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Month: March 2014

The Novels of Michael Shea: The A’rak

The Novels of Michael Shea: The A’rak

The A'rak-smallMichael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a  sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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The Gargoyles of St. Wulfram’s

The Gargoyles of St. Wulfram’s

DSC00165_2Of all the freakish critters in the original hardback Monster Manual, the one that always made the most intuitive sense to me was the gargoyle. Having seen perhaps more than my share of gargoyles by the time I entered the role-playing realms, I already knew them to be fierce, frightening, toothy, amply clawed, and sometimes winged. It stood to reason that they’d be crafty, pernicious opponents.

What made no sense was why the D&D variety weren’t made of stone, as nearly all true (read: real) gargoyles surely are. To this day, I still have no explanation for that decision on the part of the Monster Manual’s creators, Mssrs. Gygax, et al. They certainly had no intrinsic objection to stone beasties: consider the stone golem or that durable tri-form oddity, the xorn.

In order to better address this incongruity, I have abandoned my regular offices deep in Black Gate’s vast Indiana Compound and taken up residence at Harlaxton Manor, an out-of-the-way 1830s edifice set in the rolling hills of England’s Lincolnshire. Is it haunted? Probably. Not only did one of its previous owners conduct regular séances in the cozier of the two libraries, but the manor has been used in several eccentric movies, including The Ruling Class (1972) and the truly execrable remake of The Haunting (1999).

Are there gargoyles? Yes. But only two.

Luckily, just down the road, in the struggling industrial town of Grantham, an astonishment of gargoyles awaits on the walls of St. Wulfram’s, a mid-sized Anglican church that dates back to the 1200s at least.

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Tom Reamy, the Iron Throne, and George R.R. Martin’s Plan to Stay Ahead of HBO: The Game of Thrones Issue of Vanity Fair

Tom Reamy, the Iron Throne, and George R.R. Martin’s Plan to Stay Ahead of HBO: The Game of Thrones Issue of Vanity Fair

Vanity Fair Game of Tthrones-smallYou know your HBO fantasy series has hit it big when it makes the cover of culture and fashion magazine Vanity Fair.

The April issue, on sale now, features a cast photoshoot by star photographer Annie Leibovitz and a feature on the making of the show written by Jim Windolf. But more interesting is a wide-ranging interview with author George R.R. Martin which covers, among other things, the true scale of the Iron Throne and Martin’s plan to stay ahead of the rapidly-progressing show.

The season that’s about to debut covers the second half of the third book… But there are two more books beyond that… A Dance with Dragons is itself a book that’s as big as A Storm of Swords. So there’s potentially three more seasons there, between [A Feast for Crows] and Dance, if they split into two the way they did [with Storms]. Now, Feast and Dance take place simultaneously… You can combine them and do it chronologically. And it’s my hope that they’ll do it that way and then, long before they catch up with me, I’ll have published The Winds of Winter, which’ll give me another couple years. It might be tight on the last book, A Dream of Spring, as they juggernaut forward.

I was also fascinated by his comments on the death of the brilliant Tom Reamy, whom we profiled in Black Gate 15:

Tom died of a heart attack just a few months after winning the award for best new writer in his field. He was found slumped over his typewriter, seven pages into a new story. Instant. Boom. Killed him… Tom’s death had a profound effect on me, because I was in my early thirties then. I’d been thinking, as I taught, well, I have all these stories that I want to write… and I have all the time in the world… and then Tom’s death happened, and I said, Boy. Maybe I don’t…

After Tom’s death, I said, “You know, I gotta try this. I don’t know if I can make a living as a full-time writer or not, but who knows how much time I have left?…” So I decided I would sell my house in Iowa and move to New Mexico. And I’ve never looked back.

Read the complete interview here.

New Treasures: The Barrow by Mark Smylie

New Treasures: The Barrow by Mark Smylie

The Barrow-smallThere are few publishers as dedicated to true sword & sorcery as Pyr Books. I still remember how delighted I was at the 2010 Pyr Books panel at Dragon*con, when publisher Lou Anders announced “Sword & Sorcery is Alive and Well at Pyr” and unveiled a host of exciting titles to prove it.

It’s been a few years since then, but Pyr’s dedication to the genre has not flagged. The latest example arrived earlier this month: The Barrow, Mark Smylie’s dark fantasy of the grim search for a powerful sword in a very dangerous place.

To find the Sword, unearth the Barrow. To unearth the Barrow, follow the Map.

When a small crew of scoundrels, would-be heroes, deviants, and ruffians discover a map that they believe will lead them to a fabled sword buried in the barrow of a long-dead wizard, they think they’ve struck it rich. But their hopes are dashed when the map turns out to be cursed and then is destroyed in a magical ritual. The loss of the map leaves them dreaming of what might have been, until they rediscover the map in a most unusual and unexpected place.

