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Month: February 2016

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

NOTE: The following article was first published on March 14, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ZayatInColliersfumanchu1It has often been noted that Nayland Smith and Dr. Petrie are cut from the same cloth as Sherlock Holmes and Dr. Watson and yet they display as many differences as they do similarities to their more famous progenitors. When Sax Rohmer incorporated “The Zayat Kiss” into the first three chapters of his first novel, British readers had a distinct advantage over their American counterparts in that the UK edition, The Mystery of Dr. Fu-Manchu contains chapter titles that The Insidious Dr. Fu-Manchu is lacking. The first chapter is titled, in a direct reference to the opening chapter of the first Holmes novel, “Mr. Nayland Smith of Burma.”

Yet it is not Nayland Smith who conjures the most indelible image of Sherlock Holmes so much as it is the brilliant, but eccentric criminal pathologist, Chalmers Cleeve who we meet as he crawls beetle-like about the crime scene. Cleeve is stumped by the murder of Sir Crichton Davey as much as Scotland Yard’s Inspector Weymouth (who Smith and Petrie meet for the first time in this tale) for it requires more than deductive reasoning to successfully combat Dr. Fu-Manchu. The Devil Doctor can only be matched by an opponent destined to defeat him. Fate, in its distinctly Eastern concept, is the deciding factor in restoring order to the frenzied paranoiac world that Rohmer vividly creates for his readers in sharp contrast with Sir Arthur Conan Doyle’s prevailing belief that trained reasoning can solve any problem.

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The Body’s Upstairs at Hangover House

The Body’s Upstairs at Hangover House

HangoverColliersHangoverRandomSax Rohmer’s last title to receive a hardcover edition in the US during his lifetime was Hangover House. It was Rohmer’s final showing on the bestseller lists and his only novel published by Random House. It was first serialized in Collier’s from February 19 to March 19, 1949 prior to its hardcover publication by Random House in the US and Herbert Jenkins in the UK.

Interestingly, Collier’s had published an earlier iteration as the short story, “Serpent Wind” in their November 7, 1942 issue. This story was part of a series later collected in book form in 1944 by Robert Hale as Egyptian Nights in the UK and by McBride & Nast under the title Bimbashi Baruk of Egypt in the US. “Serpent Wind” was retitled “The Scarab of Lapis Lazuli” for its hardcover publication. The story later appeared under its original title in the anthologies, Murder for the Millions in 1946 and Horror and Homicide in 1949.

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SFWA Announces the 2016 Nebula Award Nominations

SFWA Announces the 2016 Nebula Award Nominations

The Fifth Season Jemisin-smallThe Nebula Award is one of the most prestigious awards our industry has to offer, and last year’s awards were a pretty big deal for me. I was asked to present the award for Best Novelette of the Year at the Nebula Awards weekend in downtown Chicago, an honor which I won’t soon forget.

The Science Fiction Writers of America (SFWA) has announced the nominees for the 2016 Nebula Awards, and this year’s nominations are a pretty big deal for me as as well, but for different reasons. Several Black Gate bloggers and authors — including Amal El-Mohtar, Lawrence M. Schoen, and our website editor C.S.E. Cooney — have captured nominations, and that’s even more thrilling.

This year’s nominees are (links will take you to our previous coverage):

Novel

Raising Caine, Charles E. Gannon (Baen)
The Fifth Season, N.K. Jemisin (Orbit)
Ancillary Mercy, Ann Leckie (Orbit)
The Grace of Kings, Ken Liu (Saga)
Uprooted, Naomi Novik (Del Rey)
Barsk: The Elephants’ Graveyard, Lawrence M. Schoen (Tor)
Updraft, Fran Wilde (Tor)

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Announcing the Winners of The Final Programme by Michael Moorcock

Announcing the Winners of The Final Programme by Michael Moorcock

The Final Programme-smallWoo hoo! We have three winners!

Last week we invited you to enter a contest to win one of three copies of The Final Programme, the opening volume in Michael Moorcock’s classic Cornelius Quartet, available again in a brand new edition from Titan Books. To enter, all you had to do was send us an e-mail with a one-sentence review of your favorite Michael Moorcock tale.

We don’t have room to present all the entries here, but we can offer up a half-dozen of the best. The very first one we received was from Stu White, who gets extra points for using our word of the week, ‘reconceptualization,’ in a grammatically correct sentence:

Elric of Melnibone is a stellar reconceptualization of the fantasy genre, and was perhaps the first time I read a book that focused on an antihero.

