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Month: May 2015

Goth Chick News: Stoker Award Winners Just In Time for Summer Indulging

Goth Chick News: Stoker Award Winners Just In Time for Summer Indulging

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Bram-Stoker Award-smallBack in February the Horror Writers Association announced their nominees for the annual Bram Stoker Awards for superior writing in eleven categories, including traditional fiction of various lengths, poetry, screenplays and non-fiction.

This week they announced the winners, who will receive what must be the coolest trophy ever.

Here are all the winners, as well as the runners up.

Superior Achievement in a Novel – Blood Kin, Steve Rasnic Tem (Solaris)

  • Suffer the Children, Craig DiLouie (Gallery)
  • Jade Sky, Patrick Freivald (JournalStone)
  • Beautiful You, Chuck Palahniuk (Jonathan Cape/Vintage)
  • The Vines, Christopher Rice (47North)

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Future Treasures: The Mammoth Book of Dieselpunk, edited by Sean Wallace

Future Treasures: The Mammoth Book of Dieselpunk, edited by Sean Wallace

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The Mammoth Book of Dieselpunk-smallWhat the heck is Dieselpunk?

Sean Wallace gave an enticing description of this funky new sub-genre in his call for submissions for The Mammoth Book of Dieselpunk last year:

If you need to know what dieselpunk is, it’s a subcategory of steampunk, essentially, covering the 1920s through the 1950s, including the Roaring Twenties, the Depression, World War II, and even a little beyond that, but here’s the thing: I want material from all over the world, I don’t want a white-washed representation of this theme.

The book is scheduled to be published in July, and I have to say, it looks pretty good. Packed with stories by Genevieve Valentine, Carrie Vaughn, E. Catherine Tobler, Nick Mamatas, Jeremiah Tolbert, and many others, it could be a lot of fun.

Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology… and sometimes a dash of the occult.

Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines.

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Enjoy the New Supergirl Trailer

Enjoy the New Supergirl Trailer

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The new Supergirl trailer has just been released, and it’s already drawing some pretty harsh criticism. Meredith Woerner at io9 called it “depressingly paint-by-numbers,” and compared it (rather unfavorably) to the Saturday Night Live parody skit featuring Black Widow.

But I watched it this morning, and frankly loved it. It looks like the kind of show that I could watch with my fifteen year-old daughter (who digs Arrow and Buffy in a major way), and we could both enjoy. The show is already getting some defenders — author Chuck Wendig posted “Hey, I Liked That Supergirl Trailer” this morning, saying:

Listen, I like dark stuff. I write dark stuff. But sometimes, I just want fun… I loved Guardians of the Galaxy because it was weird, wonky shenanigans from start to finish. Supergirl looks like its bringing its own kind of goofy glee to the mix…

Did you see the photo above? She’s smiling! What mad hell is this?!

Watch the complete six-and-a-half-minute trailer above. Supergirl stars Melissa Benoist as Supergirl, Mehcad Brooks as Jimmy Olsen, and Calista Flockhart as Cat Grant. It debuts on CBS in November 2015.

New Treasures: Hexed: The Sisters of Witchdown by Michael Alan Nelson

New Treasures: Hexed: The Sisters of Witchdown by Michael Alan Nelson

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Hexed Michael Alan Nelson-smallI’m not familiar with the the BOOM! comic Hexed, but perhaps I should be. It’s apparently a spin-off from the horror comic Fall of Cthulhu, but you don’t need to be familiar with her appearances there to enjoy her adventures in her own comic. I’m not sure how many issues were published, but enough to be collected into at least two graphic novels, the first published in March 2010, illustrated by Pretty Deadly Artist Emma Rios, and the second by newcomer Dan Mora, to be released this July.

Lucifer the thief, the star of Hexed, seems like a pretty interesting character, and The Sisters of Witchdown marks her first appearance in a prose novel. It’s being marketed as a YA title, but I’m intrigued enough to check it out.

Luci Jenifer Inacio das Neves, Lucifer for short, isn’t your typical teenaged girl. She’s a thief who survives by stealing bad things from bad people in the magical and mystical underworld hidden beneath our own. So when a policeman’s daughter, Gina, is kidnapped by a force he can’t explain, Lucifer is the only one who has a chance at getting his daughter back.

With the unsolicited help of Gina’s friends, including Gina’s boyfriend David, Lucifer’s investigation leads to the unfortunate truth of the kidnapping. Gina was taken to an otherworldly dimension by a creature of unspeakable evil: one of the Seven Sisters of Witchdown. Against all odds, Lucifer must use every magical tool hidden in her trick bag to steal her way into the Shade and bring Gina back before the Sister sacrifices her for her own dark ends. But the closer Lucifer gets to Gina, the closer she gets to David. And David to her. Lucifer must risk her life by confronting demons, witches, and the cruel demigoddess controlling her destiny — all to save the one girl who stands in the way of Lucifer finally finding love.

