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Year: 2012

Sean Stiennon Reviews Dark Jenny

Sean Stiennon Reviews Dark Jenny

darkjennyDark Jenny
Alex Bledsoe
Tor ($14.99, trade paperback, 352 pages, April 2011)
Reviewed by Sean T. M. Stiennon

Readers new to Alex Bledsoe’s Eddie LaCrosse series should brace themselves for culture shock, because while the book is set in a medieval world, all the characters have distinctly un-medieval names and mannerisms.  Be prepared for Gary, Eddie, Liz, and Angie to appear in the first few pages.  In keeping with their anachronistic names, all the characters speak in a modern conversational style.  Swords are referred to by make and model, like cars.

It’s a dramatic choice on Bledsoe’s part that will leave many readers feeling alienated, but I think it works.  The novels are hard-boiled crime fiction just as much as they are fantasy, and the casual style means that Bledsoe can give his hero Eddie a dry wit that requires no translation to be funny.  It also gives the story a freshness that the setting, which is your stand low-fantasy budget medieval, tends to lack.

For my part, I found that once I got past the anachronisms (first in The Sword-Edged Blonde, now in Dark Jenny), I was thoroughly captivated by the raw strength of Bledsoe’s writing and story-telling, and found myself with a book that seemed to stick to my fingers.

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Beth Dawkins Reviews Black Blade Blues

Beth Dawkins Reviews Black Blade Blues

black-blade-bluesBlack Blade Blues
J.A. Pitts
TOR (384pp, $7.99, April 2011 Mass Market)
Reviewed by Beth Dawkins

Sarah, the protagonist of J.A. Pitts’ Black Blade Blues, is a twenty something blacksmith and props manager for a movie set. She works two jobs to pay her bills and student loans. On the movie set the lead man breaks her one-of-a-kind sword, and she decides to fix it. A man who claims to be a dwarf decides to help, and so the blade is reforged. The dwarf also insists that she must use it to kill a dragon, who is also an investment banker. After the blade it put back together, things start to fall apart for Sarah. Firstly, when things get serious with her girlfriend Katie, and then with her working relationships, everything dips out of control until Sarah is forced to acknowledge — and deal with — the paranormal aspects that are going on around her.

Sarah is a multi-layered character. She has anger problems, and is dealing with her sexuality. She doesn’t want to be openly gay with her girlfriend Katie, but she wants to be in a relationship with her. She doesn’t acknowledge the paranormal things that happen around her until she is forced to, and by that time her process of dealing with them is violent. After the sword is reforged, earthquakes start, and a homeless man who could be Odin starts babbling to Sarah. Instead of paying attention, her mind is more on Katie. After she has an argument with Katie, she sees a dragon for the first time and is so wrapped up in what might be going on around her (the paranormal), she doesn’t make time to talk things out. There are some scenes towards the end where friends make a few jokes, and though danger is immediate, and the reader is told that Sarah only wants to kill, she still laughs. I wanted her either friendly or brooding; instead she is a middle ground character that was hard to identify with.

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The Best of Modern Arabian Fantasy, Part IV: C.A. Suleiman

The Best of Modern Arabian Fantasy, Part IV: C.A. Suleiman

l_088dd4c6077242c28afe05231683df1d-300x
C.A. Suleiman (center) with his band, Toll Carom

I met C.A. Suleiman online as I was working on this Best of Modern Arabian fantasy series. While Colin is not the only person of Middle Eastern descent I’ve interviewed, he is the first to appear.

A writer, musician, and game designer, Colin has built many worlds and milieus, many of which are inspired and informed by his Middle Eastern heritage. It was fascinating to discuss modern Arabian fantasy with a modern Arab-American.

Read on to hear his thoughts on this increasingly popular subgenre.

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Yes, The New Yorker

Yes, The New Yorker

the-new-yorker-science-fiction-issue2This week’s issue of The New Yorker (yes, The New Yorker!) is a science fiction issue, featuring fiction by Jonathan Lethem, Jennifer Egan, and Junot Diaz, among others.

Here’s the complete table of contents.  Now you can have your science fiction fix and feel literary about it at the same time.

This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

MagicMirror-JKT.inddIt’s good to be the editor. For example, I pretend I do a weekly bargain books update, and no one corrects me — even though the last one was in April. Thank you for indulging me in my shared fantasy.

