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Month: March 2016

Future Treasures: Snakewood by Adrian Selby

Future Treasures: Snakewood by Adrian Selby

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Snakewood-smallHere’s an interesting little artifact. Snakewood, a debut fantasy of “betrayal, mystery, and bloody revenge,” tells the story of the Twenty, a band of mercenaries being hunted down one-by-one by an unknown killer.

What’s really fascinating is the plant-based magic system. The author says “Snakewood is set in a world where magic is in the plant-life, concoctions of which, known as ‘fightbrews’, radically transform the capabilities and appearance of warriors at a terrible cost.” It arrives in hardcover next week from Orbit Books.

A Lifetime of Enemies has its Own Price

Mercenaries who gave no quarter, they shook the pillars of the world through cunning, chemical brews, and cold steel.

Whoever met their price won.

Now, their glory days are behind them. Scattered to the wind and their genius leader in hiding, they are being hunted down and eliminated.

One by one.

Snakewood will be published by Orbit Books on March 15, 2016. It is 432 pages, priced at $26.00 in hardcover and $13.99 for the digital version. Read an excerpt from the novel here.

The Public Life of Sherlock Holmes: The D&D Adventure (Board) Games

The Public Life of Sherlock Holmes: The D&D Adventure (Board) Games

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Wrath_BoxBack in 2010, Wizards of the Coast (WotC) decided to put out a board game that replicated playing 4th Edition Dungeons and Dragons. Now, 4th Edition was a debacle, but Castle Ravenloft, which was the first of four games in the Dungeons and Dragons Adventure Game line, is quite the opposite. It’s a cooperative dungeon crawl with set scenarios but random tile placement and in which the game itself serves as the dungeon master.

I’ve not played Castle Ravenloft (previously discussed here at Black Gate), which uses the iconic D&D setting. However, I am pretty familiar with 2011’s follow-up, Wrath of Ashardalon. Ashardalon is a red dragon and the party explores a cave system to eventually try and stop him. It was followed by The Legend of Drizz’t (here atBlack Gate), based on the NY Times best-selling books by R. A. Salvatore. I have also played this one several times. It looked like that was the end of the series, but last year, WizKids stepped in and in conjunction with WotC, produced a fourth installment, Temple of Elemental Evil (and also here at Black Gate). I own that but haven’t played it yet.

The games are all quite similar. There were a few changes in the first three, but I would say they’re at least 90% the same, maybe even a bit more. Temple added a campaign mode, (where you can keep items between scenarios!) that looks to be a notable change and one I look forward to exploring.

THE PARTS

Wrath_ComponentsWrathEach game comes with about a dozen sheets of interlocking tiles that make up the dungeon, as well as on average, 200 Encounter, Monster, Treasure and Hero cards that are the game play, plus tokens of various types. There’s a nice glossy, short, easy to read rule book as well as a similar Scenario book. And of course, one 20 sided die. But the real draw is the figures.

Each has about 40 heroes and monsters! They are not painted and all are reissues of official D&D minis. But where else are you going to get this many minis for the price? And you can always paint them or buy painted versions (I did that for some) if you want to jazz it up. For me, the components are well worth the cost. It all comes in a HUGE, sturdy box. I sleeved one game and everything still fits (though not in the same places). If you like to buy board games that come with a LOT of stuff, these games absolutely are the kind of thing you’re looking for. And nothing looks cheap: they use solid components.

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New Treasures: Son of the Morning by Mark Alder

New Treasures: Son of the Morning by Mark Alder

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Son of the Morning-smallUnder the name M.D. Lachlan, Mark Alder has written four novels in the Wolfsangel fantasy series; under the name Mark Barrowcliffe, he’s the author of the D&D memoir The Elfish Gene, Lucky Dog and Girlfriend 44. His newest is the opening volume of a fantasy retelling of the Hundred Years War, in a world where angels and demons choose sides on the battlefield, and England and France are locked in a true holy war. Publishers Weekly calls it “alternate history leavened with wry humor… [a] fast-moving epic.”

