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Year: 2009

The Call of Cthulhu Movie, 2005

The Call of Cthulhu Movie, 2005

the_call_of_cthulhu_dvd_coverDirected by Andrew Leman; starring Matt Foyer, Chad Fifer, Noah Wagner, Ramon Allen Jr., and Ralph Lucas.

I cannot say I’ve ever been impressed with any film I’ve seen purporting to be based on a story by H.P. Lovecraft, as they have all tended to stray pretty far from what makes Lovecraft’s stories interesting in the first place. And they generally show the limits of their budget as well as being both poorly shot and acted. But then I heard about this little gem, distributed by the H.P. Lovecraft Historical Society, that adapts Lovecraft’s foundational short ‘The Call of Cthulhu’ in as loyal and accurate a way as possible. Not only that — and here’s the really interesting bit — the movie itself is a black and white silent film, as if it had been filmed at the time of the story’s publication in the 1920s.

The choice to make this a silent film was a smart one. Firstly, it does help evoke the period of Lovecraft in a way no film before it ever has (all of the ones I’ve ever seen where contemporary pieces, for a start), and also makes it feel like a world apart from our own. In leaving some things unseen and unsaid, and in creating an at times stylized environment, this film activates the viewer’s imagination to fill in the blanks — and speeches or effects which would seem silly or dreadful when laid bare in a modern film are instead left in the shadows. In surmounting the very limited budget for this project, the choice could not have been better.

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Howard Andrew Jones and the WSJ

Howard Andrew Jones and the WSJ

swords21Eric Knight scooped me by breaking the news below, but I thought this was worth making a little noise about.

BG Managing Editor Howard Andrew Jones has been quoted extensively in today’s edition of the The Wall Street Journal, in reporter John J. Millar’s lengthy article on the Harold Lamb revival, “Shepherding a Lamb’s Lost Legacy” (available in its entirity here.) 

The article follows the completion of Howard’s eight-volume reprint series of Lamb’s work, now available from Bison Press and Amazon.com

Here’s the opening paragraphs:

“Imagine rummaging through an old stack of pulp magazines and coming across a lost story called ‘The Three Musketeers’ by Alexander Dumas,” says Howard Jones. “If nobody had heard of it, you’d feel compelled to tell people what they were ­missing.”

That’s how Mr. Jones, a writing teacher at the University of Southern Indiana, likens his discovery of Harold Lamb’s historical-adventure fiction. For years, he has tracked down dozens of obscure tales and ­novellas by Lamb. This literary search-and-rescue mission has led to a small boom in the ­author’s popularity. Lamb won’t ever achieve the rank of Dumas, but he may yet win some well-deserved ­posthumous recognition. 

And Mr. Miller closes with:

Lamb’s obituaries in 1962 barely mentioned his fiction. By then, the cheap magazines that had published his yarns were long forgotten except by a few passionate collectors. Like a burial mound’s hidden hoard of treasure, they lay undisturbed, awaiting their rediscovery by Mr. Jones—and now a growing band of admirers.

Once again Howard beats me to one of my life-long ambitions, getting quoted as an expert in the WSJ, and manages to make it look easy.  Fitting with my long and warm friendship with Howard, my immediate reaction was “Rat Bastard!  He’ll pay!”

But until that day – congratulations Howard!

Serpent of Hellas

Serpent of Hellas

On this date, August 27th*, nearly 2500 years ago, the straits of Artemisium came alive with the creak of oar-locks and the bellow of horns. Countless voices raised the paean, the battle-hymn of Athena, to the heavens. As the song reached its crescendo bronze-sheathed rams found their marks, splintering hulls and snapping oars. And so began the Greeks’ three-day clash against the numerically superior armada of Great King Xerxes of Persia, for control of the waters off the northern shore of Euboea—and ultimately, for control of Hellas, itself.

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Review Roundup

Review Roundup

With summer waning, I wanted to take a moment to provide thumbnail reviews of things many of you should find of interest.

