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Month: June 2015

Clarkesworld 105 Now on Sale

Clarkesworld 105 Now on Sale

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Clarkesworld 105-smallSo much news from Clarkesworld this month. The big news is that it is now accepting fiction up to 16,000 words — great news for those of us who enjoy longer stories. Its rates have increased as well: it’s now paying 10¢ per word for the first 5,000 words, and 8¢ for each word over 5,000. And at the Nebulas last weekend, I met editor Neil Clarke and learned he had no less than three stories he’d edited up last for awards — more than any other editor in the field.

Issue #105 is now on sale, and it’s a great time to try Clarkesworld if you haven’t before. It contains four new short stories, plus reprints from Terry Bisson (the first Wilson Wu and Irving story) and Caitlin R. Kiernan.

Short stories featured this issue are:

“Somewhere I Have Never Traveled (Third Sound Remix)” by E. Catherine Tobler
“Asymptotic” by Andy Dudak
“This Wanderer, in the Dark of the Year” by Kris Millering
“Forestspirit, Forestspirit” by Bogi Takács
“The Hole in the Hole” by Terry Bisson (from Asimov’s Science Fiction, February 1994)
“Riding the White Bull” by Caitlin R. Kiernan (from Argosy Magazine, January-February 2004)

Non-fiction includes “The Day-Glo Dystopia of Poly Styrene: Punk Prophet and Science Fiction Priestess” by Jason Heller, “The Paradox of the Telescope: A Conversation with Robert Charles Wilson” by Alvaro Zinos-Amaro, “Another Word: The Vaguely Picaresque Adventures of a New Writer” by John Chu; and an editorial, “Once Again Down the Rabbit Hole” by Neil Clarke, in which he analyzes the results of his reader survey. This issue also includes two podcasts.

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New Treasures: The Edge of Reason Trilogy by Melinda Snodgrass

New Treasures: The Edge of Reason Trilogy by Melinda Snodgrass

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The Edge of Reason-small The Edge of Ruin-small The Edge of Dawn-small

Melinda Snodgrass’s The Edge of Reason was originally published in hardcover with a snoozer of a cover (seriously — see below) by Tor Books in 2008. For the paperback edition in 2009 Tor recolored the cover, which I don’t think helped much. Maybe in 2009 it made sense to dress up the tale of a secret war between the forces of science and superstition as a Da Vinci Code lookalike, but here in 2015 we know better.

Maybe that’s why I never noticed The Edge of Reason when it first appeared. Why have I noticed it now? Because Tor reissued it on April 21 with a vastly superior cover by Chris McGrath (above). Seriously, this book has giant tentacles, and no one thought to feature them on the cover? This is Publishing 101, people.

Tor has not gifted us with a newer, awesomer edition of The Edge of Reason simply because Chris McGrath had a free weekend. The sequel, The Edge of Ruin, will be reprinted in paperback on July 28th (above, cover by McGrath), and the third volume, The Edge of Dawn, arrives on August 4th — also with a McGrath cover. Which also prominently features tentacles. Because that’s how you do it.

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Dungeon Crawling is Fun Again: Etrian Odyssey

Dungeon Crawling is Fun Again: Etrian Odyssey

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Etrian Odyssey-smallDungeon crawling has always been a popular subset of the RPG genre. Sometimes motivating players requires a massive story, plot twists on top of plot twists, and evil villains out to rule the world. Other times, a party of heroes and a dungeon full of treasure is enough. But despite the popularity of the latter design among CRPG fans, the genre shrunk in favor of RPGS built around massive stories, like Mass Effect.

Today I want to look at the Etrian Odyssey series from Atlus; a company known for Japanese role playing game (JRPG) design, and how it managed to relight the fire for the classic dungeon crawl with old and new mechanics.

A Beginner’s Guide to Dungeon Crawlers

Before we talk about Etrian Odyssey, let’s quickly recap the dungeon crawler genre.

Dungeons crawlers have been popular since the 80s, with series like Might and Magic and Wizardry. In these titles, you assembled a party of heroes from predefined classes like warrior, cleric, mage etc, and explored dungeons for treasure and monsters. Combat was typically turn based, as you attempted to sojourn as far as possible before being forced to return to a town or safe area.

