Browsed by
Month: May 2017

New Treasures: Myth of the Maker, Bruce R. Cordell’s Novel of The Strange

New Treasures: Myth of the Maker, Bruce R. Cordell’s Novel of The Strange

The Strange RPG-small The Strange RPG-back-small Myth of the Maker Bruce R Cordell-small

The Strange, the RPG of dimension-hopping weirdness by Bruce R. Cordell and Monte Cook, was published by Monte Cook Games in 2014. We all know that all the coolest role playing games eventually spawn a fiction line, and thus it wasn’t too much of a surprise to see Bruce R. Cordell’s Myth of the Maker: A Novel of The Strange arrive from Angry Robot last month. It seems a fine intro to the powerful and mythic worldbuilding that’s gone into the vast cosmic canvas of The Strange. Check it out.

Carter Morrison didn’t want to kill his friends, or himself, but he had a good reason. It was them, or the end of all life on the planet.

Their sacrifice saved the world. Not that anyone knew it. Until Katherine Manners stumbled over a melting man in a computer room clutching a message of doom from another world.

Follow Carter Morrison, Catherine Manners, Elandine the Queen of Hazurrium, and Jason Cole — also known as the Betrayer — as they try to understand, survive, save, and in Jason’s case, break free of the fictional worlds that insulate Earth from the dangers of the Strange, where world-eating monstrosities called planetovores lurk.

This is by no means Cordell’s first foray into fiction… he’s authored at least half a dozen Forgotten Realms novels, including The Abolethic Sovereignty trilogy (2008-2010). Myth of the Maker was published by Angry Robot on April 4, 2017. It is 384 pages, priced at $9.99 in paperback and $6.99 for the digital edition. The cover is by Matt Stawicki.

Keep Up With the Latest Releases from Black Gate Authors

Keep Up With the Latest Releases from Black Gate Authors

Soverign Silk ElizaBeth Gilligan-small Black Mask Spring 2017-small All Systems Red The Murderbot Diaries-small

One of the things readers frequently ask me for is updates on their favorite Black Gate authors. We published hundreds of writers in the decade-plus the magazine was alive, and at least as many in the 10 years that we’ve been running the blog… that’s a lot of talented authors to keep tabs on!

Nevertheless, we do our best. Here’s a quick snapshot of the current and upcoming releases from some of your favorite Black Gate writers.

ElizaBeth Gilligan (“Iron Joan,” BG 3) releases Sovereign Silk, the long-awaited third novel in her Silken Magic series, from DAW on June 6
Bob Byrne, our Monday morning blogger (and resident Sherlock expert), has a story in the Spring 2017 issue of the revived Black Mask magazine
Martha Wells (the Giliead and Ilias tales in BG) published All Systems Red, the first book in The Murderbot Diaries, through Tor.com on May 2
Ellen Klages (“A Taste of Summer,” BG3) had her second collection Wicked Wonders come out from Tachyon Publications on May 9
James Enge (the Morlock stories) released his latest Kindle volume Iris Descends on January 15.
Derek Kunsken’s debut SF novel The Quantum Magician (“Ocean’s Eleven meets Guardians of the Galaxy“) will be published by Solaris Books in October 2018
Howard Andrew Jones has a brand new Dabir & Asim tale, “The Black Lion,” in the latest issue of Skelos magazine

Read More Read More

Sound the Horns! Swords of Steel III Arrives Next Week

Sound the Horns! Swords of Steel III Arrives Next Week

Swords-of-Steel-small Swords-of-Steel-II-small Swords-of-Steel III-small

In his review of Swords of Steel II, the second volume in D.M. Ritzlin’s ambitious Sword & Sorcery anthology series, Fletcher Vredenburgh expressed his enthusiastic support for the project.

Metal and S&S have been fist in glove for many a year now. They have the same penchant for extremes — the big gestures not the subtle, small ones. The idea that heavy metal musicians could turn their love for S&S into prose makes perfect sense.

And that’s exactly what D. M. Ritzlin has encouraged, starting with last year’s Swords of Steel, an anthology of heroic fantasy written by members of heavy metal bands. While I gave it a mixed review, I was utterly sold on the idea. The authors’ ardor was undeniable, even overwhelming weaknesses in some of the stories. Each story was illustrated with a work of hand-drawn lo-fi art that harks back to sketches on the backs of D&D character sheets and murals painted on the sides of vans. Flaws be damned, I enjoyed the book and was happy to learn that a second volume was being planned.

Needless to say, we were very pleased to hear that a third volume had been announced. Swords of Steel III, with brand new tales of Sword & Sorcery from eight musicians, new illustrations, and an epic intro from the legendary Mark Shelton (Manilla Road), arrives next week from DMR Books.

Read More Read More

Vintage Treasures: The Ace Novels of D.G. Compton

Vintage Treasures: The Ace Novels of D.G. Compton

D.G. Compton Ace paperbacks-small

I don’t know nearly as much about D.G. Compton as I thought I did.

