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Year: 2011

Brian Jacques (1939 – 2011)

Brian Jacques (1939 – 2011)

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redwallBrian Jacques, author of the Redwall series of anthropomorphic fantasy novels and the Castaways of the Flying Dutchman books, and one of the most popular fantasy authors of the last several decades, died on Monday, February 5, 2011 in Liverpool. He was 71.

I first discovered Jacques in 1988. I had just left Canada to finish my Ph.D. at the University of Illinois, and the covers of his first two novels — Redwall (1986) and Mossflower (1988) — captivated me the moment I laid eyes on them in a campus bookstore. I even had a poster of Jacques’ fifth novel Salamandastron in my dorm room. His charming fantasies set in and around Redwall Abbey, a place of refuge in a dangerous world, featured valiant creatures and daring adventure.

But it wasn’t until I was running my first website a decade later that I discovered what a phenomenon Jacques had become. I was editor of SF Site, and talking to Bettina Seifert, publicist at Penguin/Philomel. Jacques was now appearing in hardcover, and she offered to send me all his books for review.

Tempting, but that seemed like a few too many titles to commit to. So instead I offered Bettina a compromise: why not just send me what was still in print?

She agreed — a little too quickly — and a week later a box of hardcovers landed on my doorstep. A very large and very heavy box.

mossflowerInside were Brian Jacques’ novels. All of them. Every single book he had ever written. They were all still in print, in beautiful hardcover editions.

Here’s what I wrote in my rather sheepish article in 1998:

Now, maybe this doesn’t mean a lot to you. But perhaps you’re not an established science fiction author who just watched your Hugo Award-winning novel from the early nineties go out of print. Or a mid-list author finishing a three-volume series, already getting letters from frustrated readers who can’t find the first two volumes. Unless your name is Stephen King or Robert Jordan, you get used to having your work go out of print. And no matter who you are, you don’t get used to having your small print-run paperbacks returned to print in hardcover by a major publisher, ten years after they first appeared.

Except for Brian Jacques, apparently.

Jacques enjoyed this popularity until his death.  He wrote 22 novels of Redwall, including last year’s The Sable Quean and the upcoming The Rogue Crew (scheduled for release on May 3, 2011).

He also published three novels in the Castaways of the Flying Dutchman series, as well as two short story collections and several books for younger children.

Jacques had a vivid imagination and a unique storytelling gift, and I’m grateful he shared them with us.

A Review of Warbreaker

A Review of Warbreaker

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warbreakerWarbreaker
Brandon Sanderson
Tor (688 pp, $7.99, June 2009 – March 2010 mass market edition)
Reviewed by Bill Ward

In the stand-alone fantasy novel, Warbreaker, Brandon Sanderson, best known for his Mistborn trilogy, gives us a story in which the goal is not to fight and win a war, but to prevent one from occurring. The rival kingdoms of Idris and Hallandren are on the brink of war based on a centuries-old dispute, and at the novel’s start it seems the only way for Idris to prolong the uneasy peace between the two realms is to fulfill the letter of a treaty signed at the close of the last war. The treaty stipulates that when the Idrian King’s oldest daughter reaches her majority, the King will provide a daughter in marriage to the ruler of the Hallandren – a fantastically powerful immortal monarch known as the God-King.

The catch is, the treaty doesn’t specify exactly which daughter the Idrian king had to provide in marriage.

Vivenna, the King’s eldest and most-favored daughter, had been trained from birth to be a wife to the God-King. But the Idrian King cannot bear to part with her, and sends instead his youngest daughter Siri, a girl as free-spirited and undisciplined as her older sister is serious and sober-minded. Thus the events of Warbreaker are set in motion as the ‘wrong’ daughter is sent from her mountain home to the fabulous Hallandren capital of T’Telir, with her older sister – shocked by her father’s actions and concerned for both Siri and the fate of their two kingdoms – running away to follow close on her sister’s heels. Once in T’Telir, both sisters get embroiled in plots and counter-plots that may mean a disastrous war for their homeland.

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First Jetpacks. And Now a Robot Orders a Scone

First Jetpacks. And Now a Robot Orders a Scone

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anybots22It’s been a good week for the future.

Just a few days after we announced the tardy arrival of jetpacks (finally!) here in the 21st Century, a robot was spotted ordering a scone in Mountain View, California.

Yes, a real robot. This future overlord of humanity was manufactured by Anybots, Inc. (also of Mountain View), and was caught on camera purchasing a pastry at Red Rock Coffee by Aaron96121, who posted this amusing 5-minute video on YouTube.