Meanwhile, Stephen Milligan gets points for taking the pulp angle.

The Jewel in the Skull is a masterclass in pulp, introducing exquisitely-named hero Dorian Hawkmoon and his battle against the inspired evil empire that mixes history and horror equally well, all in a swift little volume that sates the need for sword and sorcery while whetting the appetite for the next volume.

While Rob Baseel sounds just like a 1970s Marvel supervillian villain, by making terrific use of the phrase ‘musclebound do-gooder.’

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New Treasures: The Monstrumologist Series by Rick Yancey

New Treasures: The Monstrumologist Series by Rick Yancey

The Monstrumologist-small The Curse of the Wendigo-small The Isle of Blood-small The Final Descent-small

If you recognize the name Rick Yancey, it’s probably because of his bestselling 5th Wave trilogy, the first volume of which was turned into a movie late last year.

But he’s also the author of the four-volume Monstrumologist series, featuring the orphan Will Henry and his master Doctor Warthrop, monster hunters in the Industrial Age of Nineteenth Century New England. Booklist said the first volume, The Monstrumologist, “might just be the best horror novel of the year,” and VOYA called it “gothic horror at its finest and most disturbing.” The books were first published in hardcover by Simon & Schuster in 2009-2013, but now Saga Press has brought the entire series back into print in mass market paperback.

The first book opens as a grave robber brings Will and Dr. Warthrop the body of a young girl, entwined with the corpse of the thing that was eating her. Anthropophagi are supposed to be extinct in North American… and if they’re not stopped, they could consume the world.

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The Amazing Authentically Authentic Latina Author!

The Amazing Authentically Authentic Latina Author!

Certain-Dark-Things Silvia Moreno-Garcia-smallCategorization is a funny thing when you’re Latin American. Everything I write, people want to call it magic realism.

And then, when I write science fiction, sometimes people have no idea it’s science fiction because they don’t have enough cultural info to figure it out. When you’re writing a dystopia or an alternate history set in the USA, it’s pretty easy to figure out it’s dystopia or an alternate history. Everyone knows the USA! Hey, I knew your president cut a cherry tree and you had a Civil War when I was like seven years old and couldn’t speak English.

But is it fact or fiction that in Mexico when you apply for a job people can ask you to state your age, marriage status, and religion, and affix your photo? Sure! That’s not a dystopia. So sometimes I write a story and outsiders think, “That’s too fantastical,” or they confuse an ordinary detail with the fantastic.

More than once I’ve been told something is not “science fiction” or not “science fiction enough.” Needs more hyperdrive. There’s also the dreaded “doesn’t ring true.”

Doesn’t ring true generally means people expect you to bring in the exotic. They’ll be like “I once went to Acapulco so this gives me super great knowledge about your country and therefore this is not exotic enough.” Awesome. They want you to show a sarape, bring out the donkey. Check out the rooster in The Three Caballeros. That’s the sense of place you should aim for.

Someone once wanted me to change a name because it looked weird. It was a real name used in Mexico.

In Mexico City there are women-only designated subway cars so you won’t get groped. There are subway gangs with youths, hair combed back with too much gel who go to reggaeton shows, and like a story I read online, if you encounter a bunch of them it looks like you’re living in a “Spanish-language remake of The Warriors.”

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Black Static #50 Now on Sale

Black Static #50 Now on Sale

Black Static 50-smallBritish horror magazine Black Static #50, cover-dated January-February, is now available. It sports a creepy and very effective cover by Vince Haig, illustrating Georgina Bruce’s “White Rabbit” (click the image at right for a bigger version.)

This issue contains six stories:

“White Rabbit” by Georgina Bruce
“Man of the House” by V.H. Leslie
“Child of Thorns” by Ray Cluley
“Greenteeth” by Gary Budden
“Foul is Fair” by Tyler Keevil
“Bug Skin” by Tim Casson

The magazine’s regular columns include Coffinmaker’s Blues by Stephen Volk (on “10 Ways Comedy and Horror Are Almost the Same Thing”) and Notes From the Borderland by Lynda E. Rucker (“Meet the New Goth, Same as the Old Goth”), plus two review columns: Blood Spectrum by Tony Lee (DVD/Blu-ray reviews); and Case Notes by Peter Tennant (book reviews).