Yeah, I have a few of his novels, mostly because I collect early Ace editions. Synthajoy, Chronocules, The Silent Multitude, and his 1970 Nebula nominee The Steel Crocodile, sure. I thought that was about it, until I recently stumbled on a few others.

Curious, I did a quick ISFDB search, and discovered D.G. Compton produced no less than 20 SF novels between 1965 and 1996. Holy cats! Not only am I missing the vast majority of his work, I don’t even have half of his Ace novels. Just to rub salt into the wound, I found out he’s also had successful careers as a crime writer (under the name Guy Compton) and a writer of Gothic romances (under the name Frances Lynch).

Read More Read More

Four Thousand Year Old Bread from Ancient Egypt

Four Thousand Year Old Bread from Ancient Egypt

20170220_151315

Here’s something you don’t see every day, some preserved bread from the Eleventh Dynasty (2134-1991 BC) from Thebes. I snapped this photo in the Cairo Museum during a recent writing retreat.

… and I’m afraid that’s all I have for you this week from Egypt. As I mentioned in a previous post, I’m working as a ghostwriter and I have a heinous deadline for a novel due this Friday. I’m also finishing up a short nonfiction booklet and my own novel, the one I went to Cairo to write in the first place. A minor character knocked the plot sideways and added 10,000 words to it.

So if I don’t want to be eating this bread next week, I have to get back to writing. But here are some more pics because I love you.

Read More Read More

Beneath Ceaseless Skies 225 Now Available

Beneath Ceaseless Skies 225 Now Available

Beneath-Ceaseless-Skies-225-smallOver on her website, Caroline M. Yoachim talks about her newest story in Beneath Ceaseless Skies.

I have a new story out in issue #225 of Beneath Ceaseless Skies (May, 2017). “Carnival Nine” is a story that I am particularly proud of, and I’m so happy it found a good home. A short excerpt:

One night, when I was winding down to sleep, I asked Papa, “How come I don’t get the same number of turns every day?”

“Sometimes the maker turns your key more, and sometimes less, but you can never have more than your mainspring will hold. You’re lucky, Zee, you have a good mainspring.” He sounded a little wistful when he said it. He never got as many turns as I did, and he used most of them to do boring grown-up things.

Rocket Stack Rank gives the story four out of five stars… read their (spoilery) review here.

Here’s the complete Table of Contents for issue 225.

Carnival Nine” by Caroline M. Yoachim

The train took us to the maker’s bench, and we laid out our son’s body, chest open. Tonight the maker would give him a mainspring and wind him for the very first time. “Should we name him now, or after we’ve gotten to know him?” My parents had waited to name me until my second day, because they wanted to be sure the name would fit.

Read More Read More

The Rationality of the Monstrous: Fourscore Phantasmagores

The Rationality of the Monstrous: Fourscore Phantasmagores

Fourscore PhantasmagoresThere’s a paradox in the nature of a dictionary of monsters. The medieval bestiaries at least claimed to be compendia of actual knowledge. But books like Jorge Luis Borges and Margarita Guerrero’s Book of Imaginary Beings (Manual de zoología fantástica) and perhaps even Katharine Briggs’ Dictionary of Fairies are only superficially rational collections of information. Though alphabetised and cross-referenced, the logical framework’s a way of presenting wild fantasy and dream: basilisks and baldanders, brownies and banshees, sylphs and sphinxes. The Monster Manual, and the role-playing handbooks it inspired, take this contradiction to a new level — detailed statistics for each creature described along with the avowed intent of inspiring new stories featuring the legendary or imaginary entities. Quantified, numerically precise, the monsters in these enchiridia still crack open the inside of the head, driving readers to imagine worlds big enough to hold dungeon-dwellers and dragons. Rupert Bottenberg’s Fourscore Phantasmagores is the newest volume of these wonders for gamers and monster-lovers of all stripes, presenting, as it says on the cover, “A Gathering of Grotequeries for Gapejaws and Gamemasters.” And, conscious of its predecessors, the book’s a rich source of inspiration; a grimoire seeding new myths.

Published by ChiZine Publications’ imprint ChiGraphic, Phantasmagores mixes words and pictures, all from Bottenberg, into 80 different monstrous imaginings. (In the interests of full disclosure I’ll note that I know Bottenberg through his work as director of the animation section at the Fantasia International Film Festival; well enough that I wouldn’t normally call him by his last name, but such are the conventions of criticism.) A foreword by Ian C. Esselmont and introduction by Bottenberg help establish the precedents and aim of the book: this is explicitly a collection of creatures for use in role-playing games, even though it can be read as illustrated prose poetry. Each of the monsters gets a full-page full-colour image; brief and often ironic notes on its type, size, habitat, traits, and attacks; and a paragraph of allusive descriptive text. There are virtually no numbers, and nothing system-specific, but enough information to get the essence of each creature across. Which is to say: there’s enough detail to work with, enough that individual gamemasters can work up stats and campaign-related specifics as needed. The book’s success lies not just in the cleverness and craft of its language and art, but in the precision with which it implies more than it says, spurring readers to imagine even more. You don’t need to be a gamer to enjoy this book — but you’ll get practical use out of it if you are.

