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Month: January 2016

Some Vintage Genre Fiction Still Worth Reading (and Why)

Some Vintage Genre Fiction Still Worth Reading (and Why)

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Harold Lamb
Harold Lamb. Still worth reading.

We love our vintage Historical Adventure, Science Fiction, Fantasy and Sword and Sorcery/Planet/ Sandal/Wombat etc. Call it Vintage Genre Fiction. This despite the fact that most old stuff is crap.

Seriously.

Listen: We’re on a road trip and my wife — Driver’s Privilege, and bear with me — puts on a retro chart show for 1968. We bop along to The Rolling Stones and some Soul, then on comes a song called MacArthur Park.

Go on, click the link I dare you. You’ll love the maudlin delivery, the lush strings and perky keyboard arrangement. Better yet are the lyrics. Here’s the refrain:

Someone left the cake out in the rain,
I don’t think that I can take it,
‘Cause it took so long to bake it,
And I’ll never have that recipe again, oh noooooo

At this point the kids and I are howling with pain.

Now if you like 60s music, know about, then right now you’re fighting the urge to dive down to the comments and start explaining why it’s good (please don’t). And it’s true, if you have a specialist interest then your cultural pleasures aren’t always mainstream.

Everybody else is still trying to unhear that song (Someone left the cake out in the rain/ I don’t think that I can take it/ Cause it took so long to bake it…).

And that, my friends, is how most people react to Vintage Genre Fiction.

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A Horror-Movie Imagination: The Old Dark House We Lived In

A Horror-Movie Imagination: The Old Dark House We Lived In

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Introduction

house of twilightMy frame of reference is at least partly informed by years of being entertained by horror stories and films. Frame of reference shapes expectation, and expectation influences perception. In other words, if you’re a horror fan, you may feel a little twinge of nervous anticipation every time you go alone into the basement. You’re primed for it.

Even if you don’t for one second think that anything is actually lurking down there more frightening than a basket of laundry or a bit of black mold (which actually can be pretty scary, health-wise: not good to breathe that stuff), it’s just that you’ve seen so many artful and artless portrayals of What. Might. Be. Down. There… You get that twinge, a frisson that can be quite delightful, given that you know there’s no real bogeyman waiting to pounce from behind the furnace, just the thrill of imagining there is one. Which is why you’re a horror fan.

I am a storyteller, yes. Sometimes I write horror stories, and I am an aficionado of the genre: guilty as charged. But everything I recount in the following pages really happened. I have restrained myself from the storyteller’s natural tendency to exaggerate for the sake of effect. In this case, the facts are arresting enough without embellishment. My aim is simply to reconstruct some of the thoughts and impressions that went through my head at the time, thoughts and impressions colored by a horror-movie imagination. This may thereby serve to illustrate how one’s perspective can shape perception.

Some of what follows may seem a bit strange. But if you doubt any of it, just ask my ex: it might have gotten weird at times, but to the best of my memory it all happened. (Except for the part where she claims I screamed like a little girl. Take that with a grain of salt. When I am startled, I tend to think of my vocalization as a deep, throaty, manly yell.)

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Bradley W. Schenck Shows Us Grace Keaton on Her Aeroflite Flying Scooter

Bradley W. Schenck Shows Us Grace Keaton on Her Aeroflite Flying Scooter

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Grace Keaton on her Aeroflite

Over on his Webomator blog, artist Bradley W. Schenck has posted a work-in-progress I like a lot, part of his ongoing Retropolis art series. He tells this brief story to go along with the painting.

Here’s Grace Keaton on her aged but serviceable Aeroflite flying scooter; it’s a work vehicle, standard issue for couriers in the Retropolis Courier Service. Grace makes her deliveries on the notoriously dangerous Route X and she’s the longest-lasting (in fact, the only surviving) courier on that route.

Route X couriers make four times the wages of normal couriers and Grace works half days. That’s a comfortable living for a graduate student. Unless you weaken. But somebody has to deliver along Route X. How else would the denizens of Retropolis’ Experimental Research District get their ‘mildly’ toxic chemicals, their suspiciously glowing minerals, or their generally illegal biological specimens?

See all the details here.

I Don’t Mean to Alarm Anyone, But We’ve Discovered Giant Insects on Monster Island

I Don’t Mean to Alarm Anyone, But We’ve Discovered Giant Insects on Monster Island

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Balls Pyramid is Monster Island-small

Seriously. Monster Island. Scientists at the Melbourne Zoo have now started breeding these giant insects, because apparently no one at the Melbourne Zoo has ever watched a single monster movie.

