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Month: July 2016

Dorsai and Secret Psi Powers: Rich Horton on The Genetic General/Time to Teleport by Gordon R. Dickson

Dorsai and Secret Psi Powers: Rich Horton on The Genetic General/Time to Teleport by Gordon R. Dickson

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Over at Strange at Ecbatan, Rich Horton turns his attention to an author who’s rapidly being forgotten in the 21st Century: Gordon R. Dickson.

So this time an Ace Double featuring a pretty significant novel in SF history, by a pretty significant writer. The Genetic General is much better known as Dorsai!, the title under which it was serialized in Astounding in 1959… Dorsai! was the first major story in Dickson’s central series, called The Childe Cycle… The Genetic General is about a young man of the Dorsai people, from the planet called Dorsai, orbiting Fomalhaut. The Dorsai are mercenaries, and Donal Graeme, as the book opens, is a very young man just ready to go out into the wider human civilization and take on his first assignment. Immediately he encounters a beautiful but scared woman, Anea, the Select of Kultis, one of the Exotic worlds. She has taken a contract to be an escort for the powerful merchant William of Ceta, and wants Donal to get rid of it. He of course realizes that would be a crime and a mistake, and so refuses, but he is set on a collision course with William…

It’s early Dickson, not as well done as some of his later work. But it is quite exciting, and Donal’s military feats make good stories. And Dickson’s ambition is quite apparent — he is interested in deeper themes than just good adventure. I quite enjoyed the book.

Dorsai! was a major installment in a highly popular multi-novel sequence from Dickson, and it remained in print for decades. As Rich noted, it originally appeared in Astounding, serialized across three issues (May, June, and July) in 1959.

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An Introduction to B.C. Bell’s The Bagman

An Introduction to B.C. Bell’s The Bagman

Tales of the Bagman-small Tales of the Bagman-back-small

Author B. Chris Bell is one of the bright lights of the New Pulp world. For Airship 27 Productions he’s written stories appearing in Secret Agent X, The Green Ghost, Jim Anthony Super-Detective, Gene Fowler: G-Man and many others. His wonderful story, “How Pappy Got Five Acres Back and Calvin Stayed on the Farm” was a winner in SFReader.com’s 2007 Annual Short Story Contest. He made the Horror Writer’s Association Reading List for 2012. His Kindle novel, Bi-Polar Express, is a wild ride of genres, almost impossible to label with its mix of the true-to-life horrors of addiction, rehab wards, hospitals, and post-apocalyptic science fiction.

Chris Bell was born and raised in Texas, and now lives in Chicago. I was born and raised in Chicago, and still live here. But Bell writes about Chicago as if he were born and bred to the mean streets of the Windy City. Heck, he knows so much about 1930s Chicago that you swear he’d grown up during the Depression. And that’s the period in which he’s set his wonderful Tales of the Bagman (Vol. 1): 1933 Chicago, during the last days of Prohibition.

The Bagman is one Frank “Mac” McCullough, a one-time courier and thug for a crime family during the Great Depression. At an early age Mac’s life took a major turn when he became an orphan, spent time in a reformatory, and then later got involved in the rackets. But he’s always had a core of decency and honesty buried in his heart. So when he chooses to help and old family friend who got in hock to the Mob, Mac turns his back on crime and his Boss, Slots Lurie, and suddenly finds himself taking another turn on the road of life. In a last-minute decision to conceal his identity from the wise guys he’s hunting, Mac dons a paper bag over his head, and soon he’s known as the mysterious Bagman. (Later he acquires a mask more appropriate to being a man of mystery and a crime-fighting avenger.) And then, in the first part of this origin story, he becomes a fugitive wanted by both the Mob and the police.

