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Month: January 2016

Vintage Treasures: Assignment Nor’ Dyren by Sydney J. Van Scyoc

Vintage Treasures: Assignment Nor’ Dyren by Sydney J. Van Scyoc

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Sydney J. Van Scyoc is an American science fiction writer. She was born in 1939, and published her first story, “Shatter the Wall,” in Galaxy magazine in 1962. She was very active for the next three decades, publishing eleven novels and around 30 stories between 1962 and 1991, including Saltflower (1971), Starmother (1976), Cloudcry (1977), Sunwaifs (1981), and the Daughters of the Sunstone trilogy. Most of her novels were published as paperback originals from Berkley or Avon. In 1992, she reportedly retired to make and sell jewelry, but in 2004 & 2005 she sold two new short stories to Gordon Van Gelder at F&SF.

Assignment Nor’ Dyren, her second novel, is one of her most well known. Compared by some to The Left Hand of Darkness, it’s the tale of two human agents to the planet Nor’ Dyren who discover the inhabitants have a social order that divides them into three specialized castes. But the world seems to be crumbling — broken machines are not being repaired, there’is no innovation, and society has been in decline for over two centuries. Tasked with saving the planet, the human agents find themselves up against strange and sinister opposition.

We last covered Sydney J. Van Scyoc with her 1989 fantasy novel Feather Stroke. Assignment Nor’ Dyren was published in October 1973 by Avon Books. It is 222 pages, priced at 75 cents. Believe it or not, the gorgeously baroque cover is uncredited, and no one seems to know for sure who painted it. It looks a lot like the work of Paul Lehr, but it’s hardly likely there’s an unidentified Lehr out there. Click the images above for bigger versions.

The Public Life of Sherlock Holmes: The R-Rated Nero Wolfe

The Public Life of Sherlock Holmes: The R-Rated Nero Wolfe

Haig_TulipSure, I’m all about Sherlock Holmes and Solar Pons, which you are certainly aware of if you read The Public Life of Sherlock Holmes every Monday here at Black Gate (blatant self-plug). But of all the mystery (and swords and sorcery, for that matter) series that I read and love, Rex Stout’s Nero Wolfe tales hold the top spot for me.

You can a get a primer on Wolfe from this post I wrote in the summer of 2014. And of course, you can buy a book and check him out first hand. I mentioned here that there are definitely Wolfean characteristics in Glen Cook’s Garret, PI series. Mystery grand master Lawrence Block (Matthew Scudder, Keller, Bernie Rhodenbarr series’ and more) tinkered with an R-rated version of Wolfe in two novels and two short stories featuring Leo Haig (Wolfe) and Chip Harrison (Archie Goodwin).

The stories don’t just emulate Wolfe and Goodwin. They specifically talk about them! As Harrison tells us in Make Out With Murder:

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Feverish Dreams of Years Past: The 1980 Comics Annual

Feverish Dreams of Years Past: The 1980 Comics Annual

The 1980 Comics Annual(I’ve decided to again delay my ongoing series of essays about C.S. Lewis, for a number of reasons. As it happens, though, there’s another piece I’ve been meaning to write for a while. So here it is.)

When I was very young I used to have a copy of an early example of a North American comics trade paperback: Potlatch Publication’s The 1980 Comics Annual. It’s an anthology of work from then-new Canadian comics creators. I remember being fascinated by the weird mix of stories in it, humour and science fiction and horror and fantasy and action. I lost that copy (as children do lose things), and for years afterward the stories lived in my mind as feverish dreams, images of panels I could not contextualise. At some point I found a copy in a back-issue bin and was able to read the thing again. Thanks to the internet, I’ve learned a bit about the background of the book and some of its contributors. But it’s still strange to me, a mixed bag of rough talent and accomplished stories. I’m going to describe the book and what I’ve found out about it, and I’d love to find out more from anyone else who can chip in.

Potlatch Publications was and is a small Canadian company under the editorship of Robert F. Nielsen. From 1975 to 1985 Potlatch put out a yearly series of books, the Canadian Children’s Annuals, based on English Boy’s Own and Girl’s Own books. I remember some of the CCA volumes; the cover of the 1980 volume in particular is burned into my mind. The Annuals mixed short articles, fiction, and comics. And in 1980, an editor named Ian Carr put together an annual for Potlatch entirely filled with comics, 128 pages, 64 of which were in colour. Some of the contributors came from the CCA books, and some (I think) from elsewhere.