Let’s get down to business: Bargain Books. I’m the expert, and I’m here to share my knowledge with you. It’s what I do.

This week (ha!) the list contains books by Delia Sherman, Stephen Baxter, Sara Douglass, J.R.R. Tolkien, Stephen R. Donaldson, L.E. Modesitt, Jr, William Gibson, R.A. Salvatore, E.E. Knight, and many more.

The Magic Mirror of the Mermaid Queen, Delia Sherman [$7.20, was $17.99]
Land of the Dead, by Thomas Harlan [$10.40, was $25.99]
The Last Page, Anthony Huso [$4.73, was $25.99]
Hidden Empire, Orson Scott Card [$1.63, was $24.99]
Flood, Stephen Baxter [$9.98, was $24.95]
The Devil’s Diadem, Sara Douglass [$10.80, was $26.99]
The Legend of Sigurd and Gudrun, J. R. R. Tolkien and Christopher Tolkien ($1.92, was $26)
Against All Things Ending: The Last Chronicles of Thomas Covenant, Stephen R. Donaldson [$6.40, was $16]
Scholar, L. E. Modesitt Jr. [$11.20, was $27.99]
Stephen King’s The Stand Vol. 1: Captain Trips, Roberto Aguirre-Sacasa and Mike Perkins [$10, was $24.99]
Zero History, William Gibson [$6.40, was $16]
The Pirate King, R.A. Salvatore [$11.18, was $27.95]
Dragon Fate: Book Six of The Age of Fire, E. E. Knight [$6.40, was $16]
Songs of Love and Death, edited by Gardner Dozois & George R. R. Martin [$10.40, was $26]

All discounted between 60% and 80%. As always, quantities on these bargain books are very limited. All are eligible for free domestic shipping on orders over $25. Most of last week’s (ha!) discount titles are still available; you can see them here.

Weird Tales Closes to Submissions

Weird Tales Closes to Submissions

weird-tales-359aHoly cats! That was fast. The editors of Weird Tales magazine have announced it is closing to submissions on Tuesday, June 5th.

Now, Black Gate magazine is in no position to throw stones about being closed to submissions. We’ve been closed since roughly the Napoleonic era. But still… didn’t Weird Tales just announce it was open?

Let me check. Yup, it did.

[If you’re too lazy to click on that link, you can just scroll down the page to the announcement four days ago.]

All right, we’re done being snarky. And we will note that the magazine is only closing to fiction submissions — artists and disheveled arcane researchers, your contributions are still valued. [Okay. We’ve still got a little snark left.] Here’s the official announcement:

Heads up that at noon eastern time on Tuesday June 5th we will be closing for fiction submissions. We will still be looking at art and nonfiction proposals.

There’s still time to finish your submission and get it in the mail by Monday morning. Stock up on coffee, turn off the phone, and channel Clark Aston Smith. Fame and Fortune await you.

But act fast.

Blogging Sax Rohmer’s The Golden Scorpion, Part Two – “The Statement of M. Gaston Max”

Blogging Sax Rohmer’s The Golden Scorpion, Part Two – “The Statement of M. Gaston Max”

golden-scorpion-11golden-scorpion-21Sax Rohmer’s The Golden Scorpion was first printed in its entirety in The Illustrated London News Christmas Number in December 1918. It was published in book form in the UK the following year by Methuen and in the US in 1920 by McBride & Nast. Rohmer divided the novel into four sections. This week we shall examine the second part of the book, “The Statement of M. Gaston Max” which comprises nine chapters.

Rohmer chose to follow the formula he utilized successfully with The Yellow Claw (1915) by starting the narrative at a crucial early stage before revealing the principal character’s earlier involvement in the plot and then unexpectedly bringing Gaston Max into the proceedings and having him relate, over the course of several chapters, a lengthy background story that helps connect the dots for both reader and protagonist.

Max’s account begins some months earlier when he was serving as head of security to the Grand Duke Ivan during his visit to Paris. The French detective became concerned with the Grand Duke’s torrid affair with the exotic Egyptian dancer, Zara el-Khala, while staying in Paris. Surveillance work uncovers her connection to a mysterious  individual known as The Scorpion. Max is unable to learn anything else of significance about the dancer’s background. After she unexpectedly fails to turn up for her performance one night, the detective learns she has suddenly left Paris. That same night, Grand Duke Ivan is struck ill and dies.

