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Month: May 2011

April Realms of Fantasy Now on Sale

April Realms of Fantasy Now on Sale

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rof-april-2011The April issue (issue 99) of Realms of Fantasy is now on sale.

This issues includes fiction from Randy Henderson, Michelle M. Welch, Lisa Goldstein, Euan Harvey, and Von Carr. Non-fiction includes a column by Resa Nelson on zombie cinema, Theodora Goss’ “Folkroots” column on vampires, an editorial and review (“The Addams Family on Broadway”) by Douglas Cohen, Karen Haber’s “Artists Gallery” on cover artist Brom; and book review columns by Paul Witcover, Elizabeth Bear, Michael Jones (covering Young Adult novels), and Andrew Wheeler (on graphic novels). A complete PDF table of contents is here.

We last reported on Realms of Fantasy with issue their February issue.

Rich Horton reviewed this issue in the May Locus, saying:

The April issue of Realms of Fantasy is a special Dark Fantasy issue… It’s a very strong issue, for whatever reason. Every story is good, and the definition of ‘‘dark’’ is loose enough to include a comic story, ‘‘The Strange Case of Madeline H. Marsh (Aged 14 ¼)’’ by Von Carr, about an 8th grade girl who needs to deal with Lovecraftian Dark Gods in her basement. Euan Harvey’s ‘‘By Shackle and Lash’’ is a strong Persian-flavored story about a couple of soldiers whose cowardice gets them assigned to cleaning duty in a prison… The best story here is ‘‘Little Vampires’’ by Lisa Goldstein, which beautifully dovetails three stories: a Halloween tale about a girl visiting a sinister house, a darker story told by a Hungarian émigré about her escape from the Nazis and its cost, and the framing tale of an elderly mother telling these stories to her daughter.

ROF is edited by Douglas Cohen. The fiction editor Shawna McCarthy. Issues are $6.99 (print) or $3.99 (PDF). Cover art by Brom.

Anchorwick

Anchorwick

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AnchorwickAnchorwick
Jeffrey E. Barlough
Gresham & Doyle (387 pages, $14.95, October 2008)

Of all the books I’ve reviewed for Black Gate, the one that sticks in my head is Jeffrey Barlough’s Strange Cargo, which I reviewed way back in 2005 for BG #8. Grumpus that I am, of course I dinged it. I still stand by the review years later, though I feel some guilt about it too. Barlough is such a wonderful yet unappreciated fantasist that to judge him on that single novel is like measuring Hemingway by To Have or Have Not or Kerouac by The Subterraneans. Frankly, Strange Cargo isn’t even a bad book; it’s simply a novel where the author’s ambition exceeded the page count and so shortcuts were taken. Literary ambition is hardly a crime and Barlough is, nevertheless, a talent I invite everyone to sample.

With his first three books OOP, Barlough’s fifth, Anchorwick, makes a fine initiation for newcomers (younger versions of the protagonists from Barlough’s debut, Dark Sleeper, appear here in supporting roles). His alternate 20th century, called the Western Lights, has a sophisticated backstory that’s easier to link to than for me to explain, but I’ll try: in a world where the Ice Age never ended, a cataclysm has reduced humanity to a slip of English civilization along North America’s western coastline. It’s neither steampunk nor weird western; the technology is early 19th century. It’s kinda-sorta gaslamp fantasy, except there doesn’t seem to be any natural gas. Barlough’s creation is best described as a Victorian Dying Earth — gothic and claustrophobic yet confronted by its inhabitants with upper lips held stiff.

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The Magazine of Fantasy & Science Fiction, January 1966: A Retro-Review

The Magazine of Fantasy & Science Fiction, January 1966: A Retro-Review

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fsf-jan661Here’s the second of three consecutive months of SF magazines I recently bought, each a different specimen of the canonical “Big Three” of that time. The first, the December 1965 issue of Galaxy, is here.

Edward Ferman was the Editor of F&SF at this time, as he had been for a while. (I have heard that even while his father Joseph was listed as Editor, Edward was actually doing the job.)

