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Month: April 2017

An Adventuring Band of Cats in Old Delhi: Nilanjana Roy’s Wildings Novels

An Adventuring Band of Cats in Old Delhi: Nilanjana Roy’s Wildings Novels

The Wildings Nilanjana Roy-small The Hundred Names of Darkness Nilanjana Roy-small

Nilanjana Roy’s Wildings novels have become international bestsellers. Not bad for a pair of books about a tribe of feral cats in an old neighborhood in Delhi, India, who communicate by whisker mind-link and battle a series of sinister threats. The Sunday Guardian called The Hundred Names of Darkness “An astounding achievement — that rare book which marries high art with what is already becoming a feverish, cult-like following… Roy has crafted a world that is as believable and every bit as lovingly rendered as Gaiman’s Sandman.” There are only two books in the series:

The Wildings (323 pages, $18.95 in trade paperback/$9.99 in digital formats, January 12, 2016)
The Hundred Names of Darkness (401 pages, $18.95 in trade paperback/$14.99 in digital formats, July 12, 2016)

Both are published by Random House Canada, with covers designed by Kelly Hill.

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Edgar Rice Burroughs’s Pellucidar Saga: Tarzan at the Earth’s Core

Edgar Rice Burroughs’s Pellucidar Saga: Tarzan at the Earth’s Core

tarzan-at-the-earths-core-first-edition-j-allen-st-johnYou’ll believe a Stegosaurus can fly!

In the time I’ve written about Edgar Rice Burroughs for Black Gate, only once have I examined one of his Tarzan books. That was eight years ago. This lack of Tarzan representation isn’t because I dislike the character. A number of the early Tarzan adventures rate among my favorite Burroughs novels, and I’ll defend Tarzan of the Apes as one of the twentieth century’s Great Books. But since there’s more information available about Tarzan than any other Burroughs series, my literary adventuring was more interesting when it stayed in hinterlands of ERBiana.

However, it’s a thrill to have the ape-man swing in through the side door during one of my series retrospectives. Let’s welcome Tarzan onto the stage of Pellucidar. Ladies and gentlemen, boys and girls, Sagoths of all ages … it’s crossover time!

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Tarzan at the Earth’s Core (1929–30)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915), Tanar of Pellucidar (1929)

The Backstory

Although most of Edgar Rice Burroughs’s novels occur in the same universe, linked through the author’s fictional surrogate version of himself, Tarzan at the Earth’s Core is the only point where a character from one series leaps to another as the protagonist. It’s the fourth Pellucidar novel and the thirteenth Tarzan novel — full crossover achieved for the first and last time in the ERB canon.

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The Gestation of Cape and Cowl: Thoughts On Jess Nevins’ The Evolution Of The Costumed Avenger

The Gestation of Cape and Cowl: Thoughts On Jess Nevins’ The Evolution Of The Costumed Avenger

The Evolution of the Costumed AvengerThough he’s written short stories and three self-published novels, Jess Nevins is likely best known as an excavator of fantastic fictions past: an archaeologist digging through the strata of the prose of bygone years, unearthing now pieces of story and now blackened ashes of some once-thriving genre long since consumed and built over by its lineal successor. Across annotated guides (three to Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen, one to Bill Willingham and Mark Buckingham’s Fables) and self-published encyclopedias (of Pulps and of Golden Age Superheroes with Pulp Heroes soon to come, as well as 2005’s Monkeybrain-published Encyclopedia of Fantastic Victoriana) Nevins has reassembled old pieces of fantastika, indicating direct influences on modern writing and establishing directories of almost-forgotten story. He’s one of the people broadening the history of genre, in his books, and in articles such as his pieces for io9 on the Victorian Hugo Awards that never were.

Now he has a new book about the development of the superhero and what came before. The Evolution of the Costumed Avenger is subtitled The 4000–Year History of the Superhero, and delivers what it promises. Much that has fallen into obscurity is brought to light in this book. Precedents are unearthed. Archetypal forms are catalogued. But more than that, and perhaps more valuable, known things are recontextualised. Four thousand years of the Western heroic tradition, if not of Western literary tradition, are here imagined in a new way: as prologue to the coming of the superhero. The superhero, lately so central to popular fiction on page and screen, here finds a new apotheosis as the lens through which all preceding heroes are to be perceived. As the end-point of evolution.

And that’s fair enough. That’s what a history often does, foregrounding its subject, putting it at the centre of things. Nevins does his job well, writing in a style that’s academic in its rigour and its careful references to other scholars, while avoiding the jargon and convoluted syntax that mars much academic writing. His prose is clear, yet dense with information, moving quickly while constantly introducing new facts and new ideas. Given the vastness of his subject the book’s quite brief and indeed perhaps too brief: barely 300 pages, though those (like me) who relish discursive and tangential footnotes will appreciate the further 50 pages of endnotes. Nevins’ research is excellent throughout, particularly in the chapters covering the last two or three centuries. As is perhaps inevitable I have some questions and some doubts; most of them revolve around the way that Nevins defines the book in its opening chapter, and around the concluding chapters where Nevins presents a brief history of post–Golden Age superheroes. But The Evolution of the Costumed Avenger is clearly a success, not just an entertaining book but one vital for its field; a work that provides much food for thought to any reader with an even marginal interest in its subject.

