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Month: September 2014

Forbes on the World’s Top-Earning Authors

Forbes on the World’s Top-Earning Authors

Veronica Roth joins Forbes list of highest-earning authors for the first time
Veronica Roth joins Forbes list of highest-earning authors for the first time

Forbes Magazine reported on the World’s Top-Earning Authors this week and as always the list includes several genre writers — and a few new names.

Twenty-six year old Veronica Roth, author of the Divergent series, joins the list for the first time at #7 — ahead of John Grisham, Stephen King, and J.K. Rowling. Once again, James Patterson tops the list, as he has for the last several years, earning $90 million in 2013. He produced an amazing 14 books last year (same as the previous year), most written with an assortment of co-authors; his novels account for one out of every 17 hardcover novels purchased in the United States. His successful series include the Alex Cross and Michael Bennett titles; in addition to adult fiction, he’s also the bestselling living author of young adult and middle grade books.

Next on the list is Dan Brown at $28 million, mostly on the successof  Inferno, the fourth in his Robert Langdon series (The Da Vinci Code and others), which sold more than 1.4 million copies in the U.S. Third and fourth are Nora Roberts and Danielle Steel.

I was pleased to see Diary of a Wimpy Kid author Jeff Kinney on the list at #6; Hunger Games author Suzanne Collins ranks #10, and George R.R. Martin clocks in at #12. The top authors on the list are as follows.

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Self-Publishing Checklist: The Random No One Tells You, Part II

Self-Publishing Checklist: The Random No One Tells You, Part II

Patty Templeton's Self-publishing Checklist-smallIn Part One of this series, we looked at Firming Out Your Expectations, Picking Your Publisher, and how to do a Reality Check on Your Book Format.

How are we doing so far? Still okay? Good.

So you have a manuscript. You have decided on a publisher. You know weird tips about how your book’s format can affect its price and distribution. Now what?

4. Find or Commission Art

  • What is your vision for your front cover, back cover, and spine?
  • What are examples of books you admire that are in your book’s genre?
  • Do you want to create your own cover, hire someone to do it, or hire your POD publisher to do it?
  • What artists do you admire who fit the tone of your book?

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Alan Moore Completes 1 Million+ Word Historical Fantasy Novel, Jerusalem

Alan Moore Completes 1 Million+ Word Historical Fantasy Novel, Jerusalem

Alan-Moore-smallAlan Moore’s daughter Leah has posted a report on Facebook that her father has completed the first draft of his second novel, Jerusalem, and that the draft clocks in at more than one million words.

To give you a sense of perspective, that’s more than five times the length of Dune (186,000 words), and twice the length of all three novels of The Lord of the Rings (473,000 words). As The A.V. Club puts it, “Alan Moore wrote a novel so heavy even he can’t lift it.”

Jerusalem reportedly examines history of a small section of Moore’s native Northhampton, with chapters written in dramatically different styles. Here’s Moore’s description:

I’ve done a chapter that’s like a mid-sixties New Wave, New Worlds Michael Moorcock-era science fiction story. There’s one that’s like a piece of noir fiction. It’s all these different styles…

In some ways, the book sounds similar to his first novel, The Voice of the Fire, which portrayed 6,000 years of English history by following twelve different characters in the same region of central England. As Comics Beat points out, it’s also similar in some respects to his unfinished comic opus Big Numbers.

Alan Moore is the writer of some of the most famous comics of the 20th Century, including Watchmen, V for Vendetta, Swamp Thing, From Hell, and The League of Extraordinary Gentlemen. Moore does not yet have a publisher for the mammoth tome.

New Treasures: The Ghost Pirates and Others: The Best of William Hope Hodgson by William Hope Hodgson

New Treasures: The Ghost Pirates and Others: The Best of William Hope Hodgson by William Hope Hodgson

The Ghost Pirates and Others-smallNearly ten years ago, I bought The Collected Fiction of William Hope Hodgson, a five volume set from Night Shade Books. It’s a terrific group of hardcovers, with eye-catching cover art by Jason Van Hollander, and there’s no reason anyone who possesses that handsome collection would ever need to spend another penny on William Hope Hodgson.

And yet here I am, shelling out for The Ghost Pirates and Others, a beautiful trade paperback collection of the best short fiction of William Hope Hodgson, selected and edited by Jeremy Lassen. Maybe it’s the marvelously spooky cover. Maybe it’s the thought of having Hodgson’s best, including his finest Carnacki tales and the famous title story, under one cover, where I can curl up with it in my big green chair. Or maybe, as my wife Alice suggests, it’s a compulsion and I need psychiatric help. You decide — I’m busy with my latest treasure and will be unreachable for the next few hours.

“With its command of maritime knowledge, and its clever selection of hints and incidents suggestive of latent horrors in nature, [The Ghost Pirates] reaches enviable peaks of power.” — H.P. Lovecraft.