DVD

rome1Rome – Pretty much a must-see for any fan of sword-and-sorcery or historical fiction. As far as I’m concerned, the two genres are closely related, and I’m sure a fan of either will be a fan of this.Not for the faint-of-heart due to sex and violence… but extremely well written and acted. The story arcs get more and more compelling the deeper into the series you watch. I haven’t been this caught up in a TV series since a friend loaned me the Firefly boxed set.

 

BOOKS

blood-of-ambroseBlood of Ambrose – It should come as no small wonder that I enjoyed James Enge’s first Morlock novel. I’ve been a fan of his work since his first appearance in Black Gate. Good stuff, brimming with brilliant world building, witty characters, and swordplay and foul sorcery.

Bill Ward and I are planning an in-depth look at some of the fine work coming out from the Warhammer game publisher, and I wanted to provide a sneak peek of the goodness we found within.

 

blackheartsBlackhearts Ominbus – I’m halfway through Nathan Long’s collection and have loved every minute of it. A dirty dozen type series in a fantasy land, with flawed but likable characters, fabulous pacing, and great action sequences. I have the suspicion that the rest of it will hold up just as well.

 

eisenhornEisenhorn Omnibus– Dan Abnett wasn’t satisfied with creating a fabulous lead character in an action-packed space opera; he sent him to fantastic places and provides a series of detective/investigative stories full of logical turns, surprises, and plenty of action.

 

 

witch-hunterWitch Hunter Omnibus – I finally got to read C. L. Werner’s first two Mathias Thulman books, full of Gothic menace and brooding castles. I would never have guessed that I would be rooting for a witch hunter, but Werner pulls it off, and delivers plenty of surprises along the way.

 

 

GAMING

travellerMongoose Games has a license for Traveller, and the core book and first supplements (High Guard and Traders and Gunboats) have been well-handled. I look forward to seeing what more they have planned.

 

 

 

cortexCortex System Role Playing Game, from Margaret Weis games, is the engine behind their Firefly game. It’s a slim, elegant-looking system, and will be reviewed in-depth in the next issue of Black Gate.

 

 

level-upGoodman Games has a new magazine, Level Up, that seems at least partly inspired by the original Dragon. Adventures and articles on game play and character interaction are included within. We’ll be reviewing in-depth next issue, but my initial impression is one of delight.

Howard Andrew Jones

The “Other” Harryhausen: The 3 Worlds of Gulliver

The “Other” Harryhausen: The 3 Worlds of Gulliver

3_worlds_of_gulliver_posterThe 3 Worlds of Gulliver (1960)
Directed by Jack Sher. Starring Kerwin Mathews, June Thorburn, Grégoire Aslan, Basil Sydney, Jo Morrow, Sherri Alberoni, Peter Bull.

First there was the Dynamation spectacle of The 7th Voyage of Sinbad. Then there was Mysterious Island. Then the miracle of Jason and the Argonauts, and… wait, I seem to have skipped one. Oh yes, The 3 Worlds of Gulliver, made right after Sinbad. Now how did that one slip away?

Among the “Core Ten” Harryhausen films, the ten color fantasy and period science-fiction pictures he made between 1958 and his retirement in 1981 (all but one produced with Charles H. Schneer), The 3 Worlds of Gulliver gets the least amount of love now. For most of the 1980s, it was probably the unfortunate The Valley of Gwangi that suffered the most neglect, but that was because of its unavailability on video. (The weird name wasn’t helping it either; it certainly wasn’t the filmmakers’ first choice for the title.) Today, The 3 Worlds of Gulliver has turned into something of “the other movie” in the list of Harryhausen classics, even though it came out in 1960 fresh after the smash global success of The 7th Voyage Sinbad and featured that movie’s star, Kerwin Mathews, and its composer, Bernard Herrmann. In fact, Herrmann’s score is well-loved and appreciated among music fans through multiple re-recordings, but those same music lovers often haven’t watched the movie that inspired the music.