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Goth Chick News: A Black Gate Indy Film Exclusive: Outpost 13

Goth Chick News: A Black Gate Indy Film Exclusive: Outpost 13

image0041There’s almost nothing as cool as getting an exclusive — unless it’s an exclusive from an up-and-coming film maker.

When one considers that every director who ever created a blockbuster was once a struggling artist thrashing about in the low-budget trenches, one imagines that when said directors finally hit the big time, they’ll remember those who recognized genius and encouraged them in their leaner years, then invite those people to high-power lunch meetings and red-carpet events which steadfast supporters can only daydream about today.

Right, Wyatt?

Wyatt Weed from Pirate Pictures, along with his colleagues at State of Mind Productions, are the creative force behind the new indy short-film project Outpost 13 and they’ve granted an exclusive screening to Black Gate readers before the film is released to the wider viewing audience.

Yes, that’s right. An exclusive. Which ranks Wyatt Weed above Ridley Scott, who only sends us the trailers about five minutes before everyone else gets them.

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New Treasures: Deadfall Hotel by Steve Rasnic Tem

New Treasures: Deadfall Hotel by Steve Rasnic Tem

deadfall-hotelI don’t get to cover horror fiction as often as I like to — mostly because I don’t get to read much these days. So it’s always a delight when a surprise like Deadfall Hotel arrives at my door. The seed of the novel was the acclaimed short story “Bloodwolf,” published by Charles L. Grant in his anthology Shadows 9 back in 1986. For over 25 years author Steve Rasnic Tem has nurtured that seed, and it has finally grown into a complex and original horror novel.

This is the hotel where our nightmares go… It’s where horrors come to be themselves, and the dead pause to rest between worlds. Recently widowed and unemployed, Richard Carter finds a new job, and a new life for him and his daughter Serena, as manager of the mysterious Deadfall Hotel. Jacob Ascher, the caretaker, is there to show Richard the ropes, and to tell him the many rules and traditions, but from the beginning, their new world haunts and transforms them.

It’s a terrible place. As the seasons pass, the supernatural and the sublime become a part of life, as routine as a morning cup of coffee, but it’s not safe, by any means. Deadfall Hotel is where Richard and Serena will rebuild the life that was taken from them… if it doesn’t kill them first.

Weird Fiction Review had this to say about Deadfall Hotel:

The novel provides a smorgasbord of sweet spots for the weird fiction connoisseur. Nightmares, supernatural creatures, cults, eccentric characters, and the atmosphere of the titular hotel all combine for a fascinating read. With the popularity of TV shows like American Horror Story, the timing seems right, as well (although we think Deadfall is much more interesting.)

And Fear.com raves:

Horror legend Steve Rasnic Tem returns with Deadfall Hotel, a modern fairytale, haunted house story, vampire novel, cult novel, werewolf novel, zombie story, and just plain old “weird tale”… It’s a masterful hodgepodge of genre tropes and devices that — much like Peter Straub’s magnificent Floating Dragon — in the hands of a lesser writer would have collapsed… Deadfall Hotel is everything a horror novel should be. Steve Rasnic Tem is at the height of his powers with this effort.

Deadfall Hotel is 301 pages in paperback for $9.99. It was published by Solaris on April 17. It is illustrated by Danish artist John Kenn Mortensen, whose creepy, Edward Gory-like style is both classic and richly modern — click on the cover above to get a closer look at his work. WFR.com offers a long self-contained excerpt, “The King of the Cats,” presented in four parts that you can sample here.

Andrea Grennan Reviews The Immortality Virus

Andrea Grennan Reviews The Immortality Virus

immortalityvirus_medThe Immorality Virus
Christine Amsden
Twilight Times Books (266 pp, $18.95, June 2011)
Reviewed by Andrea Grennan

In a world where aging has been erased, the “Change” may have ended Alzheimer’s and arthritis, but it hasn’t ended starvation, murder or suicide. The Immoratity Virus explores a dystopian view of a world where immortals aren’t a vampire few, but a human many, and looks at the problems that could ensue from such a “Change.”

Grace Harper has been born into this new world, and lived 180+ years in it, most of them uncertain and miserable. When hired by a wealthy man to find the person who created the immortality virus to see if it can be undone, she embarks on a quest which results in nearly every faction of society being arrayed against her, for a variety of reasons.

Why would anyone want to give up immortality?

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