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Month: October 2016

New Treasures: A City Dreaming by Daniel Polansky

New Treasures: A City Dreaming by Daniel Polansky

a-city-dreaming-daniel-polansky-smallDaniel Polansky is a writer on the move. His novel Low Town was called “A fantasy-crime hybrid with serious noir chops… festooned with sorcerers and demons in a pre-industrial otherworld setting” by the Winnipeg Free Press, and his Tor.com novella The Builders was nominated for a Hugo Award.

His newest novel, in which a powerful magician returns to New York City and reluctantly finds himself in the middle of a war between the city’s two most powerful witches, was released in hardcover from Regan Arts earlier this month. David S. Goyer, screenwriter for the Dark Knight Trilogy and Man of Steel, says “Imagine a mash-up of Trainspotting and Harry Potter and you might end up with something as wonderfully gonzo as A City Dreaming.”

“It would help if you did not think of it as magic. M certainly had long ceased to do so.”

M is an ageless drifter with a sharp tongue, few scruples, and the ability to bend reality to his will, ever so slightly. He’s come back to New York City after a long absence, and though he’d much rather spend his days drinking artisanal beer in his favorite local bar, his old friends — and his enemies — have other plans for him. One night M might find himself squaring off against the pirates who cruise the Gowanus Canal; another night sees him at a fashionable uptown charity auction where the waitstaff are all zombies. A subway ride through the inner circles of hell? In M’s world, that’s practically a pleasant diversion.

Before too long, M realizes he’s landed in the middle of a power struggle between Celise, the elegant White Queen of Manhattan, and Abilene, Brooklyn’s hip, free-spirited Red Queen, a rivalry that threatens to make New York go the way of Atlantis. To stop it, M will have to call in every favor, waste every charm, and blow every spell he’s ever acquired—he might even have to get out of bed before noon.

Enter a world of Wall Street wolves, slumming scenesters, desperate artists, drug-induced divinities, pocket steampunk universes, and demonic coffee shops. M’s New York, the infinite nexus of the universe, really is a city that never sleeps — but is always dreaming.

Our previous coverage of Daniel Polansky includes Those Below, the second book of The Empty Throne, Low Town, and The Builders.

A City Dreaming was published by Regan Arts on October 4, 2016. It is 304 pages, priced at $25.95 in hardcover, and $9.99 for the digital edition.

Tabletop Terror: The Dread House Kickstarter

Tabletop Terror: The Dread House Kickstarter

The Dread HouseI have previously discussed the great horror-themed supplements that Paizo is putting out for the Pathfinder RPG, but they aren’t alone in this. With the advent of digital publishing and crowdfunding sources like Kickstarter, there’s an array of new, independent publishers who are finding under-served niches in the gaming industry and creating projects to serve them.

One of these current Kickstarters, The Dread House by Hammerdog Games, is currently fully funded and building toward its initial stretch goals. It has some really unique features:

  • A 128-page hardcover (or digital) adventure/setting book of a haunted house, containing adventures for the Dungeons & Dragons (5e), Pathfinder, and Call of Cthulhu roleplaying games, including multiple possible time periods within these games.
  • Rules for powerful new creatures, including the Dread Ghost.
  • Optional Fear, Sanity, and Soul Point rules.
  • Fictional “ghost stories” written by Kevin Andrew Murphy and Richard Lee Byers.
  • A set of haunted house tiles, matching the maps within the adventure book.
  • Sets of room decoration miniatures, including furniture pieces such as beds, bookcases, bathtubs, and, yes, even a couple of privies!
  • Additions of more adventures, miniatures, and tiles as stretch goals are reached.

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The Best British Fantasy & Horror from Salt Publishing

The Best British Fantasy & Horror from Salt Publishing

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With the surprising number of Years Best anthologies on the market these days — nearly a dozen, by my count — it takes something pretty darn special to get me to pry open my wallet for another one.

Salt Publishing has accomplished exactly that with their dual series, The Best British Fantasy, edited by Steve Haynes. and Best British Horror, edited by Johnny Mains. Where the other Years Best series mine the same American magazines and anthologies for the same batch of writers year after year, these books have the compelling advantage of drawing from a wholly different market. Featuring top-notch authors like Lavie Tidhar, Mark Morris, Ramsey Campbell, Sam Stone, Steph Swainston, Nina Allan, Guy Hayley, V.H. Leslie, Robert Shearman, Michael Marshall Smith, Helen Marshall, and many others, these books offer a refreshing change of pace for jaded SF and fantasy readers.

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Future Treasures: Boy Robot by Simon Curtis

Future Treasures: Boy Robot by Simon Curtis

boy-robot-smallSimon Curtis is a young musician who’s had a lot of success as an independent recording artist. His debut novel introduces us to seventeen-year-old Isaak, who discovers he’s not truly human…  and that there’s a secret government organization dedicated to eradicating those like him. Boy Robot is is fast-paced science fiction debut from SImon & Schuster’s teen imprint, Simon Pulse, arriving in hardcover at the end of the month.

