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Month: May 2017

The Queens’ Pyramids at Giza

The Queens’ Pyramids at Giza

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The pyramid of Menkaure (2532-2504 BC) and
its three Queens’ Pyramids, looking east

We’ve all seen the pictures. Tucked beside the massive pyramids at Giza are a few little pyramids. They are generally described in one line as the “Queens’ Pyramids” or “satellite pyramids” and not mentioned any further. They seem like such an afterthought to the awe-inspiring pyramids of Khufu, Khafre, and Menkaure, not to mention the Sphinx, that they get all but forgotten. But why were these monuments built? And who were they for?

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Why You Should Go to Conventions

Why You Should Go to Conventions

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The Dray Prescot series, by Alan Burt Akers

Last month, I posted in a couple of Facebook groups a piece of new art that Deb and I had bought. In response to the post, one person asked how to go about acquiring illustration art, and I mentioned that one good venue was going to conventions such as The Windy City Pulp and Paper Convention (shameless plug) or PulpFest for vintage art, or IX or Spectrum Fantastic Art Live for new stuff. And many of the larger comic conventions also have some dealers who specialize in vintage illustration art, or artist attendees doing current work. And several SF/fantasy conventions, such as World Fantasy, Boskone or Worldcon still have good art rooms (and Boskone in particular has strong vintage art components to their art shows), though in most cases SF cons are not what they used to be when it comes to art. In addition to conventions, I also mentioned various auction houses, eBay and dealers, which are more typical day-to-day places to find illustration art, as cons are scattered throughout the year and most of us can’t attend all of them.

Of course, this is only my opinion, and others may have different experiences, particularly when it comes to collecting newer illustration art. Our focus is on older illustration art, and while we do have several pieces that have been created in the past few years, the bulk of our collection is illustration art that’s at least 30 years old, with the majority of it at least 60 years old and some over 100 years old.

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Justin Cronin on Bringing The Passage Trilogy to Television

Justin Cronin on Bringing The Passage Trilogy to Television

Justin Cronin The Passage trilogy-small

Over at DGO, Patty Templeton interviews author Justin Cronin on bringing his bestselling horror trilogy to the small screen. Let’s listen in, shall we?

The Passage is a damn fine book. It’s a doorstopper of a read with deep characters and a full-tilt apocalyptic plot. The first in a completed trilogy, The Passage establishes a near-future world ravaged by a contagious virus that leaves its victims in a vampire-like state. From there, one world dies and another is born…

PT: THE PASSAGE TRILOGY IS COMING TO TV. WHAT EXCITES YOU MOST ABOUT THE PROJECT?

JC: I think TV is so good now. Film is a director’s medium and TV has become a writer’s medium. TV is natural for ensemble storytelling and for telling a big story. Television is also a very good way to bring people to the books. Television is around for a long time, assuming the show is successful enough to stay around. Movies come and go, now. Half the movies I want to see are gone from the theaters before I can see them. Whereas television is one of our great cultural pleasures. Good television is kind of like Dickens used to be. It’s episodic and we can all go down to the pier and await the next chapter of David Copperfield.

Read the complete interview at DGO!

Premiere issue of New Pulp Magazine Broadswords and Blasters, Now Available in Print and Kindle

Premiere issue of New Pulp Magazine Broadswords and Blasters, Now Available in Print and Kindle

Broadswords and Blasters 1-smallEditors Matthew X. Gomez and Cameron Mount have launched a new sci-fi/fantasy magazine into the fray, touting it as a “pulp magazine with modern sensibilities.” The debut issue is available on Kindle for $2.99 or in a print edition for $6.99. They have also been posting regular mini-essays called “Pulp Appeal” on their website, spotlighting seminal pulp authors and characters like Conan, John Carter, Elric, and Fafhrd and the Gray Mouser.

Here is the back copy from the first issue:

The editors of Broadswords and Blasters are proud to present the first issue in a new line of pulp fiction serial publications. The stories in this issue blew us away when we read them, and the overall response confirms what we’ve always suspected: Action-oriented short fiction is still a hot commodity in the 21st Century.

In this, our debut issue, you will encounter subterranean horrors, time traveling lovers, two-fisted private investigators, space Mafiosi, and torturers turned political rabble-rousers, and that’s just a sampling of the great cast of characters you’ll meet along the way. Join us in celebrating the art that is pulp fiction. And tell your friends.

Here is the complete Table of Contents.

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Trader to the Stars by Poul Anderson

Trader to the Stars by Poul Anderson

oie_221517P0i26eYZI have no idea which Poul Anderson book I picked up first. It might have been The Winter of the World or Hrolf Kraki’s Saga. Whichever it was, I enjoyed it. It was enough to get me grabbing books at random from the big stack of his work my dad had bought. I’ve read a ton of his books, but with nearly seventy novels and sixty short story collections to his name, I still have plenty to go.

I’d venture a guess that Poul Anderson, multiple Hugo- and Nebula-winner, is probably better remembered for his fantasy than for his science fiction. Since his death in 2001, it seems his fantasy writing, the seminal swords & sorcery novel The Broken Sword in particular, has acquired a much greater reputation than his sci-fi.

