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Month: December 2016

Goth Chick News: The Last Show of “The Season” – And It’s a Doozy

Goth Chick News: The Last Show of “The Season” – And It’s a Doozy

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Normally “the season” comes to a close each year with Black Gate photog Chris Z and I sharing a mid-morning Fireball shot before wading into the Days of the Dead show in early November. And so it appeared would end the 2016 season… until Chris Z came across an ad for a local event called the Chicago Pop Culture Con.

Intrigued and not quite ready to trade skeletons and zombies for chubby dudes in red suits, I contacted show organizer Tim Zurko of Zurko Promotions to see if we could come round to have a look. I mean, who knows? Regional shows such as this one in the (very – no, I mean very) far western suburbs of Chicago could yield one or two tasty tidbits to share with you, our beloved readers.

And what did we find out there at the Pheasant Run Mega Center in St. Charles, IL?

One of the best shows we’ve covered in 2016 – and that’s saying quite a lot.

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Shaka When the Walls Fell: The Brunnen-G When They Sang “Yo-Way-Yo”

Shaka When the Walls Fell: The Brunnen-G When They Sang “Yo-Way-Yo”

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One episode in a really big fat franchise, but it’s the one people meme.
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There’s something about the way those lines resonate. (click for source)

I’m not a Trekkie so I had to google it. You know? That meme: “Shaka When the Walls Fell.”

Turns out it comes from a really clever Star Trek: The Next Generation episode where the universal translator for once doesn’t work because the aliens talk crap all the time in allusions (link).

So, if you are a Tamarian, you don’t say, “I am feeling depressed because my girlfriend dumped me.” Instead, you say, “Rastar when she wandered alone and rejected.”

Cute idea that makes a good point: Literal — word for word — translations aren’t always very useful. For example, in medieval King Arthur stories you might find people’s kidneys yearning for each other. A better translation might be “heart.”

(It rather breaks down when you imagine the day-to-day. How does one say, “Mummy, can I have a drink of water?” Or, “Please adjust the size by 5mm.” And what did the people of Shaka say when the walls came down? But then, I am not a Trekkie.)

This is just one episode in a really big fat franchise, but it’s the one people make memes of, and I don’t think it’s because of the interesting angle on xeno-linguistics. Nor do I think it’s about the humor. There’s something about the way those lines resonate.

One line from one episode out of nearly 200. It doesn’t describe onscreen drama; it all happened offscreen long ago. Nor does it relate to the serial characters or their culture, the Federation.

So, though it’s a script-writing win, it also arguably points to a series-building fail. The aliens of the week are more resonant than the entire crew and their story.

Now, who remembers Lexx?

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Future Treasures: Last Year by Robert Charles Wilson

Future Treasures: Last Year by Robert Charles Wilson

last-year-robert-charles-wilson-smallRobert Charles Wilson won the Hugo Award for Spin; he’s also the recipient of the Philip K. Dick Award, the Aurora Award, and the John W. Campbell Award. His novels Darwinia (1998) and Blind Lake (2003) were also Hugo nominees. His recent novels include The Chronoliths (2001), Julian Comstoc (2009), and Burning Paradise (2013).

His newest, Last Year, is “an alternative history novel, a time travel novel, and a whodunit all in one” (Booklist). It’s available in hardcover from Tor next week.

Two events made September 1st a memorable day for Jesse Cullum. First, he lost a pair of Oakley sunglasses. Second, he saved the life of President Ulysses S. Grant.

In the near future of Robert Charles Wilson’s Last Year, the technology exists to open doorways into the past — but not our past, not exactly. Each “past” is effectively an alternate world, identical to ours but only up to the date on which we access it. And a given “past” can only be reached once. After a passageway is open, it’s the only road to that particular past; once closed, it can’t be reopened.

A passageway has been opened to a version of late 19th-century Ohio. It’s been in operation for most of a decade, but it’s no secret, on either side of time. A small city has grown up around it to entertain visitors from our time, and many locals earn a good living catering to them. But like all such operations, it has a shelf life; as the “natives” become more sophisticated, their version of the “past” grows less attractive as a destination.

Jesse Cullum is a native. And he knows the passageway will be closing soon. He’s fallen in love with a woman from our time, and he means to follow her back — no matter whose secrets he has to expose in order to do it.

Last Year will be published by Tor Books on December 6, 2016. It is 351 pages, priced at $27.99 in hardcover, and $14.99 for the digital version. The cover was designed by Michael Graziolo.

A Bittersweet Twist on Conventional Fantasy: Every Heart a Doorway, by Seanan McGuire

A Bittersweet Twist on Conventional Fantasy: Every Heart a Doorway, by Seanan McGuire

every-heart-a-doorway_seanan-mcguire-smallThe closing months of the year always bring a host of “Best of…” lists. This year I was delighted to see one of my personal top five making those lists: Every Heart a Doorway by Seanan McGuire. A departure from McGuire’s usual fare, Every Heart a Doorway is a bittersweet twist on conventional fantasy that neither shies from more dwells on the darker side of our encounters with the fantastic.

The premise of Every Heart a Doorway isn’t exactly new. Out in the countryside exists a boarding school for unusual children.These children are all children living in the “after” part, the “after” that comes after The End. Each student at Eleanor West’s School for Wayward Children has accidentally stumbled into an otherworld and then returned home to find themselves so changed that they can no longer fit in at home. Some of them are heartbroken at being kicked out of paradise. Some of them are traumatized by what they experienced there. Most of them hope to return to their individual worlds, somehow, by finding their Door again.

We find our own Door into this school through Nancy, a young woman who has just returned from one of several Lands of the Dead. Shortly after her arrival, another student is found dead and Nancy, along with her newly made friends, must find the killer before the school is closed or they become the next victims.

As a murder mystery, the plot itself isn’t innovative. It is well plotted and paced, but there are no real surprises here. It doesn’t need to be, though. The real strength comes from McGuire’s characterizations and the subtle, quiet tone to the work.

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