Stjepan Black-Heart, suspected murderer and renegade royal cartographer; Erim, a young woman masquerading as a man; Gilgwyr, brothel owner extraordinaire; Leigh, an exiled magus under an ignominious cloud; Godewyn Red-Hand, mercenary and troublemaker; Arduin Orwain, scion of a noble family brought low by scandal; and Arduin’s sister Annwyn, the beautiful cause of that scandal: together they form a cross section of the Middle Kingdoms of the Known World, united by accident and dark design, on a quest that will either get them all in the history books… or get them all killed.

Mark Smylie is a true renaissance man. His graphic novel series Artesia was nominated for an Eisner Award in 2001, and his role-playing game based on the comic won an Origins Award in 2006. He founded Archaia Studios on 2002, publishers of Mouse Guard, The Killer, and many other acclaimed comics. This is his first novel.

The Barrow was published March 4 by Pyr Books. It is 607 pages, priced at $18 in trade paperback and $11.99 for the digital edition. Check out the excellent website with elaborate pics of the main characters.

The Public Life of Sherlock Holmes: Lord of Misrule

The Public Life of Sherlock Holmes: Lord of Misrule

LeeQuestion – What do Dracula, Frankenstein, the Mummy, James Bond, Fu Manchu, Star Wars, The Lord of the Rings, John Belushi and Sherlock Holmes all have in common?

Answer – Lee. Christopher Lee (one of his autobiographies was titled Lord of Misrule)

In May, talented British actor Christopher Lee turns 92 years old. Thanks to his performance as Saruman in the Lord of the Rings trilogy, he is as popular today as he ever has been. And proving he knows how to get in on a winning franchise, he was Count Dooku in the second Star Wars trilogy. Which chronologically was the… oh, never mind.

But Lee first made his name in the horror flicks produced by Hammer Films in Great Britain in the late fifties and sixties. Lee played the monster (Dracula, Frankenstein, the Mummy), while friend Peter Cushing was the protagonist.

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March/April Magazine of Fantasy & Science Fiction now on Sale

March/April Magazine of Fantasy & Science Fiction now on Sale

F&SF March April 2014-smallI’m so far behind reading Fantasy & Science Fiction. Seriously. I need to take a long vacation just so I can catch up.

Now, I know reading F&SF is ultimately a time-saver. When I did have time to keep up, it always pointed me towards the hottest new fantasy writers on the market. Believe me, considering all the bad fantasy novels I’ve read (or tried to read) in the last few years, if I’d just spent half that time reading F&SF, I would have known which writers to try instead.

Well, I suppose I’ll have a nice stack of magazines to read when I’m retired.

Jamie Lackey at Tangent Online is more disciplined than I am… not only has she read the latest issue, she had time to write a lengthy review. Here’s her thoughts on Sarah Pinsker’s contribution:

“A Stretch of Highway Two Lanes Wide” by Sarah Pinsker opens when Andy wakes after a farming accident to find that his arm has been replaced by a prosthetic. As he works at getting used to his new appendage, he realizes that the arm thinks that it’s a stretch of road in Colorado. It’s a unique concept, and the prose is beautiful. As Andy deals with his new arm’s sense of self, he also gains more understanding and acceptance of his own place in the world.

This issue contains stories by Gordon Eklund, Ron Goulart, Albert E. Cowdrey, Ted White, and many others.

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Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Beyond the Veil Janet Morris-smallI continue with my review of the 5-star, Author’s Cut editions of Janet Morris’s classic of Homeric Heroic Fantasy, the Beyond Sanctuary Trilogy, of which Beyond the Veil is the second book. Once again, she does not disappoint in this stirring novel of political and religious intrigue, dark magic, gods and men, witches and mages, and the price of love and war.

This is a pivotal book in the trilogy, where foreshadowing and story threads begin to weave in and out to form a tapestry, telling a tale of friends who become foes, enemies who become allies, and what fate lies in store for certain demigods and mortals.

Now, after the battle to win Wizardwall that took place in book one, Beyond Sanctuary, Tempus, Niko, and the Sacred Band are caught between the local rebels and the empire of Mygdonia’s blackest magic. Once again, “War is coming, sending ahead its customary harbingers: fear and falsity and fools.”

It begins with the murder of a courier on his way to meet with Tempus, and the arrival of a young woman named Kama, of the 3rd Commandoes, (a unit of special rangers originally formed by Tempus) who seeks audience with Tempus, who is also known as Riddler. Her mission is to take 11-year old Shamshi, the young wizard-boy, back home to Mygdonia.

Shamshi, once a pawn in the game played by the late sorcerer Datan in the previous novel, is still under the spell of Roxane the witch, but is now being held as a guest-hostage by Tempus and the Sacred Band. Though he may be a child in the eyes of men, Shamshi is already plotting against Tempus and Niko.