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Things Your Writing Teacher Never Told You: Escaping the Darkness, or What to Do When Your Imaginary World Gives You Real Nightmares

Things Your Writing Teacher Never Told You: Escaping the Darkness, or What to Do When Your Imaginary World Gives You Real Nightmares

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Virtually anyone who writes dark fantasy, horror, thrillers, or any other type of fiction with violent or disturbing subjects, sooner or later gets asked the question, “How do you write that kind of stuff?” While it may be couched as a question, it usually sounds like and is intended to be a moral judgement along the lines of, “That’s awful stuff, and only awful, dangerous, twisted people write that stuff (or so I believe), and I don’t think you’re awful, so please don’t write it anymore – you’re making me uncomfortable.”

However, that same question can be asked as a no-judgement, sincere query, one writer to another. That’s what happened when my Advanced Fantasy Writing class was doing a Q & A via Skype with Laura Anne Gilman, a Nebula nominated author, prolific novelist, and former NYC editor a few weeks ago. One of my students asked a really good question: “If you’re writing something really dark, and have to go to a really disturbing emotional place to do it; how do you get out of that headspace when you’re done?”

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New Treasures: Seize the Night: New Tales of Vampiric Terror, edited by Christopher Golden

New Treasures: Seize the Night: New Tales of Vampiric Terror, edited by Christopher Golden

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Do you remember when vampires were terrifying creatures of the night? Not moody boyfriends who sparkled in sunlight, or lovers who assisted their tough private investigator girlfriends in a series of encounters with deadly yet also strangely sexy werewolves and other paranormal beasts?

I sure do. And so does Christopher Golden, editor of the new anthology Seize the Night: New Tales of Vampiric Terror, which gathers tales of terror in which vampires are figures of overwhelming terror once more. It includes brand new stories from Charlaine Harris, Scott Smith, John Ajvide Lindqvist, Sherrilyn Kenyon, Michael Kortya, Kelley Armstrong, Brian Keene, David Wellington, Seanan McGuire, and Tim Lebbon. This is old-school vampire fiction, for fans who wouldn’t have it any other way.

Seize the Night: New Tales of Vampiric Terror was published by Gallery Books on October 6, 2015. It is 544 pages, priced at $18 in trade paperback and $13.99 for the digital edition. Click on the images above for larger versions of the front and back covers.

Star Trek Movie Rewatch: Star Trek (2009)

Star Trek Movie Rewatch: Star Trek (2009)

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Fans of Eighties new wave music might remember a song by Timbuk 3 called “The Future’s So Bright, I Gotta Wear Shades.” Which should have been the theme song for the J.J. Abrams “reboot” of Star Trek. I’d heard about the much maligned lens flares favored by Abrams but until I actually watched the movie I truly had no idea. It’s such an extreme exercise in cinematic brightness that I found myself fighting off a headache at a few points.

But enough of that. Let’s have a few words about reboots. I don’t care much for them. Nor do I care much for the concept, in general. Which can only come about when lawyers and accountants make decisions that should be made by “creative” types. Yes, I understand that the making of TV shows and movies is not a charitable endeavor but when a pretense of creativity isn’t present then what’s the point?

Which is the whiner’s way of saying that even though I was a fairly avid fan of the original Star Trek series I had no interest in watching the reboots. I might have never watched them if it hadn’t been for this movie rewatch project. But after tackling the first two “real” Star Trek movies I found myself getting curious about how the reboots had played out. So I skipped ahead in the chronology.

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Black Static #49 Now on Sale

Black Static #49 Now on Sale

Black Static 49-smallI’m hearing reliable reports that Black Static #49, published in Britain and shipped across the pond to eager readers here in America, is now available around the country.