William Hope Hodgson was a contemporary of H. P. Lovecraft, and Clark Ashton Smith, and was one of the most important and influential fantasists of the 20th century. His novel The Ghost Pirates is a take-no-prisoners supernatural adventure story that is just as powerful today as it was 100 years ago.

In addition to his landmark novel, this volume contains some of his most influential short fiction; from his supernatural detective Thomas Carnacki to tales of the mysterious Sargasso Sea. The Ghost Pirates and Others is the perfect introduction to the magic, mystery and adventure of William Hope Hodgson.

The Ghost Pirates and Others: The Best of William Hope Hodgson was edited by Jeremy Lassen and published by Night Shade Classics on December 4, 2012. It is 264 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition. The gorgeously spooky cover art is by Matt Jaffe.

The Art of Jim Pavelec

The Art of Jim Pavelec

SONY DSCJim Pavelec is an award-winning freelance illustrator in the tabletop gaming and comic book industry and has over 15 years of professional experience. I was first introduced to him by our mutual friend E.E. Knight more than a decade ago, and put him in touch with John O’Neill, who hired him to illustrate several issues of Black Gate magazine. He has worked on properties such as Star Wars, Lord of the Rings, Magic: The Gathering, Dungeons & Dragons, Eerie Comics, and many more. He is also co-founder of the artist’s rights website ArtPACT.

The other day I decided to sit down with him and talk about his work and the life of a professional artist. Click to enlarge any of the accompanying illustrations.

What was your first big professional break?

My first paying gig was on a card game called Galactic Empires. Its pay was royalty based (which is something I’d like to see reinstituted in the illustration world), and didn’t amount to very much, but it was a good experience overall. At that time, hardly anyone did any promotion online, so getting work published was a little more valuable in terms of getting your work in front of the eyes of other art directors.

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Where Did the Cat Come From? Or, Who Translated This S&*%?

Where Did the Cat Come From? Or, Who Translated This S&*%?

Christie 2Talking about subtitles last week got me thinking about book translations. It’s a different beast, of course; for one thing, translating prose isn’t subject to the same time constraints that translating dialogue is. So that should make translations better than subtitles, right?

In general, I think that’s true. However, with one exception, I’m going to focus on occasions when it’s been done badly. After all, when the translation’s done well, no one notices.

We all know examples from our mundane lives of unfortunate, or impossible, translations. I’m sure everyone’s heard the story of Chevrolet having to change the name of their Nova for the South American market. In Spanish, “no va” means “doesn’t go.” Not the best name for a car.

As I’ve mentioned before, I often read in Spanish to keep in practice, and since my preferred reading material is genre (Fantasy, SF and Crime), this has often meant that I’m reading books translated into Spanish.* This can be helpful, since I often own the book in English, and if something gets away from me (miss the meaning of two or three critical words and the whole paragraph can go wonky on you) I can check the original, which is far superior to hauling out the dictionary and trying to sort it out piecemeal. I learned this the hard way.

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Blogging Sax Rohmer… In the Beginning, Part Four

Blogging Sax Rohmer… In the Beginning, Part Four

illo-Sax Rohmerrohmer2We already noted in our last installment that Arthur Henry Ward had adopted the pseudonym of Sax Rohmer for his relatively successful career as a music hall songwriter and comedy sketch writer. He would later claim that he worked as a newspaper reporter during these years, but that his articles were published anonymously. Allegedly he covered waterfront crime in Limehouse, but he also claimed to have successfully managed interviews with heads of state. There is little doubt the man was a great raconteur, but none of the anonymously published articles and interviews Rohmer credits himself with writing have ever been located by researchers. It is highly questionable whether he ever actually worked as a journalist or at least to the extent he claimed. What is factual is that he did begin having works published anonymously.

As a young man, he ran with a crowd of self-styled bohemians who occupied a clubhouse on Oakmead Road in London. Each member of the gang was known by rather fanciful nicknames with Rohmer being known as Digger. Their activities ran from simply hanging around the clubhouse to picking up girls and attempting various get-rich-quick schemes to avoid making an honest living. Some of their schemes were of questionable legality.

Around this time, Rohmer decided he would fictionalize their exploits. It is believed he authored seven stories about the Oakmead Road Gang. Five manuscripts were known to have survived their author’s death: “Narky,” “Rupert,” “Digger’s Aunt,” “The Pot Hunters,” and “The Treasure Chest.” All seven stories were submitted for anonymous publication to Yes and No. It appears only the first of the group of stories ever saw print. The surviving four manuscripts passed upon the death of Rohmer’s widow to Cay Van Ash. When Van Ash died in Paris twenty years ago, Rohmer’s unpublished manuscripts were being held by a friend in Tokyo (where Van Ash lived for many years while teaching at Waseda University). When the friend had his visa rescinded on short notice in 2000, he was forced to leave his  belongings behind, where they were junked by a Japanese family who thought the storage boxes contained worthless garbage.

