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Month: September 2014

What Did That Say? Or, When is a Subtitle not a Subtitle?

What Did That Say? Or, When is a Subtitle not a Subtitle?

InigoLately I’ve had some experiences with subtitles that worry me a little. Here’s my problem: just what is it that’s being subtitled, and is there any way for us to know whether we’re missing something?

Usually when I’m watching a movie with subtitles, it’s in a language I have some grip on, like French or Italian. The subtitles are there to help me when the dialogue is too fast, or perhaps too colloquial, for me to follow it directly (though that in itself might be one of the problems, as we’ll see in a minute).  There’s only one thing I watch where I don’t have any real clue on the language, and that’s Japanese anime.

The thing is, I’ve always been a big fan of subtitles over dubbing. I prefer to hear the actors’ own voices – I know how important voice can be, and I figure actors are cast for that as much as for any other quality. Tone is also something it’s virtually impossible to translate. But now, having seen some of the stuff I’ve seen, I’m not so sure I wouldn’t be better off watching a dubbed version.

The only dubbed films or TV shows I regularly watch are dubbed in Spanish, and I do that so my ear doesn’t lose its facility with the language through long periods of disuse. I never use the English subtitles, first, because the whole point is for me to concentrate and follow the Spanish; and second, because, as a reader, my eye is always drawn first to the written word, and I’d be wasting my practice time reading the subtitles instead of listening. Though, I might cheat a bit by watching a movie or an episode first in English, so I can concentrate on the vocabulary rather than on the plot.

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Blogging Sax Rohmer… In the Beginning, Part Three

Blogging Sax Rohmer… In the Beginning, Part Three

illo-Sax Rohmerrohmer2“The M’Villin” was first published in Pearson’s Magazine in December 1906. Rohmer was still writing stories under the modified version of his real name, A. Sarsfield Ward. The story represented a quantum leap forward in the quality of Rohmer’s fiction and shows the influence of Alexandre Dumas’s swashbucklers.

Dumas remained a surprising influence on the author who still turned out the odd swashbuckler as late as the 1950s. It should also be noted that the character of Lola Dumas in President Fu Manchu (1936) is said to be a descendant of the famous author, while The Crime Magnet stories Rohmer penned in the 1930s and 1940s feature Major de Treville, a character whose surname suggests he is a descendant of the commander of the Musketeers from Dumas’s D’artagnan Romances.

Colonel Fergus M’Villin may be oddly named, but he makes for a fascinating character. An expert swordsman and fencing master, he is also a bit of a cad. The story of how he comes to avenge the honor of the man he previously slew in an earlier duel maintains the breezy good humor and spirit of adventure that colors The Three Musketeers in its earlier chapters. Rohmer thought well enough of the character to have penned a sequel, “The Ebony Casket,” but it was never published. The manuscript survived up until the year 2000, when it was junked in Tokyo by a family who did not imagine its worth to collectors.

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Goth Chick News: Chicago Comic Con 2014 – Hold Onto Your Spandex… (Part 2)

Goth Chick News: Chicago Comic Con 2014 – Hold Onto Your Spandex… (Part 2)

image004Last week and prior to the end-of-summer bacchanalia that is Labor Day weekend, we got half way through telling you all about the adventures kilt-clad Black Gate photog Chris Z and I had at the largest Wizard World Comic Con Chicago has ever hosted.

On the hottest weekend of the summer, with temperatures climbing into the three digits, we arrived at one of the city’s biggest convention centers and waded into a sea of vendors, artists, and cosplayers clad in unbreathing fabric which, in some cases, was stretched to the breaking point.

After agreeing it was about time to ask “The Boss” John O’ for hazard pay, we set about scoping the con’s coolest people and products to tell you about.

So here is part two; and let me say, we’re pretty excited…

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How Eilean Donan Castle Nearly Shrugged off the Age of Gunpowder (Then Got Blown up Anyway)

How Eilean Donan Castle Nearly Shrugged off the Age of Gunpowder (Then Got Blown up Anyway)

How's this going to go?
How’s this going to go?
(Picture courtesy of Matthew Ryan)

AD 1719, the wild West Coast of Scotland, where nobody seems to realise that the Viking Age is over, and three government frigates close in on Eilean Donan Castle.

How’s this going to go?

Eilean Donan Castle — which was once famously defended by just two men, one a good archer — has a Spanish garrison of 46 soldiers. They’re here to guard a depot for munitions shipped in to support yet another Jacobite uprising.

Jacobite means “supporters of James,” in this case James Stuart, son of the deposed King James II Stewart, last of king of the Scottish dynasty deposed in favor of a Hanoverian-as-in-German one. Most Scots then and now don’t get too romantic about the Stuarts. Once they became kings of the United Kingdom, the Stuarts didn’t do much for their former countrymen, and once deposed, they mostly got them killed.

