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Month: August 2017

Urban Fantasies and Robot Westerns: The Novels of C. Robert Cargill

Urban Fantasies and Robot Westerns: The Novels of C. Robert Cargill

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Dreams and Shadows Robert Cargill-small Queen of the Dark Things-small Sea of Rust-small

In the wider world, C. Robert Cargill is probably best known for his Nebula-nominated script for the movie version of Doctor Strange, and for the uber-creepy Sinister (brrrr). But around these parts, he’s known for his pair of novels about the Austin wizard Colby: his debut Dreams and Shadows (2013) and the sequel Queen of the Dark Things (2014). In her Tor.com review, Emily Nordling said, “Dark, comedic, and unsettling, Dreams and Shadows is everything an urban fantasy sets out to be.” I bought both books last year and put them near the top of my to-be-read pile.

But now along comes his third novel, Sea of Rust, a robot western set in a post-apocalyptic landscape in which humans have been wiped out in a machine uprising. This doesn’t just one threaten to replace his previous two in my TBR pile; it’s likely it will move right to the top. It arrives in hardcover from Harper Voyager on September 5.

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Researching the Habits of Highly Prolific Authors (and I could use your help!)

Researching the Habits of Highly Prolific Authors (and I could use your help!)

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Maxwell Grant writes the Shadow-small

Almost exactly a year ago, I wrote an article here on Black Gate about the habits of prolific authors. The research I did for that post sparked an interest in me that’s only grown. Now I’m working on a book-length study of how some of the great writers of the 20th century managed to write hundreds of books, most of them while hammering away on manual typewriters. There are lots of books on increasing your word count, but none, as far as I know, focus on the actual methods of the most productive writers.

I’ve set myself some limitations. First, to be given a chapter in the book, the writer must have written at least 300 books. They must also have enough biographical material that I can gain insights into their work methods. Also, they must be dead so that I can look at their careers as a whole, they must have been active in the 20th century so their work is more applicable to the modern era, and they must have written in either of the two languages I am comfortable reading — English or Spanish.

At the moment I have the following list: Isaac Asimov, Walter Brown Gibson, Corín Tellado, Marcial Lafuente Estefanía, Lauran Bosworth Paine, Ursula Bloom, Enid Mary Blyton, Barbara Cartland, and John Creasey. Some writers who don’t quite fit the bill but who have something worth quoting are given passing mention. Frank Gruber is a good example. His book The Pulp Jungle is essential reading for anyone who wants to know the inner workings of a true wordsmith.

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July/August Magazine of Fantasy & Science Fiction Now on Sale

July/August Magazine of Fantasy & Science Fiction Now on Sale

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Magazine of Fantasy and Science Fiction July August 2017-smallThe July/August F&SF features fiction by Gardner Dozois, William Ledbetter, Marissa Lingen, and many others. Here’s Victoria Silverwolf from Tangent Online with the lowdown.

Leading off the magazine is its only pure SF story, “In a Wide Sky, Hidden” by William Ledbetter. Human beings have explored many worlds throughout the galaxy by transmitting their minds into artificial bodies created at the point of arrival. The protagonist is one such explorer. As a child, his older sister, who designed vast, technologically sophisticated works of art, disappeared with a promise that she was going to create her masterpiece, and a request that her brother find her. Many years later, after journeying to multiple planets, he discovers what became of her. This a fine story, written with grace, clarity, and imagination. It balances sense of wonder with empathy for its characters.

Readers familiar with classic science fiction will recognize a tribute to Robert A. Heinlein’s 1941 story “—And He Built a Crooked House—” in “There Was a Crooked Man, He Flipped a Crooked House” by David Erik Nelson. Not only are the title and the theme of the story similar, but a minor character, mentioned only in passing, has the same name as a major character in Heinlein’s story. In modern Detroit two men who work for a fellow who buys abandoned properties in order to sell them at a vast profit are sent to examine his latest acquisition. It turns out to be a beautiful old mansion in immaculate condition, despite the fact that it is located in one of the worst places in the city. The moment the narrator enters the front door he winds up in the back yard. Other dimensional paradoxes abound. Once a way into the house is discovered, things take a darker turn…

Read Victoria’s complete review here.

Here’s the complete Table of Contents.

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The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

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Disabled People Destroy Science Fiction-small

When I started writing this article my face was spotted with burst blood cells. Earlier in the day I’d had one of my violent convulsive episodes. I was exhausted and aching but I meant to write, because it felt appropriate, topical. I’m here, after all, to write about Uncanny Magazine’s Disabled People Destroy Science Fiction issue.

But I couldn’t muster the energy for more than a few lines. I lacked the spoons.

The project description goes like this: Disabled People Destroy Science Fiction is a continuation of the Destroy series in which we, disabled members of the science fiction community, will put ourselves where we belong: at the center of the story. Often, disabled people are an afterthought, a punchline, or simply forgotten in the face of new horizons, scientific discovery, or magical invention. We intend to destroy ableism and bring forth voices, narratives, and truths most important to disabled writers, editors, and creators with this special issue.

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Dune by Frank Herbert

Dune by Frank Herbert

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oie_3171159srWv2GrQIt’s been called the greatest science fiction novel of all time. Maybe, maybe not, but it’s one of the best I’ve ever read. Published all the way back in 1965, it’s the best-selling science fiction novel of all time. The first half of Dune made its debut as “Dune World,” starting in the December 1963 Analog. The second half, “The Prophet of Dune,” began in the January 1965 issue.

I read Dune for the first time in 1981, at the age of 14. From the very first pages I was hooked.  I was house sitting for my grandfather, and the only things I had to do were let the dog out and feed her and myself, and that meant I barely put the book down all day. Like Dune’s hero, Paul Atreides, I was wondering what the heck is a gom jabbar? Who are the Bene Gesserit? What is melange? My dad’s paperback, at 544 pages, is one of the longest books I’ve read in a single day (beat only by Terry Brooks’ The Sword of Shannara).

I’m not sure what triggered it, but something called out from the depths telling me it was time to reread Dune again. The last time (which was the fourth time) I read it was nearly 20 years ago. A friend wanted to get into science fiction, so a few of us started rereading the classics and tossing them his way. Among the books I revisited were Asimov’s Foundation Trilogy and The Gods Themselves, Clarke’s Rendezvous With Rama, Heinlein’s Orphans of the Sky, and Herbert’s Dune.

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