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Month: December 2014

Art of the Genre: Playing D&D 5E and an In-Depth Look at the new DMG

Art of the Genre: Playing D&D 5E and an In-Depth Look at the new DMG

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The new 5E artwork reflects Chris Nolan's Dark Knight, which upon reflection might not be such a great thing.
The new 5E artwork reflects Chris Nolan’s Dark Knight, which upon reflection might not be such a great thing.

I’ve spoken a bit in the past about both the 5E Player’s Handbook, as well as the Monster Manual, but today I’d like to take a more in-depth look at the system and the new Dungeon Master’s Guide that will be released this week (the 9th) from Wizards of the Coast.

Unlike my fearless editor John O’Neill, I’m actually going to give you a look at the product beyond reading the jacked cover. [Sorry John, but I couldn’t resist.]

So, let’s get started. My initial impression of D&D 5E was that I wouldn’t be interested in learning a new system as I hadn’t even attempted to pick up D&D 4E. However, after reading the Player’s Handbook, I was intrigued, as were my gaming friends, who had recently returned to playing traditional Advanced Dungeons & Dragons in 2011 after a two year romance with Pathfinder.

Their interest, as well as a thorough read of the PHB, had me wanting to see how the system played on a table. Luckily, in early November, I got the chance to go back to my home town for a weekend in which an extended 5E session was planned.

Delving into the mechanics once more, I designed two characters, both from my Fleetwood family tree, and had the opportunity to lay hands on the system in a way a simple read won’t allow. Character creation, as any gamer knows, is paramount in getting your feet wet, and so once I had characters in hand I was even more excited to see how my abilities would interact with dice, once play began.

As per our usual dynamic, the DM duties were shared by both myself, running the social aspect of the campaign, and my old DM Mark, who ran the traditional dungeon delve side of a new campaign entitled ‘The Runelands of Daro’, set in my Nameless Realms.

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Book Pairings: Queen Victoria’s Book of Spells and Royal Airs

Book Pairings: Queen Victoria’s Book of Spells and Royal Airs

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Queen Victoria’s Book of Spells-smallAh, a rainy night in December.

I was going to try to augment my blogging-to-raindrops experience by listening to Chopin, but after iTunes had been pianoing at me for a while, I admitted defeat, and realized once more that it’s difficult for me to blog and listen to music at the same time. (Hildegard of Bingen is, of course, an exception to this rule. Sometimes.)

Tonight I am feeling VIRTUOUS and TRIUMPHANT, for I have AT LONG LAST finished Queen Victoria’s Book of Spells, followed by a reread of Sharon Shinn’s Royal Airs. I thought these two books would make a fine complementary pair of Gaslamp Fantasies You Might Like To Read.

Let’s start with Queen Victoria’s Book of Spells.

First of all… It took me LONG ENOUGH! Sigh. Have I told you how long it takes me to read an anthology? Any anthology? I think I did, way back in my Welcome to Bordertown blogging days. But don’t worry if you never read those three monster blogs o’ mine (although you should, because they are CHARMING and INFORMATIVE, and also go ahead and read the anthology itself if you haven’t, because that’s GREAT TOO); like Inigo Montoyo, I will sum up.

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Comic Fandom Coolness: The Women of Marvel Podcast

Comic Fandom Coolness: The Women of Marvel Podcast

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wom3From 2008 to about 2011, when I was reviewing comics for the most excellent Weekly Comic Book Review.com, I was reading very widely: the big two, Image, some Dark Horse, a lot of Dynamite, with some Avatar and BOOM! scattered in there. I did that because while I was reviewing, I wanted to make sure I had a good grasp of the styles and tones and mandates of as much of the comics field as I could.

A great way to keep on top of meta-developments were podcasts. I listened to the Mighty Marvel Podcast, the Dynamite Podcasts, and many of the DC podcasts. They were a lot of fun, usually filled with fanboy squee, and often sales garnishing, but the sales pitch is hardly unexpected.

After a bit of a hiatus, when I built up more of my own writing career, I decided to come back to both comics and some of their podcasts. I don’t remember how I found out about them four weeks ago (don’t ask me where my brain went), but I’ve been loving the heck out of the Women of Marvel Podcast.

They only started their podcast in June, so it was easy to catch up. I downloaded about twenty, loaded them onto my mobile and started listening to them on my commute. While the sound quality is sometimes so poor that I’m straining to hear, the content is top shelf.

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New Treasures: Dark Fusions – Where Monsters Lurk!, edited by Lois H. Gresh

New Treasures: Dark Fusions – Where Monsters Lurk!, edited by Lois H. Gresh

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Dark Fusion Where Monsters Lurk-smallA month ago, I was wandering the Dealer’s Rooms at the World Fantasy Convention like a kid in a candy store, finding treasure after treasure. I’ve already written about the great finds I made at the Valancourt and Hippocampus Press tables, and Daryl Gregory’s We Are All Completely Fine.

