-century eruption. Ostensibly based on Edward Bulwer-Lytton’s bestselling 1834 novel, the movie is a sword-and-sandal (peplum) riff that departs freely from its source so it can work as a vehicle for new megastar Steve “Hercules” Reeves. Reeves was at the height of his stardom and the peplum genre was also approaching the summit of its commercial success. There were loopier and cheesier days ahead for sword-and-sandal movies — I would argue more fun days — but for class and cash, The Last Days of Pompeii is a pinnacle. It lumbers sometimes under the weight of trying to appear like a serious prestige picture, but the lust for action entertainment carries it along. If you want to watch a dead serious epic from the same year, you have Ben-Hur. If you want to watch masses of polystyrene walls and pillars rain down on the cast and a hero slay lions and crocodiles, stay here.

Mario Bonnard is credited with directing The Last Days of Pompeii, but he fell sick on the first day of production. The man who took over the job was the assistant director, Sergio Leone. Yes, that Sergio Leone. Leone already had extensive experience working on Hollywood epics shot in Rome, including Quo Vadis. He proved he could helm a big feature with The Last Days of Pompeii, and soon after landed his first credited director job on another peplum, the fantastic romp The Colossus of Rhodes (1961), which I humbly submit is the pest peplum of all time. Two years later, Leone jump-started the genre that would surpass sword-and-sandal movies as the Next Big Thing in Italy with his Western, A Fistful of Dollars.

Although the eruption of Vesuvius is the reason the film was made, its story works as an ancient Roman drama even without the volcano. This isn’t a modern disaster film where the volcano is a constant subject of speculation with the actual on-screen disaster consuming the entire last third. Vesuvius appears in a few matte paintings and receives almost no mention again until the last ten minutes, when it interrupts the finale in the amphitheater to become the big curtain-closer. Forget the former plot, everybody run away!

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Birthday Reviews: Eric Frank Russell’s “A Great Deal of Power”

Birthday Reviews: Eric Frank Russell’s “A Great Deal of Power”

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Fantastic Universe August 1953-small Fantastic Universe August 1953-contents-small

Most days in 2018, I’ll be selecting an author whose birthday is celebrated on that date and reviewing a speculative fiction story written by that author. 

Cover by Alex Schomberg

Eric Frank Russell was born on January 6, 1905 and died on February 28, 1978. His story “Allamagoosa” was awarded the second Hugo Award for Short Story and in 2000, he was inducted into the Science Fiction Hall of Fame. His story “A Great Deal of Power” was originally published in Fantastic Universe in August/September, 1953, edited by Sam Merwin, Jr. It has been reprinted several times, occasionally under the title “Boomerang.”

Russell sets “A Great Deal of Power” in a twenty-first century in which Germany is governed by a Sixth Reich, three scientists have determined that the way to avoid bloody wars is to create a way of causing the death of powerful men who refuse to give up power. They have successfully done so, building their technique, which they don’t actually understand, into a humanoid robot named William Smith. They dispatch Smith to kill a short list of powerful men by simply asking them to give up power. If the men refuse, Smith’s mystical ability will automatically cause the men to die, apparently from natural causes, in a short time.

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Modular: Xanathar’s Guide to Everything

Modular: Xanathar’s Guide to Everything

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Xanathar’s Guide to Everything-smallIf you’ve jumped into the 5th edition of Dungeons & Dragons, I’ve got a book for you.

Until now, you haven’t really needed anything apart from the main three manuals (The Player’s Handbook, Monster Manual, and the Dungeon Master’s Guide). But with Xanathar’s Guide to Everything the Wizards of the Coast have created a handy companion with utility for both players and dungeon masters.

Sure, if you’ve followed the various expansion books closely you’ll have seen some good stuff: Volo’s Guide to Monsters helps flesh out some nasty critters so you can better bring them to life AND know their weaknesses, and the Sword Coast Adventurer’s Guide provides background material if you’re playing in a specific setting (or perhaps one similar to it). Xanathar’s, though, is something like the original Unearthed Arcana was for old school D&D.

It’s 192 pages are broadly divided into four categories. Chapter 1 is given over to new options for characters, Chapter 2 is stuffed with game master tools, Chapter 3 has spells, and the Appendix, for some reason, is mostly devoted to possible character names, some 15 pages of them. To me, that feels like the book’s only mis-step. Long lists of English, French, and Celtic names can be found in numerous places, and while the elf and dwarf (and other) categories can be useful for inspiration, I’d rather have seen these names left on an online companion and this space given over to some other useful subject – sandbox gaming, for instance – that never gets enough coverage.

But the rest… the rest is gold.

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Birthday Reviews: Tananarive Due’s “Suffer the Little Children”

Birthday Reviews: Tananarive Due’s “Suffer the Little Children”

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Cover by Jason Vita
Cover by Jason Vita

Most days in 2018, I’ll be selecting an author whose birthday is celebrated on that date and reviewing a speculative fiction story written by that author. 

Tananarive Due was born on January 5, 1966. Her Ghost Summer: Stories received the British Fantasy Award for Best collection in 2016 and the title story previously won the Kindred Award from the Carl Brandon Society. Due received a Lifetime Achievement Award from the Congressional Black Caucus Foundation in 2013. Due is married to fellow author Steven Barnes.

“Suffer the Little Children” was originally published in The Touch, a shared world anthology of short stories by various author set in a world suffering from Depriver Syndrome and created by Steven-Eliot Altman. It has never been reprinted.

Steven-Eliot Altman created the idea of Depriver Syndrome and introduced it in the anthology The Touch: Epidemic of the Millennium published in 2000, inviting several authors to write stories set in a world in which a person’s touch could deprive someone of one of their senses. Altman went on to publisher a novel, Deprivers, set in the same world.

Tananarive Due’s contribution to the anthology is the short story “Suffer the Children,” in which Laurel returns home from a shopping trip to discover that her house has been taken over by a group of children. As she tries to figure out what is happening, one of the children touches her and Laurel loses her sight. The children lock her into a room with her granddaughter, Gwen, who was blinded by the Deprivers before Laurel arrived home.

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Goth Chick News: The Rampaging Continues…

Goth Chick News: The Rampaging Continues…

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Stupid big bug-small

From the amount of feedback I received, I found out last week that I’m far from alone in my fearful appreciation of gigantic monstrosities as horror movie fodder. From sharks to grizzly bears (the 70’s even gifted us with The Giant Spider Invasion in 1975) we all seem to agree that if there’s going to be a freak of nature involved, why not go ahead and supersize it?

In fact, one of my favorite “too big to be allowed” monsters was glimpsed far too briefly in the movie Cloverfield (2008), and it is about this that I have news.

(Spoiler alert)

If you recall, Cloverfield ended with an impossibly huge something, laying waste to New York city and then having a nuke dropped on it effectively wiping out Manhattan. Eight years later, via the pseudo-sequel 10 Cloverfield Lane (2016), we found out that the nuke didn’t solve the problem and the earth was essentially overrun – or at least the part of it we saw in the film.

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