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Month: April 2017

Ghidorah, The Three-Headed Monster: The Godzilla Movie to Rise Again in 2019

Ghidorah, The Three-Headed Monster: The Godzilla Movie to Rise Again in 2019

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It’s been a month since Kong: Skull Island came out and grossed over half a billion dollars globally, so I feel safe in 1) discussing the post-credits stinger without a spoiler freak-out, and 2) predicting we’ll indeed see Legendary Picture’s planned Godzilla vs. King Kong film in a few years. Warner Bros. isn’t leaving franchise money on the table, especially with their DC pictures in a shaky place.

But the movie arriving before the Radioactive Terror and the Eighth Wonder smash heads is promised in Skull Island’s post-credits stinger. Godzilla: King of the Monsters, to be directed by Michael Dougherty and slated for release in March 2019, is the third installment in the Legendary Pictures Kaijuverse. Kong: Skull Island contains numerous references that it occurs in the same universe as the 2014 Godzilla, such as the presence of the monster-researching Monarch Organization and mention of the Pacific atomic test originally targeted at killing Godzilla.

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Smoke and Mirrors by Jane Lindskold Released as an eBook!

Smoke and Mirrors by Jane Lindskold Released as an eBook!

Smoke and Mirrors Jane Lindskold-smallJane Lindskold is in the process of re-releasing some of her out of print books as ebooks, and the first of these, Smoke and Mirrors is out now. Below I’ve included the cover copy, but if you want to read more about this re-release, check out Jane’s release day post.

How do you fight an enemy who can, literally, change your mind?

From the moment she first senses the whispers of the alien mind within the thoughts of her current client, Smokey – touch telepath, industrial spy, and high-end prostitute – becomes an unwitting player in a conflict that may be as old as humanity.

Determined to protect herself and her young daughter, Smokey soon realizes that the stakes are much, much higher.

After millennia of setting up the field, the aliens may be making their final move. If Smokey is to defeat them, she must win the respect and trust of people who despise her – perhaps at the cost of those she loves the most.

This reprint of the 1996 science fiction novel features an original afterword by the author.

The book is available from Amazon, Barnes and Noble, iBooks, Google Play, and Kobo.


Emily Mah is a writer and the owner of E.M. Tippetts Book Designs, a company that provides formatting and cover design services for independent authors and publishers. Her last interview for Black Gate was with German author Emily Bold.

Cover to Cover

Cover to Cover

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Until relatively recently, I never looked at cover art. I bought books because of a review, or, more likely, because of a personal recommendation. There was art I liked, and some I didn’t like, and some that embarrassed me for one reason or another. But, the art in and of itself didn’t influence my purchasing of any book.

It was recently brought to my attention, however, that the style of cover art comes in and out of fashion, like anything else. Many of us can tell, just looking at the clothing in a photograph, in what decade the photo was taken. Hairstyle is a great indicator, as are necklines, width and length of collars and cuffs, of hemlines and sleeves. Shoulder pads anyone? Thirty years from now, someone looking at today’s photos are going to think of the 2010’s as “the decade of the beard.”

There are many people better qualified than I to talk about cover art as art. I just want to talk about it as covers. My examples are completely arbitrary, and usually come from my own shelves. Keep in mind that in order to look at changing fashion in covers over decades, I have to look at works that have been in print for that long.

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Goth Chick News: Netflix Gives Hill House Yet Another Life (Yay!)

Goth Chick News: Netflix Gives Hill House Yet Another Life (Yay!)

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I discovered Shirley Jackson’s The Haunting of Hill House, considered one of the best ghost stories of the 20th century, in fourth grade. Not because it was on the approved reading list for nine-year-olds – on the contrary, I didn’t run into it academically until high school – but because I came across it during a summer reading program at my public library. Thankfully, librarians then were far less politically correct than they apparently are today, and they didn’t discourage browsing of selections that were not strictly “age appropriate.”

Since I fell in love with all things Shirley, I discovered Hill House had two theatrical adaptations, both call The Haunting; one in 1963 by Robert Wise, and one in 1999 (my guilty pleasure) directed by Jan de Bont and starring Liam Neeson, Owen Wilson, Cathrine Zeta-Jones, and The Conjuring‘s Lili Taylor. Both telling the tale of a group of people spending a summer in a mansion rich in haunted history and tales of the paranormal, who soon realize the stories are not just old wives tales as they begin to experience the supernatural and malevolent phenomena for themselves.