Anybot specializes in “telepresence robots,” that are controlled remotely and allow people to attend meetings around the world. They are mounted on a motorized base and can be controlled from any computer through a web browser.  They also have built-in video and voice capability, and reportedly retail for $15,000 – $30,000.

They’re also decent tippers, if the video can be believed. This particular robot was fetching a scone for its current master, an Anybot engineer, doubtless before returning to its normal routine of plotting the eventual overthrow of mankind.

As one astute commenter at YouTube posted, “I for one welcome our scone-eating robot overlords!”  Amen to that, brother. As long as I get a jetpack.

Art of the Genre: The Drow

Art of the Genre: The Drow

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Two roads diverged in a wood, and I – I took both…

Jeff Dee shows some skin on the back cover of D3
Jeff Dee shows some blue skin on the back cover of D3

Today I follow the rise of the Drow, both in their conceptual purpose and the art that has defined them.

In modern fantasy there have been dark elves as far back as Tolkien when he speaks of Eol the Dark Elf who forged Anguirel the blade used by Beleg Strongbow in the Hurin mythos. Yet, corrupted elves, and the mystery they hold, have become something else entirely when placed in the framework of role-playing games.

Somewhere, in some nearly forgotten time, Gary Gygax read something, perhaps Funk & Wagnall’s Unexpurgated Dictionary, stating: “[Scot.] In folk-lore, one of a race of underground elves represented as skilful workers in metal. Compare TROLL. [Variant of TROLL.] trow“ and he used it to create the absolutely fantastic D&D monster we now call Drow.

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Nerd Empowerment Role-Model: Penny Gadget

Nerd Empowerment Role-Model: Penny Gadget

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inspector-gadget-pennyI wonder if elementary school children today have as inspiring a model on animated television shows as I did when I was ten years old. My hero was Penny Gadget from the syndicated series Inspector Gadget.

Why? Because somebody my age, armed with a computer (a proto-laptop disguised as a book) and an amazing wristwatch (able to fire lasers and tracers and whatever else the plot needed) was stopping a massive global criminal enterprise on a weekly basis while the adults around her achieved nothing except looking like buffoons.

Admittedly, in the long view MAD is an incompetently run Evil Secret Organization, staffed exclusively with dingbats who constantly fail to kill an opponent who can’t tell the difference between his own dog and his own dog wearing a wig. Perhaps MAD’s leader, the Blofeld-in-Steel villain Dr. Claw, has some intelligence — he has a Ph.D., apparently, although maybe it was through a diploma mill — but this “evil genius” regularly sees his world conquest plans collapse because of a ten-year-old. A ten-year-old he occasionally captures but never recognizes. Yeah, I’m going to go with “diploma mill.”

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Fantasy and Lightspeed

Fantasy and Lightspeed

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bgfantasy2John Joseph Adams is the editor of the anthologies By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, The Living Dead (a World Fantasy Award finalist), The Living Dead 2, The Way of the Wizard, Seeds of Change, and Wastelands: Stories of the Apocalypse.

Forthcoming work includes the anthologies The Book of Cthulhu, Brave New Worlds, and The Mad Scientist’s Guide to World Domination.

And guess what else? He is now the editor of Fantasy Magazine and Lightspeed Magazine, the critically-acclaimed online short fiction magazines published by Prime Books.

Here are the guidelines for Fantasy.

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Like a Bridge Over (Sharon Shinn’s) Troubled Waters: A Review

Like a Bridge Over (Sharon Shinn’s) Troubled Waters: A Review

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The Thirteenth House (art by Donato Giancola)
The Thirteenth House (art by Donato Giancola)

Troubled Waters
By Sharon Shinn
Ace Hardcover [400 pages, October 5th, 2010, $24.95]

I periodically go through Sharon Shinn phases. The word “thrall” comes to mind.

These fiction-consuming frenzies may last several weeks. When they end, I usually shake my fists at the sky and vow never to do it again. Ever. No more staying up every night for days on end rereading the Twelve Houses books and the Samaria series and that Jane Eyre retelling, Jenna Starborn, or Summers at Castle Auburn, or The Shapechanger’s Wife, or, or…

It’s exhausting, I tell you! The woman renders “prolific” a gross understatement.

And then I was offered up Troubled Waters to review for Black Gate. I’m not saying I snatched it out of John O’Neill’s hands as from the maw of many-tentacled Cthulhu. Or glared at him when he tried to take it back. I merely assured him, very calmly, that, Yes, I would like to review it, and oh does that mean I get to keep this copy, really, how nice, and no, that is not slobber on my chin.