The cover is by Jack Gaughan, illustrating “L’Arc de Jeanne,” by Robert F. Young. Of course there was no interior artwork, excerpt for Gahan Wilson’s cartoon. There were also no ads except for the Classifieds in the F&SF Marketplace, and except for one or two inhouse ads. This issue did feature the Statement of Management and Circulation. Average Paid Circulation, 53,831. Average Mail Circulation, 16,644.

The features include Wilson’s Cartoon, a very brief “Science Springboard” by Theodore L. Thomas, about smog, and Isaac Asimov’s Science column, this time called “The Proton Reckoner,” about counting things, lots of things, like the protons in the universe.

And there is a book review column by Judith Merril. She writes from London, in September of 1965, and her subject is how much better things are in England: the drinking, people’s looks, the rock and roll, and the SF — the New Wave SF (though Merril does not here use that term). She focuses on three major fairly young writers: J. G. Ballard, Brian W. Aldiss, and John Brunner.

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The new CONAN movie: Okay, I’m in.

The new CONAN movie: Okay, I’m in.

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CONAN is coming. Okay, I’ve had serious doubts until now, based on the “teaser trailer” I’d seen. But this new trailer does it. I’m sold. I’m officially excited and enthused about this new CONAN movie. The Hyborian Age settings look terrific; Rose McGowan looks creepy as hell–nice touch having a female villain; the costuming and design looks superb; the creatures are well-done CGI beasties.

Is this the Arnold S. Conan from ’82? Is it the John Buscema-drawn Conan? Or the Frank Frazetta-painted Conan? No…it’s a new incarnation. Actor Jason Momoa reminds me of the Young Conan–the one Barry Windsor Smith drew in the 70s at Marvel Comics. If only he had that two-horned helmet and that three-disc necklace, he’d be a dead ringer. It’s a younger, rawer Conan, fresh from Cimmeria and the siege of Venarium. The Conan from Howard’s “Tower of the Elephant” story: a savage youth set loose in a civilization of decadent savagery.

I’m a HUGE fan of the original CONAN THE BARBARIAN film–the one directed by John Milius and co-writen by Oliver Stone. But I’m ready to jump in and experience this new take on Robert E. Howard’s most enduring character. For a guy who grew up reading Conan books, comics, and magazine–and someone who considers the original a classic–that’s saying a lot.

Of course, you can only tell so much from a trailer…but I’ve got a good feeling about this one. That said, I’m going to skip the 3D version and see the 2D instead…except for AVATAR, 3D tends to ruin most movies these days.

Judge for yourself at Yahoo:
http://movies.yahoo.com/summer-movies/conan-the-barbarian/1809953260#first

And if the movie still sucks, despite all this going for it: Crom help us all!

I reserve my final verdict until I actually see the film.

The David Gemmell Legend Award Nominees for Best Fantasy Novel of 2010

The David Gemmell Legend Award Nominees for Best Fantasy Novel of 2010

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gemmell2

The nominations for the David Gemmell Legend Award for Best Fantasy Novel of 2010 have been announced by the DGLA.  They are:

  • The War of the Dwarves – Markus Heitz (Orbit)
  • The Alchemist in the Shadows – Pierre Pevel (Gollancz)
  • Towers of Midnight – Brandon Sanderson & Robert Jordan (Tor USA//Orbit)
  • The Black Prism – Brent Weeks (Orbit)
  • The Way of Kings – Brandon Sanderson (Gollancz/Tor USA)
  • The Desert Spear – Peter V. Brett (Voyager)

The Legend Award for Best Fantasy Novel was first granted in 2009, to Andrzej Sapkowski’s Blood of Elves. Last year’s winner was Empire, by Graham McNeill.

The DGLA also gives out The Morningstar Award for Best Fantasy Newcomer, and The Ravenheart Award for Best Fantasy Cover Art.

The David Gemmell Legend Award is a fan-voted award administered by the DGLA. Yes, that means you can vote. The complete list of nominations is at the DGLA website. Voting is now open, so stop by and vote for your favorite!

