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Month: May 2016

The Public Life of Sherlock Holmes: Austin’s Jack the Ripper

The Public Life of Sherlock Holmes: Austin’s Jack the Ripper

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AustinKiller_XmasheadlineThis morning’s post would have been about Houdini and Doyle, the new TV series airing Monday nights on Fox. Except I missed the pilot: and contrary to much public opinion, I only write posts on subjects I know something about. Maybe not much, but… From what I can tell, it’s a buddy cop show in which the pair, one a believer in supernatural phenomena (Doyle), the other a skeptic (Houdini), investigates crimes. Brings to mind a poor man’s Mulder and Scully, but I’ll give it a chance.

And I’m about the last Black Gater you’re going to see a post from regarding the mess that is the Hugo Awards, so that’s not happening here. New fictional TV show aside, Sir Arthur Conan Doyle was quite interested, and occasionally involved with, real-life crimes.

I wrote about the George Edalji case here (and even put the world’s first private consulting detective into the crime in Volume III of The MX Book of New Sherlock Holmes Stories). I talked about his involvement with The Crimes Club in this post. And when time permits, I’m going to refresh my knowledge regarding the Oscar Slater case and write about that.

But my interest in Holmes and other Victorian mystery fiction, as well as hard-boiled mysteries, has resulted in reading about true crimes from those eras. Of course, there’s Jack the Ripper, various ‘trunks on trains’ murders, a plethora of poisonings (Florence Bravo is a particular interest area of mine) and more to delve into.

I lived in Austin, TX for a few years in the early 2000’s. While there, I read Steven Saylor’s A Twist at the End, and was fortunate enough to attend a lecture he gave on the killings. What killings, you say? Read on.

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Things Your Writing Teacher Never Told You: Going to the Nebulas

Things Your Writing Teacher Never Told You: Going to the Nebulas

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Nebula Awards Weekend 2016-smallSo I’ve been falling down on my blogging duties the last few weeks, but as the title of my blog maybe tells you, I’m a teacher before I’m a blogger. It’s the end of the semester and I’ve been teaching two classes, a directed studies (think independent study but with weekly meetings), and advising Myth-Ink, the Columbia College – Chicago student science fiction, fantasy, and horror writing club.

I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think.

So we’ve been doing a lot of copy-editing and proofing exercises, reviewing manuscript submission format, learning how to find appropriate markets, reviewing market guidelines, learning what and what not to put into a cover letter, walking them through writing their first author bio, and talking about what scares them about submitting. I’ve gotten the feeling that the last one is maybe the most important one of all. I’m going to have to think on that.

As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.

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Self-Published Book Review: Bitterwood by James Maxey

Self-Published Book Review: Bitterwood by James Maxey

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If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

Bitterwood-coverThis month’s self-published book review is of Bitterwood by James Maxey. I’m stretching the definition of self-published in this instance, as Bitterwood was initially published by Solaris in 2007. But the version I’ve been reading is in Bitterwood: The Complete Collection, which appears to have been published by the author, and includes new material. The reason that I’m stretching definitions here is that I’ve received very few submissions recently. So if you’re interested in seeing your novel reviewed, please submit it to me.

Bitterwood is the story of a world ruled by dragons. These are not your standard fantasy dragons, though. They are four limbed — two hind claws, and two wings with foreclaws that allow manipulation — and they do not breathe fire. They’re also considerably smaller than fantasy dragons, the smaller ones being not much larger than a man, but they are considerably more civilized. They have a well-developed culture, and a hierarchy ruled by the large sun-dragons, served by the deft and scholarly sky-dragons, and the worker, earthbound earth-dragons. And beneath them all are the humans who work the fields and pay tribute. The dragon king, Albekizan, owns the entire known world, and everyone lives on it at his sufferance. The humans are considered little better than parasites, held in contempt and hunted for sport.

Except for Bant Bitterwood. Converted at a young age to a harsh form of Christianity by the wandering prophet Hezekiah, Bant was force to abandon his family by the prophet, and subsequently lost them to the dragons. Bitterwood abandoned his faith and swore vengeance, and has been hunting dragons ever since. Every dragon knows his name, and fears him as The Ghost Who Kills — a man who should be dead, who comes and goes like a ghost, and kills without mercy.

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New Treasures: Shadow’s Blade, Book III of the Case Files of Justis Fearsson by David B. Coe

New Treasures: Shadow’s Blade, Book III of the Case Files of Justis Fearsson by David B. Coe

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Spell Blind David B Coe-small His Father's Eyes David B Coe-small Shadow's Blade David B Coe-small

David B. Coe’s adventure fantasy “Night of Two Moons” was one of the most popular tales in Black Gate 4. Over the last two decades he’s had a stellar career in fantasy — his LonTobyn trilogy and five-book Winds of the Forelands established him as a leading voice in adventure fantasy; and under the name D.B. Jackson he also writes the Thieftaker Chronicles, a historical urban fantasy for Tor. Shadow’s Blade, the third volume in The Case Files of Justis Fearsson, a contemporary urban fantasy featuring a hardboiled, magic-using private detective, was released by Baen last week.

