Browsed by
Month: March 2017

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

asimovs_science_fiction_201701-02This year marks the 40-year anniversary of Asimov’s and this issue not only includes a brief recap of the magazine’s history in an editorial, but also comments from each of the contributing authors about when they first read the magazine and what it means to them.

Check out the cover art by Maurizio Manzieri. That’s a scene from the first story in the magazine, “Crimson Birds of Small Miracles” by Sean Monaghan. On the surface, the story is about a father taking his two daughters to see the beautiful mechanical birds of the title, but there is also a much deeper and more touching story at work here, illustrating the truth that some tragedies will continue to follow us into the future, no matter how many advances we make with technology.

Next is “Tagging Bruno” by Allen M. Steele, a tale set in the future and on another world, yet concerned with current debates on wildlife preservation. Sure, it gets a little preachy, but the characters are all well-defined and the ending has just a tinge of fun irony to it.

“Still Life with Abyss” by Jim Grimsley starts with that old science fiction trope of the parallel universe and reverses the standard story. It’s set in a research station that monitors activities in all of the parallel universes. Of course, there are the usual “What if?” universes (America lost the Revolution, the South won the Civil War, the Nazis won World War II), but also all of the small changes in individual people’s lives. The idea is that we all have alternate paths that our lives might have taken and on some parallel world, we did. But the research team has discovered one man, one solitary man in all the recorded multiverse, whose life NEVER deviates from a single course, no matter what happens around him.

“Fatherbond” by Tim Purdom follows a group of human colonists who arrive on a new world, only to discover that another race of aliens has already arrived and is forbidding anyone to colonize it. The argument against colonizing is an interesting one. While there is no intelligent life native to the planet, intelligent life might naturally evolve there over hundreds of millions of years. So colonization is wrong not because it would displace current inhabitants, but rather because it would interfere with the natural evolution of future inhabitants. Obviously, some of the humans feel differently and the aliens’ motives aren’t as pure as initially stated.

Read More Read More

February Short Story Roundup

February Short Story Roundup

oie_13616139DhBwLErAnother month, another roundup of solid swords & sorcery short fiction for your enjoyment. Follow along for a look at February’s offerings.

Swords and Sorcery Magazine Issue 61 kicks off its sixth year of publication with a bang; actually, a pair of bangs. The first little explosion comes in the form of a group of friends making stupid decisions in Tom Lavin’s “Trouble in the Viscount Tavern.” Deon surprises his friends Tenny and Ruald with a strange book left behind by an inn guest. Though its cover advertises it as Giselder Farnbrak’s Herbs and Homely Cooking, inside are spells. Despite misgivings from Deon, the others start to read some out loud for a lark. Lavin’s description of the resulting horrors is bone-chilling.

Read More Read More

Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

kong skullOkay, I loaded the family up in the van today and we went to see the big ape, the Eighth Wonder of the World tearing it up at the box office.

It delivered pretty much what we all wanted and expected, from the youngest son on up to the oldest boy in the family (that would be me, the boy pushing 45). That is to say, there isn’t going to be any “Oscar buzz” around it (like there is with Logan), but big-budget popcorn B-movies don’t get much better.

A lot of people were excited to see Tom Hiddleston in this movie, and then disappointed to see his performance wasn’t much like Loki: he’s the fairly bland leading man, but he executes the role fine. Likewise for Brie Larson, the anti-war photojournalist who tags along on a hunch that there’s more going on in this expedition to an uncharted island than some mundane mapping (boy is her hunch right!). Samuel L. Jackson and John Goodman have more memorable parts, but those, too, are pretty one-dimensional types. The real stand-out, as you’ve probably heard, is John C. Reilly as the WWII fighter pilot who has been stranded on the island for 28 years.

Enough said about the human cast, because, really, they’re all just bit parts to the Main Attraction: Let the Kaiju Main Event begin!

Kong: Skull Island is a lean, mean movie that barely hits the two-hour mark. Can you believe this Kong is more than an hour shorter than Peter Jackson’s outing with the Primary Primate back in 2005? It cuts out what some critics considered a meandering, overlong first act in Jackson’s film, getting straight to the action and then not letting up – right up to the closing shot that zooms in on Kong’s pupil as it reflects the towering rock formation in the center of Skull Island. It also does not grind the action to a halt to capture the big ape and haul him off to New York: this is all Skull Island, baby. The Island “where evolution is not finished,” and its many, many weird denizens.

Read More Read More

Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Folksy Narrator/ Storyteller”

Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Folksy Narrator/ Storyteller”

Discworld-small

This is part 10 in the Choosing Your Narrative Point of View Series.

This style is most often seen, within the fantasy genre, in fairytales, fables, and humorous fantasy by authors such as Terry Pratchett, Neil Gaiman, and others.

It is not unusual to see this technique used in other genres and subgenres, as well. It is characterized by a distinctive, often folksy, voice that clearly establishes an additional “character” in the narrative, who usually does not take part in the action. It is often, quite literally, a disembodied voice. This is true in Pratchett’s Discworld.