Charlene Brusso Reviews May Earth Rise

Charlene Brusso Reviews May Earth Rise

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mayearthriseMay Earth Rise
Holly Taylor
Medallion Press (485 pages, $15.95, October 2009)
Reviewed by Charlene Brusso

Does the world need another Arthurian fantasy series? There are as many versions of the story of King Arthur as there are authors to tell it. This is the fourth novel (following Night Bird’s Reign, Crimson Fire, and Cry of Sorrow) in Taylor’s muscular epic fantasy Dreamer’s Cycle, which blends Arthurian myth with Celtic legend in a Dark Ages setting. Arthur is a High King without a kingdom, threatened by one Havgan, a Coranian warleader from across the sea (think Saxons) who’s devoted to Lytir, the One God, and feels it’s his duty to kill all the witches.

As the novel opens Arthur is plotting to rescue the Y Dawnus, the magic-wielding druids, seers, sorcerers and bards whose powers are necessary to sustain Kymru, Arthur’s empire. Taylor casts Arthur as a master strategist who first offers Havgan a chance to leave Kymru – and the Y Dawnus – or stay and die. Havgan, a determined aggressor, and overconfident to boot, refuses to leave. Arthur is surrounded by a large cast of characters – minor kings who once ruled various parts of Kymru, some displaced druids who’ve broken away from the Archdruid after he sided with Havgan, and various friends and relations.

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Art of the Genre: The Fighter

Art of the Genre: The Fighter

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My stolen hero, Sir Alec Fleetwood, by Jeff Easley circa 1983
My stolen hero, Sir Alec Fleetwood, by Jeff Easley circa 1983
Do you ever wonder why we fight? What is it in our DNA that makes us want to pound something if the mood strikes? I suppose I’d say it’s simple human nature, because what other reason makes sense? I mean, I always hated the saying ‘boys will be boys’ and yet when my son was two I took him to a park to play and got an odd wake-up call. You see, my wife and I took every pain and precaution to be sure that he never, ever, saw or was around a gun, and yet he walked right up to two abandoned squirt guns, lifted them up like he was in a John Woo movie and started pretending to shoot stuff. Seriously, I was looking around for the release of doves and a slow motion jump from the slide to the sand-pit.

I guess at our very core there’s a fighter in all of us. It’s probably the reason why Jon Schindehette over at ArtOrder was so surprised with the response to his art request for an ultimate fighter art composition. People just plain like human fighters, and the numbers involved in the impetus of the competition hold to that fact.

Certainly, the groundwork for many a gamer starts with the fighter. He’s essentially the ‘easy one’, the character class you give the new player because all you have to do is swing a weapon and hope the dice are lucky. There are no magic spells to learn, no prayer lists, holy symbols, or thieves tools. It’s just put on some armor, grab a sword, and go, and you know, I really love that!

So, when I started my rather epic quest in the realms of RPGs, just like discussed in my discourse on Basic D&D’s Red Box, I of course played a fighter. As a matter of fact, I was so obviously unoriginal, I stole Frank Mentzer’s Sir Fleetwood name example right along wth Jeff Easley’s image for the fighter I wanted to play and went from there.

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May/June Fantasy & Science Fiction Magazine Now on Sale

May/June Fantasy & Science Fiction Magazine Now on Sale

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may-june2011coverThe May/June double issue of Fantasy & Science Fiction goes on sale today.

Editor Gordon van Gelder tells us:

It’s pretty rare for us to have a family reunion in F&SF, but this issue has a piece about reuniting with one of our founding editors. (Our next issue will actually have a story starring another one of our editors.) There’s a lot of music in this issue, several strange forms of life, and a talking dog. Another can’t miss issue, in other words.

This issue features the novella “Rampion” by Alexandra Duncan, and two novelets: “Black Mountain” by Albert E. Cowdrey, and “Music Makers” by Kate Wilhelm, plus short stories by Chet Williamson, Steven Popkes, Don Webb, Carter Scholz, Scott Bradfield, S. L. Gilbow, Ken Liu, and two (!) by Robert Reed.