Four years ago, NPR’s Robert Krulwich’s wrote an in-depth feature on the astounding discovery made by a determined group of Australian scientists who scaled Ball’s Pyramid, the fragment of an ancient volcano that juts out of the South Pacific off the coast of Australia (that’s it above. What did I tell you? Monster Island). Climbing that crag of rock in the middle of the night, the scientists discovered a tiny colony of Lord Howe stick insects, Dryococelus australis, or “tree lobsters,” the heaviest flightless stick insect in the world. Tree lobsters were native to Lord Howe Island, and were long thought extinct.

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Mutants, Burger Creatures, and Genetically Engineered Sharks: Orbit 12, edited by Damon Knight

Mutants, Burger Creatures, and Genetically Engineered Sharks: Orbit 12, edited by Damon Knight

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Orbit 12-smallOrbit 12
Edited by Damon Knight
Berkley Medallion (240 pages, $0.95, March 1974)
Cover by Paul Lehr

If I’ve got my story straight, there were 21 volumes of Damon Knight’s Orbit anthology series in all — and The Best of Orbit. The first of these saw the light of day in 1966.

Obviously, that puts this volume somewhere in the middle of the pack as far as the chronology goes. Reviewing is a subjective thing and we all like what like, but I’ve got to say that I wasn’t very impressed. I’ll start with a look at the two stories I liked, and move on to the many more that I liked less.

PICKS

“What’s the Matter with Herbie?,” by Mel Gilden

Nine stories into this volume and this is the first story that appealed to me. It’s a tale of two very alien aliens in a universe where strange aliens seem to be the norm. There’s not much to the plot but Gilden’s imaginative take and whimsical touch made it worth reading.

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New Treasures: The Detainee Trilogy by Peter Liney

New Treasures: The Detainee Trilogy by Peter Liney

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The Detainee Peter Liney-small Into the Fire Peter Liney-small In Constant Fear Peter Liney-small

Why do I always discover exciting new series with the third volume?

I received a copy of the newly-released In Constant Fear a few weeks ago, and was instantly intrigued. Sure, mostly it was that eye-catching reddish-purple cover, which stands out at thirty paces. But I also found the description promising, about a “ragged band of survivors” who’ve escaped from “the hellish reality of the City,” and are eking out a secretive existence in an abandoned town. The cover quote from the Hollywood Reporter, “The Hunger Games for adults,” didn’t hurt either.

But right there at the top were the words The Detainee Trilogy, Book Three. Meaning I somehow missed the first two books. How’d I manage that? A quick trip to BarnesandNoble.com confirms that, yes indeed, there were two previous volumes: The Detainee (March 2014) and Into the Fire (March 2015). All three were released by Jo Fletcher Books here in the US. Apparently I’m not as hip to the publishing scene as I like to think I’m am.

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Ravenloft Returns: Curse of Strahd is Coming

Ravenloft Returns: Curse of Strahd is Coming

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Dungeons & Dragons returns to the Ravenloft setting with Curse of Strahd.
Dungeons & Dragons returns to the Ravenloft setting with Curse of Strahd.

The rollout of Dungeons and Dragons 5th edition has not been a rapid release of materials, as in some past editions, but a slower and more steady release of consistently good products, which focus on telling great stories over inundating players with new rule options.

I’m currently running my 10-year-old son and his friends through the Rise of Tiamat storyline – the first adventure released for 5th edition, spread across the two volumes of Hoard of the Dragon Queen and Rise of Tiamat. One of the more intriguing aspects of the storyline is a month-long caravan trip north to Waterdeep, with intrigue and subterfuge as you spy on the dragon cultists in the caravan without giving yourself away. Not necessarily the most natural storytelling option for a group of 10-year-olds, but they handled it well, and it gave an interesting change of pace for those who were used to more shoot-em-up style adventure play from video games.

While considering where to go when the dragon-themed plotline finished up, I was thinking of continuing with one of the other adventure books that’s been released so far: either the Elemental Evil storyline in Princes of the Apocalypse or the Rage of Demons storyline told in Out of the Abyss. Then came today’s press release that Dungeons and Dragons is releasing a new adventure module, Curse of Strahd, that returns to the classic Ravenloft setting.