England, 1337: Edward III is beset on all sides, plagued by debt and surrounded by doubters. He refuses to pay homage to the newly crowned Philip Valois of France and seeks to secure his French holdings, but he’s outmanned. Philip can put 50,000 men in the field, but he is having his own problems: he has summoned the angels themselves to fight for France, but the angels refuse to fight. Both kings send priests far and wide, seeking holy relics and heavenly beings to take up the cause of their country, but God remains stubbornly silent, refusing to grant favor to either side.

Meanwhile, among the poor and downtrodden, heretical whispers are taking hold: what if God — who has never been seen to do anything for them — is not the rightful leader of the heavens after all? And as Edward’s situation becomes increasingly desperate, even his counselors begin to believe that if God won’t listen, perhaps they can find a savior not from Heaven, but from Hell.

In a sweeping tale packed with courtiers and kings, knights and priests, and devils and angels, Mark Alder breathes fresh and imaginative life into the Hundred Years War in this unique historical epic.

Son of the Morning was published by Pegasus on February 15, 2016. It is 727 pages, priced at $26.95 in hardcover and $12.99 for the digital version. The cover painting is a detail from Luca Giordano’s painting of St. Michael.

March 2016 Asimov’s Science Fiction Now on Sale

March 2016 Asimov’s Science Fiction Now on Sale

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Asimov's Science Fiction March 2016-smallIn her editorial in the latest issue of Asimov’s Science Fiction, Sheila Williams pens a passionate and thoughtful defense of Young Adult fiction.

I’m used to being told that the engineering in one story is too realistic or the fantasy in another too pervasive. The critic will avow that the tale would have been better off in Analog or F&SF. On rarer occasions, I have been criticized for featuring tales about children and young adults. The implication is that Asimov’s is a magazine for adults, which means the tales should all be about adults as well. This last criticism has always been the one that most surprises me.

It’s hard to imagine a magazine that purports to cover all the conditions of humanity not covering the early years every so often. Any reader of Asimov’s has certainly experienced childhood and the ’tween years. Many of the issues that faced us then reverberate throughout our lives. With any luck, some of our readers picked up the magazine as precocious young adults….

It can be argued that there are two types of stories about young protagonists. One is really written for the adult who is looking back on those early years…. The other seems to be written specifically for the child or young adult… I’ve also enjoyed many works that fall into the second category… That young people will learn much about the world from reading adult literature does not mean that adults can’t find pleasure and illumination in works that were primarily written for the young.

Hear, hear! You tell ’em, Sheila. I discovered Asimov’s with the Summer 1977 issue at the tender age of 12, and the fact that the magazine was very friendly to young readers was a huge plus for me. I hope it continues to attract young readers, and having an occasional YA component to the fiction is a huge piece of that.

Read Sheila’s complete editorial here.

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Book Review: The Mark of the Shadow Grove by Ross Smeltzer

Book Review: The Mark of the Shadow Grove by Ross Smeltzer

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If you have a book you’d like me to review, please see this post for instructions to submit. I am officially out of stories, since I haven’t received any recently and I’m reluctant to go back to submissions from more than a year ago.

Shadow Grove CoverWhile I usually limit myself to self-published books in my reviews here, I’ll occasionally review small press publications if I’m asked. This month’s review is of one such book, Ross Smeltzer’s The Mark of the Shadow Grove.

The Mark of the Shadow Grove is somewhere between a novel and a story collection. It contains three novellas, “The Witch of Kinderhook,” “Lord of All High and Hidden Places”, and “The Rule of Old Blood.” These three stories are all first person, but each one has a different narrator from a different time period: a necromancer’s apprentice in the 1820s, a young coed in the 1880s, and a journalist in the 1920s. But though the stories are from different perspectives and different times, they are ultimately connected, telling the story of two intertwined families, and the dark secrets that bind them. It is Lovecraftian in its horror, with gods beyond human ken who cause madness in those who encounter them, but it has eschewed any of Lovecraft’s deities for more familiar ones.