Read More Read More

A Nostalgic Space Opera: The Psi-Tech Novels by Jacey Bedford

A Nostalgic Space Opera: The Psi-Tech Novels by Jacey Bedford

Empire of Dust-small Crossways-small Jacey Bedford Nimbus-small

God bless DAW for being willing to experiment. They published Jacey Bedford’s debut space opera novel Empire of Dust in paperback in 2014, and it has done well enough to spawn two additional volumes: Crossways (2015) and the upcoming Nimbus. [Bedford has also launched the Rowankind fantasy series that currently stands at two novels: Winterwood (2016) and Silverwolf (2017).] I hope all their experiments work out so well for them.

Empire of Dust seems tailor-made to appeal to old-school SF fans. Liz Bourke at Tor.com called it Nostalgic Space Opera, saying:

When I consider how to describe it, the first word that comes to mind is “old-fashioned”: there is little to say this space opera novel could not have been published two decades ago, or even three… Bedford is not writing innovative space opera, but rather the space opera of nostalgia. There is, here, something that reminds me vaguely of James H. Schmitz: not just the psionics but a certain briskness of writing style and the appeal of the protagonists, and the way in which Bedford’s vision of the societies of a human future feels at least two steps behind where we are today. This is a vision of a very Western future, and one where it’s unremarkable for a married woman to bear her husband’s name; where the ecological ethics of colonising “empty” planets don’t rate a paragraph, and religious separatists can set out to found a colony on the tools of 19th century settlers: oxen and wagons, historic crafts and manly men whose wives will follow them on the next boat.

Read Liz’s complete review here.

Read More Read More

April Short Story Roundup

April Short Story Roundup

oie_1671144jJXH7pFkIssue 63 of Swords and Sorcery opens with a story set in the waning days of the twelve Etruscan cities and the waxing of Rome. “For the Light” by Gustavo Bondoni is a fairly original work, using a setting rarely seen in heroic fantasy. The Etruscans trust their fate to the god whose representative wins a consecrated chariot race. If Mania, goddess of death, wins, she has promised to raise an army of walking corpses. To prevent this abomination, Semni Apatru has secretly entered the race with a plan to take out Mania’s contestant. The story jumps back and forth in time, beginning and ending with the chariots speeding along the race route. Where Bondoni succeeds most, making this story memorable, is with his depiction of the Etruscans as an alien culture that’s distinctly different from our own.

In “Witch Hunter” by Dale T. Phillips, Malleus, the titular character, has arrived at a small tavern in search of a mysterious evil power. When he approaches the barmaid, Teeann, for help, we learn that she’s a witch and that he’s one of the “good” witch finders. As he tells her:

“I do not punish innocent villagers who stand unjustly indicted of witchcraft because of the spoiling of their neighbors’ milk. Nor do I pursue midwives and potion-makers who provide relief to the townsfolk. I hunt only the ones who work to the genuine harm of others. Yes, there are places where the ignorant accuse women because of superstition and fear, but that is not my office. You and I both know that there are those of your kind who use their powers in evil ways, and that leaves a trace. When I find evidence of that, then I strike.”

Somebody who seeks to work genuine harm to others has been killing people in the story’s never-named kingdom. Eventually, an accord is reached between Malleus and the greater body of good witches, leading to a showdown with the malignancy savaging the land. While solidly written, there’s little characterization or tension to this short tale.

Read More Read More

Future Treasures: Spectacle, Book 2 of The Menagerie by Rachel Vincent

Future Treasures: Spectacle, Book 2 of The Menagerie by Rachel Vincent

Rachel Vincent Menagerie-small Rachel Vincent Spectacle-small

Rachel Vincent is the author of the bestselling Shifters series, an urban fantasy series about a female werecat, and the Unbound trilogy, about a paranormal tracker. Her YA Soul Screamer series, featuring a high school girl who discovers she’s a banshee, has grown to an impressive 8 novels.

Her new adult fantasy series about carnival magic debuted with Menagerie in October 2015. The second volume, Spectacle, arrives in trade paperback on May 30. Here’s the description for the first volume.

When Delilah Marlow visits a famous traveling carnival, Metzger’s Menagerie, she is an ordinary woman in a not-quite-ordinary world. But under the macabre circus big-top, she discovers a fierce, sharp-clawed creature lurking just beneath her human veneer. Captured and put on exhibition, Delilah is stripped of her worldly possessions, including her own name, as she’s forced to “perform” in town after town.

But there is breathtaking beauty behind the seamy and grotesque reality of the carnival. Gallagher, her handler, is as kind as he is cryptic and strong. The other “attractions” — mermaids, minotaurs, griffins and kelpies — are strange, yes, but they share a bond forged by the brutal realities of captivity. And as Delilah struggles for her freedom, and for her fellow menagerie, she’ll discover a strength and a purpose she never knew existed.

Read More Read More