While he wrote many standalone sci-fi novels, a large number were part of a specific future history. The Technic Civilization covers humanity’s spread across the stars, beginning, chronologically, with the story “The Saturn Game” set in the year 2055 and ending with “Starfog” in 7100. The majority of the stories take place during the second half of the third millennium and feature Falstaffian merchant prince Nicholas van Rijn, his agent David Falkayn, or Imperial secret agent Dominic Flandry.

Anderson’s future history stories are a mix of pulp space opera and hard sci-fi. At the heart of many of the stories is an explicit scientific conundrum that needs to be answered. Each puzzle, though, is couched in adventures with alien barbarians, enemy planets, or galactic empires.

Trader to the Stars (1964) collects three van Rijn adventures, “Hiding Place,” “Territory,” and “The Master Key.” Each features van Rijn working out evolutionary puzzles, usually in the face of some grave danger and always in hopes of making a profit. The first two throw the trader into the middle of danger, while the third lets him, Nero Wolfe-like, get to the bottom of a native uprising from the luxurious surroundings of his penthouse.

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Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

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Sharon Shinn is one of our favorite writers around these parts. I know, I know, we have a lot of favorite writers. But do we have fond memories of mobbing them at breakfast with the entire Black Gate staff, as we do with Sharon? No, we do not.

Sharon has published more than 25 novels over the past two decades, including the Samaria series, Twelve Houses series, and the Elemental Blessings novels. Her latest project is a graphic novel with award-winning webcomic artist Molly Knox Ostertag (Strong Female Protagonist), titled Shattered Warrior. Set on a world conquered by the alien Derichets, it tells the tale of Colleen Cavenaugh, who toils in a factory for her alien masters, until the day her home is invaded by an unlikely band of human resistance fighters.

Here’s a scan of the inside flap, and a few sample pages to showcase some of Ostertag’s colorful art and character design.

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Monsters, Magic & Mystery: The Grisha Trilogy by Leigh Bardugo

Monsters, Magic & Mystery: The Grisha Trilogy by Leigh Bardugo

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I first discovered Leigh Bardugo with the bestselling Six of Crows and its sequel Crooked Kingdom, the acclaimed fantasy caper novels described as ““Harry Potter meets Game of Thrones.” And then I discovered Bardugo had a previous bestselling fantasy series set in the same world, The Grisha Trilogy, featuring monster hunting, mysterious magic, and a pseudo Imperial-Russia setting. That’s an irresistible combo right there.

The New York Times Book Review said, in their review of the opening volume Shadow and Bone, “Bardugo’s setup is shiver-inducing, of the delicious variety. This is what fantasy is for.” All three volumes in the series are available in paperback from a publisher called Square Fish (?), a Macmillam imprint.

There’s a lengthy excerpt from Shadow and Bone at Tor.com. While you chew that over, here’s the back covers for all three volumes.

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Thrilling, Startling, Futuristic: The Adventure House Pulp Reprints

Thrilling, Startling, Futuristic: The Adventure House Pulp Reprints

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I acquired many fine treasures at the Windy City Pulp and Paperback Show here in Chicago last week. And there were more than a few that escaped my vile clutches. One of the biggest mistakes I made was not spending more time in the Adventure House booth. I passed it several times — you couldn’t really miss it, they had an absolutely marvelous wall display with hundreds of colorful pulps — and just about every time my eye was drawn to a rack crammed full of high-quality pulp replicas. Thrilling Wonder Stories, Planet Stories. Captain Future, Startling Stories, all bright and crisp and brand new… it looked like a magazine rack from the 1930s, catapulted eight decades into the future.

Now, I’ve picked up one or two pulp replicas in my day. They’re not just reprints of the editorial contents of old pulp magazines, but photostatted replicas, right down to the ads. For example, Girasol Collectables in Canada does a brisk business in Weird Tales, Oriental Stories, and Spicy Detective replicas. Most cost $35 each, which is more than I paid for the original issues of Weird Tales I have in my collection. So I’m a little guns shy about replicas, and I didn’t stop to investigate that eye-catching rack.

But I thought about it after the show was over, and two minutes online showed me that Adventure House pulp reprints are broadly available — at Amazon and other online sellers — and that they’re much more reasonably priced than the Girasol variety, at just $14.95 each!

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Cthulhu in Metallica

Cthulhu in Metallica

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That Cthulhu is a cultural force is a truth self evident to the readers of this blog, as evidenced by his numerous movies, RPGs and plush dolls. But his ubiquitousness can still surprise when he appears in unexpected media. The most recent creative force to sing (literally) Cthulhu’s praises: Metallica.

Metallica’s recent album Hardwired… to Self Destruct dropped November 18, and I was surprised to find one of their songs directly singing about great Cthulhu, and what exactly his rising means for humanity. The song “Dream No More” opens with singer James Hetfield declaring “He sleeps under black seas waiting / Lies dreaming in death”, followed by the litany of horrors that follows as “He wakes as the world dies screaming / all horrors arrive.”

That a metal band would sing about the end of humanity at the hands of an alien entity is not surprising; the genre has a long history of dabbling in the imagery of the occult, pseudo-satanic and even Lovecraftian. That Metallica would do it, however, is unusual. The band’s songs have catalog struggles and personal pains, exploring human themes like contemplating suicide (“Fade to Black” from 1984’s Ride the Lightning), drug abuse (“Master of Puppets,” 1986’s Master of Puppets), the horrors of war (“One” from 1988’s …And Justice for All) and the fear engendered by nightmares (“Enter Sandman” from 1991’s Metallica).

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