“The Witch of Kinderhook” tells its story both through the recollections of Tom, the aforementioned apprentice, and the journal of his missing master, Carver. Carver is not much of a necromancer. In reality he is a medical examiner with a history of fraud, an unhealthy obsession with old books of supposed occult lore, and an ill-founded belief in his ability to apply science to the ancient search for reviving the dead. He has come to Kinderhook to find the witch who dwells there, sure that she knows the secrets he seeks. Carver is disappointed with what he finds, and holds the witch’s attempts to teach him in contempt. Tom, meanwhile, is drawn to the beautiful witch Katrina.

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The Books of David G. Hartwell: Visions of Wonder and The Science Fiction Century

The Books of David G. Hartwell: Visions of Wonder and The Science Fiction Century

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Visions of Wonder-small The Science Fiction Century-small

We lost David Hartwell on January 20th. This is our sixth article in a series that looks back at one of the most gifted editors in our industry.

With the publication of The Dark Descent and The Ascent of Wonder, David quickly established himself as the go-to guy for big genre survey volumes, and he produced many of them. These massive books were popular with libraries and book clubs, and many stayed in print for years. David had found a fine niche for himself that showed off his considerable talents for genre scholarship (not to mention his excellent taste), and he continued to compile these giant books for the rest of his life.

His next two major anthologies were huge science fiction retrospectives. The first, Visions of Wonder (1996), weighing in at a mere 798 pages, was co-edited with Milton T. Wolf, Vice President of the Science Fiction Research Association, and was a fine attempt to create an up-to-date SF textbook, mixing in critical essays by Damon Knight, John W. Campbell, Jr., Judith Merril, Samuel R. Delany, and others — plus a comprehensive guide to modern SF scholarship compiled by Gary K. Wolfe — with a generous sample of top-notch fiction. The 1005-page The Science Fiction Century (1997) was nothing less than a comprehensive survey of a hundred years of science fiction, containing works by H. G. Wells, C. S. Lewis, E. M. Forster, Rudyard Kipling, Jack London, A. E. van Vogt, Jack Vance, Robert Silverberg, Poul Anderson, Roger Zelazny, James Tiptree, Jr., Bruce Sterling, Nancy Kress, William Gibson, and dozens of others.

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Art of the Genre: Kickstarter Landscape Early 2016

Art of the Genre: Kickstarter Landscape Early 2016

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cancelledYou know, as much as I write about Kickstarter, there just always seems to be more to say. Just this week I was reading a blog post by Danny Capaccio entitled ‘The Myth of Kickstarter’ which certainly got my juices flowing to write more on the subject. You see, Danny was writing about his… I’ll use the word ‘concern,’ that Kickstarter isn’t what it’s billed to be. Danny had a Kickstarter campaign that was going to fail (and now has), and although he did manage nearly $10,000 in contributions for his game ‘#Storytags’, it didn’t really sniff the $17,000 he required for the campaign to fund.

Danny’s theory iss that successful Kickstarter companies now dominate the platform and drown out smaller companies and individuals who really need it. Sorry Danny, you are a few years late on this one as I tilted at the windmill with The Pillaging of Kickstarter here on Black Gate in early 2012, four years ago! Granted, Danny extends my rant with the caveat that once a company has success they should get out and run a business like normal, not Kickstart all their future projects.

The primary difference between Danny and I is that I’ve had fourteen successfully run and fulfilled Kickstarter campaigns since 2012, and had two before I even wrote my infamous ‘Pillaging’ article, while Danny’s only attempt has now failed. Still, I’m sure he’s getting the same ‘sour grapes’ jibes I did back in 2012, but nonetheless, I’m no longer convinced that my 2012 argument is sound, while Danny’s 2016 version is closer to the truth, and yet still is a ‘miss’ on the target.

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Unknown, April 1941: A Retro-Review

Unknown, April 1941: A Retro-Review

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Unknown April 1941-smallWhile World War II continued to escalate, the April 1941 issue of Unknown was published. It’s easy to imagine the desire to escape through Unknown’s fantasy fiction during such times of uncertainty.