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A Tale of Three Covers: Allen Steele Resurrects Captain Future

A Tale of Three Covers: Allen Steele Resurrects Captain Future

Captain Future Winter 1941 Asimovs-October-1985-small Avengers-of-the-Moon-smaller

Captain Future was created by editor Mort Weisinger way back in 1940, but it was the great pulp writer Edmond Hamilton who made him popular. Hamilton wrote dozens of stories featuring the futuristic adventurer between 1940 and 1951, such as “Captain Future and the Seven Space Stones,” which appeared in the Winter 1941 issue of Captain Future: Man of Tomorrow (above left, cover by Earle K. Bergey). Most of Hamilton’s short novels were reprinted in paperback in the 60s, and there was even a 1978-79 anime production that brought the Captain some fame in markets like Spain and Germany, but in general the character was long forgotten here in the US by the mid-80s.

In 1995, Allen Steele wrote “The Death of Captain Future,” a fond homage to Hamilton’s classic tales. It was the cover story for the October 1995 issue of Asimov’s Science Fiction, with a stellar retro-pulp cover by Black Gate cover artist Todd Lockwood (click the image above left to see Todd’s original painting). “The Death of Captain Future” was nominated for a Nebula Award, and won the Hugo Award for best novella of the year. Steele returned to the same characters four years later with “The Exile of Evening Star” (Asimov’s SF, January 1999).

Fast forward nearly 20 years, and we find Steele’s brand new novel Avengers of the Moon on sale at bookstores across the country. It returns once again to Hamilton’s Captain Future milieu, but with a more ambitious tale, and this time Steele hews much closer to the original source material, right down to Captain Future’s colorful cast of sidekicks, and the villainous U1 Quorn, a half-Martian renegade scientist. Avengers of the Moon was published in hardcover by Tor Books this week; the cover artist is uncredited.

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Future Treasures: Off Rock by Kieran Shea

Future Treasures: Off Rock by Kieran Shea

Off Rock-smallKieran Shea is the author of Koko Takes a Holiday and its sequel, Koko the Mighty. His latest, Off Rock, is a fast-paced and funny tale of a bank heist set in space, which is not the kind of thing I come across very often. The B&N Sci-Fi & Fantasy Blog calls it “a fast-moving sci-fi heist with a hard-edged sense of humor and another motley crew of bad guys and not-so-good guys (and gals).” It’s available in trade paperback from Titan Books next week.

In the year 2778, Jimmy Vik is feeling dissatisfied.

After busting his ass for assorted interstellar mining outfits for close to two decades, downsizing is in the wind, his ex-girlfriend/supervisor is climbing up his back, and daily Jimmy wonders if he’s played his last good hand.

So when Jimmy stumbles upon a significant gold pocket during a routine procedure on Kardashev 7-A, he believes his luck may have changed — larcenously so. But smuggling the gold “off rock” won’t be easy.

To do it, Jimmy will have to contend with a wily criminal partner, a gorgeous covert assassin, the suspicions of his ex, and the less than honorable intentions of an encroaching, rival mining company. As the clock ticks down, treachery and betrayal loom, the body count rises, and soon Jimmy has no idea who to trust.

Off Rock will be published by Titan Books on April 18, 2017. It is 240 pages, priced at $14.95 in trade paperback and $7.99 for the digital version. The cover was designed by Amazing 15. Read an excerpt from the first chapter at the B&N Sci-Fi & Fantasy Blog.

See all our recent coverage of the best in upcoming fantasy an SF here.

Revolutionary Street Art in Cairo

Revolutionary Street Art in Cairo

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From January 25 to February 11, 2011, the world watched as Egypt convulsed in a mass uprising. Across the country, protesters from a wide range of backgrounds vented their anger at the regime of President Hosni Mubarak, which they accused of corruption and police brutality. They also protested against rising prices, high rates of unemployment, and a host of other grievances. Everyone from students to labor unions to feminists to Islamists marched to topple the regime.

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New Treasures: The Best of Gordon R. Dickson, Volume 1 edited by Hank Davis

New Treasures: The Best of Gordon R. Dickson, Volume 1 edited by Hank Davis

The Best of Gordon R Dickson Volume 1-smallOver the last four years we’ve spent a lot of time and energy covering Del Rey’s 1970s-era Classic Science Fiction line, also know as the Best of…. series. In the process we may have angrily shaken our fists at the entire publishing industry once or twice, shouting “You don’t have the guts or the imagination to do something like this any more, do you??”

And of course, along comes Baen Books to prove us wrong.

Last week Baen Books released The Best of Gordon R. Dickson, Volume 1, the first in a two-volume set collecting a generous sample of science fiction and fantasy from one of the most popular and celebrated SF writers of the 20th Century. It follows The Best of Bova, a planned 3-volume set, and their recent omnibus collections of Andre Norton, Murray Leinster, and James H. Schmitz.