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See the History of Horror Film in 12 Minutes

See the History of Horror Film in 12 Minutes

Diego Carrera has created a captivating and wordless 12-minute video essay that proposes “a timeline of influential and aesthetically beautiful horror movies around the world since 1895 until 2016.” It offers us a brief clip from one film every year, starting with The Execution of Mary, Queen of Scotts (1895), and working up through The Haunted Curiosity Shop (1901), Frankenstein (1910), The Cabinet of Dr Caligari (1920), Nosferatu (1922), Bob Hope’s hilarious The Ghost Breakers (1941), Abbott and Costello Meet Frankenstein (one of my favorite horror films, 1948), Psycho (1960), The Exorcist (1973), Alien (1979), The Thing (1982), The Blair Witch Project (1999), Let the Right One In (2008), It Follows (2015) and The Witch (2016).

It’s oddly captivating — check it out. And see more of Diego Carrera’s video work on Vimeo here.

July/August Magazine of Fantasy & Science Fiction Now on Sale

July/August Magazine of Fantasy & Science Fiction Now on Sale

Fantasy and Science Fiction July August 2016-smallThere’s plenty to like in the latest issue of Fantasy & Science Fiction — including a new Alaric story by Phyllis Eisenstein, and short stories by Dominica Phetteplace, Bruce McAllister, and others. Tangent Online‘s Nicky Magas has particular praise for two of its longest tales, including a new novella by Lavie Tidhar, in his online review.

Gunther Sloam is a romantic in a world with no more heart for romance in Lavie Tidhar’s alternate history, “The Vanishing Kind.” When he receives a desperate message from Ulla, an old fling, that reminds him of the old sort of films that he himself used to write, Gunther travels to a post World War II ravaged London in which the Nazi’s have won, thinking of nothing more than rekindling an old flame. But when he arrives he finds Ulla conspicuously vanished, the Gestapo nipping at his heels, and a mysterious dwarf pulling an unknown number of strings from the sidelines. Gunther is far from the lead in a romantic motion picture and reality is a lot colder and meaner than he is prepared to accept.

“The Vanishing Kind” is an interesting mix of noir and alternate history. True to the noir genre, none of the characters are who they appear to be, and the mystery keeps spiraling deeper into the hole and all the while the reader is begging Gunther to just get on the transport and go home. But of course he must uncover each intricately connected layer of his missing paramour and the readers follow his every footstep with nail-biting anticipation.

Here he is on David Gerrold’s novelette “The Thing on the Shelf,” which features a horror writer who’s been nominated for the coveted Stoker Award.

Some things are better left alone. In “The Thing on the Shelf” by David Gerrold, that thing is a Stoker Award. To anyone outside of the horror community, the award is an honor, a mark of prestige. But for those who live and breathe horror, the Stoker — the creepy little stylized haunted mansion with its open and closed door — represents something else. It’s a heavy cross to bear, but someone must do it to keep that distinctly horrific, ominous presence from accumulating in too great an amount in one place.

“The Thing on the Shelf” is a long piece, filed with tangents, and tangents within tangents, and a Lovecraftian antagonist that is never fully explained or revealed. The protagonist is the author himself relaying the events of the horror convention, his subsequent win of the award, and the strange events that occur afterward. The story thus has one foot in reality and one foot outside of it. It is difficult to wade through all the ramblings that seem to have no connection to the heart of the story, but in the end the author assures readers that they all share a connection — if readers are able to find it.

The cover is by Mondolithic Studios (who also did the cover for Black Gate 8) for “Trustworthy, Loyal, Helpful.”

Here’s the complete Table of Contents.

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New Treasures: Warlock Holmes: A Study in Brimstone by G.S Denning

New Treasures: Warlock Holmes: A Study in Brimstone by G.S Denning

Warlock Holmes-smallBob Byrne, our Monday blogger who posts under The Public Life of Sherlock Holmes byline, is our go-to Holmes guy. But even can’t report on all the Sherlockian developments these days, which is why I’m here to tell you about G.S Denning’s new book Warlock Holmes: A Study in Brimstone, released in trade paperback by Titan Books in May. Robert Brockway (The Unnoticeables) give us the details:

What if Sherlock Holmes wasn’t a brilliant detective, but an awkward magician with prophetic fits? What if Scotland Yard was staffed by vampires and ogres? And above all, what if it was funny? Warlock Holmes should have you from the title alone, but if it doesn’t, know that it’s full of charm, humor and demons. Lots of demons.