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Ancient Explorers Unveils the True Horror of the Rat King

Ancient Explorers Unveils the True Horror of the Rat King

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Rat King-smallThe Ancient Explorers Facebook group has explored some fascinating topics recently, including an ancient Chinese cure for obesity, the mysterious Nazca lines of Peru, and the enigmatic Voynich manuscript. But they’ve never posted anything quite like the true story of the Rat King, a near legendary medieval monster.

Several museums around the world contain bizarre once-living artifacts of a pseudo-legendary beast from the Middle Ages called a “rat king.” A rat king is formed when several rats have their tails fused together, whether by knotting or being somehow glued together. The result is a small horde of rats all facing outward from the central knot, presumably forced to act as one composite beast. The more fanciful accounts hold that one leader rat is suspended in the middle and acts as the “head” who directs the rest — a nightmarish notion, especially considering the fears of plague that rats conjure up.

The largest of these disturbing artifacts contains 32 of the little horrors and resides at the Mauritianum Museum in Altenburg, Germany. Some existing rat kings are mummified, while others are preserved in jars. Rat kings have been found in Germany, France, Poland, the Netherlands, Belgium, and Indonesia. In every case except Indonesia, the rats were black: Rattus rattus L. In the case of Indonesia, they were small field rats: R. argentiventer.

As recently as 2005, a farmer named Rein Koiv found a rat king consisting of 16 individuals (nine of which were already dead) underneath the floorboards of his farm in Estonia, their tails glued together by frozen sand.

Read the complete story here.

Vintage Treasures: Ariosto by Chelsea Quinn Yarbro

Vintage Treasures: Ariosto by Chelsea Quinn Yarbro

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Ariosto Chelsea Quinn Yarbro-small Ariosto Chelsea Quinn Yarbro Tor-small

Two weeks ago I wrote about Chelsea Quinn Yarbro’s third novel, Hôtel Transylvania (1978), the opening novel in the celebrated Count Saint-Germain series, one of the first (and most successful) vampire romance sagas. It reminded me that, before Yarbro became a celebrated horror writer, she was well on her way to being one of the most acclaimed fantasists in America, with two of her earliest novels, The Palace (1979) and Ariosto (1980), nominated for the World Fantasy Award.

Ariosto was first published by Pocket Books, with a cover by Don Maitz (left). In addition to the World Fantasy, it was also nominated for the Balrog Award, and placed 11th in the Locus poll for best Best Fantasy Novel of the year. It was reprinted only once in the US, in a new paperback edition by Tor Books in January 1988 (right, cover by McPheeters), and has been out of print for nearly 30 years.

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Raya Golden on Building a Career as a Hugo Nominated Illustrator, Putting Up with Demanding Author Clients, and Her Talent for Gay Pinups

Raya Golden on Building a Career as a Hugo Nominated Illustrator, Putting Up with Demanding Author Clients, and Her Talent for Gay Pinups

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RestlessEarthSmallBlessingSkySmallIt is cover reveal day for my two upcoming novels, Restless Earth and Blessing Sky, and so these beautiful covers are being posted all around the internet. What better excuse to interview Raya Golden, the illustrator? Raya lives here in Santa Fe, New Mexico, and has been working as a professional artist for ten years.

Recently, she and I sat down to discuss a wide range of topics (hence the interview has a detailed guide below it that tells you where to click to hear about the topics that interest you.) First we discussed how to build a career as an artist; it isn’t easy. Then we got into the particulars of different kinds of art, from her Hugo Nominated work on George RR Martin’s Meathouse Man comic, to the graphic novel she is working on now. She was kind enough to explain the process of creating a graphic novel or comic step by step.

Then there are book covers, which present a plethora of challenges. She and I talked about everything from the design basics of an effective book cover to the challenges of portraying minority cultures. During this time I also explained the milieu and setting of these novels, which are essentially fantasy steampunk westerns.

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C.S.E. Cooney Gets a Starred Review from Publisher’s Weekly

C.S.E. Cooney Gets a Starred Review from Publisher’s Weekly

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Bone Swans CSE Cooney-smallC.S.E. Cooney, Black Gate‘s website editor emeritus, signed with Mythic Delirium Press for her first short fiction collection, Bone Swans, and it’s already gathering rave reviews in advance of its July release. Publishers Weekly gave the book a starred review, saying:

Cooney’s brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. In “Life on the Sun,” sacrifice and rebirth are explored in a fantastical desert where future tech and wizardry mingle, as a mystical pharaoh-like figure forces a young rebel fighter to stoically embrace her fate. Children bravely battle to survive an adult-free, post-apocalyptic Earth in “The Big Ba-Ha,” even though they know their demise — hungrily anticipated by the ghoulish creatures that now share their world — is inevitable… Cooney’s magical prose elicits laughter even as gruesome scenes induce shudders, and her expert pacing breathlessly buoys the reader to each story’s conclusion. All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read.