The Best of Gordon R. Dickson, Volume I, gathers together fourteen stories, predominantly from the first half of legendary science fiction and fantasy writer Gordon R. Dickson’s career, ranging from the early 1950s through the 1960s, including tales dragons, dolphins, aliens, werewolves, mutants and humans trying to make sense of an infinitely bewildering universe. A maiden aunt is suddenly given superpowers. An alien who looks like a large, sentient rabbit makes ominous announcement which make no sense from behind an impenetrable force shield. Humans besieged by an alien enemy refuse, against all reason, to give up fighting. And much more, in stories running the gamut from exciting adventure to stark tragedy to hysterical comedy. Plus the never before published “Love Story,” written for Harlan Ellison’s legendary, but never published anthology, The Last Dangerous Visions. And stay tuned for The Best of Gordon R. Dickson, Volume II, with another generous display of Dickson’s virtuosity, covering his brilliant career from 1970s to the century’s end.

I was especially pleased to see that editor Hank Davis managed to pry another unpublished tale from Harlan Ellison’s clutches, where it has been languishing in the submission pile for The Last Dangerous Visions since 1973.

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Interzone #269 Now on Sale

Interzone #269 Now on Sale

Interzone 269-smallThe March-April issue of Britain’s longest running science fiction and fantasy magazine has new fiction by Sean McMullen, Tim Akers, Richard E. Gropp, Christien Gholson, and Steve Rasnic Tem, plus David Langford’s Ansible Link, film reviews by Nick Lowe; book reviews, columns by Jonathan McCalmont and Nina Allan, and a guest editorial by Steve Rasnic Tem. Kat Day, writing at Tangent Online, had lots of good things to say about the issue.

This issue of Interzone brings us five substantial short stories… The illustrations in this magazine also deserve a mention – Richard Wagner has created some absolutely gorgeous images to accompany the first three stories in particular….

In “Still Life With Falling Man,” by Richard E. Gropp… we meet Julian, whose job is to hunt down “nexûs” — places where time has inexplicably slowed so much that it almost seems to be frozen, sometimes trapping people with it. We learn that ten seconds for such victims would last a little over twenty-seven million years, giving them (from their point of view) a speeded up journey to end of the universe. This story is a really clever take on the notion of relativity, and also tackles themes of relationships and the difficult idea of accepting oneself as a tiny part of an infinite reality. This was very much my favorite story in this issue…

“The Common Sea,” by Steve Rasnic Tem (who also writes the editorial in this issue) is set in a near-future where sea levels have risen so much that Tom and his extended family are living in a house sitting in water, raised up on stilts. The only form of travel is by boat. One day he sets off the “the Dock” — a collection of floating barges and platforms connected to a small strip of land. The normal trajectory of such a tale would be to describe a hopeless, dystopian future where everything is awful and everyone is downtrodden and depressed. It’s refreshing that Rasnic Tem doesn’t take this route — instead choosing to reflect on the triumph of the human spirit over adversity. A pleasing end to this issue of Interzone.

Read Kat’s complete review here.

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Rich Horton on the 2017 Hugo Nominations

Rich Horton on the 2017 Hugo Nominations

All the Birds in the Sky Charlie Jane Anders-smaller Ninefox-Gambit-smaller A-Closed-and-Common-Orbit-smaller

The 2017 Hugo Award Nominees were announced earlier this month, and there’s lots of great stuff on the ballot this year. Over at his website Strange at Ecbatan, Rich Horton has a look at the results, and compares them to his predictions. Here’s his thoughts on the nominees for Best Novel.

I think this shortlist looks very impressive indeed. I had already read All the Birds in the Sky and Too Like the Lightning before my previous article, and I had suggested that I’d nominate All the Birds in the Sky (which I did). I also praised Too Like the Lightning… Since then I’ve gotten to Ninefox Gambit, and I very enthusiastically support its nomination. (I’m working on a review post about it.) Ninefox Gambit is complicated Military SF, which sort of teaches you how to read it as you go along. It’s got a fierce moral core, which is slowly revealed, and it opens up beautifully at the end, so that I don’t think the second book in the trilogy will be a “middle book.” And – this novel is reasonably speaking complete in itself.

I haven’t read the other three. But everything I’ve seen about A Closed and Common Orbit suggests I’ll like it – and also suggests that I really need to get to Chambers’ previous novel, The Long Way to a Small, Angry Planet. The other two novels are sequels to the past two Hugo winners, and I have no reason to doubt their quality as well. This is probably the Best Best Novel shortlist in at least 5 years.

And, hey, three first novels! Is that the first time that’s ever happened?

See Rich’s complete piece here, and his preliminary Hugo Nomination Thoughts for 2017 here.