And it’s not that the Spanish government particularly likes the Stuarts. It’s just that Spain is on the other side from the British in something called the War of the Quadruple Alliance, so stirring up trouble is part of the game.

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Kirby McCauley, September 11, 1941 — August 30, 2014

Kirby McCauley, September 11, 1941 — August 30, 2014

Kirby McCauleyIn late fall 2000, Dave Truesdale convinced me to reprint Edmond Hamilton’s first published story, the creepy pulp tale “The Monster-God of Mamurth,” from the August 1926 issue of Weird Tales. Harlan Ellison told us “it’s an awful story,” but what does he know? It has ancient lost cities, valiant explorers, horrible curses, and seriously spooky giant spiders. I loved it.

So I dutifully tracked down the rights, and discovered they were controlled by the Pimlico Agency in New York. In short order, I found myself on the phone with a guy named Kirby McCauley, negotiating the right to reprint the story in the second issue of Black Gate for $200.

Now, I’d certainly heard of Kirby McCauley. He was Stephen King’s first agent, and King had famously related some of the guidance McCauley gave him early in his career. More interesting to me, McCauley was also an accomplished editor. His Dark Forces was easily the most acclaimed horror anthology of the 1980s (it included Stephen King’s The Mist, among many other notable stories.) So in between our business dealings, I mentioned to Kirby that I was a fan. He was very gracious and surprisingly easy to deal with.

For a good many years, Kirby McCauley was one of the most successful agents in the industry, with a client list that made his peers green with envy. George R.R. Martin said “Kirby revolutionized agenting in SF and fantasy and horror,” and that was no exaggeration. However, McCauley’s career suffered a significant downturn in the late 90s, and he lost most — but not all — of his biggest clients.

Kirby McCauley passed away last weekend, and his death has largely been ignored by the industry. But today, I found a lengthy appreciation written by his client and friend George R.R. Martin. It’s definitely worth the read, both as a remembrance of a man who made a big difference in the industry and as a wonderful snapshot of what publishing was like in the 70s and 80s.

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Vintage Treasures: The Best of Murray Leinster, edited by Brian Davis

Vintage Treasures: The Best of Murray Leinster, edited by Brian Davis

The Best of Murray Leinster UK-smallHere’s a vintage curiosity for you.

Last June, I wrote a blog article on The Best of Murray Leinster, volume 14 in Lester Del Rey’s famous Classics of Science Fiction line. It’s one of my favorite titles in a series filled with great books.

Then earlier this year, I stumbled across the UK version of The Best of Murray Leinster for sale on eBay, with a gloriously pulpy cover by Peter A. Jones. I mean, just look at that thing (at left, click for bigger version.) Any time a guy with a 6-inch knife takes on a monster bigger than a Winnebago, you’ve got my attention. Especially when it involves that much purple.

Of course I wanted it. But it was expensive — $16.99, including shipping — and I couldn’t really justify it. (But believe me, I was sooooo close.) Besides, there seemed to be errors in the listing. The book was edited by J.J. Pierce, not Brian Davis. Also, it was first published in 1978, not 1976 as the listing claimed. Unless there were two books with the title The Best of Murray Leinster which, ha ha, would pretty ridiculous.

Turns out publishing is a pretty funny industry. According to the Internet Speculative Fiction Database, there are two books titled The Best of Murray Leinster. The first, subtitled A Memorial Anthology Selected by Brian Davis, was published in paperback in the UK by Corgi in 1976, the year after Leinster’s death. The US edition, from Del Rey, didn’t arrive until two years later.

Well, that’s all the excuse I needed to order the UK version. It arrived a few weeks later, and I was delighted to discover that it’s a completely different book, with only three stories in common with its American cousin: “The Ethical Equations,” “Symbiosis,” and “Pipeline to Pluto.” The remaining seven include some of Leinster’s more entertaining short stories, which were somehow left out of the US edition — such as “Sam, This Is You” and “If You Was a Moklin.”

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Enter the DragonCon

Enter the DragonCon

Jon Sprunk at DragonCon-smallThis past weekend, I attended my fourth DragonCon in sunny Atlanta.

It’s a working vacation for me, where I spend most of my time at the Pyr Books booth telling people about the wonderful products this SFF imprint produces, but I also make a little time to walk around and see the sights. And there are a LOT of sights to see at DragonCon.

The host hotels. Sadly, I haven’t been able to snag a room at any of the four massive host hotels since 2010, but that doesn’t stop me from walking through them and marveling at the sheer scope of this convention. There are a ton of people. (Attendance is listed as 57,000 in 2013, and I’d wager there were more than that this year.) And so many people are in costume.

Cosplay has grown in popularity over the years, and DragonCon is one of those venues where people come out to show their stuff. (My wife attends in her Xena, Warrior Princess costume, which gets a lot of attention.) Some of the costumes are just fun and light, but others are true works of art, as good as (or better) than the costumes used on major movie sets.