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Vintage Treasures: Ring Around the Sun by Clifford D. Simak / Cosmic Manhunt by L. Sprague de Camp

Vintage Treasures: Ring Around the Sun by Clifford D. Simak / Cosmic Manhunt by L. Sprague de Camp

Ring-Around-the-Sun-Clifford-D-Simak-smallClifford D. Simak was one of the first science fiction writers I ever read and, in discovering him, in a very real way I also discovered science fiction.

Simak would probably be marketed as a Young Adult writer today (if any of his work was still in print.) One of his first novels, Ring Around the Sun, also became one of the first Ace Doubles, and it was a significant success.

The New York Herald Tribune called it “Easily the best science-fiction novel so far in 1953,” and in the highly-regarded survey Trillion Year Spree, Brian Aldiss and David Wingrove labeled it his best book, alongside Simak’s better-known classic City.

More recently, Ring Around the Sun featured prominently in Stephen King’s 2001 bestseller Hearts in Atlantis. When eleven-year-old Bobby Garfield gets an adult library card for his birthday, it’s one of the first books he checks out. The mysterious dimensional traveler Ted Brautigan, on the run from the minions of the Crimson King and renting the upstairs apartment, approves of Bobby’s choice.

“I have read this one,” he said. “I had a lot of time to read previous to coming here.”

“Yeah?” Bobby kindled. “Is it good?”

“One of his best…In this book,” he said, “Mr. Simak postulates the idea that there are a number of worlds like ours. Not other planets but other Earths, parallel Earths, in a kind of ring around the sun. A fascinating idea.”

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Amos Tutuola, The Palm-Wine Drinkard, and My Life in the Bush of Ghosts

Amos Tutuola, The Palm-Wine Drinkard, and My Life in the Bush of Ghosts

The Palm-Wine Drinkard and My Life in the Bush of GhostsAmos Tutuola was born in Nigeria in 1920 to a Christian family. With six years of formal schooling, he served as a coppersmith with the Lagos-based arm of the Royal Air Force in World War Two, then worked at a number of of odd jobs. As he tells it, a government magazine he happened to read, with “very lovely portraits of the gods,” advertised books based on Yoruba legends. Tutuola remembered being praised as a storyteller in school and decided there was no reason he shouldn’t turn his hand to writing similar books. So he did. He completed his first book, The Palm-Wine Drinkard, in only a few days.

It was a wild whirl of tales and motifs, inspired by West African oral storytelling traditions and The Arabian Nights. It was a kind of extended fable filled with magic and adventure, mixing myth and folktale in a seemingly endless procession of wonder. It was written in English, but a highly distinctive English — an informal, direct English, English as it suited Tutuola to write it.

Tutuoa didn’t do anything at first with the story, until he bought another magazine and saw an ad from the Lutheran World Press soliciting manuscripts. He sent them his work and got back a letter saying that the publisher only handled religious works, but that they were impressed with his story and would try to place it at another firm. After a year, Tutuola received a letter from British publishers Faber and Faber, asking about his novel. They published the book in 1952; it was well-reviewed, with especially glowing praise from Dylan Thomas, was translated into French, and generally established Tutuola as a powerful writer. He followed the first book with the equally fantastical My Life in the Bush of Ghosts in 1954, and went on to a long writing career before his death in 1997.

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Future Treasures: Lexicon by Max Barry

Future Treasures: Lexicon by Max Barry

Lexicon Max Barry-smallAt first I thought Max Barry’s latest novel was just another high-tech thriller. But a closer look revealed that Lexicon is a lot more than that: a glimpse at a secret war between rival factions of poets, where the weapons are words; the most feared agents have names like Bronte, Eliot, and Lowell; whole towns have been annihilated; and the most dangerous thing you can do is fall in love.

Lexicon was released in hardcover last June and Time called it “Unquestionably the year’s smartest thriller” and listed it as one of the Top 10 Fiction Books of 2013. Over at Tor.com, Niall Alexander called it “Simply gripping from the get-go… Lexicon twists and turns like a lost language, creating tension and expectations… awesome,” and at Boing Boing, Cory Doctorow said it was “Gripping… a pitch-perfect thriller, a jetpack of a plot that rocketed me from page one to page 400 in a single afternoon.”

At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics — at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science. Students learn that every person can be classified by an extremely specific personality type, his mind segmented and ultimately controlled by the skillful and sometimes magical application of words. The very best will become part of a secretive organization of “poets” — elite manipulators of language who can wield words as weapons and bend others to their will.

Whip-smart orphan Emily Ruff is running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization’s recruiters. She is flown across the country for the school’s rigorous and mysterious entrance exams. Once admitted, she learns the fundamentals of persuasion by Bronte, Eliot, and Lowell — master teachers who have adopted the names of famous poets to conceal their true identities. Emily becomes the school’s most talented prodigy until she makes a catastrophic mistake: She falls in love.

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