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Regarding Two Earlier Posts

Regarding Two Earlier Posts

Regarding two earlier posts:

In reporting the demise of Jim Baen’s Universe, I started wondering about the habit in genre fiction to use a famous author as a brand or a subgenre. There’s a line of “Ray Bradbury Presents” paperbacks, and then, of course, there’s Asimov’s and Alfred Hitchcock magazines. This doesn’t happen in mainstream fiction. As far as I know, there’s no Hemingway’s or “Shakespeare Presents” or T. C. Boyle Digest.

And what’s with this “nines” thing? In addition to those nines I’ve already mentioned, along comes The Law of Nines from Terry Goodkind.

I guess the sequels will be called “18.”

An Interview with Midnight Syndicate mastermind Ed Douglas

An Interview with Midnight Syndicate mastermind Ed Douglas

The Dead Matter

Yes, my goth friends, there is a Santa! The highly creative people over at Midnight Syndicate are finally delivering on my personal wish list in the form a movie, The Dead Matter. Best known for creating amazing soundtracks to your worse nightmares, Ed Douglas and company are raising the stakes (or should I say “driving in the stakes”?) with this spine-tingler due out later this year. If their latest CD, The Dead Matter, Cemetery Gates is any indication, you won’t want to miss this cinematic horror extravaganza that mixes all the best elements of a classic, 1930’s monster movie, with your favorite bits from the 80’s. And if you’re listening to a Midnight Syndicate classic as you read this article, you’ve got something in common with Hugh Hefner! Read on to learn more as we clear the cob webs and sit down for a chat with the masterful music and movie creator, Ed Douglas.

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The Ham-Sized Fist Award

The Ham-Sized Fist Award

fist-bigA while back I talked about The David Gemmell Legend Award, given this year for the first time to a fan favorite novel of heroic fantasy. Like most fans of adventure-oriented secondary world fantasy, I was used to seeing writers and books I liked pretty much ignored when it came to awards — so the Gemmell Legend Award came as a pleasant and welcome surprise. Well, seems another award for our fair sub-genre is also getting its start this year, one that specifically looks at sword & sorcery and heroic fantasy short fiction — The Ham-Sized Fist Award.

Boasting a (currently) 800 dollar prize split between author and publisher, and a name no one is likely to forget, The Ham-Sized Fist Award was founded by editor Jeff Crook with the intention of recognizing excellence in the rather neglected field of short form  heroic fantasy. It’s open to any works published in 2009 in print or electronic venues that use an editorial process for selection. So far, works from Black Gate, Beneath Ceaseless Skies, Flashing Swords, Heroic Fantasy Quarterly, Black Dragon, White Dragon, and Rage of the Behemoth, among others, have been nominated.

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Short Fiction Beat: Tale of Two Magazines

Short Fiction Beat: Tale of Two Magazines

Well, here we are in Web 2.0 (whatever that exactly means), print magazines are supposedly dying (even as they are being resuscitated, c.f., Realms of Fantasy) and people still aren’t quite sure how to make the on-line magazine model work.  One problem is that, if you’re like me, you don’t like reading stories on a screen.  You like to lay down on your favorite couch and turn pages.  Of course, if you’re like my daughter, it’s not an issue — when she asks me if I’ve read an article that was in The New York Times, I know without asking that she’s referring to an on-line article.

table_of_contents__jim_baen_s_universe__volume_4__So, here’s the bad news/goods news.  First the bad news. A little while ago, Jim Baen’s Universe announced that after four years it was closing down. The short explanation was, not a surprise given the “information is free” mentality of the Internet, subscriptions couldn’t sustain a magazine that sought to maintain professional print standards (i.e., actually paying authors competitive rates for their work).  Everyone, including The New York Times is trying to figure this one out, and one approach has been to not pay writers. Not surprisingly, frequently you get what you pay for.

As for the good news, Strange Horizons, which has had great success with a sort of public radio/tv fund drive donation model, has exceeded its 2009 Fund Drive goals way ahead of schedule (though you can still contribute, by the way).sh_head

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