Justis Fearsson is a weremyste and a private detective. He wields potent magic, but every month, on the full moon, he loses his mind. His battles with insanity have already cost him his job as a cop; he can’t afford to let them interfere with his latest case.

Phoenix has become ground zero in a magical war, and an army of werecreatures, blood sorcerers, and necromancers has made Jay its number one target. When he is hired to track down a woman who has gone missing with her two young children, he has a hunch that the dark ones are to blame. But then he’s also brought in by the police to help with a murder investigation, and all the evidence implicates this same woman. Soon he is caught up in a deadly race to find not only the young family, but also an ancient weapon that could prove decisive in the looming conflict. Can he keep himself alive long enough to reach the woman and her kids before his enemies do? And can he claim the weapon before the people he loves, and the world he knows, are lost in a storm of flame, blood, and darkest sorcery?

We cover the second volume in the series, His Father’s Eyes, here. David is a sometime blogger for Black Gate; his most recent article series for us discussed last year’s Hugo Award controversy.

Shadow’s Blade was published by Baen on May 3, 2016. It is 320 pages, priced at $26 in hardcover, and $9.99 for the digital edition. The cover is by Alan Pollock. Read a sample chapter at David’s website.

Please Welcome Lady Business to the Hugo Ballot!

Please Welcome Lady Business to the Hugo Ballot!

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Lady Business logo

The revised Hugo Awards Ballot for 2016 has been announced by MidAmericon II, the 74th World Science Fiction Convention, following the withdrawal of two nominees: Thomas A. Mays, who declined in the Short Story category, and Black Gate, who declined our nomination last week. Two nominees were added: “Cat Pictures Please,” by Naomi Kritzer (Clarkesworld, January 2015) and the group blog Lady Business. I’m embarrassed to admit I’ve never heard of Lady Business, so I checked them out this week — and was impressed. In announcing their placement on the ballot, they were gracious enough to acknowledge us:

First and foremost, we would like to acknowledge Black Gate, a fine blog that has been an integral part of the SF/F fandom community for many years. Withdrawing from consideration cannot have been an easy decision for them, and we wish them all the best.

They also summarized their mandate:

For those not familiar with Lady Business, we are a group of women and genderqueer people who write about media from an intersectional feminist perspective. You can learn more about our individual editors here.

They have a handy sample list of 2015 posts, and it’s got some great stuff — including Nerd Adventures: Pacific Rim at After School Special by litomnivore, and an entertainingly cranky review of one of my favorite superhero shows, Agents of SHIELD 3×01, “Laws of Nature” – Don’t Try the Fish by renay. They also offer short fiction reviews, take look at Gender Discrimination in SFF Awards, and tackle the massive project of tracking eligibility for next year’s awards in the 2017 Hugo Spreadsheet of Doom.

I admit I was a bit apprehensive about what would take our place on the ballot, and it’s great to put those fears to rest. In my opinion, replacing Black Gate with Lady Business has upgraded the ballot nicely. As a side bonus, I’ve discovered a fine new site…. and isn’t that what awards are supposed to be about? Drop by Lady Business and check them out for yourselves.

Headshots and Cusswords, Baby: The Return of TV Executive Jay Odjick to Indie Comics!

Headshots and Cusswords, Baby: The Return of TV Executive Jay Odjick to Indie Comics!

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Jay Odjick isjay1 a Canadian graphic novelist who in 2014 became the Executive Producer and lead writer for the animated TV series Kagagi: The Raven, which was an adaptation of his own indie graphic novel. His TV show about a teen native American superhero is running on APTN in Canada and FNX in the USA and other foreign markets have shown considerable interest.

In the fall of 2016, Jay will have a new graphic novel coming out called The Outsider, and the 12-page The Outsider #0 is available for free download right now here. I caught up with Jay this week to talk about his return to comics.

Thanks for the chance to talk Jay! What’s the concept pitch for The Outsider?

It’s just your average run of the mill post-apocalyptic, ultraviolent, exploitation/grindhouse, Western with a dash of fantasy, gonzo Saturday morning cartoon on acid. Y’know, one of those old yarns!

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The 2016 Locus Award Finalists

The 2016 Locus Award Finalists

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Karen Memory-smallerWith all the hubbub surrounding the Hugo Awards this week, I almost overlooked the 2016 Locus Award Finalists, announced on Tuesday. There’s plenty of terrific reading on this list, and the nomination process is done with an open online poll.

The Locus Science Fiction Foundation sponsors the awards, and the winners are selected by the readers of Locus magazine. The awards began in 1971, originally as a way to highlight quality work in advance of the Hugo Awards. The winners will be announced during the Locus Awards Weekend in Seattle WA, June 24-26, 2016. In addition to creators, the Locus Foundation also honors winning publishers with certificates, which I think is kind of neat.

