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Month: April 2015

A Detailed Explanation

A Detailed Explanation

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Hugo Award Black GateThis is going to come out at some point, so I might as well say it here and now: I declined a Hugo nomination for this year’s Best Fan Writer award. I think it’s only fair to the people who voted for me to say why. Be warned, this is going to take a while. (And long-time readers of mine around these parts know that coming from me, that really means something.)

Firstly, given the nature of this post and the scrutiny that surrounds a major award, I should probably introduce myself. Hi. I’m Matthew David Surridge, a Montreal-area writer. I had a couple of longish short stories published a few years ago, one in the paper version of Black Gate and one at Beneath Ceaseless Skies. I’ve been fighting some minor but debilitating illnesses for a while which have kept me from writing fiction, but luckily reading and thinking about books is still within my power, and so I’ve been blogging here at Blackgate.com since 2010.

I mostly write about books I’ve recently enjoyed. In 2014, that included posts about surrealist Leonora Carrington’s The Hearing Trumpet, Elizabeth Hand’s Bride of Frankenstein tie-in novel Pandora’s Bride, a collection of short stories by Violet Paget AKA Vernon Lee, Amos Tutuola’s The Palm-Wine Drinkard and My Life in the Bush of Ghosts, the medieval tales in the Gesta Romanorum, Mary Gentle’s The Black Opera, Stella Gemmell’s The City, V.E. Schwab’s Vicious, Olga Slavnikova’s 2017, Jan Morris’ wonderful Hav, Phyllis Ann Karr’s Wildraith’s Last Battle, Steven Bauer’s Satyrday, the Harlan Ellison–edited shared-world anthology Medea, Pat Murphy’s three ‘Max Merriwell’ novels (There And Back Again, Wild Angel, and Adventures in Time and Space With Max Merriwell), Sylvia Townsend Warner’s debut novel Lolly Willowes, E.R. Eddison’s The Worm Ouroboros and Zimiamvia trilogy, and Patricia A. McKillip’s The Changeling Sea. I also often write about comics, and last year I discussed the Steve Ditko/Wally Wood/Paul Levitz run of Stalker from the 1970s; the first volume of Brian K. Vaughan and Fiona Staples’ Hugo-winning Saga; Alan Moore, Antony Johnston, and Facundo Percio’s Fashion Beast; and Sage Stossel’s Starling.

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Vengeful Specters, Vampires, and Monster Worms: Night Terrors: The Ghost Stories of E.F. Benson

Vengeful Specters, Vampires, and Monster Worms: Night Terrors: The Ghost Stories of E.F. Benson

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Night Terrors the Ghost Stories of E.F. Benson-smallWordsworth’s Tales of Mystery And The Supernatural volumes (or, as we like to call them, TOMAToS) have been a virtual graduate course in British horror for me, introducing me to a host of classic Nineteenth and Twentieth Century ghost story and supernatural fiction writers. But I have to admit I was a little relieved to come across Night Terrors: The Ghost Stories of E.F. Benson, since at least I’ve heard of E.F. Benson.

Benson (July 24, 1867 – February 29, 1940) was an English archaeologist and novelist who published over 60 novels between 1883 and 1934. Today he is chiefly remembered for his ghost stories, collected in The Room in the Tower and Other Stories (1912), Visible and Invisible (1923), The Horror Horn (1923), Spook Stories (1928), and Old London (1937), among others.

Unlike many of the subjects of the Wordsworth collections — who’ve been sadly neglected by modern readers — Benson is still fondly remembered. His work has seen many modern collections, including the Panther edition of The Horror Horn (1974), Desirable Residences and Other Stories (1991), The Collected Ghost Stories of E. F. Benson (1992), Fine Feathers and Other Stories (1994), and the five-volume The Collected Spook Stories from Ash-Tree Press (1998 – 2005), which collects all of his supernatural fiction.

