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Month: September 2014

Vintage Treasures: Mustapha and his Wise Dog by Esther M. Friesner

Vintage Treasures: Mustapha and his Wise Dog by Esther M. Friesner

Mustapha and his Wise Dog-smallEsther M. Friesner’s first novel, Mustapha and his Wise Dog, was a considerable success and it launched her lengthy and very productive career as a fantasy author and editor. Since it appeared in 1985, she has produced over 40 novels, over half a dozen anthologies, and more than 180 short stories.

Mustapha was a humorous fantasy and, at a slender 175 pages, a very quick read. It was also one of the few fantasies with an Arabian setting on the shelves in the mid-80s (or even today, for that matter). It became the first of the four-volume Chronicles of the Twelve Kingdoms series, which continued in Spells of Mortal Weaving (1986), The Witchwood Cradle (1987), and The Water King’s Laughter (1989). Here’s the book description:

Spells, Enchantment, and Treachery

Some tales are told for gold; some for joy. But who would guess the ancient storyteller’s purpose in beguiling the children of the bazaar with the strange story of Mustapha and His Wise Dog…

Mustapha, young and clever, was outcast by his own brothers to wander in a dangerous land with only his magical, mischievous dog Elcoloq at his side. They were the unlikely warriors chosen by the gods to challenge the evil rising to threaten the world. They were the defiant ones willing to venture into the kingdom of powerful warlocks and seductive witches only to discover the fantastic journey yet awaiting them… a destiny of unforgettable adventure filled with dread demons and a treacherous lady… an awesome odyssey to a country of death, beauty… and a storyteller’s secret.

Mustapha and his Wise Dog was published in 1985 by Avon Books. It is 175 pages, priced at $2.95 in paperback. The gorgeous cover art is, sadly, uncredited. The book has been out of print for over 25 years and there is no digital edition. Used copies are easy enough to find, but this is one title ripe for a new edition — digital or otherwise.

Goth Chick News Crypt Notes: Holy Millennium Falcon Han Solo!

Goth Chick News Crypt Notes: Holy Millennium Falcon Han Solo!

Holy Millenium Falcon Han SoloWhere Star Wars is concerned, even a goth chick can go fan-girl.

Just in from the UK today: A pilot taking publicity photos for a flying school accidentally buzzed one of the sets of the new Star Wars movie with pretty impressive, if unintentional, results.

Matthew Myatt originally thought his pictures were of experiment aircraft at the Greenham Common airfield in Berkshire, England. Greenham Common is a former RAF airbase. Myatt was photographing one plane from another and it wasn’t until he got back and started reviewing his images that he realized what he had captured: none other than a partially built Millennium Falcon and an X-Wing fighter.

It appears that, at least in part, director J.J. Abrams will use models for filming rather than pure CGI. As one excited fan wrote on www.theforce.net, “Who’d’ve guessed filmmakers still build physical models?” and “Looks like the Falcon got a paint job!”

Star Wars is due out in December, 2015

Segundo de Chomón: Forgotten Fantasist of Silent Film

Segundo de Chomón: Forgotten Fantasist of Silent Film

Voyage to Jupiter, 1909.
Voyage to Jupiter, 1909.

Fantasy, science fiction, and horror themes have been in the movies since almost the beginning. During the first few experimental years, movies consisted of simple scenes such as a man sneezing or a train pulling into the station, but soon that novelty wore off and audiences wanted stories. Since the medium itself seemed almost magical, directors began to experiment with the fantastic in order to tell gripping tales.

Most film buffs know of Georges Méliès and his 1902 Trip to the Moon, generally considered the first science fiction film. Méliès started out as a stage magician so it’s not surprising he added an element of the fantastic in his pioneering movies. Other early filmmakers such as Auguste and Louis Lumière and Thomas Edison tended to film realistic subjects or historical/adventure stories, although Edison did make a version of Frankenstein in 1910.

Lost amid these famous names is a man who did as much for the development of fantastic film as any of them. The Spanish director Segundo de Chomón pioneered many early special effects techniques and worked on some two hundred films. Having spent much of his career in France and Italy, he’s been claimed by no country and thus has fallen through the cracks of history.

