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Month: April 2014

Victory for Centurion

Victory for Centurion

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And so, my first Kickstarter adventure comes to a close.

I have received the information on the cost of shipping, and while that actually isn’t completely done (we still have a backer in Europe whom we seem unable to connect, even with a third package sent), the extra cost of that – I am praying – will be under $75, all told.

In the end, I consider the Centurion: Legionaries of Rome Kickstarter an incredible success. Not only did we fund, we hit the first stretch goal. We have delivered all backer rewards (save the one errant European package) and have even put a few copies into distribution, so you might see it at your local gaming store.

Here are a few things I learned:

Everything is going to cost more than what you expect. Even when you get a quote, expect it to increase as unforeseen circumstances arise. Shipping is the biggest danger. We received our funds in April and shipped in November and December. Shipping costs increased in that period, though not dramatically so.

You need to get the word out. The only way people are going to back your Kickstarter is if they know about your Kickstarter. You need to beat the drum pretty much constantly. If you are concerned that your constant harping about your Kickstarter will annoy those who follow you in social media, make sure your posts are leavened with other posts of similar subject matter as your Kickstarter. For Centurion, I made lots of posts pointing to Roman history articles, movies, and books. I even had a hashtag, MyCenturionMovie, in which I altered movie quotes to make them suitably Roman (like: “You fell victim to one of the classic blunders – the most famous of which is never get involved in a land war in Parthia” or “And you know what they call a gladius in Gaul?” “They don’t call it a gladius?” “No man, they got Gallic.”)

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New Treasures: Dream London by Tony Ballantyne

New Treasures: Dream London by Tony Ballantyne

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Dream London Tony Ballantyne-smallI’ve never read anything by this Tony Ballantyne fellow and I’m probably overdue. He’s a British science fiction writer who’s had an impressive career for a decade now, starting with the Recursion trilogy, Recursion (2004), Capacity (2005), and Divergence (2007), all published in the US by Bantam Spectra. He’s also written two volumes of The Robot Wars, Twisted Metal (2009) and Blood and Iron (2010), and I really don’t know how I missed that one — if it’s got battling robots, I’m usually all over it.

But it’s his first fantasy novel that has really piqued my curiosity and it’s getting some serious attention from both sides of the Atlantic. Set in a constantly shifting London that’s gradually getting weirder every night, and apparently throwing off the laws of physics, it’s — as Chris Beckett put it in his excellent Tor.com review —  “a place you feel you might have visited yourself, if only you’d been able to hold it in your mind when you woke up.”

In Dream London the city changes a little every night and the people change a little every day. Captain Jim Wedderburn has looks, style and courage by the bucketful. He’s adored by women, respected by men and feared by his enemies. He’s the man to find out who has twisted London into this strange new world, and he knows it. But the towers are growing taller, the parks have hidden themselves away and the streets form themselves into strange new patterns. There are people sailing in from new lands down the river, new criminals emerging in the East End and a path spiralling down to another world. Everyone is changing, no one is who they seem to be, and Captain Jim Wedderburn is beginning to understand that he’s not the man he thought he was…

Dream London was published by Solaris Books on October 29, 2013. It is 404 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

See all of our recent New Treasures here.

Win a Copy of The Collected Edmond Hamilton, Volume Four from Haffner Press

Win a Copy of The Collected Edmond Hamilton, Volume Four from Haffner Press

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The Collected Edmond Hamilton Volume Four-smallHaffner Press has released the long-awaited fourth volume of The Collected Edmond Hamilton and we have a copy to give away to one lucky winner.

How do you enter? Just send an e-mail to john@blackgate.com with the title “Edmond Hamilton” and a one-sentence review of your favorite Hamilton novel or short story (don’t forget to mention the title of the story). One winner will be drawn at random from all qualifying entries and we’ll publish the best reviews here on the Black Gate blog. To give you the idea, here’s my one-sentence review of my favorite Hamilton story, “The Man Who Evolved.” (read the complete story here)

Arthur Wright and Hugh Dutton visit Dr. John Pollard on the night he first tests a ray that allows him to experience millions of years of human evolution… and witness a deadly experiment that threatens the entire human race.

See how easy that was? If you need more inspiration. we recently covered several Edmond Hamilton books — including Starwolf and The Best of Edmond Hamilton — and we reprinted his very first story, “The Monster-God of Mamurth” (from the August 1926 issue of Weird Tales) in Black Gate 2.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law. Or anywhere postage for a hefty hardcover is more than, like, 10 bucks. Seriously, this thing is huge and postage is killing me.