H.P. Lovecraft thought highly of Benson’s work, especially “The Horror-Horn,” “The Man Who Went Too Far,” and “The Face,” calling him an important contributor to the weird short story. If you’re interested in a nice one-volume introduction to his work Night Terrors is an excellent option. It collects 54 of his best-known stories, and an introduction by David Stuart Davies, in a handsome and economical 718-page paperback.

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Interzone #257 Now on Sale

Interzone #257 Now on Sale

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Interzone 251-smallInterzone has an interesting approach to cover art. It commissions a single artist to do its covers for a full year. The 2015 cover artist is Martin Hanford, and so far I’ve really been enjoying his work. This issue has an intriguing sword & sorcery feel… although the central figure is in a space suit and strapped to a duck, which is admittedly a fresh theme for S&S (or any other genre I’m familiar with). Click the image at right for a closer look. We’ve showcased Martin’s work at Black Gate previously, most recently on the cover of Swords of Steel.

Interzone is the sister magazine of Black Static, both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

Interzone contains chiefly science fiction but, like Asimov’s SF here in the states, does publish the occasional fantasy piece. Issue #257 is cover-dated March/April, and contains the following fiction:

“A Murmuration” by Alastair Reynolds
“Songbird” by Fadzlishah Johanabas
“Brainwhales Are Stoners, Too” by Rich Larson
“The Worshipful Company of Milliners” by Tendai Huchu
“Blossoms Falling Down” by Aliya Whiteley

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Galaxy Science Fiction, August 1952: A Retro-Review

Galaxy Science Fiction, August 1952: A Retro-Review

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Galaxy Science Fiction August 1952-smallThis is an issue I had looked forward to for a long time. One of my first steps toward reading Galaxy was listening to an X-Minus One radio broadcast titled “Surface Tension,” based on the story with the same title by James Blish in Galaxy’s August, 1952 issue. My wife had gotten this one for me early on, but I hadn’t made my way to it until now.

“Surface Tension” by James Blish — Humans explore the galaxy, seeding adaptations of themselves on any Earth-like planets. Hydrot is all water and marshes, and the crew of La Ventura has only a short time before they die, stranded because their ship wrecked. So they create microscopic versions of themselves (but not with their memories) that can survive in water, hoping they can compete for survival without dominating the other lifeforms on the planet.

This was considerably different from what I remember of the radio broadcast. But it’s a well-told story that’s highly inventive.

“Proof of the Pudding” by Robert Sheckley — One man survives the final war on Earth by taking a ship into space. He returns to the desolate planet and discovers he has the power to create anything he imagines.

I had difficulty relating to the protagonist. Not to spoil too much, but the story picked up considerably with the introduction of a second character.

“Yesterday House” by Fritz Leiber — Jack Berry is a biology student working in Maine for Professor Kesserich.  Jack takes a boat past where he was told to go, and he discovers an island. As he explores it, he comes to a fence and climbs over. He meets a young woman who lives in a house, but she’s convinced it’s 1933 rather than 1951. Her aunts keep her on the island throughout the year, never allowing her to go to the mainland. He wants to prove the truth to her, if he can, without arousing her aunts’ suspicion.

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New Treasures: The Uncanny Reader: Stories from the Shadows edited by Marjorie Sandor

New Treasures: The Uncanny Reader: Stories from the Shadows edited by Marjorie Sandor

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The Uncanny Reader-smallI’ve covered a handful of vintage horror anthologies recently, including Horrors in Hiding and Horrors Unseen. Those books arose out of the American pulp tradition, and include stories from the writers you’d expect.

But what if you’re looking for writers you don’t expect? What if you’re interested in uncanny fiction by some of the best writers from around the world? If that’s the case, then Marjorie Sandor may have what you’re looking for, with a generous new collection of classic and new horror fiction from the four corners of the globe.

Strange, Mysterious and Unsettling… These Stories Are Uncanny!