The Special Feature this issue is “Jesse Francis McComas: The Traveller Returns” by Maria E. Alonzo. The issue also contains an editorial by Gordon Van Gelder, book columns by Charles de Lint and Chris Moriarty, “Plumage From Pegasus: Building a Readership” by Paul Di Filippo, a film column by Kathi Maio, and a Curiosities column by the late F. Gwynplaine MacIntyre.

F&SF is published six times a year; issues are a generous 258 pages.  It is the longest-running professional fantasy magazine in the country, and has been published continuously since 1949. It is a great way to sample some of the fast-rising new names in fantasy.

The cover price is $7.50; one year-subscriptions are a bargain at $34.97, and include the giant October/November anniversary issue. You can order subscriptions and browse their blog at www.sfsite.com/fsf/.

The cover this issue is by Tomislav Tikulin. We covered the March/April issue here.

Welcome to Bordertown: Part the Third of a Brobdingnagian Review

Welcome to Bordertown: Part the Third of a Brobdingnagian Review

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bgbordertownDon’t you believe for a nanosecond that the reason I didn’t finish up this Welcome to Bordertown blog was because I didn’t finish the book. Not for the flicker of a fly’s eye!

The trouble is, as soon as I finished it, I had to go and read the other Bordertown books: Will Shetterley’s Elsewhere and NeverNever, followed by Emma Bull’s Finder. I even started The Essential Bordertown, and it is bliss! Bliss, I tell you! I even had a Long Lankin dream.

Don’t know what a Long Lankin is? Boy oh boy. Dark magic, that. Am I gonna tell you all about it? NO! You must read these books for your own sweet selves!

But now that I’m mostly done with my huge Bordertown stack o’ goodies and am calming down some, I figured I should probably wrap up this, for lack of a better word, “review,” the first two parts of which can be read here and here, for those of you whose patience stretches even unto eternity.

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How I Spoiled My Own Bad Guys with Unexpected Success

How I Spoiled My Own Bad Guys with Unexpected Success

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el_greco_view_of_toledo. . . not that I mind, really.

I’m getting prepared to go on vacation in my own hometown, staying in a hotel a mere five miles from my current apartment. That’s what you get when you win a free trip to Hollywood . . . and you live in Century City (a.k.a. “Beverly Hills Adjacent”).

I am getting good mileage out of that joke, believe me. For this year’s Writers of the Future and Illustrators of the Future workshop and award ceremony, people are being flown into Los Angeles from as far away as Perth in Western Australia and Johannesburg in South Africa. As for me: a right turn, a left, another right, another left. With good traffic, sixteen minutes, or so declares the Lords of MapQuest. I don’t know if I’ve ever gotten to Hollywood in under sixteen minutes, but I tend to travel there during peak hours.

But what’s this post really about, since I imagine most of you do not dial into the Black Gate frequency to hear my driving reports?

First, it’s to explain why I might not have a post up next Tuesday, which is the start of the workshop week for winners of the Writers of the Future Contest. Second, it’s to shamelessly plug the upcoming Writers of the Future Vol. 27, in which I’ll be making my professional fiction-writing debut with my story “An Acolyte of Black Spires.” The anthology’s unveiling will be on Sunday, May 15, but the book won’t be on sale at bookstores and online outlets until the next month. None of the contributors have even seen the cover yet, nor have we seen the illustrations for our individual stories. (There’s apparently a special procedure for that.) The ceremony on the 15th at the Hollywood Roosevelt Hotel will stream live through the Writers of the Future website, in case anybody cares to see what I look like in a tux. Also, I have a few people on the Black Gate team I plan to mention in my speech. So, John, Howard, and Bill . . . you might want to tune in. Just saying.

But what I really want to talk about is the bizarre nature of “short story order.” When I first set out to write short stories in a series, I knew I would not have much control over the order in which they appeared. I’ve read enough on pulp history to understand how that works. However, 1) I never expected to sell any of these stories; and 2) I would never have imagined that this particular one would be the first in the series to appear.

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