Humor is hard — and especially humor at length. I can count the number of truly funny novels I’ve read on one hand. But I enjoy a good parody, and this collection of humorous Sherlock pastiches with a dark fantasy twist looks like it would fit the bill nicely.

Sherlock Holmes is an unparalleled genius who uses the gift of deduction and reason to solve the most vexing of crimes. Warlock Holmes, however, is an idiot. A good man, perhaps; a font of arcane power, certainly. But he’s brilliantly dim. Frankly, he couldn’t deduce his way out of a paper bag. The only thing he has really got going for him are the might of a thousand demons and his stalwart flatmate. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety… and save him from a gruesome death every now and again.

An imaginative, irreverent and addictive reimagining of the world’s favorite detective, Warlock Holmes retains the charm, tone and feel of the original stories by Sir Arthur Conan Doyle while finally giving the flat at 221b Baker Street what it’s been missing for all these years: an alchemy table.

Reimagining six stories, this riotous mash-up is a glorious new take on the ever-popular Sherlock Holmes myth, featuring the vampire Inspector Vladislav Lestrade, the ogre Inspector Torg Grogsson, and Dr. Watson, the true detective at 221b. And Sherlock. A warlock.

Warlock Holmes: A Study in Brimstone was published by Titan Books on May 17, 2016. It is 336 page, priced at $14.95 in trade paperback and $7.99 for the digital version.

When It’s Time to Railroad . . .

When It’s Time to Railroad . . .

DraculaI don’t think there’s anyone in the Fantasy and SF community that isn’t familiar with this concept (I first came across it in a Heinlein novel) but just in case: There’s a point at which all the necessary components to allow for an invention to flourish are in existence, and at that point – and not before – the invention takes off.

In other words, when it’s time to railroad, everybody railroads. It explains in part why so many inventors seem to file patents within weeks or months of each other, and why so many different people are credited with being the first one to invent something.

Look at it this way, Leonardo da Vinci is credited with the invention of numerous devices he didn’t actually build and/or wasn’t able to build, because the supporting industry, or the supporting technologies weren’t yet in existence.

I want to suggest that this happens in the arts as well. Consider the vampire, as an example. For all intents and literary purposes, the vampire was invented by Bram Stoker. A few other writers showed an interest, but not much was done with the idea until the latter half of the 20th century, when it became time to vampire.

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Goth Chick News: Kiefer Sutherland and Hollywood Both Flatline

Goth Chick News: Kiefer Sutherland and Hollywood Both Flatline

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Back in 1988 a then-unknown Boston screenwriter Peter Filardi had an idea for a story based on a very personal source; a close friend of his suffered a severe allergic reaction to the anesthesia after an operation and had a near-death experience.

Filardi went on to write The Craft and Salem’s Lot, but in 1990 he and director Joel Schumacher (St. Elmo’s Fire) turned that potential tragedy into the very lucrative film Flatliners.

The original Flatliners followed a group of medical students and close friends who conduct experiments with near death experiences. Each one has their heart stopped before being revived instantly, which causes them nightmarish visions, reflecting either sins they have committed or sins committed against them.

As you can imagine, their unorthodox extracurricular studies have very dark consequences, as the supernatural apparitions they experience during their “deaths” begin to follow them into the living world.

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Future Treasures: Four Roads Cross by Max Gladstone

Future Treasures: Four Roads Cross by Max Gladstone

Four Roads Cross-smallFour Roads Cross is the fifth novel in Max Gladstone’s Craft Sequence, which Ken Liu calls “Brilliant, elegant, epic, astonishing, smart, gritty,” and Django Wexler says is “garnished with skeleton kings, serpent gods, and lawyer-magicians. It’s glorious.” Here’s the description.