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Goth Chick News Checks into The Grand Hotel

Goth Chick News Checks into The Grand Hotel

The Grand Hotel-smallWhen exploring the back roads on the far outskirts of my beloved New Orleans, it is not unusual to spot the occasional decrepit plantation home.  It will be there, nearly out of sight behind the dense, mossy trees, but you can just spot the vine-covered columns barely supporting what was once a magnificent monument to the splendor of the “Old South.”

The sight of such a house, nearly consumed by the wildness lurking just beyond the paved road, always ignites sadness and dread in equal measure; sadness at the idea that this once, much-loved structure has been abandoned to the swamp, and dread at the idea that those who once loved her might still be doing so while peering back at you from behind those rotted lace curtains.

An isolated, deteriorating mansion sitting at the end of an overgrown road triggers something in all of us.  You hear “I dare you” in the back of your mind.  You wonder if there’s a flashlight in the trunk and you start thinking there would be no harm at all in going up one or two of the porch steps, just to see…

Author Scott Kenemore knows exactly how we feel.

He welcomes you to The Grand Hotel, where nobody checks out.

Where the desk clerk invites you into his mysterious and crumbling hotel, then takes you on a little tour to introduce you to the hotel’s “long term” residents who only look like they never call for room service.

As the very proper and solicitous clerk takes you deeper and deeper into the heart of the hotel, secrets that have been hiding for eons begin to show themselves. Although your guide seems quite prepared for this experience, there is some question as to whether or not the rest of the world shares his readiness.

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Why Humorous Fantasy Isn’t Popular

Why Humorous Fantasy Isn’t Popular

The Chronicles of Thomas Covenant the Unbeliever (six volumes)
“Clench Racing”

Dave Langford describes Clench Racing thus:

Up to six can play. The rules are simple: each player takes a different volume of Stephen Donaldson’s blockbuster Chronicles of Thomas Covenant, opens it at random, and leafs feverishly through the text. You win by being first to find the word “clench” (or “clenched”, “clenching”, etc). It’s a fast, furious sport, and a round rarely lasts a full minute.

Clearly, Fandom has a tradition of affectionate mockery of the books it loves. Furthermore, Geeks, the cultural group that includes Fandom, tend to value intelligent wit. It seems odd then that Humorous Fantasy isn’t a massive subgenre.

It’s hard to get facts and figures. An industry insider friend says that Humorous Fantasy’s bestseller/midlist ratio is the same as for other subgenres, it’s just that there’s less of it. Similarly, two authors I know who had humorous fantasy series that petered out both said that the main problem was the size of the market. One of them told me about how at conventions people’s eyes glazed when he talked about his humorous series, but lighted up when he talked about other projects.

Of course, you could argue that Terry Pratchett is so prolific and so very good, that he simply absorbed the subgenre. However, in Heroic Fantasy there’s room for Patrick Rothfuss and Joe Abercromby.  George RR Martin may dominate Epic Fantasy, but he has peers. It seems that a typical reader has slots for several favorite authors in a couple of chosen subgenres, but just one slot for Terry Pratchett Humorous Fantasy.

So, I don’t think I’m going out on a limb assuming that Humorous Fantasy isn’t popular compared to other Fantasy subgenres. Why is this?

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Black Static #40 Now on Sale. Maybe, if You Move Quickly

Black Static #40 Now on Sale. Maybe, if You Move Quickly

Black Static 40-smallOn my way home from work yesterday, I dropped by Barnes & Noble to pick up the latest issues of Asimov’s SF and Fantasy & Science Fiction. I couldn’t find them at my local B&N here in St. Charles, Illinois, so I made a special trip all the way to Schaumberg.

No dice. After poking behind all the knitting and puzzle magazines for nearly 10 minutes, all I managed to come up with was last month’s Asimov’s and Analog. Both clearly stated “On sale until 9/2” in the bottom left corner, which tells me the new issues are more than a week overdue.

Come on — what’s a guy gotta do to buy a science fiction magazine around here? It’s almost enough to make me give up and buy Health Magazine instead. Maybe I can get some suggestions on how to reduce all this stress in my life.

Now, it’s not strictly true that all I found was Asimov’s and Analog. Just a few inches over, hidden behind the latest issue of McSweeney’s, I discovered something unusual: issue #40 of British horror magazine Black Static.

Well, this is timely. Just last week, as I was formatting the article on the British Fantasy Awards and looking for pics to go with it, I stumbled on the cover of Black Static #33 (containing Best Short Story winner “Signs of the Times,” by Carole Johnstone), and I thought, “Damn, that’s a mighty fine cover, with that creepy subway, and floating vapor, or whatever the heck that is. I should really get a copy of this magazine. I bet I’d like it.”

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