Issue 50 is nearly 100 pages and comes packed with new dark fantasy and horror, and top-notch art. Black Static is the sister magazine of Interzone (see the latest issue here); both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

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Future Treasures: Good Girls by Glen Hirshberg

Future Treasures: Good Girls by Glen Hirshberg

Good Girls Glen Hirshberg-smallMotherless Child, the opening novel is what was to become the Motherless Child trilogy, was met with a flood of praise when it first appeared in 2014. The Los Angles Review of Books labeled it “One of the best books of the year,” and Elizabeth Hand called it “A subversive, thrilling novel that subverts everything we’ve come to expect from tales that traffic in the undead.” And The Washington Post said, “The final standoff will leave readers breathless.” Now the creepy vampire saga continues in the sequel, Good Girls, on sale next week from Tor Books.

Reeling from the violent death of her daughter and a confrontation with the Whistler — the monster who wrecked her life — Jess has fled the South for a tiny college town in New Hampshire. There she huddles in a fire-blackened house with her crippled lover, her infant grandson, and the creature that was once her daughter’s best friend and may or may not be a threat.

Rebecca, a college student orphaned in childhood, cares for Jess’s grandson, and finds in Jess’s house the promise of a family she has never known, but also a terrifying secret.

Meanwhile, unhinged and unmoored, the Whistler watches from the rooftops and awaits his moment.

And deep in the Mississippi Delta, the evil that spawned him stirs…

Good Girls will be published by Tor Books on February 23, 2016. It is 349 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Alejandro Colucci.

See all our coverage in the best in upcoming fantasy here.

Superhero TV: Remembering Fun

Superhero TV: Remembering Fun

oie_19161911CmqN6r4gThis series on superheroes was started by Derek Künsken when he chatted Supergirl! Check it out!

There are times in each of our lives when we don’t feel like embracing that darkness on TV. When we’re tired of murder and drama and stoic heroes with perfect cleft chins (scratch that last one, actually. I couldn’t get tired of that).

Sometimes, life is dark enough (loss of loved one, running out of ice cream, losing a toe, etc.) that we want to just watch something fun. We want to watch stories that both fulfill the need for heroic action while letting us have some bloody fun. We want to escape in our TV sets. (Not à la Poltergeist, mind you.)

I love heroes. I’ve loved them since I was a non-speaking English kid and thought He-Man and She-Ra were married (theirs would have been very sturdy children). I also have a soft spot for superheroes. I’ve binge watched way too many superhero episodes on Netflix so far.

My latest binge was The Flash. I hadn’t checked out The Flash yet because of Arrow. If there was to be one more flashback scene and stern, misunderstood look, I thought I’d rip my right ear off and toss it at Stephen Amell’s screen projected hotness.

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Galaxy Science Fiction, March 1953: A Retro-Review

Galaxy Science Fiction, March 1953: A Retro-Review

Galaxy Science Fiction March 1953-smallI’ve already covered the $6,500 novel-writing sham announced in this issue in a previous post. So let’s jump straight into the contents.

“The Old Die Rich” by H. L. Gold — Periodically, senior citizens are dying of starvation, yet they have large sums of money in banks or in cash. Mark Weldon tags along with his friend, Officer Lou Pape, whenever the police find out about the incidents. Mark’s intrigued by the circumstances and feels compelled to understand the pattern, even if it’s a matter of being too fearful to deplete their savings.

Mark’s investigation leads him to May Roberts, a young woman who hires seniors for unspecified purposes. He tries to break into her apartment at night, only to be captured. She decides to use him as her latest employee.

The job is to travel into the past and place bets on known outcomes or invest in the stock market at key moments. Mark slips from one time period to the next, spending a varying amount of time in each destination. But anything he interacts with in the past, such as food, can’t come forward to the present with him; it ages as though it’s still part of the past, becoming dust.

Gold’s story has good pacing, but I couldn’t get past his rules of time travel. If someone moves into the past and can’t eat because anything ingested becomes dust, then how could someone breathe? It didn’t seem reasonable to me.

“Games” by Katherine MacLean — Ronny plays outside, imagining a Native American battle scene. Except that as he’s acting it out, he becomes one of them. And then he becomes an old man, dying of starvation — someone who refuses to give information to those who’ve held him imprisoned. It’s frightfully real for Ronny, and he doesn’t understand how it’s happening.

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