There once was a boy who was made, not created.

In a single night, Isaak’s life changed forever.

His adoptive parents were killed, a mysterious girl saved him from a team of soldiers, and he learned of his own dark and destructive origin. An origin he doesn’t want to believe, but one he cannot deny.

Isaak is a Robot: a government-made synthetic human, produced as a weapon and now hunted, marked for termination. He and the Robots can only find asylum with the Underground — a secret network of Robots and humans working together to ensure a coexistent future.

To be protected by the Underground, Isaak will have to make it there first. But with a deadly military force tasked to find him at any cost, his odds are less than favorable.

Now Isaak must decide whether to hold on to his humanity and face possible death… or to embrace his true nature in order to survive, at the risk of becoming the weapon he was made to be.

Boy Robot will be published by Simon & Schuster on October 25, 2016. It is 415 pages, priced at $17.99 in hardcover and $10.99 for the digital edition. The cover is by Will Staehle.

Saddam Hussein’s Basra Palace Becomes An Archaeology Museum

Saddam Hussein’s Basra Palace Becomes An Archaeology Museum

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I’ve spent a fair amount of time here on Black Gate bemoaning the loss of some of the places I’ve visited. ISIS wrecked Palmyra, Mosul, and Hatra, three of the most stunning archaeological sites I have ever seen. Witnessing historical wonders disappear at the hands of savages has become such a regular thing for me that my first reaction to the terrible destruction of the Nepal earthquake was, “Well, at least people didn’t do it this time.”

Luckily, this week I have better news.

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Weird Frontier: California’s Strange Fiction

Weird Frontier: California’s Strange Fiction

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Southern California exists on borrowed life. Four hundred miles of water, sucked from the Sierra Nevada into a river of steel and rebar and concrete. It plows through hot basins of Joshua trees, up barren hills dusted with scrub oaks, through sunblasted pumping stations that roil and hiss. It traces a line along the edge of Lancaster, California, springing tract homes and strip malls, green lawns and chlorine-wet children. It is a thing that does not belong, and like all such things, there is an old story at its heart.
~  Five Tales of the Aqueduct, By Spencer Ellsworth

I have a few distinct childhood memories: racing through my great-grandfather’s orange groves on his retired cowponies with my cousins; attending a funeral for the son of my grandfather’s clients, Mexican ranchers from Monterey, after the man was gunned down by an LA gang; the colors and scents of San Francisco’s Chinatown; learning how to avoid stumbling over cartel drug fields; the effigy hanging over Main Street, celebrating my hometown’s violent judicial past; visiting my uncle, who was employed as an electrical engineer on the Predators. A mélange of cultures and histories, the weird and illegal and far-future all mixed into that wild, weird empire-state known as California.

It’s no wonder that California is the land of science fiction and weird fantasy. There’s a little bit of everything there, all mixed together and blurring together, and where the lines cross, it can get weird. One of my favorite authors, Clark Ashton Smith, wrote about my hometown, referencing El Dorado moonshine and the Placerville Bank. He corresponded with H.P. Lovecraft, the masters of Eastern and Western Weird frequently mingling their tales and sharing characters and mythologies.

And that’s just one example. A small sample of founding SF authors from, inspired by, or living in California includes Bradbury, Le Guin, Dick, Vance, Gibson, Powers, and Heinlein. The state still inspires many authors and series, and Silicon Valley itself is like something out of a science fiction novel.

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Star Trek Movie Rewatch: Star Trek: Generations (1994)

Star Trek Movie Rewatch: Star Trek: Generations (1994)

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I think the statute of limitations on spoilers has probably run out 22 years after this movie was released… but be advised that there’s a sort of big spoiler ahead.

I suppose I should also mention that I was a TOS guy back in the day and didn’t even get around to watching the other Star Trek series until about a decade ago. I ended up liking The Next Generation well enough, although oddly it always seemed to me that it might have been more dated than its predecessor. But that’s neither here nor there.

What I’m getting around to, perhaps awkwardly, is that even though I’m mostly a TOS fan, I thought that six TOS movies were enough and perhaps even a bit too much, and it was probably a good time to switch things up a bit. But not before some TOS crew members appear on the scene, early on in this movie.

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October/November 2016 Asimov’s Science Fiction Now on Sale

October/November 2016 Asimov’s Science Fiction Now on Sale

asimovs-sf-october-november-2016-smallThe October/November double issue of Asimov’s Science Fiction is the annual “Slightly Spooky” Halloween special, “jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens.” Here’s Sheila’s full description:

October/November is our traditional “slightly spooky” issue, and the 2016 edition is no exception. The magazine is jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens. Alexander Jablokov’s bold new novella brings us a tale of death and danger, a woman with a rather unusual occupation, and “The Forgotten Taste of Honey.”