Issue #49 is cover-dated November/December, and contains six stories:

“Dirt Land” by Ralph Robert Moore
“Going To The Sun Mountain” by Thana Niveau
“The Toilet” by Stephen Hargadon
“Gramma Tells A Story” by Erinn L. Kemper
“The Ice Plague” by Tim Lees
“The Climb” by Simon Bestwick

The magazine’s regular columns include Coffinmaker’s Blues by Stephen Volk and Notes From the Borderland by Lynda E. Rucker, plus two review columns: Blood Spectrum by Tony Lee (DVD/Blu-ray reviews); and Case Notes by Peter Tennant (book reviews). Their review columns are a model for anyone who wants to see how to do attractive magazine layout, with plenty of book covers, movie stills, and behind-the-scenes pics.

Issue 49 is nearly 100 pages and comes packed with new dark fantasy and horror, and top-notch art. Black Static is the sister magazine of Interzone (see the latest issue here); both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

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A Concentrated Dose of the Best Our Field Has to Offer: Jonathan Strahan’s Best Short Novels 2004-2007

A Concentrated Dose of the Best Our Field Has to Offer: Jonathan Strahan’s Best Short Novels 2004-2007

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Jonathan Strahan is one of the most accomplished and acclaimed editors in the genre. He’s edited the annual Best Science Fiction and Fantasy of the Year since 2007, as well as some of our most highly regarded original anthologies — including the Infinity series (Engineering Infinity, Edge of Infinity, etc) and the Fearsome books (Fearsome Journeys and Fearsome Magics), all for Solaris. He’s also edited (with Terry Dowling) one of my favorite ongoing series, the five volumes in the monumental Early Jack Vance from Subterranean Press.

But the work that truly made me a Strahan fan was a brief (four volume) series he did exclusively for the Science Fiction Book Club, Best Short Novels. I’d been a member of the SFBC since the age of twelve but, after leaving Canada for grad school in 1987 and moving around after that, I’d let my membership lapse. I received plenty of invites to rejoin after settling here in St. Charles, but it was Strahan’s first volume in the series, Best Short Novels: 2004, that finally enticed me to do it. I’ve never regretted it.

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Future Treasures: A Gathering of Shadows, Book 2 of A Darker Shade of Magic by V.E. Schwab

Future Treasures: A Gathering of Shadows, Book 2 of A Darker Shade of Magic by V.E. Schwab

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V.E. Schwab made a considerable splash with her first book from Tor, the superhero tale Vicious, which Matthew David Surridge called “a well-paced and sharply-structured novel” in his BG review. She began an ambitious two-volume series with A Darker Shade of Magic, published last year by Tor. The second and concluding volume, A Gathering of Shadows, arrives in hardcover next month.

A Darker Shade of Magic introduced us to Kell, a magician and ambassador who travels between parallel Londons, carrying royal correspondence between universes. He’s also a smuggler. When a thief named Delilah Bard robs him, and then saves him from a nasty fate, the two find themselves on the run, jumping between worlds. As the second volume begins, Kell is visited by dreams of ominous magical events… as strange things begin to emerge from Black London, the place of which no one speaks.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Beyond the Black River Robert E Howard-smallHoward Andrew Jones and Bill Ward continue their re-read of The Conquering Sword of Conan by Robert E. Howard, the third omnibus volume collecting the complete tales of Conan, with “one of the most famous Conan stories of all,” and one of the last, “Beyond the Black River.” It was originally published in in the May-June 1935 issue of Weird Tales.

“Barbarism is the natural state of mankind,” the borderer said, still starring somberly at the Cimmerian. “Civilization is unnatural. It is the whim of circumstance. And barbarism must ultimately triumph.”

Bill: So concludes “Beyond the Black River,” a story that might almost be REH’s thesis on his philosophy of civilization. It is a story that introduces new elements to Conan’s world, demonstrating again how flexible and expandable REH’s Hyborian blueprint was even after sixteen complete short (and not so short) stories and a novel. But it also maintains a continuity with what has come before, giving us perilous adventure with supernatural antagonists and, of course, Conan being Conan.

Howard: I think it builds nicely on what we’ve seen before. As it happens, though, it’s not exactly a great introduction to Conan himself, or even the Hyborian Age… It’s very different from the preceding Conan stories, feeling very much like a tale of Indian warfare, and Conan himself, while busy doing incredible things, is almost a secondary character.

Read the complete exchange here.

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