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Graham Joyce, October 22, 1954 – September 9, 2014

Graham Joyce, October 22, 1954 – September 9, 2014

Graham Joyce-smallGraham Joyce, the World Fantasy Award winning writer of The Facts of Life, The Tooth Fairy, and Some Kind of Fairy Tale, died yesterday of lymphoma. His first novel, Dreamside, was published in 1991. He followed it a year later with Dark Sister, the first of his many fantasy novels to be nominated for (and win) the British Fantasy Award. All told, he won the British Fantasy Award for best novel a total of six times, for Requiem (1995), The Tooth Fairy (1996), The Stormwatcher (1998), How To Make Friends With Demons (2009), and Some Kind of Fairy Tale (2012). His 2002 novel The Facts of Life won the World Fantasy Award; his final novel, The Ghost in the Electric Blue Suit (published in the UK as The Year of the Ladybird in 2013) was released in 2014.

I met Joyce only a handful of times, most recently at the World Fantasy Convention in San Diego in 2011, where he entertained the Black Gate team — including Katie Redding, Scott Taylor, and I — with his stories and his relentless energy. A month ago Graham wrote of his diagnosis in a powerful post in his blog:

This is what I mean by the shocking clarity that cancer brings… if a dragonfly buzzes my ear like an aeroplane I’ll still be going, ‘What did it say?‘ Because the screw that has for so long been loose in me hasn’t been tightened by cancer. Actually I know what the dragonfly said. It whispered: I have inhabited this earth for three hundred million years old and I can’t answer these mysteries; just cherish it all.

And in turn the Heron asks, with shocking clarity as it flies from right to left and left to right: why can’t our job here on earth be simply to inspire each other?

Graham Joyce died on September 9th, at the age of 59. He is survived by his wife Suzanne and their two children. He will be missed.

Future Treasures: Shattered Shields, edited by Jennifer Brozek and Bryan Thomas Schmidt

Future Treasures: Shattered Shields, edited by Jennifer Brozek and Bryan Thomas Schmidt

Shattered Sheilds-smallWell, here’s a fun thing: an upcoming anthology packed with tales of epic battles and soldiers struggling against overwhelming odds, with a stellar cast of contributors.

Shattered Shields is edited Jennifer Brozek and Bryan Thomas Schmidt, and will be available in November. Jennifer — who got her start as an RPG reviewer in Black Gate magazine back in 2002 — has previously edited no less than ten anthologies, including Space Tramps and Human for a Day. Her co-editor Bryan Thomas Schmidt has also edited Space Battles and Beyond The Sun, among others.

The book includes a brand new Black Company story from Glen Cook, a Paksenarrion tale from Elizabeth Moon, a Runelords story by David Farland, a tale of October Daye from Seanan McGuire — and a story set in the World of Zang by our very own John R. Fultz. Here’s John on his story:

“Yael of the Strings” is my contribution…  Most of the Zang Cycle stories were collected this year in The Revelations of Zang, but this is a brand-new excursion into that world. The protagonist isn’t a soldier at all, but a minstrel whose fencing skills become his only chance at survival when the red tide of battle overwhelms. “Strings” revisits the nation of Ghoth with its behemoth spiders (from “Oblivion Is the Sweetest Wine”), and introduces Sharoc, Land of the Griffon.

Readers who remember John’s terrific sword and sorcery tale, “Oblivion Is the Sweetest Wine” (from Black Gate 12) will surely want this one. Other contributors include Cat Rambo, Robin Wayne Bailey, Dave Gross, James L. Sutter, and many others.

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Art of the Genre: Art of the Iconic Female #5: Princess Leia

Art of the Genre: Art of the Iconic Female #5: Princess Leia

fa832e1c671c8fb5638dadc8425630da-d5lc2cf-industry-reacts-to-star-wars-episode-vii-s-lack-of-womenToday continues the Art of the Genre series on the Iconic Female.  If you’ve missed any of the others, click on the hotlinks to find #1, #2, #3, and #4, and now on to the good stuff!