From the deeply unsettling to the possibly supernatural, these thirty-one border-crossing stories from around the world explore the uncanny in literature, and delve into our increasingly unstable sense of self, home, and planet. The Uncanny Reader: Stories from the Shadows opens with “The Sand-man,” E.T.A. Hoffmann’s 1817 tale of doppelgangers and automatons — a tale that inspired generations of writers and thinkers to come. Stories by 19th and 20th century masters of the uncanny — including Edgar Allan Poe, Franz Kafka, and Shirley Jackson — form a foundation for sixteen award-winning contemporary authors, established and new, whose work blurs the boundaries between the familiar and the unknown. These writers come from Egypt, France, Germany, Japan, Poland, Russia, Scotland, England, Sweden, the United States, Uruguay, and Zambia — although their birthplaces are not always the terrains they plumb in their stories, nor do they confine themselves to their own eras. Contemporary authors include: Chris Adrian, Aimee Bender, Kate Bernheimer, Jean-Christophe Duchon-Doris, Mansoura Ez-Eldin, Jonathon Carroll, John Herdman, Kelly Link, Steven Millhauser, Joyce Carol Oates, Yoko Ogawa, Dean Paschal, Karen Russell, Namwali Serpell, Steve Stern and Karen Tidbeck.

The Uncanny Reader: Stories from the Shadows was published on February 24, 2015 by St. Martin’s Griffin. It is 576 pages, priced at $21.99 in trade paperback and $9.99 for the digital edition.

Ode to the Sacrificed On the Battlefield (Or Before. And After)

Ode to the Sacrificed On the Battlefield (Or Before. And After)

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I started planning this post by thinking: Hey, Good Friday, awesome time for a post on sword and sorcery crucifixion. That evolved into: okay, that might be in poor taste (that’s personal growth, that right there). How about just on hero sacrifice, then? They bring us lessons by sacrificing stuff, right?

I am He-Mullet!
I am He-Mullet!

Yes, right. And the stuff (or people, whatever) they sacrifice is often forgotten by the time we’re screaming cheers and profanities during the final battle. We feel that something good has been accomplished and we forget everything that was left behind. Well, no more. Today, let us take a moment to ponder these sacrifices.

Hair
Let’s just start this with an important one, with a view to the 80s movies boom of S&S (sounds kind of Fifty Shade-ish when it’s put like that. Ha.) A mullet covered in lice is just not an easy look to pull off. Sadly much hair was sacrificed in the name of victory.

Weapons
So many weapons are cast aside. They’re special for one scene, then they get stuck in a rib cage and game over. Just abandoned like it never mattered. Let us remind the swords that yes, they did matter.

Rib Cages
On the same line, with the sword stuck in them and all. Perhaps if it had been protected by more than a bikini, the story could have ended differently .

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Vintage Treasures: Science Fiction: The Great Years, Volume II edited by Carol and Frederik Pohl

Vintage Treasures: Science Fiction: The Great Years, Volume II edited by Carol and Frederik Pohl

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Science Fiction The Great Years Volume II-smallI think it’s kind of cool that I can remember when and where I found Science Fiction: The Great Years, Volume II, some 36 years after I bought it.

In the spring of 1976 my friend John MacMaster introduced me to science fiction, by bringing me Shakespeare’s Planet by Clifford D. Simak and Piers Anthony’s Ox when I was home sick from school. I was in the seventh grade, and I felt very adult, reading grown up books instead of Alfred Hitchcock and the Three Investigators (not that there’s anything wrong with Alfred Hitchcock and the Three Investigators — those books rule.)

I was thoroughly captivated by both novels, and afterwards began looking for anything labeled “science fiction.” One of the first items I found was Jacques Sadoul’s 2000 A.D: Illustrations From the Golden Age of Science Fiction Pulps, a dazzling art book containing hundreds of illustrations from American SF and fantasy pulps — showing stalwart men and women piloting spaceships into the dark reaches of space, curious aliens, sinister robots, mist-covered landscapes on far planets, and stranger things. It ignited a burning curiosity in me for all things pulp-related, and I began to haunt bookstores looking for any relics of that bygone era of pulp SF.