But if I’d had to leave the convention with only one book, I think it would have been a pretty simple choice. Lois H. Gresh, author of Blood and Ice and The Twilight Companion, and PS Publishing have teamed up to produce a glorious anthology of “weird tales, dark science fiction, dark fantasy, and pure horror” tales, Dark Fusions, subtitled Where Monsters Lurk!

It was released in a limited edition hardcover last year, but I didn’t set eyes on it until this year. Packed with original short stories by Cody Goodfellow, Darrell Schweitzer, Nancy Kilpatrick, James Alan Gardner, Yvonne Navarro, Mark McLaughlin, Robert M. Price, and many others, I knew I wanted this one the moment I set eyes on it.

Sometimes, darkness is internal, generated by our minds or bodies. Sometimes, it’s due to external devices, such as monsters, shadows, or lurking dangers. A dark fantasy story requires an otherworld, an imaginary realm, a supernatural story requires a creature or event that exists beyond our natural universe, and a dark science fiction story revolves around science gone bad.

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Fantasy Keeps You Young

Fantasy Keeps You Young

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John O'Neill at Capricon 2014 (photo by Patty Templeton)
John O’Neill at Capricon 2014 (photo by Patty Templeton)

Some years before I started Black Gate magazine, I was editing a science fiction fan site called SF Site. It’s still going strong today, managed by my old partners Rodger Turner and Neil Walsh in Ottawa. It was nominated for a Hugo award in 2002, and a World Fantasy Award in 2006; in 2002, it won the Locus Award for best webzine.

Anyway, before all that fame and glory, I was still struggling to get the damn site off the ground. That meant a lot of hard work, writing and posting articles that nobody read, late into the night. Around 1997 or so, I hit on an idea to give my site a higher profile: offering free hosting to the major SF and fantasy magazines, none of which had websites at the time. This worked splendidly, and over the next few years, Rodger and I launched sites for Analog, F&SF, SF Chronicle, and many others (meaning that I made a lot of phone calls, and Rodger did all the actual work.)

In 1998, shortly after we launched the Asimov’s SF site, I wrote A Brief History of Asimov’s Science Fiction Magazine, to celebrate the magazine coming on board. I wrote about finding the second issue in 1977, the summer I discovered SF magazines. In my first draft, I said something about Asimov looking elderly and distinguished on the cover.

I ran the draft past Sheila Williams, then Executive Editor of Asimov’s, and received a very cranky note in return. She strongly objected to my wording, saying “Isaac was barely fifty when that photo was taken — hardly elderly!” I puzzled over that for a long, long time. What did she mean, exactly? It didn’t make any sense. Finally, I had an epiphany. Sheila was probably really old, too. She might even be approaching 50 herself! And as everyone knew, old people shouted at everybody, and didn’t make much sense. I tweaked my wording enough to pacify her and we published the article.

I’ve thought about that exchange a few times since I turned 50, just a few months ago.

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Benedict Cumberbatch Confirmed as Doctor Strange

Benedict Cumberbatch Confirmed as Doctor Strange

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Benedict CumberbatchA few weeks ago, Marvel Studios leaked that it was in discussions with Benedict Cumberbatch to take the lead role role in its upcoming superhero film Doctor Strange. Several outlets picked it up as a news story, but I thought it was strange. Who announces they’re “in talks?” Don’t you keep that quiet until terms are concluded? Cumberbatch is about as hot as a young actor can get, what with the title role in Sherlock, and his roles in Star Trek: Into Darkness, The Hobbit, and The Imitation Game. Making a big noise in the press about your top choice before you even start negotiating seems like a sure way to drive up the price for the talent — or to end up disappointing fans.

Well, either Marvel knew the outcome in advance, or they just really know what they’re doing, as this week they announced they’d reached terms with Cumberbatch. He will appear in the film version of Doctor Strange, to be released in 2016 as part of Phase 3 of the Marvel Cinematic Universe. Producer Kevin Feige said:

Stephen Strange’s story requires an actor capable of great depth and sincerity. In 2016, Benedict will show audiences what makes Doctor Strange such a unique and compelling character.

Doctor Strange was created by Stan Lee and Steve Ditko in 1963 (not long after they co-created Spider-man). As I said when we first discussed it here, I hope the film draws inspiration from Ditko’s fantastic art, and especially the way he portrayed the dimension-hopping adventures of his sorcerer-hero. Marvel announced the director would be Scott Derrickson (who directed the fabulously creepy Sinister, and Deliver Us from Evil), back in June.

Doctor Strange is scheduled to be released in November 4, 2016. It will be directed by Scott Derrickson, from a screenplay by Jon Spaihts (Prometheus).

Blogging Sax Rohmer… In the Beginning, Part Five

Blogging Sax Rohmer… In the Beginning, Part Five

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Sax-Rohmer-smallSax Rohmer 2-small“The Secret of Holm Peel” was first published in Cassell’s in December 1912 and was the last story Arthur Henry Ward published under the byline of Sarsfield Ward (having dropped the first initial A.).