I was six when Star Wars was initially released.  I did get to see it in the theater, but I more remember the feel of the venue and the oddity of the aliens rather than if I had an emotional attachment to Princess Leia.  I know I must have enjoyed the film because my house quickly filled up with Star Wars figures, posters, and memorabilia, but none of this led to a particular ‘love’ of Leia.  Honestly, the only true memory of Leia I had in those early days was that her very thin and small laser pistol was lost when I tried to put her in Luke’s landspeeder.  To this day, I swear it is still ingeniously stuck inside that toy even though the odds are that it was devoured by my mother’s two inch shag carpeting where the incident occurred.

Nonetheless, Leia didn’t ‘blossom’ for me until the release of Empire Strikes Back, where, like Han Solo himself, I became smitten with her.  By this point, in 1980, I was a precocious nine year-old who was just beginning to truly understand that girls had more to offer than all my friends had previously surmised.  I well remember my Cloud City play-set, and the outstanding Han Solo figure with blue jacket that could stand proudly beside the intricately woven hair of Cloud City Leia.  I’m also pretty sure this was the first time I ever saw a kiss onscreen that didn’t make me look away, so certainly some things were readily changing in my view of this iconic character.

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In the Mail

In the Mail

AE08Despite what my post last week may have implied, I too have been culling my RPG collection. This isn’t driven so much by a concern about space – that’s what garages are for, after all – but utility. In the thirty-five years I’ve been involved in this hobby, I’ve accumulated a lot of games, but how many of them do I actually play with any regularity? Heck, how many of them do I play at all?

The answers to those questions are surprisingly short, as I’ve discussed before. Of course, I’m not so stonyhearted that I’d consign to the flames (or at least eBay) any RPG I hadn’t played in the last year or two. I’m a hopelessly sentimental guy who revels in nostalgia and youthful memories. That’s why I keep around Gamma World and Gangbusters, neither of which I’ve played in decades. I used to play these games with great regularity and I hold out hope that I will get to do so again (plans are afoot for a new Gamma World campaign later this month!). But Blue Planet or Spycraft or even D&D settings like Planescape or Dark Sun? Nah.

Overall, then, my RPG collection is growing smaller, though I prefer to think of it as growing more “focused.” That said, its size isn’t wholly on a downward trend. That’s because, while I’m buying very few new games, I’m continuing – even increasing – my purchase of RPG fanzines.

When I was a kid, gaming fanzines weren’t on my radar. I read Dragon and, later, White Dwarf, and was vaguely aware of Different Worlds, but all three of those were professional magazines produced by game companies rather than photocopied (or “Xeroxed,” as we said back in the day) pages lovingly stapled together in someone’s basement and then sent through the mail. I dimly recall hearing about Alarums & Excursions, probably from one of the older guys who hung around the hobby shop, though, as they would have been quick to point out, A&E is an amateur press association, not a ‘zine, a distinction that’s still somewhat obscure to me even today.

Regardless, fanzines played a vital role in the early days of the hobby, disseminating not only news and reviews, but also ideas derived from what players and referees were actually doing with RPGs at the time. Reading them, one could see the myriad ways that roleplaying games were being interpreted and expanded upon, which in turn sometimes gave birth to whole new games and approaches to gaming, something that, even now, sets them apart from the slicker, better produced “pro ‘zines” that followed in their wake.

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The 2014 British Fantasy Award Winners Announced

The 2014 British Fantasy Award Winners Announced

A Stranger in Olondria-smallThe 2014 British Fantasy Award winners have been announced, and once again I’m reminded that there’s a lot of fantastic fantasy out there I’m not reading.

Every year, while I’m struggling to catch up on Henry Kuttner short stories I haven’t read or something, another must-read fantasy escapes me. This year it appears to be Sofia Samatar’s A Stranger in Olondria, which so far has been nominated for the Nebula and World Fantasy Awards. On Sunday, it also won the British Fantasy Award for Best Fantasy novel (also know as the Robert Holdstock award.)

We haven’t reported consistently on the British Fantasy Awards in the past and, looking back, that was an obvious error in judgment. They’ve selected some terrific winners over the years and it’s time we paid more attention. Besides, they have an award named after Karl Edward Wagner — that alone should make them noteworthy.

The complete award list follows.