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Modular: Star Trek Adventures is Versed in Multiple Techniques

Modular: Star Trek Adventures is Versed in Multiple Techniques

startrekadventuresThis week marked the -46th anniversary of First Contact Day, the date in 2063 when Zefram Cochrane was the first human to create and engage a warp drive (time travel situations excluded), as depicted in the film Star Trek: First Contact. As such, it seems appropriate to look at the state of affairs with the upcoming Star Trek Adventures roleplaying game, slated for a 2017 release from Modiphius Entertainment.

Modiphius has been playtesting the game since late last year as an open live playtest, using gamers from across the world as guinea pigs to find bugs in their design and crowdsourcing improvement suggestions. In addition to the Alpha set of rules for playtest, the Round 1 included a generic “starter” adventure that all of the playtesters could run through. I discussed my thoughts on this shortly after I playtested it, back in December, playing the group with a mix of Star Trek enthusiasts and their less-enthusiastic spouses, all of whom are relative novices at roleplaying games.

Earlier this year, based on feedback from the first round, Modiphius released a second round of playtest, as well as new adventures focused on the specific ship that you signed up to test for, allowing them to test science/exploration missions vs. combat-oriented missions vs. diplomacy missions, and so on. The new set of rules contained updates to earlier rules, but also a key new gaming system: starships. Once we provided feedback on the Round 2 playtest, playtesters were given access to the character creation system.

So let’s take a moment to dive into Star Trek Adventures …

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Future Treasures: The Best Science Fiction and Fantasy of the Year, Volume Eleven edited by Jonathan Strahan

Future Treasures: The Best Science Fiction and Fantasy of the Year, Volume Eleven edited by Jonathan Strahan

The Best Science Fiction and Fantasy of the Year Volume Eleven Strahan-smallHoly cats, have we started the Best of the Year season already? How did that sneak up on me?

However it happened, I take great pleasure in cataloging the new additions to some of my favorite anthologies every year. Jonathan Strahan is one of the top editors in the field, and his ongoing Infinity anthology series (Meeting Infinity, Bridging Infinity, etc.) has produced some of the most acclaimed short SF of the past decade. Strahan has been editing The Best Science Fiction and Fantasy of the Year for eleven straight years, the first seven with Night Shade, and the last three with Solaris, and he shows no sign of stopping. It’s a book I cherish every year, and Volume 11 — with fiction by Amal El-Mohtar, Paolo Bacigalupi, Aliette de Bodard, N.K. Jemisin, Rich Larson, Yoon Ha Lee, Ken Liu, Ian R. MacLeod, Paul McAuley, Geoff Ryman, Delia Sherman, Lavie Tidhar, Catherynne M Valente, Genevieve Valentine, and many others — is no exception.

It arrives in trade paperback in two weeks. Here’s the Table of Contents.

“Two’s Company,” Joe Abercrombie (Tor.com, Jan 16, 2016)
“The Art of Space Travel,” Nina Allan (Tor.com)
“Seasons of Glass and Iron,” Amal El-Mohtar (The Starlit Wood)
“Mika Model,” Paolo Bacigalupi (Slate)
“A Salvaging of Ghosts,” Aliette de Bodard (Beneath Ceaseless Skies, 01/03/16)
“Laws of Night and Silk,” Seth Dickinson (Beneath Ceaseless Skies, 26 May 2016)
“Touring with the Alien,” Carolyn Ives Gilman (Clarkesworld 115, 4/16)
“Red as Blood and White as Bone,” Theodora Goss (Tor.com)

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Wordsmiths: An Interview with Aurora Award-winner Ryan McFadden

Wordsmiths: An Interview with Aurora Award-winner Ryan McFadden

oie_5231921a2ylux5TFor my fourth installment in the Wordsmiths interview series, I had the pleasure of talking shop with Ryan T. McFadden, three-time winner of the Aurora Award and author most recently of the fantasy novel Cursed: Black Swan, from Dragon Moon Press. I’ve known Ryan for a few years now, since my first-ever panel at Can*Con in Ottawa — he’s not only a fabulous writer, he’s also good people, so I’m thrilled to be able to cast a spotlight on him this week. Read on below for my discussion with Ryan on the pressures of being a writer, influences on what we write, and past exploits. Enjoy!

Ryan’s bio (possibly pilfered from his website): Ryan T. McFadden is a writer of fantasy and horror, with short stories and novellas published through Dragon Moon Press, Edge SF & F, and Absolute X-Press. In 2014, his novella “Ghost in the Machine” won the Aurora Award (Canada’s most prestigious award for SF&F) for Short Fiction. His motley past involved such dangerous work as database administration, ice cream flavoring (seriously, that’s a thing), hockey league administration, screen printing, web design, furniture building, and home renovations. He lives in London, Ontario, with his two beautiful, but sometimes diabolical daughters, who he is sure are plotting to one day overthrow him. Check out Ryan on Twitter: @RyanTMcFadden.

