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Year: 2011

An Excerpt from Shadow’s Lure by Jon Sprunk

An Excerpt from Shadow’s Lure by Jon Sprunk

s-lure

By Jon Sprunk
Pyr Books (391 pages, $16, June 2011)

Warning: Adult language


Caim pitched forward as a stray root snagged his toe. With both hands bound behind his back, he would have fallen if not for the men holding him upright.

They had been marching for some time now, first across snow-covered fields and then along a hunting trail through woods that turned out to be deeper and more extensive than he first assumed. The trees grew taller than Caim had ever seen before, some more than ten times his height. Masses of black briars with finger-long thorns made travel in a straight line impossible. In the distance rose the dark outlines of hills against the starry sky. If they were the southern tip of the Kilgorms, that would put him roughly southwest of Liovard.

His captors were fifteen cloaked men, including Keegan and his large comrade. Kit flitted among them, peering under their hoods and occasionally darting ahead. Every so often she returned to report her findings, which weren’t much. They were local men, which he had already guessed. None of them wore anything heavier than a thick woolen jacket, but each man held some type of implement in hand, however, whether it was a simple truncheon or a rusty thresher. The big man, Ramon, was their leader, although how Kit discovered that when the men hardly spoke was a mystery to Caim.

A light appeared through the trees ahead. Small and flickering at first, it grew brighter as they traveled, even as the path became more uneven, sometimes disappearing altogether for a few yards before it reappeared. Another few minutes brought the party to a wide clearing lit up by three bonfires. Sturdy boles as wide as a man’s height surrounded a patch of ground seventy paces across.

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Little Lulu Volume 25: The Burglar-Proof Clubhouse and Other Stories

Little Lulu Volume 25: The Burglar-Proof Clubhouse and Other Stories

little-luluDuring my heyday as a young comic collector — from maybe 1973-1977 — I primarily chased Marvel titles, with the occasional DC offering like Legion of Super-Heroes, and a smattering of Charlton comics such as Blue Beetle. Like most ten-year-old collectors I scorned kid’s comics, of course.

At least in public. Behind closed doors, I loved virtually all comics, and read whatever I could get my hands on: Archie, Uncle Scrooge, Casper the Friendly Ghost, and even Little Lulu, which featured the comparatively tame adventures of Lulu Moppet and her neighborhood friends as they hunt for wild turkeys in the local woods, solve the mystery of a missing tea cup, and go to school.

I only recently discovered that Dark Horse Comics has reprinted over a decade’s worth of Little Lulu in 29 volumes (!!), many of them in full color. A pretty staggering feat of cultural scholarship, sure, but I have to admit my initial reaction was “Who the hell wants to read that much Little Lulu?”

Me, as it turns out.

Just as I did roughly 40 years ago, I slipped a copy of Little Lulu into a stack of larger comics when I thought no one was looking.  Back then it would go between Amazing Spider-man and Grimm’s Ghost Stories, just before I marched up to the drug store counter with my stack of quarters.  Last week, I quietly added it to my Amazon cart between Hellboy, Volume 1 and Marvel’s collected Son of Hulk, when my kids were in the other room. Listen — no matter how old you are, the scorn of children is a terrible thing.

As soon as that package arrived, it wasn’t Hellboy or Son of Hulk I opened first. It wasn’t even Star Wars: Knights Of The Old Republic, Volume 7, and that baby had storm troopers on the cover. No. It was Little Lulu.

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Rise of the Mutants?

Rise of the Mutants?

Four-year-old David Petrovic demonstrates the mutant abilities that make him your future master.
Four-year-old David Petrovic demonstrates the mutant abilities that make him your future master.
You can’t trust anything you read on the Internet — even articles from mainstream sources like AOL and CNN. But that doesn’t mean you can’t enthusiastically share them with all of your friends.

In that spirit, I’d like to pass along this little tidbit I read this morning about a pair of mutant cousins in Serbia who exhibit magnetic powers much like Marvel Comic’s Magneto — minus (so far) the latent megalomania and cool helmet.

Two boys from the central Serbian town of Gornji Milanovac have the rare ability to attract metal objects, acting much like human magnets… Sanja Petrovic, the mother of 4-year-old David, said it first came to her attention “about a month ago.”

“I asked him to fetch me a spoon so I could feed his little brother, and he yelled back: ‘Mom, it sticks!'” Petrovic recalls. “I found him with several spoons and forks hanging from his body.”

The phenomenon is rare and so far medically unexplained. Several similar cases, however, have recently been reported in Serbia, Croatia and Bosnia. “As far as I know, there is no medical or scientific explanation,” said radiologist Mihajlo Dodic, who runs a practice in the Serbian capital, Belgrade. He said the cousins’ magnetism borders on the “paranormal.”