Best Fantasy Novel (the Robert Holdstock Award):

A Stranger in Olondria, Sofia Samatar (Small Beer Press)

Best Horror novel (the August Derleth Award):

 The Shining Girls, Lauren Beukes (HarperCollins)

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August Short Story Roundup

August Short Story Roundup

oie_955935TUQkHqmzFive weeks off have done a lot to recharge my batteries. Among other things, I actually read several books that are not swords & sorcery in the slightest. Among them were Tinker, Tailor, Soldier, Spy and The Honourable Schoolboy by John LeCarre (rereads both), The Children of Old Leech edited by Russ Lockhart and Justin Steele, Killer Move by Michael Marshall, and Miami Blues by Charles Willeford (also a reread). I recommend all of them highly.

I also read the first of Rafael Sabatini’s Captain Blood books, Brethren of the Main, and am in the midst of reading The Chronicles of Captain Blood. I can place the revival of my obsession with pirates at Howard Andrew Jones’s and my seven-year-old nephew’s feet. These are books you will definitely be hearing about in the near future.

But enough blather; I’m here to fill you in on the past month’s S&S shorts. Between Swords and Sorcery Magazine #31 and Heroic Fantasy Quarterly #21, six new stories made their appearances this past August. You may not love every story or even the ones I do, but I can never stress strongly enough the need to check them out for yourself. The authors and editors need to know there’s an audience for the work they’re doing.

As he has every month for the past two and half years, Curtis Ellett presented two new stories in his most recent issue of Swords and Sorcery Magazine. In the first, “Red Cat’s Marriage” by Melanie Henry, the skillfully manipulative daughter of a king brings dire consequences down on herself when she tricks a man into marriage. While well written, it’s not suspenseful nor really fantasy, let alone swords & sorcery.
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Paul Miller’s “A Promise Made” is nice meat-and-potatoes S&S. It’s right on target, giving the reader a heroic sword-wielding main character, a dangerous world filled with deadly denizens, and innocents in peril needing rescue. The Blademistress is a supernaturally gifted warrior working as a guard on a caravan in a world that has fallen to the forces of darkness. She’s determined and more than ready to do whatever is necessary to honor her promises — even to the point of death. Among the many evils haunting her world are the Fallen.

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Take Zombies Seriously: The Pentagon, Mayo Clinic Researchers, and U.S. Centers for Disease Control All Do

Take Zombies Seriously: The Pentagon, Mayo Clinic Researchers, and U.S. Centers for Disease Control All Do

are-you-ready-for-a-zombie-attack_1First there was the much-ballyhooed U.S. Strategic Command document discovered earlier this year outlining a plan of action in case of a zombie apocalypse (read the CNN report HERE). Then the Centers for Disease Control and Prevention capitalized on the zombie zeitgeist with their campaign for zombie outbreak preparedness (HERE). Even researchers from the Mayo Clinic, the top-ranked hospital in the United States, have participated in “Bounce Day,” which describes itself as “an integrated disaster response experience” that simulates a zombie plague (HERE).

Such stories are noteworthy and amusing, especially to a horror maven such as myself, but perhaps they aren’t as surprising as some folks may first think. Really, they make perfect sense.

Protocols for dealing with a zombie outbreak are pretty similar to those for virtually any pandemic (minus gunshots to the head). As the Bounce Day blog notes, using “actors simulating illness (zombies) and those affected by the crumbling of society” in such training scenarios helps “participants [learn] both medical and nonmedical response protocols ranging from vaccination and treatment to refugee camp management and security.” In other words, even though zombies don’t exist, the skills we would need to utilize in order to contain them are highly practical for many real-world threats (avian flu, Ebola — take your pick of scary viruses that keep World Health Organization officials up at night).

Zombies provide a fill-in-the-blank marker for such quarantine situations — a growling, rot-faced placeholder for any number of nightmare scenarios. Ironically, by giving such hypothetical scenarios the zombie veneer, you make them less scary. Practicing for a bird-flu pandemic is kind of depressing, and really kind of terrifying. Zombies are fun because they don’t exist. Hence we have an illustration of how monsters are often used to sublimate real fears under the guise of stand-in bogeymen. We can deal with our real fears at one level removed, without having to cogitate on them directly.

And as an added bonus: in the unlikely event the dead do start rising again with a hunger for human flesh — hey, we’ll be prepared for that too.