“The Castle of Iron” by L. Sprague de Camp and Fletcher Pratt — A trio of psychologists use magic to transport between worlds. Harold Shea and Vaclav Polacek join their friend Reed “Doc” Chalmers, who summons them to an iron castle owned by a leading magician named Atlantes. Atlantes promises to help Doc save the life of a young woman he’s in love with, but there never seems to be any progress. Doc suspects he’s being perpetually lured so that Atlantes has an ally against the threat of opposing knights.

When Atlantes’ nephew, Roger, leaves the castle, Atlantes fears betrayal and sends Harold and Vaclav out to search for the young man. But searching the land among enemy knights isn’t a simple matter.

De Camp and Pratt wrote five stories around the main cast of characters, known today as the Compleat Enchanter series. “The Castle of Iron” is the third in the series, and the previous two appeared in other issues of Unknown — “The Roaring Trumpet” in May, 1940, and “The Mathematics of Magic” in August, 1940. The final two stories were later published in Beyond Fantasy Magazine and Fantasy Magazine. “The Castle of Iron” was expanded into a novel in 1950.

The novella (yes, I know it’s listed in the Table of Contents as a novel) is a pretty quick read. Having no familiarity with the characters previously, I didn’t have much difficulty in jumping into the series; there was enough background information without turning things into info dumps or “as you know, Bob” statements. While I’m curious about the series as a whole, I probably won’t rush out to find it. Not that it’s a bad story, but it did feel somewhat slow at points, and I wasn’t completely drawn into the characters. I wonder if I’d feel differently if I’d started with the first story and worked my way up to this one.

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Future Treasures: Stories of the Strange and Sinister by Frank Baker

Future Treasures: Stories of the Strange and Sinister by Frank Baker

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Stories of the Strange and Sinister-small Stories of the Strange and Sinister-back-small

Stories of the Strange and Sinister first-smallI first discovered Valancourt’s marvelous 20th Century Classics line when I stumbled on their booth at the 2014 World Fantasy convention in Washington D.C.. I was so impressed, in fact, that I wrote up a lengthy survey of their back catalog as soon as I got home.

Valancourt has been bringing neglected horror and thriller classics back into print in handsome new editions for years now. Their latest subject is Frank Baker, whose first novel, The Twisted Tree, was published in 1935. He published an odd little book titled The Birds in 1936… it sold only about 300 copies, and Baker labeled it “a failure.” It likely would be utterly forgotten today, if Alfred Hitchcock had not turned it into a hit with his 1963 horror film of the same name.

Perhaps Baker’s most successful work was Miss Hargreaves (1940), a comic fantasy in which two young people invent a story about an elderly woman, only to find that their imagination has brought her to life. He published more than a dozen others, including Mr. Allenby Loses the Way (1945), Embers (1947), My Friend the Enemy (1948) and Talk of the Devil (1956), before his death in 1983.

Stories of the Strange and Sinister is his only collection. It was first published in 1983 (see cover at right), and has long been out of print.

The new edition will be published by Valancourt on March 15, 2016. It is 184 pages, priced at $16.99 in trade paperback and $7.99 for the digital version. See more details at the Valancourt website.

See all of our coverage of the best in upcoming fantasy here.

Legend of Legacy: Laborious

Legend of Legacy: Laborious

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Atlus has been one of the major players in getting unique and interesting RPGS onto the various Nintendo handhelds over the years: From the recent side stories of Shin Megami Tensei, to my personal favorite, the Etrian Odyssey series. However, not all of them can hook me, and today’s game Legend of Legacy is a case where thinking outside the box proved to be its undoing.

Legendof LegacyLegend of Legacy starts out as most JRPGs (Japanese role playing games) do: Mysterious setting, hidden treasures and a group of heroes on a quest, but the game quickly changes things up.

You can choose one person to be the main character at the start of the game, quickly meeting and teaming up with two other characters with the option to swap party members at anytime from the starting town.

The story is just a loose reason to go exploring, and the game allows you to skip cutscenes if you so choose. Similar to Etrian Odyssey, the main point of Legend of Legacy is to explore and build an effective party.

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