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Supernatural Returns – Episode 6.12 “Like a Virgin”

Supernatural Returns – Episode 6.12 “Like a Virgin”

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SUPERNATURALWhen we left Supernatural for its winter hiatus, Death had rescued Sam’s soul from where it was trapped with Lucifer and the Archangel Michael and placed it back into Sam’s body. (And I’d made several predictions about where the plot would go.)

We return to the series with the requisite opening monster attack … but let’s get to the important part: Sam’s got his soul back.

He’s unconscious, though, and Castiel can’t tell if he’ll ever wake up. He does, however, and doesn’t seem to remember anything that’s happened after he jumped into the pit with Lucifer & Mikey. (This is to be expected, because Death could only bring him back intact by “walling off” the part of his soul that remembered the torments inflicted upon him.)

Dean decides that Sam doesn’t need to know what’s happened, so tells him that he’s been in the hellish prison for a year and a half. He explains that Death brought Sam back, but doesn’t give further details. Bobby’s reluctant but does go along with the deception, although he makes it clear that Sam will figure it out eventually. (Turns out that eventually isn’t what it used to be.)

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Classic Alternatives: Keith Roberts’ Pavane

Classic Alternatives: Keith Roberts’ Pavane

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PavaneI’ve always been fascinated by history, which is one reason why I write about it. So by extension one of the kinds of speculative fiction which has always fascinated me is the alternate history tale. Whether as a ‘pure’ alternate history tale, describing a world where things just happened to go a different way than we knew, or as a ‘warped’ history in which deliberate meddling has created some new reality, the rethinking of historical assumptions is challenging and invigorating — at least, up to a point. The changes have to make sense.

I think a lot of science fiction and fantasy requires careful attention to setting; attention in constructing a setting, attention in how the setting is communicated to the reader, and attention in working the setting and its communication smoothly into the narrative. Along, of course, with attention to how the setting affects character, and, ultimately, the language a character uses and the language in which the story is told. The alternate-history story is an extreme example of all these things. It’s the setting that makes it the story it is. And in changing history, the writer makes decisions about character, style, and — implicitly — theme and structure; as in any kind of sf, what kind of fictional world the writer creates is intimately connected with what the story’s about and how it’s told.

Which brings me around to Keith Roberts’ novel Pavane. It’s a set of linked short stories, describing a world in which Queen Elizabeth I of England was assassinated, the Spanish Armada conquered England, and Europe remained wholly Catholic. The book, first published in 1966, takes place in the late twentieth century of this other world, in which technological and social progress has been slowed by the authoritatian hand of the Church. It moves from character to character, showing developments over the course of generations as some things change and some things do not.

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Some Little Infamy

Some Little Infamy

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johannes-cabalI have been asked to write a few words on how the Johannes Cabal novels came to be published with a particular view to explaining some of the intricacies of the publishing trade. Because I am nothing if not didactic (“Didactic” means, among other things, to speak in a lecturely manner. I hope you’re taking notes – there will be a test afterwards), I have also added a few notes of advice at the end for folk who want to get into the professional novel writing gig.

There is no precise moment when Johannes Cabal leapt from my brow, side, or any other part of my anatomy. He was, as is often the way, formed by a slow aggregation of assorted ideas over quite a lengthy period that probably starts sometime in the mid to late 1980s. I had and, I must admit, still have a habit of inventing stories for my own amusement with no intention of writing them down. Usually the reason for not taking it too seriously is because I’m playing with other people’s characters, and the copyright situation discourages me from making the stories concrete; virtual fanfic, if you like.

Back in 1985 I saw a film that, as a Lovecraft fan, I was all set to hate. Instead, having seen Re-Animator I came out of the cinema enthused and excited by such a gonzo approach to Lovecraft’s work. Inevitably, I started playing around with ideas for a sequel. There used to be an old vicarage in Kearsley, southwest of Bolton on the road to Manchester, that caught my eye whenever I went by. It was a tall, severe, Victorian building with a large, circular window on its attic floor, glaring out from beneath the eaves. The window made me think of a Lovecraftian tale, and I imagined a rival to Herbert West living there. Unlike West, however, he used magic upon which he had imposed a scientific rigour. Herbert West comes to him to collaborate with predictably gory results.

I never got very far with this particular story because I found myself becoming more interested in the unnamed magic-using re-animator.

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