Well, that about wraps it up for normal humans.  I thought for sure we had a few generations left before being put out to pasture. I hope the camps they make for us are comfortable and equipped with most amenities.

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Blogging Alex Raymond’s Flash Gordon:“, Part Twelve – “The Tyrant of Mongo”

Blogging Alex Raymond’s Flash Gordon:“, Part Twelve – “The Tyrant of Mongo”

flashgordon4flash_2_-_the_tyrant_of_mongo“The Tyrant of Mongo” was the twelfth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between June 12, 1938 and March 5, 1939, the epic-length “Tyrant of Mongo” picks up the storyline where the eleventh installment, “Outlaws of Mongo” left off with Flash and the Freemen having sought refuge in the tombs of Ming’s ancestors. They befriend Chulan the caretaker who joins the Freemen. The flooding of Mingo City has thrown the kingdom into disarray. Flash and a group of Freemen storm the Navy’s flagship only to find its captain only too willing to join the fight against the Emperor.

Emboldened by their success thus far, Flash and Captain Sudin lead the growing ranks of Freemen in a daring prison break to free Ming’s political prisoners. Naturally, they have walked into a trap. Scores of Freemen are decimated by Ming’s forces. Flash and an injured Sudin manage to escape with their lives. Unexpectedly, Flash and Sudin bombard the prison from their rocketship and rescuing those survivors they can reach attempt to make good their escape.

Crashing into the sea, Flash learns they are short one oxygen tank and heroically stays behind with the sinking ship while everyone else makes their way to freedom. Dale and Zarkov succeed in rescuing Flash, but Zarkov doesn’t believe his chances for survival are very strong. Of course, thanks to Zarkov’s surgical skill Flash does survive and recovers sufficiently to hastily design and oversee construction of a complex series of underground tunnels to house the Freemen. Naturally, their new-found tranquility is short-lived as Ming visits the island to bury his recently-deceased uncle (who Ming had killed when he learned he was plotting against him). A word should be said about Alex Raymond reaching new heights with his artwork in this installment. Raymond’s work was constantly evolving and it retains its power nearly 80 years later.

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Is The Lord of the Rings Literature?

Is The Lord of the Rings Literature?

lotr-50th-anniversary1Part 1 of a 2-part series

And whether or not Tolkien’s works will stand the test of time is not within our lot to know, so that the Tolkien enthusiast’s need to defend Tolkien’s title of “author of the century,” as a result of the recent Waterstone’s poll of 25,000 readers in Great Britain in 1997, may be unnecessary and even gratuitous. A work like The Hobbit that has already been translated into thirty languages or one like The Lord of the Rings, into more than twenty, has already demonstrated the virtues of both accessibility and elasticity, if not endurance. An author who has sold fifty million copies of his works requires no justification of literary merit.

Jane Chance, Tolkien’s Art: A Mythology for England

Is The Lord of the Rings literature? The answer depends on who you ask. As I see it, four camps exist, each with a different take on the question.

Camp 1, Devoted Tolkien fans. Ask one of these folks and you’re likely to hear, “A Elbereth Gilthoniel! Of course. Need this question even be asked?” For members of Camp 1 the evidence is plain, the case long made for Tolkien’s literary greatness—even if they don’t always offer clear and/or compelling supporting evidence.

Camp 2, Ardent Tolkien haters. An answer by a member of Camp 2 is typically something along the lines of [Sarcasm mode on] “Tolkien’s books had literary merit?” [/Sarcasm mode off] No awful children’s story about Elves and Hobbits and Dark Lords could possibly qualify as literature. At least The Sword of Shannara wasn’t boring.

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Goth Chick News: Frank is the new Drac

Goth Chick News: Frank is the new Drac

image0021Ever since interviewing Charlene Harris, I must admit to being a big fan of True Blood. But it’s important to note that the HBO series encompasses far more creatures than just vampires and the vampires that do reside in Bon Temps, LA where all the action takes place, at least adhere to the widely accepted folklore such as adversity to daylight, stakes through the heart, etc.

No daytime sparkly angst here.

But let’s be honest. Between the TV shows and movies of the last five years, vampires are suffering from overexposure. And like any fad that has run its cultural course, nothing says “over” like being slapped on a lunch box come back-to-school time.

Goth Chick’s prediction for 2012 fashion? Vampires are out. Man-made monsters that defy all the laws of nature are way in.

To prove my point, there are already several early adopters in both the big and small screens.

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Art of the Genre: Magic Kingdom for Sale — Sold

Art of the Genre: Magic Kingdom for Sale — Sold

Uh... can I see inside that fortress please?
Uh... can I see inside that fortress please?