A good example of this is the oft-used introduction to Terry Pratchett’s Discworld. The version shown here is from the opening paragraphs of The Fifth Elephant.

Read More Read More

Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

The Magazine of Fantasy & Science Fiction January February 2017-smallSo I got a late start on this year’s reading, which means that I’ve just finished the January/February issue of The Magazine of Fantasy & Science Fiction. As with any collection of stories from a variety of writers, I liked some more than others.

Before we even start, check out the cover art by Charles Vess. A little girl is using her blue magic hand to befriend a rat and a cat. You hardly even notice that she’s not so much sitting on a bed as she’s squatting up against it. (Click the image to embiggen.)

And the cover image isn’t just a random design. It’s a scene from the first story of the issue, “Vinegar and Cinnamon” by Nina Kiriki Hoffman. Nothing too deep here. Just a young witch in training who accidentally turns her brother into a rat, then has to track him down and figure out how to change him back. The writer doesn’t take the predictable route of focusing on the young witch, instead keeping the point of view on her brother and how being a rat alters his perceptions and priorities.

“The Regression Test” by Wole Talabi presents a variation on the Turing Test, as a computer program is designed to simulate the thought processes of a scientific genius. While the scientists can verify how well the program recalls information, they have no way of judging how close the personality is to the original, so they invite the scientist’s daughter to ask the program questions. Of course, there’s more going on here than a simple question-and-answer session.

“A Gathering on Gravity’s Shore” by Gregor Hartmann continues the Franden series. Since I’ve never read any other stories with this character, it was a little rough to get the character and setting straight at first. It’s basically a garden party in which Franden flirts with a botanist and tries to draw out opinions on a pending civil war.

Next is the novelette, “Homecoming” by Rachel Pollack. Again, this was part of a series of stories featuring Jack Shade, a paranormal investigator cursed to take on the case of anyone holding one of his business cards. This time, the case involves retrieving a missing piece of a woman’s soul. Of course, things go bad and Jack eventually has to enlist some supernatural help to prevent the end of the world.

Read More Read More

The Public Life of Sherlock Holmes: Talking About Poirot

The Public Life of Sherlock Holmes: Talking About Poirot

Poirot_OneI mentioned last week (which you know, enlightened reader, because you love this column. You probably bookmarked the link as a memoriam to me. Anyhoo…) that I discovered the Nero Wolfe books through the A&E television series starring Maury Chaykin and Timothy Hutton. I’d just never read any of the books, even though the series had been around for decades. And now it’s my favorite mystery series of them all (sorry Holmes and Pons).

Well, some thirty-ish years ago (maybe a little more), I read a couple of Agatha Christie books. I remember that one was definitely a Poirot. I didn’t care for them and that was that. So, while Christie (alongside The Bard) is reckoned to be the best-selling fiction author of all time, she was absent from my not inconsiderable mystery library.

Then, a few years ago, I began watching the Hercule Poirot television series starring David Suchet (here’s a trailer). And I really, really liked it. From 1989 through 2013, Suchet filmed 70 Poirot stories! So, I decided to give Christie’s writings a chance again. Well, Poirot, anyways: I’m not sure you could pay me to read Miss Marple. Thus, I bought Hercule Poirot: The Complete Short Stories and had at it. As I write this, I’m on story 19 of 51.

First thing I noticed is how short these things are. Yes, I know they’re called ‘short stories,’ but while I haven’t tried counting words, most of them are between 8 and 16 pages long. And that’s on big ol’ 6” x 9” paper. Also, she was really cranking these out. A new Poirot was appearing almost weekly in The Sketch magazine.

Read More Read More

Assassins, Mad Robots, and an Alien Hunt: Rich Horton on The Man With Nine Lives and A Touch of Infinity by Harlan Ellison

Assassins, Mad Robots, and an Alien Hunt: Rich Horton on The Man With Nine Lives and A Touch of Infinity by Harlan Ellison

The-Man-With-Nine-Lives-small A Touch of Infinity-small

Back in the early days of the print version of Black Gate, our first Managing Editor, Dave Truesdale, wanted to bring in some big names to the magazine. So I paid a fortune to get a big novella from Michael Moorcock in our first issue, and I got a phone call from Harlan Ellison, whom Dave had contacted to commission a story.

We were paying six cents a word for fiction at the time, but Dave had coached me that Harlan expected to get paid more than that. “His rate is 13 cents a word,” Dave told me.

I was trying to launch a nationally-distributed magazine with my own money (and money I’d begged from friends and family), and paying that kind of money was not in my meager budget. But I grit my teeth and told Dave to go ahead and make the offer. I’d make up the difference with cuts elsewhere, I figured. Harlan agreed, and we were in business.

It’s a long way between an agreement and a completed story, however. Shortly after we made Harlan the offer, he sold a story to Hemispheres, the inflight magazine of United Airlines. They paid Harlan more than 13 cents a word — a lot more. When Harlan called it was to tell me, in considerable detail, just how much he’d been paid for that story.