Shortly after we moved to Ottawa in 1976, I discovered that Canada’s capital was crowded with old bookstores, many of them hidden away in small shops on Bank Street and Sparks Street in the heart of downtown. I took the bus downtown every Saturday, returning home with bags filled with marvelous old paperbacks. It was in those crowded old shops that I first discovered Roger Zelazny, Robert Silverberg, Poul Anderson, H.P. Lovecraft, A. Merritt, and countless others.

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Future Treasures: Of Noble Family by Mary Robinette Kowal

Future Treasures: Of Noble Family by Mary Robinette Kowal

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Of Noble Family-smallOf Noble Family, the fifth and final novel in Mary Robinette Kowal’s popular Glamourist Histories, is due to arrive later this month.

The first novel, Shades of Milk and Honey, was nominated for a Nebula Award. The previous four books in the series are:

Shades of Milk and Honey (2010)
Glamour in Glass(2012)
Without a Summer (2013)
Valour and Vanity (2014)

I had the good fortune to hear Mary read from Valour and Vanity at Capricon last year, where she talked about the effort involved in ensuring the language in these novels is appropriate for the time — including creating a Jane Austen dictionary, and making heavy use of the Oxford historical concordance, which lists words in the order in which they appeared in the English language.

Mary is also a high-profile author here in Chicago, and I first met Wesley Chu at the launch party for Without a Summer in 2013.

Here’s the description for Of Noble Family.

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Goth Chick News: Arnold Schwarzenegger (is not) the Zombie Terminator

Goth Chick News: Arnold Schwarzenegger (is not) the Zombie Terminator

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Arnold Schwarzenegger may be back in his cold steel Terminator role later this year, but first it looks like he’s going to get all warm and gooey.

In a new film called Maggie, Schwarzenegger plays a loving father to a teen daughter he’s doing his best to protect at the peak of a zombie apocalypse. When Maggie becomes infected, the all-consuming virus begins to transform her into an undead creature with a budding appetite for human brains. Wade stands by her and attempts to ward off the authorities who are trying to collect her for quarantine and termination. Though her condition worsens, Wade is firm in his love; although Maggie would like him to save himself from the disease that is undoing her humanity.

Schwarzenegger manages all this while dropping only a few manly tears and sporting a grief beard that would put Tyrion Lannister to shame; though I’ll bet you an adult beverage that sometime before the credits roll we’ll see Arnie doing what he does best, involving fire and heavy weaponry.

Freshman Henry Hobson is in the director’s chair, and Abigail Breslin (Little Miss Sunshine and Zombieland) stars as Schwarzenegger’s ill-fated daughter. Maggie is scheduled to hit theaters May 8th.

George R.R. Martin Offers a New Excerpt from The Winds of Winter

George R.R. Martin Offers a New Excerpt from The Winds of Winter

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Martin The Winds of Winter-smallBack in January we reported that The Winds of Winter, the sixth book in George R.R. Martin’s epic Song of Ice and Fire series, will not arrive this year, as some readers had hoped.

But to soothe the pain a little, Martin has been releasing small bits from the novel at his website. This morning he offered up a brand new chapter, featuring the return of a character who’s been absent for a long time. Here’s a small sample.

Alayne loved it here. She felt alive again, for the first since her father… since Lord Eddard Stark had died.

She closed the window, gathered up the fallen papers, and stacked them on the table. One was a list of the competitors. Four-and-sixty knights had been invited to vie for places amongst Lord Robert Arryn’s new Brotherhood of Winged Knights, and four­ and-sixty knights had come to tilt for the right to wear falcon’s wings upon their warhelms and guard their lord.

The competitors came from all over the Vale, from the mountain valleys and the coast, from Gulltown and the Bloody Gate, even the Three Sisters. Though a few were promised, only three were wed; the eight victors would be expected to spend the next three years at Lord Robert’s side, as his own personal guard (Alayne had suggested seven, like the Kingsguard, but Sweetrobin had insisted that he must have more knights than King Tommen), so older men with wives and children had not been invited.

And they came, Alayne thought proudly. They all came.

Read the complete chapter here, and the lengthy summary of everything we know about the novel so far over at Tor.com.