Rohmer scholar Robert E. Briney rescued it from obscurity for the 1970 Ace paperback Rohmer collection of the same name. Many years later, Gene Christie selected the story for inclusion in the first volume of Black Dog Books’ Sax Rohmer Library, The Green Spider and Other Forgotten Tales of Mystery and Suspense, in 2011.

The story’s inspiration can be found in Rohmer’s article, “The Phantom Hound of Holm Peel,” which was first published in Empire News in February 1938 and was later collected by Rohmer scholars Dr. Lawrence Knapp and John Robert Colombo in the 2012 Battered Silicon Dispatch Box collection of Rohmer’s articles, Pipe Dreams: Occasional Writings of Sax Rohmer. The article was also recounted by Rohmer’s widow, Elizabeth Sax Rohmer, and his former assistant, Cay Van Ash, in their 1972 biography of the author, Master of Villainy, as well as by the aforementioned John Robert Colombo in his 2014 collection, A Rohmer Miscellany.

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Vintage Treasures: The Compleat Werewolf, by Anthony Boucher

Vintage Treasures: The Compleat Werewolf, by Anthony Boucher

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The Compleat Werewolf-smallI like classic werewolf tales, in much the same way I like old-fashioned vampire stories. Tales of spooky nights, full moons, and ancient family curses are both frightening and warmly familiar.

Along with J. Francis McComas, Anthony Boucher was the the founding editor of The Magazine of Fantasy & Science Fiction; he edited the magazine from 1949 to 1958, winning the Hugo Award twice for his efforts. He was equally acclaimed for his mystery novels, including Nine Times Nine (1940) and Rocket to the Morgue (1942), which featured thinly-disguised versions of Robert A. Heinlein, L. Ron Hubbard, Julius Schwartz, Henry Kuttner, Jack Williamson, Edmond Hamilton and John W. Campbell. He died in 1968. His 1969 collection The Compleat Werewolf is a delightful gathering of SF and fantasy tales originally published in the pulp magazines Unknown Worlds, Adventure, Astounding Science-Fiction, Weird Tales, and Thrilling Wonder Stories. Here’s the book description.

Anthony Boucher was long known as an important book critic and editor, master of languages and successful novelist. He was also a superb short story writer of science fiction and fantasy: inventive, prolific- and always entertaining.

The stories and novelettes in this titanic collection were chosen for the sheer virtuosity of their themes, moods, backgrounds; for their insights; for their laughter. They are wonderfully peopled by moth-eaten little demons, grim interplanetary predators, rebellious androids and dopplegangers; by humans with otherworld talents; and finally, not least, by one very special werewolf.

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What’s Your Motive?

What’s Your Motive?

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West House War 5I been known, when on my way to my writing desk, to stop to do the dishes, fold the laundry, clean the cat box, repaint the spare bedroom – you know, anything to avoid actually sitting down to write. And this despite the fact that I have a contract to do so, and a deadline.

What about deadlines? How well do they work as motivators? Some people, like Michelle West, just can’t write with something looming over them like that. Others can’t seem to write without one. It reminds me of the time a bunch of us were sitting around in the pub talking about “pulling an all-nighter.” The excuse for this procrastination (and we’ve all used it) is usually “I do my best work under pressure.” On this particular day, I heard the perfect response to that excuse: “Honey, you do your ONLY work under pressure.”

I don’t know anyone who hasn’t, at some point or another, for one reason or another, had to motivate themselves to write. The question is: How?

Most of us really intend to write. Most of us are okay once we get started. Daily word count is actually is a pretty good motivator to keep going once you start; the trick is to get started.

Many people use a form of peer pressure. They’re part of a critique group, say, maybe for NaNoWriMo, and they’ve got to produce a certain amount by the time the group meets or shares or whatever. But, I hear you saying, that’s really a deadline, isn’t it? Sure, but the idea of showing up empty handed on the day, when everyone else there has something to show, can be a great motivator for people, much more so than the idea of sending an apologetic email to your editor.

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Goth Chick News: Coffins as Marketing Material? You Betcha!

Goth Chick News: Coffins as Marketing Material? You Betcha!

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Edgar Allan Paws and the Tell-Tale Tail-smallI’m often asked how one goes about getting their stories published — or even talked about — in Black Gate.

This generally leads to a somewhat uncomfortable conversation about the various viable options for attracting the attention of our Editor and Chief (aka “The Big Cheese”) John O’Neill – beyond never, ever forgetting to capitalize his various monikers when corresponding.

To get mentioned in Goth Chick News, the criteria for entre is less strenuous, if somewhat more narrow: do something uniquely creepy, but never gratuitously violent (anyone can throw blood around, after all). If you are going to tell me a story, make it a good one. Because there’s nothing worse than willingly following someone into a tale, only to be “shaken awake” by meandering plots, vampires who sparkle or, of course, a pointlessly high gross-out factor.

Or you can just deliver me a coffin – every girl has her weakness.

That’s precisely what author Charles M. Kline chose to do in promoting his upcoming ingenious title, Tales of the Grotesque and Felinesque by Edgar Allen Paws.

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