Ravenloft is the classic, gothic horror setting for Dungeons and Dragons, and has long been a fan favorite. While the traditional enemies encountered are thought of as orcs and goblins, in Ravenloft these enemies look like pussycats (very ugly pussycats, to be sure), as dark forces and undead take a far more prominent role. Ravenloft is a realm where even an orc fears the sounds that come from the dark of the night.
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The Ordinary World is a Myth: Marc Levinson’s The Box

The Ordinary World is a Myth: Marc Levinson’s The Box

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The Box Marc Levinson-smallThe Box: How the Shipping Container Made the World Smaller and the World Economy Bigger
Marc Levinson
Princeton University Press (400 pages, $20.95, January 27, 2008)

Just finished reading The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger by Marc Levinson.

Stifle that big **YAWN** for a minute. Especially as a science fiction writer, I love these histories of ordinary technologies, because they remind you that “ordinary” is itself a myth. Some revolutions come with explosions and special effects and some sneak up on you, but they both change the world.

As Levinson himself says in the book’s introduction, shipping containers are just big aluminum shoeboxes, less esthetically interesting than a can of beans, but their effects were just as revolutionary as the microchip and the Internet, and they were probably more important in building the globalized economy we live in today.

Before containers, loading a single ship with cargo was backbreaking, labor-intensive sweatwork that could take multiple gangs of longshoremen a week or longer. Costs were high, efficiency was low, wages and working conditions were terrible, and corruption and theft were endemic. However, at the same time, traditional ports supported a culture of their own, with whole neighbourhoods, factories, and a complete way-of-life centered around them.

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Future Treasures: The Dark Days Club by Alison Goodman

Future Treasures: The Dark Days Club by Alison Goodman

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Lady Helen and the Dark Days Club-small The Dark Days Club-small

Alison Goodman is the author of the New York Times bestseller EON, winner of the 2008 Aurealis Award and a Tiptree nominee, and its sequel EONA, both set in a mythical China. Her other novels include the SF thriller Singing the Dogstar Blues and Killing the Rabbit. Her latest novel is The Dark Days Club (published as Lady Helen and the Dark Days Club in her native Australia), a Regency adventure starring a stylish and intrepid demon-hunter. It is the opening volume in the new Lady Helen fantasy series.

Helen must make a choice: Save her reputation, or save the world.

London, 1812. Eighteen-year-old Lady Helen Wrexhall is on the eve of her debut presentation at the royal court of George III. Her life should revolve around gowns, dancing, and securing a suitable marriage. Instead, when one of her family’s maids disappears, she is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few able to stop the perpetrators: a cabal of demons that has infiltrated all levels of society. Carlston is not a man she should be anywhere near, especially with the taint of scandal that surrounds him. Yet he offers her help and the possibility of finally discovering the truth about the mysterious deaths of her parents.

Soon the two of them are investigating a terrifying conspiracy that threatens to plunge the newly Enlightened world back into darkness. But can Helen trust a man whose own life is built on lies? And does she have the strength to face the dangers of this hidden world and her family’s legacy?

The Dark Days Club will be published by Viking Books on January 26, 2016. It is 496 pages, priced at $18.99 in hardcover, and $10.99 for the digital edition.

Fantasy Scroll Magazine 10 Now Available

Fantasy Scroll Magazine 10 Now Available

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Fantasy Scroll Magazine Issue 10-smallThe tenth issue of the online-only Fantasy Scroll Magazine, cover dated December 2015, is now available. In his editorial Iulian Ionescu’s celebrates the release of their Year One anthology, Dragons, Droids and Doom, and points out that in Year Two Fantasy Scroll published 55 short stories from 53 authors, totaling 181,000 words of fiction.

Iulian also provides his usual sneak peek of the contents of the issue. Here’s a snippet:

We start with “The Genie and the Inquisitor,” a new and fresh take on the genie myth by Johnny Compton, partly funny and partly horrific, but definitely bone-chilling. “The Hummingbird Air” by Paul Roberge is next, a fantasy story that follows the path of a boy and his growth into a man, ready to deliver a life-long awaited revenge.

Next is “The Empty Faux-Historical Residential Unit” by Rachel Hochberg, a science fiction story that takes place in a future dominated by robots, but brings us back into an old-fashion London scene. Jeremy Szal delights us in his epic fantasy story “Last Age of Kings”; there’s a lot of bloody action in this story, but also depth of character, all happening in an interesting setting.

“Kara’s Ares” is another science fiction story, by Clint Spivey, who follows the struggle of a mission to Mars and its aftermath. For some comic relief, we follow with “Protecting Nessie” by Hank Quense, who tells the story of three sisters with magical powers, fighting hard to defend the pet of their queen. “Dancing an Elegy, His Own” by Julie Novakova is next — a science fiction story that focuses more on the relationship between characters than on the setting, creating an emotionally loaded atmosphere, and closing with an unexpected twist.

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