Sandra McDonald’s cheerful tone belies the horror that lurks for “The People in the Building”; the souls of the damned are captured in Susan Palwick’s poignant “Lucite”; death and another odd job play a part in Michael Libling’s amusing and irreverent tale of “Wretched the Romantic”; “Project Extropy” uncovers new mysteries in Dominica Phetteplace’s ongoing series; S. N. Dyer draws on history and folklore to explain what happens “When Grandfather Returns”; seeds of hurt and mistrust are sewn in Rich Larson’s “Water Scorpions”; new author Octavia Cade invites us to spend some time “Eating Science With Ghosts”; Will Ludwigsen examines the curse of “The Leaning Lincoln”; and Michael Blumlein’sheartfelt novella asks us to “Choose Poison, Choose Life.”

Robert Silverberg’s Reflections column dabbles in some “Magical Thinking”; James Patrick Kelly’s On the Net prepares to “Welcome Our Robot Overlords!”; Norman Spinrad’s On Books takes on “Short Stories” in a column that features the Nebula Awards Showcase anthologies as well as The Fredric Brown Megapack and Harlan Ellison’sCan & Can’tankerous; plus we’ll have an array of poetry and other features you’re sure to enjoy.

The cover is fabulous, but I couldn’t find any info anywhere on the website on who painted it. It’s by Karla Ortiz (karlaortizart.com/illustration).

In her editorial, Sheila Williams talks about the annual tradition of the “slightly spooky” issue, saying that she saves the best creepy stories each year for Halloween. She also talks about some of her favorites over the years.

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Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

oie_1852341b75ezo3oI read a lot of fantasy — most of it older works — and yet Darrell Schweitzer’s mesmerizing The Mask of the Sorcerer (1995) had escaped my attention until fairly recently. Around the time I reviewed another of Schweitzer’s books, Echoes of the Goddess (2013), John Fultz told me that if I was looking for something really wild, Mask was where to go, so I bought it. And for two years it sat there on the virtual TBR stack. When John (who described it as “Harry Potter in Hell” and wrote an appreciation of Schweitzer here at Black Gate ten years ago) and others recently recommended it as a work of S&S horror, I finally picked it up. I have read some extraordinary novels this year, several of which I will positively reread in the years to come. The Mask of the Sorcerer (MotS) is one of those.

MotS is about the education of sixteen-year-old sorcerer, Sekenre. In a land inspired by ancient Egypt, he learns that magic and sorcery are two very different things:

Sorcery is not magic. Do not confuse the two. Magic comes from the gods. The magician is merely the instrument. Magic passes through him like breath through a reed pipe. Magic can heal. It can satisfy. It is like a candle in the darkness. Sorcery, however, resides in the sorcerer. It is like a blazing sun.

Sorcerers draw on deep forces, often by evil means. When one sorcerer kills another, the killer absorbs his victim’s soul and knowledge. There’s a cumulative effect to this, so one victory can yield the spirits of dozens of previously defeated opponents.

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New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

wild-cards-high-stakes-smallWild Cards is one of the longest-running shared universes in existence, outlasting Robert Asprin’s Thieves World, Emma Bull and Will Shetterly’s Liavek, C. J. Cherryh’s Merovingen Nights, and many others (the only one with a comparable run I can think of is Janet and Chris Morris’ Heroes in Hell, which began in 1986). The first volume, Wild Cards, was published in 1987 by Bantam Books; there have been 23 novels and anthologies since then, from 31 authors and four different publishers. That’s a heck of a run.

The premise of the series is pretty appealing for anyone who likes superheroes or pulp fiction.

In the aftermath of World War II, an alien virus struck the earth, endowing a handful of survivors with extraordinary powers. Some were called aces – those with superhuman mental & physical abilities. Others were termed jokers – cursed with bizarre mental or physical disabilities. Some turned their talents to the service of humanity. Others used their powers for evil.

Wild Cards is their story.

It’s been in the news recently primarily because it’s the next big series licensed to television by George R.R. Martin, hot on the heels of his globe-spanning success with Game of Thrones. Universal Cable Productions (The Magicians, Mr. Robot) acquired the rights this summer, and brought on co-editor Melinda Snodgrass as executive producer.

The 23rd book (excuse me, “mosaic novel” — really an anthology with a fancy name) in the series is High Stakes, written by Melinda M. Snodgrass, John Jos. Miller, David Anthony Durham, Caroline Spector, Stephen Leigh, and Ian Tregillis, and edited by George R.R. Martin and Melinda M. Snodgrass. It was released in hardcover by Tor on August 30.

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