The Reign of the Robots, The Collected Edmond Hamilton, Volume Four was published by Haffner Press on December 30, 2013. It is 696 pages, priced at $40 in hardcover. There is no digital edition. Learn more at the Haffner website.

The Thankless World of the Continuation Author

The Thankless World of the Continuation Author

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black-eyed blonde hi res cover.JPGblack_eyed_blondeDespite the title, this article is not intended as a forum for a continuation author to lament how unforgiving his critics are. Bad reviews are an inevitability and, in this instance, I’m the one bad-mouthing another continuation writer. I do not feel pangs of guilt, since the author in question is not only talented, but very successful and lauded in his industry. In other words, I’m an insignificant mouse picking on an elephant and that hopefully protects me from charges of betraying one of my own.

I recently read Benjamin Black’s The Black-Eyed Blonde, the first Philip Marlowe continuation novel in nearly 25 years. I can think of only one nice thing to say about the book and that is at long last Robert B. Parker need no longer be disparaged as the man who wrote the two worst Philip Marlowe mysteries. I am a fan of Black’s original historical mysteries, but my familiarity with his work did nothing to convince me he was a good choice to revive Raymond Chandler’s classic private eye hero, particularly when a talent such as Ace Atkins is active in the field writing new Spenser mysteries that do justice to the originals.

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Goth Chick News: My Halloween & Attractions Show 10th Anniversary

Goth Chick News: My Halloween & Attractions Show 10th Anniversary

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image002That headline alone probably qualifies me for Black Gate’s employee assistance program – the one where you sit in a calming space and talk about your feelings with no co-pay.

Unbelievable as it may sound, at least to me, I have been dragging around the Midwest for 10 years chasing one of the largest collections of disturbing paraphernalia to be bought and sold under one roof.

Yes, it’s time once again for Transworld’s annual bacchanalia – The Halloween and Attractions Show – and the official kick off of Goth Chick News’ “season.”  This is the show’s 19th year and it is officially the largest of its kind in the world focused on the haunt industry, packing over 300 exhibitors into the America’s Convention Center in St. Louis, MO.

If you ever wondered where all the “professional” haunted attractions get their gear, well now you know.  From The Travel Channel’s top picks to Universal Studio’s Halloween Horror Nights, all those realistically gross props and blood-soaked latex ‘appliances’ have to come from somewhere.

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The Series Series: Forever in the Memory of God and Other Stories by Peadar O Guilin

The Series Series: Forever in the Memory of God and Other Stories by Peadar O Guilin

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Forever In The Memory Of God-smallHow did he pull it off?

The stories in Peadar O Guilin’s Forever in the Memory of God are in some ways old-school weird fiction, Clark Ashton Smith style, heavy on disturbing imagery and sanity-shattering trauma so far over the top that it risks going beyond gallows humor and straight into comic absurdity, and yet it works. Every time. Even for me, and this is usually not my kind of thing. What these stories have going for them that the old pulp classics didn’t is striking characterization, a flesh of psychological realism animating some surprising configurations of plot bones.

The characters in the three stories here collected find themselves in dire predicaments. These characters — not all of them can be called heroes — bring their own moments of insight and blindness, laughter and grief, to their struggles. O Guilin keeps them struggling against plot twist after plot twist, all the way to twisty endings that gave me that wonderful readerly shock followed by a sense of inevitability: What?! Oh, but of course!

In the opening story, “The First of Many,” a young woman, born into the Rememberer tribe in a post-alien-invasion Earth, is the first of her kind to be a host organism to the larval young of the slug-like conquerors. She copes with the gradual loss of her arm and her privacy in her own mind — as the larva learns to read her thoughts and chemically manipulate her emotions — with a gallows humor that will be familiar to anyone who has lived with a chronic illness.

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New Treasures: The Six-Gun Tarot by R.S. Belcher

New Treasures: The Six-Gun Tarot by R.S. Belcher

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The Six-Gun Tarot-smallI’ve mentioned my fondness for this new Weird Western genre before. In the right hands, it’s an invigorating mix of mythic adventure and the straight-out gonzo weird. There’s been no shortage of fine examples recently, including Lee Collins’s She Returns From War, Guy Adams’s Once Upon a Time in Hell, Mercedes Lackey & Rosemary Edghill’s Dead Reckoning, and the Bloodlands novels of Christine Cody. Heck, even Firefly is a weird western, if you squint at it right.

The latest volume to cross my desk, hot off the presses last week in paperback, is the debut novel by R.S. Belcher. In a starred review, Library Journal called it “an astonishing blend of first-rate steampunk fantasy and Western adventure,” which sounds like just the right mix in my book.

Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town that hides more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; some say he is a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. A banker’s wife belongs to a secret order of assassins. And a shady saloon owner, whose fingers are in everyone’s business, may know more about the town’s true origins than he’s letting on.

A haven for the blessed and the damned, Golgotha has known many strange events, but nothing like the primordial darkness stirring in the abandoned silver mine overlooking the town. Bleeding midnight, an ancient evil is spilling into the world, and unless the sheriff and his posse can saddle up in time, Golgotha will have seen its last dawn… and so will all of Creation.

The Six-Gun Tarot was published on January 22, 2013 by Tor Books. It is 368 pages, priced at $25.99 in hardcover and $11.99 for the digital edition. It was re-issued in paperback on March 25, 2014.

Vintage Treasures: Starwolf by Edmond Hamilton

Vintage Treasures: Starwolf by Edmond Hamilton

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Edmond Hamilton Starwolf-smallLast week, I wrote about a delightful collection of 80′s paperbacks I bought on eBay for just 10 bucks — including John Silbersack’s Buck Rogers novel Rogers’ Rangers, well worth $10 all on its own. Sometimes it’s good when no one else shares your hobbies.

I’m still digging through the remaining 74 volumes and continuing to make marvelous finds. Like the omnibus collection of pulp novels by Edmond Hamilton, gathering together all three volumes in his classic Starwolf trilogy. It contains The Weapon From Beyond (1967), The Closed Worlds (1968), and The World of the Starwolves (1968), all originally published by Ace. That’s a lot of classic space adventure from one of the greatest pulp writers of the 20th Century. Well worth tracking down, if you can find a copy.

The only mercy a Starwolf could expect was death…

Morgan Chane was a Starwolf – a member of the most infamous band of interstellar pirates in the galaxy. He had flown with the raiding packs, rockets screaming, to plunder the rich and slaughter the helpless.

But Morgan Chane was also a Terran, adopted as a child into the Starwolf clan. And when a quarrel erupted, Chane discovered that the Starwolves weighed his alien birth more heavily than all the years of comradeship. Now he is cast out of the clan – and running for his life.

But where, in all the galaxy, can a Starwolf expect to find refuge?

Starwolf was published by Ace Books in October 1982. It is 456 pages, priced at $3.50. It went through multiple printings between 1982 and 1990, but has otherwise never been reprinted. There is no digital edition. The cover is by David Schleinkofer, who was obviously influenced by one too many viewings of Battlestar Galactica.

See all of our recent Vintage Treasures here.

Firefly, A Retrospective Part 8 — A Look at Serenity

Firefly, A Retrospective Part 8 — A Look at Serenity

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Serenity poster-smallAs some of you know, I just finished a seven-part blog on this site about the Firefly television series. We laughed, we cried, we stared at Jayne’s hat… and now it’s time to move on to the movie.

I consider Serenity to be part of the television show. Like the second season we never got, but compressed into a feature film.

It begins with a little voice-over narration telling us about this fictional world, centering on the war between the Alliance and the Independents. Then we see River as a child in school, but it’s a dream. She is back in the Alliance lab that messed with her brain. Simon is there, posing as a VIP on an inspection tour. He breaks her out of the facility.

I’m glad the movie starts with this scene, because although we’d heard about how Simon freed River in the TV series, we never got to see it. And this makes a terrific set-up for the rest of the movie.

And then the movie does something clever. The scene of Simon and River’s escape is paused in mid-action, and shown to be just a recording. It’s being viewed by the Operative (he’s so cool he doesn’t even need a real name) at the lab where the escape happened. The Operative wants River back because she may have learned the secrets of the Alliance leaders and that cannot be allowed. So the chase is on.

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The Waterloo Panorama: An Epic Example of Military Art

The Waterloo Panorama: An Epic Example of Military Art

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Marshal Ney leading his troops.
Marshal Ney leading his troops.

The Napoleonic era has always fascinated me for its visuals — the massive armies, the colorful costumes, and the sweeping scope of some of the battles. These terrible conflicts produced some of the finest military art in European history and I discovered a remarkable example of it when I visited Waterloo, Belgium, last week.

Preserved on the battlefield is a rare example of a panorama. A popular form of entertainment in the nineteenth and early twentieth centuries, these large paintings are now rare. They were usually of epic scenes such as battles or Biblical stories or famous cities, and would be placed on the inside of round buildings to provide a 360 degree viewing experience. Others were set up on stage and unrolled like a scroll in front of the audience, each part relating a sequence of the story.

The Waterloo panorama is set in a round building and is 110 meters long and 14 meters high. It was painted by Louis Dumoulin and his assistants in 1912, just as those newfangled moving pictures were beginning to make panoramas obsolete.

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