Michael Alan Nelson’s comic writing includes 28 Days Later, Supergirl, Valen the Outcast, Dominion, Cthulhu Tales, Dead Run, and many others.

Hexed: The Sisters of Witchdown was published by Pyr on May 5, 2015. It is 279 pages, priced at $14.99 in trade paperback and $9.99 for the digital version. The cover is by Larry Rostant.

Nazi Film Review: Hitlerjunge Quex

Nazi Film Review: Hitlerjunge Quex

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hitlerjunge-quex

When the Nazi Party took over in 1933, Germany was already a leading nation for film production. From the late 1910s through the early 1930s, its silent films and early talkies were seen all across Europe and were popular in the United States as well. But the year saw a major change in the nation’s film industry as well as its political makeup. Like with every other industry, movie making had to subordinate itself to the goals of National Socialism.

The Nazi party’s first targets were Communists and Socialists, who had fought against them for control of the streets. Many lives were lost on both sides during this era of riots, and one of the more famous of those was a member of the Hitler Youth named Heini Völker, who was killed while distributing Nazi flyers in a Communist neighborhood. There had already been a popular book about the boy published in 1932 titled Hitlerjunge Quex. (“Quex” means “quicksilver”, a nickname Heini got for being such an eager worker). This was turned into a film in the first year Hitler was in power.

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Beneath Ceaseless Skies 172 Now Available

Beneath Ceaseless Skies 172 Now Available

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Beneath Ceaseless Skies 172-smallI love a good weird western. So you can imagine how intrigued I was by the latest issue of Beneath Ceaseless Skies, Scott H. Andrews’ magazine of literary adventure fantasy. It’s a special weird western issue, celebrating the release of their new themed anthology Ceaseless West. Issue 172 contains three new stories, a reprint, a podcast, and more.

“Splitskin” by E. Catherine Tobler
My love reveled in winter’s sunbroken days, when the light spills to the fresh-fallen snow to stab a person in the eyes. Gugán flit from path to stone, a trickster comfortable with his Raven heritage. I, as Eagle, startled at every shift of snow, caught always unawares in the bright sun as he pelted me with clumps of melting cold.

“Swallowing Silver” by Erin Cashier
John Halpern knew it should be a heavy weight on his conscience, to wake up and know that he was going to kill a thing that used to be a man. Whether it was or wasn’t was a topic of much internal contemplation for him as he walked up the long path to his brother-in-law’s house to ask for help. The fact that his brother-in-law was himself a devil-man did not escape him.

“The Snake-Oil Salesman and the Prophet’s Head” by Shannon Peavey
Leaving Leo alone, with his brother’s head. Leo stepped closer to the jar. Cary’s white-blond hair floated up from his skull, the tips waving slightly. It looked like strands of spiderweb, or exposed nerves. “You still telling people things they don’t want to hear?” He tapped on the glass. As if he might rouse it to speech.

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You Gotta Know When to Fold ‘Em

You Gotta Know When to Fold ‘Em

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ODY-C 4-smallIn my review of issue #4 of Ody-C  I said that it might be my last. I read Issue #5 hoping to be proven wrong.

I wasn’t.

Artistically, Ody-C is still strong, and a lot of people out there are going to love it. I’m just not one of them. What I love about Homer and the direction Fraction and Ward are taking the work are two very different things. And that’s ok. That’s how re-creations work. But as someone who has far less time to read than things she wants to read, this is going to have to drop off the list for now to make room for something else.

And that in turn made me wonder: what is it that makes you, as a reader, stop reading? When I was younger I always finished books, even when I didn’t like them. I wanted to really dissect what I didn’t like about them. I’m also just too curious to go without finding out how a story ends.

As I’ve gotten older, though, the reasons I drop a book or series have multiplied. There are those that I simply don’t like, like Ody-C. There are those that I’ve just gotten tired of, like a TV series that shall remain unnamed but is in its tenth season and probably ought to go. Even the actors look tired of their parts, my favorite side characters are gone, and the sense of peril has completely drained away.

(OK I lied. It’s Supernatural. Bobby’s gone, Ellen and Jo are gone in a way I’m still angry about, and there are only so many times your main characters can die before it stops meaning anything. Also, I think they have run out of new monsters.)

And maybe it’s age leading to crankiness, but there are storylines and characters I’m getting tired of. I’m really, terribly bored with ‘very tough on the outside and won’t accept any help but deeply emotionally vulnerable on the inside with a load of childhood traumas’. Of all available genders. This makes reading entire genres difficult.

But again, these are my objections. What are yours? What makes you drop something: a show, a comic, a book? And what could bring you back to it?