Read More Read More

Oz’s Bag of Holding, TV Edition: Ash vs Evil Dead, Barney Miller, Parks & Recreation: What do these Sitcoms Have in Common?

Oz’s Bag of Holding, TV Edition: Ash vs Evil Dead, Barney Miller, Parks & Recreation: What do these Sitcoms Have in Common?

ashAnswer: They’re all in my bag of holding. I will now draw them out and discuss them.

Parks and Recreation

Parks and Recreation (2009-2015) has no reason to be mentioned on a site devoted to fantasy, but I’ll rationalize my inclusion of it here by pointing out that the character Ben Wyatt (Adam Scott) is a legit connoisseur of science fiction and fantasy, frequently making allusions and drawing analogies to Star Wars or Star Trek or The Lord of the Rings that fly over his colleagues’ heads. We’ve all been there, surrounded by coworkers (or classmates, or family members) who do not share our outside interests and passions. (Then we found the Internet. And, if we were really fortunate: conventions.)

In one episode, coworkers encourage Ben to take a break for a day, to cut loose and totally indulge himself at the mall. While they’re getting facials and manicures, he purchases and dresses up in a Dark Knight costume.

The refreshing thing about Ben is that he is not written as the stereotypical sitcom caricature of a nerd. He is somewhat socially awkward but smart and sharp, on top of things. He’s actually a more “normal,” down-to-earth, audience-POV person, surrounded as he is by flamboyant and eccentric characters. He is respected and, in one case, adored (he becomes the love interest of Amy Poehler’s lead character Leslie Knope).

Read More Read More

Where The Road meets Mad Max: Peter Newman’s The Vagrant Trilogy

Where The Road meets Mad Max: Peter Newman’s The Vagrant Trilogy

The Vagrant Peter Newman-small The Malice Peter Newman-small The Seven Peter Newman-small

In his SF Signal review Nick Sharps called Peter Newman’s The Vagrant “Dark Dystopian Fantasy at Its Very Best,” saying:

The premise of The Vagrant is simple enough. Accompanied by a baby and a goat, a nameless mute must cross demon-infested wastelands to deliver a magical sword to the Shining City, last bastion of hope. The mute is hunted by multiple factions and it is difficult to distinguish friend from foe in the ruins of a world tainted by evil… Beneath the grit and grime of The Vagrant there is no shortage of beauty. It’s part fantasy and part science fiction. There are demons and knights but the demons enhance their followers with necrotech and the knights ride floating castles and caterpillar tanks. All of the shiny technology of the past has fallen to rust and disuse in the wake of the demonic incursion. The taint of the demons brings mutation and famine. The Vagrant has a sort of The Road meets Mad Max meets The Children of Men vibe…

It wouldn’t feel appropriate to classify The Vagrant as grimdark fantasy. The elements of the subgenre are all present: the setting is dystopian, life is harsh and brief, the bad guys are bad and the good guys are few and far between. Newman’s demons and the change they affect on the world and its inhabitants remind me of the forces of Chaos from Warhammer 40,000 — the very property that inspired the term grimdark. The Vagrant is bleak, depressive, and violent and yet… The Vagrant surpassed all my expectations.

The sequel, The Malice, finally arrived in trade paperback from Harper Voyager this week, and the third and final book, The Seven, is scheduled to appear in October.

Read More Read More

Literary Wonder & Adventure Podcast Presents: J.R.R. Tolkien, Master of Modern Mythology: A Conversation with Author Scott Oden

Literary Wonder & Adventure Podcast Presents: J.R.R. Tolkien, Master of Modern Mythology: A Conversation with Author Scott Oden

Literary Wonder & Adventure Show 3-small

I really enjoyed the last audio show from Dream Tower Media, a lively conversation with Black Gate blogger Ryan Harvey on Edgar Rice Burroughs and his enduring works. So I was very pleased to see Robert Zoltan and his co-host Edgar the Raven return last month with a brand new episode of their Literary Wonder & Adventure Podcast, a conversation with author Scott Oden (Memnon, The Lion of Cairo) that delves deep into the history and writing of J.R.R. Tolkien.

Once again, calling this a podcast doesn’t do it justice, as it’s really a professionally-produced radio show set in the dimension-hopping Dream Tower (with a talking raven). It opens with a trip to Middle Earth, a visit from a lost Nazgûl, and mis-dialing Sauron on a palantir. But the show eventually settles into a fascinating discussion on the life and work of Tolkien, with some lengthy asides to delve into Robert’s theories on the origins of the creative drive (and the evils of world-building).

Scott makes a terrific subject, sharing his story of hammering out three chapters of a Conan novel before turning to history as a source. And his tale of how writing — producing his first novel, Men of Bronze, with a razor-blade sitting next to him — literally saved his life, is riveting stuff. His new novel, A Gathering of Ravens, is coming from Thomas Dunne Books in June.

Check out J.R.R. Tolkien, Master of Modern Mythology: A Conversation with Author Scott Oden, and all the episodes of the Literary Wonder & Adventure Podcast, here.