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Month: September 2015

Fantasia Diary 2015, Day 17: Synchronicity, The Dark Below, Traders, and Méliès et magie

Fantasia Diary 2015, Day 17: Synchronicity, The Dark Below, Traders, and Méliès et magie

Georges MélièsThursday, July 30, looked like one of the odder days I had lined up at the Fantasia Festival. I’d head down to the De Sève Theatre early on to catch a new American science-fiction film called Synchronicity, then go to the screening room to watch a dialogue-free horror film called The Dark Below. After that, I’d go back to the De Sève to catch the Irish black comedy Traders, and finally wrap up with an event called Méliès et magie, an event presenting some of the classic short films by the first master of fantasy cinema. It looked like a varied day, though in the end it was less so than I’d expected.

Synchronicity is directed by Jacob Gentry, known for his horror film The Signal, from a screenplay by Gentry and Alex Orr. It stars Chad McKnight as Jim Beale, the leader of a small team of physicists about to successfully achieve time travel — and Michael Ironside as a venture capitalist named Klaus Meisner angling to take over their invention, to play, as Meisner says, Edison to their Tesla. Caught in the middle is a mysterious woman named Abby (Brianne Davis) with ties to Meisner. Beale’s drawn to her, but whose side is she on? As the movie goes on, time loops back (or does it?) and events are reinterpreted. But then there’s a final revelation, and all we thought we knew is questioned.

I want to avoid giving away fundamental plot details. But I have to say the final twist of Synchronicity seems to me to be badly misjudged. It means not only that the logic we thought we were following up to that point was not true, but that there is no alternate logic to replace it. We’ve been watching a tissue of coincidences. It deflates the movie for me (and incidentally calls into question the intelligence of otherwise well-characterised scientists).

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Ken Burnside Tells the Hugo Story from the Inside

Ken Burnside Tells the Hugo Story from the Inside

The Hot Equations by Ken Burnside-smallKen Burnside is a game designer and publisher, best known for Attack Vector: Tactical and Squadron Strike! He contributed an article to Vox Day’s anthology Riding the Red Horse, titled “The Hot Equations,” laying out in understandable terms what the laws of thermodynamics mean in terms of SF in general and space combat in particular. He was nominated for a Hugo for Best Related Work, and… well…

He describes the experience in his own words:

I signed up for the Sad Puppy list because I was told it was about getting representation for conservative and libertarian leaning storytellers in the Hugo nomination process. The request came in when a book I was published in was in its initial 90-day release window, and it counted as promoting the title. More exposure means more sales, and I was (and always am) looking for new readers…

Throughout this, the things that made me a Puppy in the first place was buried in a malodorous pile of feces. They were buried by partisans on both sides, not just the Anti-Puppies. In Kary English’s blog, I paraphrased Anita Sarkeesian: “In the game of Hugo Awards, the Puppy nominees aren’t the opposition. They’re the ball…”

Eventually, tired of being browbeaten and told what an awful human being I was, I just retreated to “Read the works. Vote your conscience. In that order.”

Combined with shunning, my “OK, this is going to be a disaster…” sense was past tingling, into throbbing and really should just be called mordant curiosity. Only after I was seen talking to Tananarive Due did anyone outside the small representation of “Puppies” at the convention consent to talk to me, mostly in the shadows of the reception, where nobody else could see.

It’s a very good description of what it was like to be associated with the Puppies, and in particular how he was treated by anti-Puppy folks at Worldcon. Read the whole thing over at the Mad Genius Club blog.

Future Treasures: The Appearance of Annie van Sinderen by Katherine Howe

Future Treasures: The Appearance of Annie van Sinderen by Katherine Howe

The Appearance of Annie Van Sinderen-smallKatherine Howe’s first novel, The Physick Book of Deliverance Dane, inspired by her family’s connection to the Salem Witch trials, became a New York Times bestseller. Her first YA novel, the bestselling Conversion, was released last year; she was also the editor of The Penguin Book of Witches.

Her latest YA novel, The Appearance of Annie van Sinderen, is a haunted love story set in present day New York, the tale of a young filmmaker who falls in love with a ghost who’s been searching to discover exactly what happened to her one dark night in 1825…

It’s July in New York City, and aspiring filmmaker Wes Auckerman has just arrived to start his summer term at NYU. While shooting a séance at a psychic’s in the East Village, he meets a mysterious, intoxicatingly beautiful girl named Annie.

As they start spending time together, Wes finds himself falling for her, drawn to her rose-petal lips and her entrancing glow. There’s just something about her that he can’t put his finger on, something faraway and otherworldly that compels him to fall even deeper. Annie’s from the city, and yet she seems just as out of place as Wes feels. Lost in the chaos of the busy city streets, she’s been searching for something — a missing ring. And now Annie is running out of time and needs Wes’s help. As they search together, Annie and Wes uncover secrets lurking around every corner, secrets that will reveal the truth of Annie’s dark past.

The Appearance of Annie van Sinderen will be published by G.P. Putnam’s Sons on September 15, 2015. It is 384 pages, priced at $18.99 in hardcover and $10.99 for the digital version. The cover is by Theresa M. Evangelista.

New Treasures: Angels & Exiles by Yves Meynard

New Treasures: Angels & Exiles by Yves Meynard

Angels and Exiles-smallI first met Yves Meynard at the World Fantasy Convention in Montreal in 2001. He was already a rising star, and since then he’s had a stellar career — his novel The Book of Knights was a finalist for the Mythopoeic Award, and when Tor published his fantasy novel Chrysanthe in 2012, Locus called him “[David] Hartwell’s major discovery this year.” This is his first collection.

In these twelve sombre tales, ranging from baroque science fiction to bleak fantasy, Yves Meynard brings to life wonders and horrors. From space travellers who must rid themselves of the sins their souls accumulate in transit, to a young man whose love transcends time; from refugees in a frozen hold at the end of space, to a city drowning under the weight of its architectural prayer; from an alien Jerusalem that has corrupted the Earth, to a land still bleeding from the scars of a supernatural war; here are windows opened onto astonishing vistas, stories written with a scientist’s laser focus alloyed with a poet’s sensibilities.

At Mary Robinette Kowal’s blog, Yves offered this marvelous comment about how own search for wonder in fiction:

The natural world is an endless source of amazement; human culture all across the planet ceaselessly produces works of stunning beauty. You shouldn’t need anything else to satisfy your need for wonderment… And yet it still twitches inside me, that urge for the miraculous. I read stories of the fantastic and write them myself, to assuage it. And I tell myself it’s better to have it only inside of stories. Because if such a miraculous world were real, loaded with revelations and terrible marvels, a world in whose oceans swam hybrids and monsters, a world where everything was charged with transcendent meaning, and all our human conceits were true — that world would devour us.

Angels & Exiles was published by ChiZine Publications on February 26, 2015. It is 291 pages, priced at $16.99 in trade paperback and $7.99 for the digital version. The cover art is by Vince Haig, with a design by Samantha Beiko.