This year, I saw Yaya Han showing off her cosplay of Enira, the Banshee Queen, which was spectacular. There are so many wonderful costumes, and the party lasts until the wee hours of the morning. If you love cosplay, DragonCon is a place you need to see.

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Announcing the Winners of Free Copies of The Ultra Thin Man and Echopraxia

Announcing the Winners of Free Copies of The Ultra Thin Man and Echopraxia

The Ultra Thin Man-smallLast month, we told you that you had a chance to win two new novels from Tor: Patrick Swenson’s The Ultra Thin Man, and Peter Watts’s Echopraxia. How did you enter? Just by sending us a one-sentence review of your favorite Tor fantasy or science fiction novel. Easy as that! One winner for each book was drawn at random from all qualifying entries.

We are pleased to announce that the winner of The Ultra Thin Man is Guillermo Cantu, who reviewed a fantasy classic by Glen Cook:

The Black Company is the gritty tale of a band of crafty mercenaries that get entangled in a war of ancient and wicked sorcerers against questionable rebels, as told by the sarcastic company analyst, from the trenches.

And the winner of Echopraxia is Lee Hunter, with this one-sentence review of his favorite Tor science fiction title:

David Weber’s Off Armageddon Reef is an original story about fighting in the face of overwhelming, impossible odds; and the innate human will to survive and overcome an enemy.

The Ultra Thin Man was published by Tor Books on August 12, 2014. It is 334 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover is by Victor Mosquera. Echopraxia was released on August 26, 2014 by Tor Books. It is 383 pages, priced at $24.99 for the hardcover and $11.99 for the digital version. The cover is by Richard Anderson.

Thanks to all those who entered our contest and thanks again to Tor for making it all possible!

Future Treasures: The Mammoth Book of Steampunk Adventures edited by Sean Wallace

Future Treasures: The Mammoth Book of Steampunk Adventures edited by Sean Wallace

The Mammoth Book of Steampunk Adventures-smallLast January, we told you about Sean Wallace’s intriguing anthology The Mammoth Book of Steampunk, a generous collection of short fiction from Amal El-Mohtar, Barth Anderson, Jeffrey Ford, James Morrow, Mary Robinette Kowal, Aliette de Bodard, N.K. Jemisin, and many others.

The book was a solid success and no publisher can resist success. So it should be no surprise that the sequel, The Mammoth Book of Steampunk Adventures, is scheduled to arrive next month here in the US (it’s already on sale in the UK).

This volume collects over 30 steampunk tales, including three originals from Benjanun Sriduangkaew, E. Catherine Tobler, and Jonathan Wood. Other contributors include K.W. Jeter, Tobias S. Buckell, Cherie Priest, Jay Lake, Christopher Barzak, Carrie Vaughn, Chris Roberson, Alex Dally MacFarlane, Tony Pi, Aliette de Bodard, Nisi Shawl, Genevieve Valentine, Sofia Samatar, Caitlín R. Kiernan, Cat Rambo, Margaret Ronald, Ken Liu, and many others.

Our very own C.S.E. Cooney contributes a reprint, her marvelous tale “Canary of Candletown,” from Steam-Powered II. Ann VanderMeer provides the introduction.

Sean Wallace is also the editor of the upcoming The Mammoth Book of Warriors and Wizardry, a very promising sword & sorcery collection with a story reprinted from Black Gate (Matthew David Surridge’s “The Word of Azrael”), as well as contributions from James Enge, Chris Willrich, Aliette de Bodard, Mary Robinette Kowal, N.K. Jemisin, Saladin Ahmed, and many others.

I’m a big fan of these Mammoth anthologies. They’re attractive, well edited, and a great value for the money. Keep your eye out for this one.

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Art of the Genre: The Art of Selling your Past

Art of the Genre: The Art of Selling your Past

photoConsidering the fact that James ‘Grognardia’ Maliszewski is one of my office mates here in Black Gate L.A., I’m often inspired by what he has to say on the subject of gaming.  Now sure, James comes at the hobby from a more mechanics angle, while I take on the artistic side, but nonetheless, we are still cut from the same cloth and overlap on many details [he’s two years older than me, so MUCH wiser].

After reading his The Golden Age article this week, I couldn’t help but find an odd pleasure in the fact that I too was revisiting my gaming past, only once again from a different angle.

So, when he posted his image of the ‘treasure’ found at his ancestral home, I couldn’t help but smile because I’d just taken a picture similar to it myself the day before.  You see, James, according to the article, was enjoying the nostalgia of his TSR collection in his visual framing, but for me, I was working toward the reality of parting ways with mine.

Over the past three weeks, I’ve been selling off parts of my RPG collection.  It began as a quest to raise capital for other projects, but as it continued, it turned into a kind of cathartic shedding of unneeded pounds.  Last year, I wrote an article for Black Gate entitled The Weight of Print, and over the past weeks I’ve toted at least a hundred pounds of books to the USPS from my RPG shelves.

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