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Goth Chick News: IT Floats Into the Record Books (Even Before Its Release)

Goth Chick News: IT Floats Into the Record Books (Even Before Its Release)

Black Gate IT

Clowns are creepy.

You know it. I know it. And Stephen King really knows it because he’s about to make bank on it… again.

After months of anticipation, the first trailer for director Andy Muschetti’s upcoming theatrical re-adaptation of King’s classic novel IT hit the net last week; and to say the response was positive would be a serious understatement. In fact, even though I’ve now watched it about a dozen times, I must say I was freaked out all over again when I attached it to this article.

In case you haven’t had the pleasure yet, check it out below…

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Modular: The New Mongoose Traveller #1 — First Impressions

Modular: The New Mongoose Traveller #1 — First Impressions

(Read First Article)
(Read First Article)

Traveller is 40 years old and there’s a new edition!

Jake squeezes between some crates.

Silence.

He exhales. It seems he’s evaded the Imperial black ops team. Now if he could just find his mates in the darkened warehouse. He pushes a little further between the crates. There in the space between the aisles is the alien weapon that started this whole mess.

Jake looks left and right then ghosts into the open. Breathing hard now, he reaches out and picks up the alien artefact. Despite its bulk, it’s surprisingly light and he hefts it higher than he intended.

Lights flash along its stock. It emits a, “Whirrrrrrrrr PING!

Shadowy figures pop up around the dimly-lit warehouse. The air fills with bullets.

One slams into Jake, punches through his chest armour. Almost spent, it still smashes his rib cage.

Everything goes dark…

Yes, this is the new Mongoose Traveller, the latest incarnation of a roleplaying game so influential that the book and TV inspirations listed in its introduction all arguably owe something to early versions of the game.

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March/April 2017 Analog Now on Sale

March/April 2017 Analog Now on Sale

Analog Science Fiction and Fact March April 2017-smallI’m getting used to Analog and Asimov’s new bimonthly publication schedule. For one thing, the magazines have added an additional 16 pages, which is a substantial bonus.

Here’s Analog editor Trevor Qachari on the impact of the change, and what we can look forward to in the March/April issue.

Effective immediately, with the very magazine you hold in your hands, Analog will be publishing only double issues — six of them per year. Right off the bat, you’ll see more novellas, longer book review columns, and more variety in the themes that thread through the stories. (For example, our next issue will have both the usual lighter April fare as well as a selection of time-travel pieces.)

The main advantage is that this format allows us to hold current subscription prices a bit longer. (You may have already noticed that this issue is 208 pages instead of our customary 192 for double issues; we worked hard to make sure that there wouldn’t be any loss of content.)

So, what kinds of things can you expect in this brave new world? Well, we have two novellas: “Nexus” by Michael F. Flynn, and John Alfred Taylor’s “Plaisir d’Amour”; “Sustainability Lab 101,” our fact article from Stanley Schmidt; and a trio of novelettes — “Europa’s Survivors” by Marianne J. Dyson; “Host” by Eneaz Brodski; and “The Human Way” by Tony Ballantyne — as well as almost a full “single” issue’s worth of short stories, some light-hearted, like “Ecuador vs. the Bug-Eyed Monsters” by Jay Werkheiser, and “Concerning the Devastation Wrought by the Nefarious Gray Comma and Its Ilk,” by Tim McDaniel; and some that involve a relative rarity in these pages: time travel. “Eli’s Coming,” by Catherine Wells; “Grandmaster” by Jay O’Connell; “Alexander’s Theory of Special Relativity” by Shane Halbach; “Time Heals” by James C. Glass; and “The Snatchers” by Edward P. McDermott — all struck a chord with me (for different reasons), and I bet at least some of them will for you, too.

The cover art this issue is by Tomislav Tikulin. Here’s the complete Table of Contents.

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Vintage Treasures: Zimiamvia: A Trilogy by E.R. Eddison

Vintage Treasures: Zimiamvia: A Trilogy by E.R. Eddison

Zimiamvia a Trilogy E R Eddison-small Zimiamvia a Trilogy E R Eddison-back-small

There’s an awful lot of bestselling fantasy on the market these days, and sometimes it seems it’ll be around forever. But I know from hard experience that the vast majority of it will be gone in five years. It’s the rare fantasy indeed that remains in print for a decade — much less 20, 30, or 50 years.

E.R. Eddison’s Zimiamvia trilogy has been in print, off and on, for an astonishing eight decades, since the first volume appeared in 1935. J.R.R. Tolkien called Eddison “The greatest and most convincing writer of invented worlds that I have read,” and in the decades that followed his reputation has only grown among serious students of fantasy. The three volume in the trilogy are:

Mistress of Mistresses (1935)
A Fish Dinner in Memison (1941)
The Mezentian Gate (1958)

Eddison was also the author of the fantasy classic The Worm Ouroboros, to which the Zimiamvia trilogy is a loose sequel.

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