The great city of Alt Coulumb is in crisis. The moon goddess Seril, long thought dead, is back – and the people of Alt Coulumb aren’t happy. Protests rock the city, and Kos Everburning’s creditors attempt a hostile takeover of the fire god’s church. Tara Abernathy, the god’s in-house Craftswoman, must defend the church against the world’s fiercest necromantic firm–and against her old classmate, a rising star in the Craftwork world.

As if that weren’t enough, Cat and Raz, supporting characters from Three Parts Dead, are back too, fighting monster pirates; skeleton kings drink frozen cocktails, defying several principles of anatomy; jails, hospitals, and temples are broken into and out of; choirs of flame sing over Alt Coulumb; demons pose significant problems; a farmers’ market proves more important to world affairs than seems likely; doctors of theology strike back; Monk-Technician Abelard performs several miracles; The Rats! play Walsh’s Place; and dragons give almost-helpful counsel.

We covered all four previous novels — which, as Max explains on his blog, are ordered not by publication date, but by title:

Last First Snow
Two Serpents Rise
Three Parts Dead
Four Roads Cross
Full Fathom Five

Here they are in correct sequence.

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Black Gate Online Fiction: Truck Stop Earth by Michael A. Armstrong

Black Gate Online Fiction: Truck Stop Earth by Michael A. Armstrong

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Black Gate is very pleased to offer our readers an exclusive excerpt from Truck Stop Earth by Michael A. Armstrong, published in deluxe trade paperback and digital formats this month by Perseid Press. Here’s Janet Morris, publisher of Perseid.

Is Truck Struck Earth a memoir? Science fiction? New Pulp? Paranormal (or paranoid) fantasy? Noir in the Shaver tradition? UFOlogy? Magical realism? Social Commentary? Black humor? We dunno. But we’re proud to bring you this tough, dangerous book that breaks every rule you thought separated true from false, good from bad, and literature from trash.

Michael A. Armstrong’s first novel was After the Zap. His short fiction has been published in Asimov’s, The Magazine of Science Fiction, Fiction Quarterly, and various anthologies, including Not of Woman Born, a Philip K. Dick award nominee, and several Heroes In Hell anthologies. His other novels include Agviq, The Hidden War, and Bridge Over Hell, part of the Perseid Press Heroes in Hell universe.

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The Strange and Happy Life of The Astounding Science Fiction Anthology

The Strange and Happy Life of The Astounding Science Fiction Anthology

The Astounding Science Fiction Anthology Berkley 1967-small Astounding Tales of Space and Time Berkley 1967-small

The lifecycle of a modern anthology ain’t that complicated. It comes out in hardcover or trade paperback from a small press, stays in print for 5-6 years or so — or until the small press suffers a horrible death, whichever comes first — and then vanishes, popping up thereafter only on eBay and at SF conventions, like a Star Trek action figure.

It didn’t always used to be this way. Used to be that anthologies would appear originally in hardcover, just like real books, and then get reprinted in paperback (also, just like real books). And sometimes those paperbacks would get multiple editions over the decades. (No, I’m not joking. And yes, I know we’re talking about anthologies.)

But go back father than that, to the beginnings of American publishing itself — scholars of this dark and mysterious period are conflicted about actual dates, but in general we’re talking about the 1940s and 50s — and we enter a time when paperbacks had a fixed upper page limit. So how did these primitive cave-dwelling publishers reprint popular volumes, like for example John Campbell’s 600-page beast The Astounding Science Fiction Anthology (Simon & Schuster, 1952), when the typical paperback of the era contained barely 100 pages?

No easy task, but our intrepid publishing forefathers found a way. They broke the book up into two volumes and, because giving them similar names would have been just too easy, gave the paperback editions completely different titles. Thus the groundbreaking hardcover edition of The Astounding Science Fiction Anthology spawned two paperbacks: The Astounding Science Fiction Anthology  and Astounding Tales of Space and Time, both of which remained in print in various editions for years, confusing collectors like yours truly for decades. Let’s have a closer look, because I ended up buying all seven of the damn things before I figured out they were all the same book, and they might as well be useful for something.

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