Vintage Treasures: Under the Moons of Mars, edited by Sam Moskowitz

Vintage Treasures: Under the Moons of Mars, edited by Sam Moskowitz

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Under the Moons of Mars Moskowitz-smallSome folks I know date the creation of modern SF and Fantasy to Star Trek in the mid-60, or the release of Star Wars in 1977. Those who are a little more knowledgeable date it to the first issue of Amazing Stories, in April 1926.

Folks who are really knowledgeable date it even earlier, to the “Scientific Romances” that became popular in early pulp magazines — so popular, in fact, that a young entrepreneur named Hugo Gernsback decided that the time was right for a magazine devoted exclusively to them. That magazine was Amazing Stories, and the rest, as they say, is history.

When editors first began combing the old pulps for stories to anthologize in the late 40 and early 50s, virtually all of them began with Amazing Stories #1. There was a great deal of popular SF and fantasy published well before that, but it was overlooked. And, as the decades went by, it was gradually forgotten.

Where did it appear? I have no idea — the really knowledgeable could tell you, but I’m not one of them. As we look backwards through history, my vision goes dark right around Lost in Space.

Fortunately, the great genre historian Sam Moskowitz was one of the really knowledgeable. And he used his vast knowledge for good. Specifically, he used it to assemble the anthology Under the Moons of Mars, which collected some of the very best of the early science fiction and fantasy from the days before there were magazines dedicated to such things — including stories and novel excerpts from Edgar Rice Burroughs, A. Merritt, Ray Cummings, Murray Leinster, Austin Hall and Homer Eon Flint, and many others.

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The Vorrh, Redux

The Vorrh, Redux

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The Vorrh-smallEarly in 2013 I wrote a post about The Vorrh, a novel by sculptor, artist, and poet Brian Catling. I thought it was a powerful, fascinating book that defied easy categorisation; epic fantasy or epic horror, magic realism or magic surrealism, it seemed bigger and stranger than whatever one might think to call it. Set mostly in Africa and mostly in the years after World War I, it deals with a forest called the Vorrh, where reality and time and logic become confused. A hunter tries to cross the forest, another man tries to stop him, yet another man tries to stop the second. Meanwhile, in a colonial German city that exists inside the forest, a young cyclops is educated by peculiar automata. Alternating with these plot strands we follow the fictionalised life of the actual Victorian photographer Eadweard Muybridge, as well as the unreal experiences of the quite real French surrealist writer Raymond Roussel, whose equally real 1910 novel Impressions d’Afrique first introduced the Vorrh.

Catling’s novel first came out in late 2012. Now, almost three years later, it’s being republished (as reported here by Black Gate supreme overlord John O’Neil). Catling’s edited the book extensively, slimming it down and moving sections around. He’s also found a new publisher. The original version of the book came from UK small press Honest Publishing; the new one’s published by Vintage.

The edits make a more direct narrative. The maze-like interleaving of scenes and moments has been reworked into an armature of chapters. Crucially, though, much of the original’s tonal strangeness remains. The prose has been pruned of some detail, some paradox, and some side reflections, and this tends to make the story clearer. Many of the losses were fascinating bits of writing in and of themselves, but also complicated sentences, paragraphs, or concepts. Sometimes those complications were worthwhile. But if the new Vorrh is a little less rich, it’s also much more vivid.

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Galaxy Science Fiction, September 1952: A Retro-Review

Galaxy Science Fiction, September 1952: A Retro-Review

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Galaxy Science Fiction September 1952-smallWith this issue, Galaxy completed its second year of publication. That’s 24 issues of top-notch science fiction. It’s tough to match that stamina, and I applaud H.L. Gold, his staff, the authors, and the artists for staying the course.

“Delay in Transit” by F. L. Wallace — Denton Cassal is a sales engineer, traveling toward the center of the galaxy to solicit a top scientist to work for his company on an instant communication device. His journey takes him through Tunney 21, a planet inhabited mostly by Goldophians, who look somewhat like seals. Equipped with an AI device named Dimanche, Cassal is able to read people based on their body chemistry and temperature. He’s being pursued, but Dimanche’s intelligence and advice give Cassal confidence, provided he’s willing to listen.

This piece was reprinted in Bodyguard and Four Other Short Science Fiction Novels From Galaxy edited by H. L. Gold in 1962. In this issue, however, it was credited as a novella. I liked the use of the AI as well as the setting of Tunney 21. Wallace also does a nice job with the pacing.

“The Snowball Efect” by Katherine MacLean — To prove the value of sociology (and his own department), Wilton Caswell meets with the university president to create a list of rules for an organization to employ in order to grow membership. If an organization adopts the rules and shows growth, then the president has quantitative proof of the depatment’s value; the underlying principles of philosophy can promote success to all graduates. Caswell and the president choose the Watashaw Sewing Circle for their experiment and then withdraw to see what happens. It turns out that the rules work. They work so well, in fact, that the sewing group expands into a broader organization — one focused on civic welfare and politics.

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