First off, no, this has nothing to do with Terry Brooks…

So I recently saw Conan 3D 2011… and yeah I know what you’re thinking, but I’m not going to go into that because it’s been beaten to death elsewhere, and certainly here on Black Gate. Still, I had to wonder after seeing it, what did the world of Hyboria get for its 2011 dollar?

Considering the movie reviews and box office receipts, whatever the cost for art direction it was far too much. As I watched, I contemplated the words of John Fultz and his thoughts concerning the imagery of the movie when he said… wait, I’m going to go look this up so John can’t complain I misquoted him… Ok, here we go…

The Hyborian Age has never looked so wondrous, splendid, and believable on screen. From the virgin wilderness and Cimmerian villages to the decadent, sprawling cities, the vast monasteries, and the ancient citadels with skull-shaped caves, the movie simply looks fantastic. The costuming too is spot-on and suitably grimy, evocative, and well-designed. Same goes for the props: swords, spears, armor, ships, etc.

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Edgar Rice Burroughs’s Venus, Part 3: Carson of Venus

Edgar Rice Burroughs’s Venus, Part 3: Carson of Venus

carson-of-venus-1st-edition-coverFive years have passed since Edgar Rice Burroughs wrote Lost on Venus, and the world has undergone a startling and disturbing metamorphosis. Something sinister and confusing is taking place in Europe, and across the Atlantic waters the people of the United States are growing concerned at the saber-rattling of Nazi Germany. The poverty-crippled period in which ERB wrote the previous Venus books has given way to a time of escalating fear of a second great war.

Does this have anything to do with the next novel of the Venus saga, 1938’s Carson of Venus? Of course not. That the villains of the book are called “the Zanis,” and that they rule through a tyrannical personality-cult dictatorship complete with ritualized salutes, concentration camps, and rampant murder of political undesirables is mere coincidence.

Our Saga: The adventures of one Mr. Carson Napier, former stuntman and amateur rocketeer, who tries to get to Mars and ends up on Venus, a.k.a. Amtor, instead. There he discovers a lush jungle planet of bizarre creatures and humanoids who have uncovered the secret of longevity. Carson finds time during his adventuring in the various warring countries of the planet to fall for Duare, forbidden daughter of a king. Carson’s story covers three novels, a volume of connected novellas, and a final orphaned novella.

Previous Installments: Pirates of Venus (1932), Lost on Venus (1933)

Today’s Installment: Carson of Venus (1938)

The Backstory

Edgar Rice Burroughs was in a creative slump at the close of the 1930s. The success of the Johnny Weissmuller Tarzan films at MGM and the creation of his own publishing company meant a steady flow of revenue, but the famous author found his new fiction getting rejected from the regular magazine markets that had featured him for more than twenty years. Even Tarzan was no longer dependable. Burroughs was not a young man anymore, and the magazine rejections seemed to hint that his best writing years were behind him. At least he could always publish the books through his own company, but the publicity from magazine serialization was an important way to boost sales.

It was during this turbulent time that ERB tried a few experiments. After leaving the Venus series alone for five years, he returned to it with a spy story reflecting the political tensions of the day.

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Them Old Submission Blues: On Blogging, Writing Communities and Keeping Spirits Up

Them Old Submission Blues: On Blogging, Writing Communities and Keeping Spirits Up

bgdeskDear Black Gate Readers,

Something really cool just happened over on LiveJournal.

Since I’m sort of still grinning about it, I thought I’d take this opportunity to write about the importance of finding or creating a community of friends and artists who — even if they can’t do anything about your stack o’ rejections, those self-imposed deadlines you keep failing to make, or the number of times your head thumps a desk (in my case, the wall. I don’t know why, but I just find walls more… thumpable… somehow) — are there for you, in whatever way they can be. Even across the miles. Even across state lines! Or oceans!

This is a great age for long-distance friendships, isn’t it? I love it.

Writing is lonesome. And, you know what? THAT’S WHY IT’S APPEALING! You’re one on one with yourself, dueling with your demons, exploring your dreamscapes, loaded to the max with your Tools of Toil: laptop, fountain pen, coffee mug (in my case, tea cup, ’cause coffee? GROSS!), notebooks, dictionary (or dictionary.com), and nothing to disturb you except maybe the dishes, the laundry, the kids (well, NOT in my case, but I know plenty of writers who are parents), the bills, and everything else we have to deal with.

That great escape into lonesomeness is one of the best things about writing.

But sometimes you get discouraged, maybe. And maybe that’s when the lonesomeness is not so great anymore.

So you go to your community. Maybe you post about it on your blog. Anything to make the burden lighter.

And then, in the midst of your writer pals’ commiserations, something like this might happen…

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