The finalists are:

FANTASY NOVEL

Karen Memory, Elizabeth Bear (Tor)
The House of Shattered Wings, Aliette de Bodard (Roc)
Wylding Hall, Elizabeth Hand (Open Road)
The Fifth Season, N.K. Jemisin (Orbit)
Uprooted, Naomi Novik (Del Rey)

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Future Treasures: Company Town by Madeline Ashby

Future Treasures: Company Town by Madeline Ashby

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Company Town-smallMadeline Ashby is the author Vn and its sequel iD, the first two novels in the The Machine Dynasty trilogy from Angry Robot. She lives in Toronto and writes articles for my hometown paper, the Ottawa Citizen, which automatically makes her cool in my eyes.

Her third novel Company Town, a near-future mystery, is getting a lot of early attention. Locus calls it “Worthy of the best Heinlein…. a terrific ride,” and Chuck Wendig says “This is brave, bold, crazy storytelling.” Charlie Stross says “Madeline Ashby bludgeons cyberpunk to death with this post-climate change thriller about life aboard a gas platform, confronting an uncomfortable new future.” I’m sold.

New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.

Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she’s the last truly organic person left on the rig — making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?

Meanwhile, a series of interconnected murders threatens the city’s stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa’s front door. Company Town has never been the safest place to be — but now, the danger is personal.

A brilliant, twisted mystery, as one woman must evaluate saving the people of a town that can’t be saved, or saving herself.

Company Town will be published by Tor Books on May 17, 2016. It is 341 pages, priced at $24.99 in hardcover and $11.99 for the digital version. The cover is by ChiZine’s genius designer Erik Mohr.

The Hugo Nominations, 2016; or, Sigh …

The Hugo Nominations, 2016; or, Sigh …

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2007 Hugo Award-smallI wasn’t sure I should bother writing this this year, as I’m not sure I have anything new or interesting to say that hasn’t been said, but I feel like getting some thoughts off my chest. This isn’t, I should add, my detailed analysis with voting thoughts … that will come later, after I’ve read the stories.

As most of you know by now, the Hugo Nominations for 2016 were dominated to an even greater degree than last year by the Rabid Puppies slate, organized by Theodore Beale (“Vox Day”). The Sad Puppies also put forth a recommendation list (“Not a Slate™”), and indeed they seem to have done so in good faith – openly gathered a set of recommendations from readers, and using that set put together a list of the most-recommended items in each category, a list longer than the nomination ballot. I don’t see anything whatsoever wrong with this. That said, their direct influence on the final ballot seems to have been minimal – which is, or should be, just fine: so was Locus’ influence, so was mine, etc.

The Rapid Puppies slate took over 75% of the ballot, and apparently the percentage would have been higher except that some nominees withdrew. There are very interesting analyses at Greg Hullender’s Rocket Stack Rank and Brandon Kempner’s Chaos Horizons. Using slightly different statistical models, they came up with estimates of 200 or so to 300 or more Rabid voters. (Vox Day claimed 750 adherents.) It seems likely that the Rabid nominators were much more disciplined in sticking to slate voting this year.

A cursory glance at the fiction entries on the ballot shows that there are some worthwhile, Rabid-supported, entries on it. In Best Novel, for instance, the two Rabid choice, Neal Stephenson’s Seveneves and Jim Butcher’s The Cinder Spires: The Aeronaut’s Windlass seem pretty reasonable. Likewise in Best Novella, all four of the Rabid entries are at least decent.

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Beneath Ceaseless Skies 198 Now Available

Beneath Ceaseless Skies 198 Now Available

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Beneath Ceaseless Skies 198-smallIssue #198 of Beneath Ceaseless Skies features fiction by Thomas M. Waldroon and Sylvia V. Linsteadt, a podcast by Sylvia V. Linsteadt, and a reprint by Noreen Doyle. Nicky Magas at Tangent Online offers us a fine summary of both tales:

Brothers Henry and James have crossed an entire ocean to escape the religious persecution of their native England in “Or I Wil Harrie Them Out of This Land” by Thomas W. Waldroon. At first their new home is a paradise: wide, open spaces, the thrill of adventure and the freedom to explore any dream or ambition they might have. Before long, however, disease and conflicts with the natives begin to take their toll on the small community, and the Puritan settlement discovers that just because they’ve escaped from one evil, doesn’t mean they’re free from another…

The streets of 1880s San Francisco are lit with the oil of marine mammals in Sylvia V. Linsteadt’s “Whale-Oil.” Sixteen year-old Altair has a talent for seeing the sorts of other world things that no one else can. Call it a remnant of childhood imagination, but one night in the fog-thick streets, Altair looks up to find the tethered souls of hundreds of slaughtered whales and seals, bound to the lamps that burn their oil. Meanwhile, in a marsh out by the ocean, Old Iris stands on her heron’s legs for a long-awaited visitor to follow her blue lamp light to her hut. The world has grown too hungry, she knows, and all too soon it will end… Lovers of magical realism and the environmentally conscious will be charmed.

Here’s the complete Table of Contents.

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