Bone Swans will be released next month, but if you can’t wait you can read some of the stories in their original online appearances, including right here at Black Gate: “Life on the Sun,” (from Black Gate), “Martyr’s Gem” (from Giganotosaurus) and “How the Milkmaid Struck a Bargain with the Crooked One” (from Giganotosaurus).

Bone Swans will be published by Mythic Delirium Press on July 7th, 2015, with an introduction by Gene Wolfe. It is 224 pages, priced at $5.99 for the digital edition. Get more details on their website.

Future Treasures: Dead Man’s Reach by D. B. Jackson

Future Treasures: Dead Man’s Reach by D. B. Jackson

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Dead Man's Reach-smallBlack Gate readers may remember we published a popular short story by David B. Coe, “Night of Two Moons,” in Black Gate 4. In a fascinating article written for us last year, The Life and Times of a Midlist Author, David B. Coe wrote:

Writing now as D. B. Jackson, I am the author of The Thieftaker Chronicles, a historical urban fantasy series set in pre-Revolutionary Boston. The first two books, Thieftaker (Tor Books, 2012) and Thieves’ Quarry (Tor Books, 2013), have been received very well critically and did well enough commercially that Tor bought two more books from me. The first of these, the third in the series, is called A Plunder of Souls and it drops on July 8, 2014. (Please buy it. In fact, feel free to buy a few copies; they make great gifts and come in an attractive package complete with artwork by Chris McGrath. We now return to our regularly scheduled blog post…)

The fourth Thieftaker novel, Dead Man’s Reach, will be out next summer.

In addition, David (as D.B. Jackson) interviewed his main character Ethan Kaille, the Thieftaker, in a funny and very insightful post for us in July of 2013.

The fourth novel that David mentioned in his article last year, the highly anticipated Dead Man’s Reach, is finally due from Tor Books next month. It is a stand alone story, and can be enjoyed separately from the others in the series.

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Beneath Ceaseless Skies 174 and 175 Now Available

Beneath Ceaseless Skies 174 and 175 Now Available

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Beneath-Ceaseles-Skies-175-smallYou know what happens if you neglect Scott H. Andrews for 15 days? He publishes two issues of Beneath Ceaseless Skies, making you look out of touch and behind the times.

So here we are playing catch-up, because Scott publishes magazines faster than I can write about them. Why doesn’t he publish one issue a year, like a normal person?

Let’s start with issue #175, ’cause it has monsters on the cover, and we know what that means (it means it’s awesome). The issue is cover-dated June 11, and contains two short stories, a podcast, and a reprint.

“On Freedom of Agency and the Finding of Lost Hearts” by Ken Scholes
“I’ll kill you in the morning,” I mumbled into the drool I’d made on his pillow.

“Grandmother-nai-Leylit’s Cloth of Winds” by Rose Lemberg
Behind us, a great hole in the ground gaped, but I wouldn’t have dared look into it even if grandmother hadn’t pulled me inside the tent.

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Report from the Field: Three Small Children Tell Us How to Warrior Right

Report from the Field: Three Small Children Tell Us How to Warrior Right

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That moment when you realize that the memes spoke truth...
That moment when you realize that the memes spoke truth…

Last week, I was surrounded by three young children that I did not in fact know, for reasons that are slightly unclear to me. I usually try to avoid these situations, much like I avoid being trapped in a snake pit. Anyhow, seeing that I was the adult in charge, I took it upon myself to get them to help me craft a perfect barbarian conqueror. Because kids have insight and their disorganized play terrifies me.

Me: Okay, kids. Let’s talk about barbarian conquerors.
Kid 1 (blonde boy, maybe 5 years old): What’s a barbarian warrior?
Me: Um, someone who comes and takes stuff from you and makes you do what you they want you to do.
Kid 2 (little girl, maybe 4, brown hair): Like my mom?
Me (looking around for adultier adult. No luck): What the he.. hey. Hey. Yes. Like your mom.
Kid 1: My mom likes special grape juice. 

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